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ESTABLISHED Iu2
LAWRENCE, f,;/.SS.
THE DIAL
Semi- Monthly Journal of
Literary Criticism, Discussion, and Information
VOLUME L
JANUARY 1 TO JUNE 16, 1911
CHICAGO
THE DIAL COMPANY, PUBLISHERS
1911
INDEX TO VOLUME L.
PAGE
AMHERST IDEA, THE . . ., .-.""." 461
ANCIENTS ILLUMINATED, THE Grant Showerman 121
ART, MODERN, A CRITICISM OF Edward E. Hale, Jr. . . . . 46
BALZAC, THE GENIUS OF Lewis Piaget Shanks 90
BIBLE TERCENTENARY, THE 287
BROWNING'S PERSONALITY, NEW LIGHT ON . . . . . Anna Benneson McMahan . . . 207
CENSORSHIP OF FICTION, AND SOME OTHER MATTERS . . E. H. Lacon Watson . . . . 296
CHANCELLORSVILLE, A NEW STUDY OF James M. Garnett 216
CHESTERTON'S GARGOYLES Edith Kellogg Dunton .... 352
CHINA COLLECTOR, TRAFFICS AND DISCOVERIES OF A . . Edith Kettogg Dunton .... 475
CRITICISM, THE NEW . 249
CULTURE AND BUSINESS James Taft Hatfield .... 11
DICKENS, DIVERTING DISSERTATIONS ON Percy F. Bicknett 214
DISRAELI'S EARLIER CAREER Lawrence M. Larson .... 13
DRAMA, ELIZABETHAN AND JACOBEAN Lane Cooper ....... 302
DRESS IN ENGLAND, CURIOSITIES OF Arthur Howard Noll .... 394
EDUCATION, IDOLS OF 333
EDUCATION, MODERN, PROBLEMS OF Joseph Jastrow 341
EDUCATIONAL REFERENCE WORK, A GREAT M '. V. O'Shea 349
EDUCATIONAL SYSTEM OF THE ELDER MR. WELLER . . Charles Leonard Moore . . . 335
EMPIRE-BUILDKR, THE LIFE OF AN Percy F. Bicknett 44
ENGLISH AND SCOTTISH RAMBLES OF A POET Percy F. Bicknell 391
FICTION, RECENT William Morton Payne, 91, 266, 442
FOLK-SONGS, AMERICAN Albert H. Tolman 261
FRENCH REVOLUTION, A FRENCHMAN'S STUDY OF THE . . Fred Morrow Fling 212
FRENCH REVOLUTION, LORD ACTON ON THE Henry E. Bourne 476
FRENCH SINGERS OF THE OPEN AIR, SOME Warren Barton Blake .... 427
GERMANY, MENACE OF, AN AMERICAN VIEW OF THE . . David Y. Thomas 265
GOLDSMITH, OLIVER, NEWLY EXPLAINED Edward Payson Morton . . . 472
GREEK POETRY, DISENGAGING THE ESSENCE OF .... Fred B. R. Hellems 346
HEARN, LAFCADIO, LAST LETTERS OF Frederick W. Gookin .... 9
HEINE, THE MEMOIRS OF . . James Taft Hatfield .... 160
HIGGINSON, THOMAS WENTWORTH , 375
IRELAND, LYRIC Louis James Block 122
LA FARGE, JOHN, A FRIEND'S PORTRAIT OF Frederick W. Gookin .... 385
LAWS, THE NEEDLESS MAKING OF David T. Thomas 393
" LET Us HAVE PEACE ! " Grant Showerman 300
LIBRARIANS' CONFERENCE AT PASADENA, THE 433
LIBRARY IN THE COMMUNITY, PLACE OF THE Helen E. Haines 463
LIBRARY MACHINERY vs. HUMAN NATURE 75
LIBRARY PRESS OF 1910, ECHOES FROM THE Aksel G. S. Josephson .... 77
LIFE, A PHILOSOPHY OF T. D. A. Cockerett 304
LITERATURE, ENGLISH, IN SHAKESPEARE'S LIFETIME . . James W. Tupper 156
LITERATURE, THE APPROACHES TO . . ..'.. . ;... '.".'. 425
LORDS OF THE OCEAN, EARLIEST . . . . . '.j.v . . Josiah Renick Smith i''. . . 159
MOLIERE, THE LATEST STUDY OF, IN ENGLISH . . . . F. C. L. van Steenderen . . . 125
NATURE'S OPEN SHOP . ' . May Estette Cook 438
NINETEENTH CENTURY, FOUNDATIONS OF THE '.-If- Carl Becker 387
NOVEL, THE MODERN, AND ITS PUBLIC . j- .. '*/ . E. H. Lacon Watson .... 150
OPERA, CHICAGO, THE .^T V v 35
PATER, WALTER Lewis Piaget Shanks , . . . 289
PENNSYLVANIA LN HISTORY Charles Leonard Moore ... 85
PITT, ELDER, RISE OF THE a ~'', .'.- . . . Laurence M. Larson .... 263
PLAYS, THREE, FOR ICONOCLASTS . . . .--^ ."-.:. . . . Edith Kellogg Dunton .... 257
POE, AN ENGLISH ESTIMATE OF ... ? * */2*J : . ! '. . . . Charles Leonard Moore ... 16
POE'S USE OF THE HORRIBLE .... ;.-lv : :.;.:., . . . William B. Cairns . . , . . 251
POEM, A FAMOUS, AND ITS AUTHOR . . . . .;? 377
POEMS, A GROUP OF LONG . . . ..7 . 1>, . ^.. . . . William Morton Payne . ... .. 53
POETS, MISGUIDED ,. -.a . i*. . 1 .'.-.. ... ..i^.^v: . 113
IV.
INDEX
POETRY RECENT William Morton Payne . . . 162
PRE-RAPHAELITES AND OTHER VICTORIAN CELEBRITIES . Percy F. Bicknell 345
PUBLISHER, A FAMOUS, OF THE EIGHTEENTH CENTURY . Edward Pay son Morton ... 51
PUBLISHER OF THE OLD SCHOOL, A Percy F. Bicknell 154
PUBLISHING AND PUBLISHERS Percy F. Bicknell 259
QUEBEC, THE HERO OF Lawrence^ J. Burpee 87
RACE ADJUSTMENT, PROBLEMS OF Kelly Miller ^. . 209
Six MILLION YEARS, A HISTORY OF T. D. A. Cocker ell 88
SOCIAL TENDENCIES IN ENGLAND AND AMERICA . . . . H. Parker Willis 354
SOUL'S STRUGGLE INTO THE LIGHT, A Percy F. Bicknell 299
STAGE CHILDREN 145
SPIELHAGEN, FRIEDRICH
SPAIN, AN IMPRESSIONIST IN George G. Brownell 127
SPAIN OF TO-DAY Warren Barton Blake .... 308
STEPHENS PRISON DIARY, THE W. H. Johnson 158
STEVENSON LETTERS, THE NEW Henry Seidel Canby .... 436
STOCK, TAKING
SYNGE, JOHN, AND His PLAYS Warren Barton Blake .... 37
TALE OUTWORN, NEW TELLERS OF A Allen Wilson Porterfield . . . 306
TOLSTOY, ROMANCER AND REFORMER Percy F. Bicknell 83
TRAVELS IN Two HEMISPHERES Percy F. Bicknell 439
" UNCLE TOM'S CABIN " AND ITS AUTHOR William B. Cairns 469
VEGETARIAN BIOLOGY . Raymond Pearl 128
VICTORIAN ROMANCER, AN EARLY Clark S. Northup 119
VIRGINIA, COLONIAL, MEN AND MANNERS OF Walter L. Fleming 48
WANTED : A HANDBOOK OF CRITICISM Charles Leonard Moore . . . 201
WASTE AND CONSERVATION Charles Richmond Henderson . 18
WOMAN, THE FUTURE OF T. D. A. Cocker ell 470
ANNOUNCEMENTS OF SPRING BOOKS, 1911 223
CASUAL COMMENT 5, 41, 79, 115, 147, 203, 253, 292, 337, 379, 430, 465
BRIEFS ON NEW BOOKS . ... ... . . . 20, 56, 95, 129, 168, 217, 270, 309, 355, 396, 445, 477
BRIEFER MENTION 23, 59, 98, 220, 274, 312, 358, 399, 450, 481
NOTES 24, 60, 99, 132, 170, 222, 274, 312, 359, 400, 451, 482
TOPICS IN LEADING PERIODICALS . . s 25, 99, 171, 276, 364, 451
LISTS OF NEW BOOOKS 25, 61, 100, 133, 171, 235, 276, 314, 364, 401, 452, 483
EDUCATIONAL BOOKS OF THE SPRING 360
CASUAL COMMENT
PAOK
Academia della Crusca, The Centenary of the 117
Academicians, Two New 205
Adjective, Misused, A 340
A. L. A. Conference, The 340
A. L. A., the, and the N. E. A., Cooperation between. 466
A. L. A., Publishing Record of the 467
American Literature, Why There Is Yet No 149
Amherst's Librarian, The Resignation of 433
Apponyi, Count, and Kossuth 205
Archives, National, The Perilous State of Our.... 381
Astor Library, The Close of the 340
Autobiographical Audacity, A Delightful Bit of 147
Biographies in Brief, Twenty Thousand 43
Bibliographer's Task, The 5
Blind, Literary Favorites of the 148
Book Exhibitions at County Fairs, Effect of 81
Books One Would Like to Own 339
Book-stealing, Discouragement of 8
Book Thieves Before the Children's Court 432
Book Values, Six Million Per Cent Increase in 380
Brett, George P.: A Publisher of Intuition 253
Bulls and Bears on the Literary Exchange 468
Byron Manuscript, The Story of a 81
California County Librarians, Appointment of 382
Canada, A National Library for 203
Carlyle House at Ecclef echan, The 205
Carlyle on Some of His Contemporaries 148
Carnegie Library, The Tardy Acceptance of a 82
Censorship, Amateur, of Current Literature 80
Children's Book, Test of a Good 379
Class-day Rejuvenescence of the Gray-beard Alumnus 382
Classical Scholar, An Eccentric and Ascetic 6
Collector's Mania Extraordinary 382
College Journalism, The Increasing Dignity of.... 7
"Complete Works" Department, A 295
Connecticut State Library Building, The New 380
Copyright Act, Canadian, The Proposed 339
Copyright Bill, English. The Pending 41
Copyright Laws, Our How They Impress an Outsider 203
Criminal's Taste in Literature, The 80
Criticism, Mr. Brownell on 340
Dartmouth's Plans for a New Library Building. . . . 382
Dickens Family, A Wound to the Pride of the 295
Drama of Ideas, A Stern Arraignment of the 337
Drama, Our Current, The Inanity of 42
Dual Personalities, Literary and Other 80
Editorial Record, An Extraordinary 8
Education and Efficiency 81
Eggleston, George Cary, Death of 338
Emerson's Undemonstrative Generosity 148
"Encyclopaedia Britannica," The New, as Summer
Reading 433
INDEX
v.
Fairies. Mr. Maurice Hewlett's Faith in 295
Fogazzaro's Genius, The Late Ripening of 253
Foreigner. Literary Assistance to the 255
Foss, Sam Walter: Librarian, Poet and Humorist.. 204
France, The Humanities in ... ^. 205
French Epic of Heroic Proportions, A 150
French Novelists. An Incentive to 256
Galton, Sir Francis 117
Gilbert, Sir William S., The Genial 465
Grave-yard Poetry, Some Specimens of 431
Gray Herbarium. A New Library Building for the 433
Greek Scholar, A Modern 293
Grind. The, and the Genius 430
Government Documents. Humor in 149
Harvard Libraries. The Organization of 82
Headliner's Art, The 432
Hellenists at Oxford. The Triumph of the 7
Higginson, Colonel, A Forthcoming Memoir of 432
Higginson, Colonel, Eighty-seventh Milestone of. ... 42
Higginson, Colonel, Some Reminiscences of 430
Higginson Room, The, in the Cambridge Public
Library 433
Hill. Adams Sherman. Death of 42
Hippolytus. Mrs. Howe's 293
Hoe Library. Sale of the 296
Hoosier Farmer's Love of Books, The 253
Hope Deferred, A Notable Instance of 466
Human Greatness, The Mathematical Measurement of 379
Huth Bequest to the British Museum, The 150
Huth Library. Prospective Sale of the 116
Imagination. Untrammeled, The Advantages of 339
Indiana Library Legislation 382
India, Native Literature in 254
Indian Author, A Bohemian Tribute to an 256
Insect Book-lovers 115
"John Bullesses, My Idealed" 467
Johnson, Dr., London House of 380
Kildare, Owen: A Belated Genius 149
Kipling, John Lockwood 117
Language. A Highly Inflected. Advantage of a 465
Lexicographic Industry, A Marvel of 254
Librarianship : An Uncrowded Calling 147
Librarian's Qualifications, The Special 116
Librarians, Trained, The Demand for 294
Library Books by Special Delivery 8
Library Convention. The First National, in California 467
Library Legislation in Maryland, Recent 86
Library Management, An Age of Reason in 6
Library of Congress, Growth of the 81
Library's Governing Body. The Size of a 466
Library's Presiding Genius, A 380
Limited Edition. The 204
Lincoln. A Forced Interpretation of 115
Literary Celebrity, the Pains and Penalties of 254
Literary Lawsuit. An Interesting 296
London Library, Beginnings of the 338
Magazine Fund How to Make it go as Far as
Possible 296
Mankato, Culture in 149
PAGE
Marie-Claire, The Advent of 203
Materlinck. M., in Reflective Mood 382
Minnesota State Prison Library, The 381
Mispronunciation, Another Freak of 256
Myers. F. W. H., The Late 467
Newark Museum Association, The 7
Newspaper's Debt to the Public Library. The 253
New Theater. Duties of the 115
New York Library Building, Opening of the New.. 431
New York State Library, Destruction of the 292
Novel-Readers, The Morbid Sensitiveness of Some.. 204
Ohnet, Georges : A French E. P. Roe 294
"One Way Out," Infinite Variety of the 339
"Orchard House," The, at Concord 205
"Orchard House." More about the 337
Oxford, The Charm of 431
Pearsons, Daniel K.. The Valedictory of 340
Periodical, Unsuccessful, The Heroic End of an.... 6
Play-writing, Quantity and Quality in 147
Plots. The Persistence of 381
Poe Memorial Fund, Growth of the 433
Poet Laureate's Autobiography, A 150
Policeman, A New York. Literary Taste in 43
Polygrapher Extraordinary. A 116
Prize Dissertation. A Fruitful Subject for a 468
Prize-Story Writers, The Hopefulness of 467
Public Library, A New Department in the 294
Public Library as a Profitable Investment. The 116
Public Library, Increasing Importance of the 339
Recrimination. A Record of 203
Reich. Emil, Death of 7
River Wye Quest, The 465
Rome, Facilities for Study in 255
Roof -garden Reading-rooms for Boston 256
Seattle Public Library's Twentieth Annual Report. . 254
Serious Books, The Reader of 338
Sevenpenny Reprints, Success of the 255
Shakespeare, Mr. Shaw Pokes Fun at 42
"Spectator's. The." Bicentenary 150
Stevenson, Robert Louis, New Letters of 294
Stowe, Harriet Beecher. Centennial 465
Thackeray, The Modernity of 337
Thirteenth Census, Distinctive Features of the 432
Tolstoy's Desire of Seclusion 79
Traveling-Library Methods. A Reform in 431
Travelling Library, The Proper Ingredients of a. ... 81
Uncut Leaves. An Unexpected Agitator Against .... 255
Van Dyke's (Henry) Industry, By-Products of 6
Vulgarity in Literature, What Constitutes 381
Wagner's Forthcoming Autobiography 117
War and Poetry, The Connection Between 292
Ward. Elizabeth Stuart Phelps, Death of 115
Whitney, Henry Mitchell : Last of Four Gifted
Brothers 296
Whittier Poems. Some Newly Discovered 43
Women "Immortals," Anatole France on 43
Word. Haunting Associations of a 117
Writer. Successful. How to Be a 295
Yasnaya Polyana as an International Peace Memorial 82
AUTHORS AND TITLES OF BOOKS REVIEWED
PAGB
Acton, Lord. Lectures on the French Revolution . . . 476
"Adventure. An" 355
Albee, Helen R. The Gleam 299
Alexander. Kirkland B. The Log of the North
Shore Club 448
Ames, E. S. The Psychology of Religious Experience 20
Anderson, Melville B. The Happy Teacher 56
Anderson. Sir Robert. The Lighter Side of My
OflJcial Life 310
"Angell, Norman." The Great Illusion 300
Ashdown. Mrs. Charles H. British Costumes During
XIX. Centuries 395
Auerbach's Villa on the Rhine, Translated by James
Davis. New one-volume edition 312
Aulard. Alfred. The French Revolution 212
Avary. Myrta Lockett. Recollections of Alexander
H. Stephens 158
Babbitt. Irving. The New Laokoon 46
Baedeker, Karl. Eastern Alps, twelfth edition 450
PAGE
Baikie, James. The Sea Kings of Crete 159
Bagby. George W. The Old Virginia Gentleman .... 22
Bailey, L. H. The Country Life Movement 448
Bailey, L. H. The Outlook to Nature, revised edition 448
Baltzell. W. J. Dictionary of Musicians 312
Bangs, Mary Rogers. Jeanne d' Arc 306
Baring, Maurice. Diminutive Dramas 311
Barter. A. Scenes from Eighteenth Century Comedies 399
Barton. Mary. Impressions of Mexico 440
Baskervill. C. R. English Elements in Jonson's Early
Comedy 481
Beacon Biographies 98
Bell, Gertrude Lowthian. Amurath to Amurath .... 440
Belloc. Hilaire. On Something 396
Benson. Arthur Christopher. The Silent Isle 2O
Bensusan. S. L. Home Life in Spain 308
Betham-Edwards. M. B. French Men. Women and
Books 311
Bexell. J. A. Farm Accounting and Business Methods 481
VI.
INDEX
PAGE
Bigelow, John, Jr. The Campaign of Chancellors-
ville 216
Bigelow, Melville M. A False Equation 357
Bingham, Hiram. Across South America 440
Bisland, Elizabeth. Japanese Letters of Lafcadio
Hearn 9
Bjb'rnson's A Lesson in Marriage, translated by Grace
Isabel Colbrun .' 221
Borup, George. A Tenderfoot with Peary 439
Bracq, J. C. France iTJnder the Republic 168
Brandes, Georg. Ferdinand Lassalle 481
Branner, John C. Brief Grammar of the Portuguese
Language 98
Brooks, Robert C. Corruption in American Politics
and Life 271
Browne, Horace B. Short Plays from Dickens 59
Bruce, Philip A. Institutional History of Virginia
in the Seventeenth Century 48
Bryce, James. American Commonwealth. Third Re-
vised Edition 169
Burton, Richard. A Midsummer Memory 56
Butler, Arthur J. The Forerunners of Dante 19
Butler, Samuel. Life and Habit, and Unconscious
Memory, new editions 479
Castle, Agnes, and Castle, Edgerton. Panther's Cub 443
Chamberlain, Houston S. The Foundations of the
Nineteenth Century 387
Chase, Ellen. The Beginnings of the American Revo-
lution 481
Chase, J. Smeaton. Cone-bearing Trees of the Cali-
fornia Mountains 449
Chase, J. Smeaton. Yosemite Trails 445
Chesterton, Gilbert K. Alarms and Discussions 352
Chesterton, G. K. Appreciations and Criticisms of
the Works of Dickens 214
Children's Library of Work and Play 360
Chittenden, Hiram M. War or Peace? 301
Clinch, George. English Costume 394
Colby, Frank Moore. Constrained Attitudes 58
Columbia University Lectures on Literature 482
Colvin, Sidney. The Letters of Robert Louis Steven-
son 436
Cooper, Frederick Taber. The Craftsmanship of
Writing 480
Cortissoz, Royal. John La Farge 385
Coutts, H. T., and Stephen, G. A. Manual of Library
Bookbinding 218
Crane, R. T. The Utility of All Kinds of Higher
Schooling 11
Craver, H. W. Books by Catholic Authors in the
Carnegie Library of Pittsburgh 481
Crew, Helen Coale. Aegean Echoes, and Other Verses 166
Crook, William H. Through Five Administrations.. 22
Cunliffe, R. J. New Shakespearean Dictionary 23
Cutten, George B. Three Thousand Years of Mental
Healing 358
Dana, J. C. Modern American Library Economy. ... 24
D'Autremer, Joseph. The Japanese Empire 129
Davenport, Charles B., and Davenport, Gertrude C.
Elements of Zoology 358
Davis, William Stearns. The Influence of Wealth in
Imperial Rome 121
Dawson, Warrington. The Scourge 268
Dickens's Works. "Centenary" edition 399
Dickey, Luther S. History of the 103d Regiment,
Pennsylvania Volunteer Infantry 312
Dickie, James F. In the Kaiser's Capital 21
Dobbs, John F. From Bunker Hill to Manila Bay.. 312
Dole, Nathan Haskell. Memoirs of Bertha von
Suttner 56
Dustman, U. M. Book of Plans and Building Con-
struction 220
Dyer and Martin. Edison, His Life and Inventions. 129
Earhart, Will. Art Songs for High Schools 60
Eastman, Alexander. The Soul of the Indian 273
Eggleston, George Cary. Westover of Wanalah 267
Ellis, Havelock. The World of Dreams 398
Ellis, S. M. William Harrison Ainsworth and His
Friends 119
Ellwood, Chas. A. Sociology and Modern Social
Problems 59
Ely, Helena Rutherfurd. The Practical Flower
Garden 446
Emerson's Journals, Volumes III. and IV 2J.8
Enock, C. Reginald. Farthest West 97
Farnol, Jeffery. The Broad Highway 267
Fearn, Frances. The Diary of a Refugee 21
PAGE
Ficke, Arthur D. The Breaking of Bonds 54
Field, Eugene, Poems of. Single volume edition.... 23
Fisher, Sophie. The Imprudence of Prue 444
Fitz-Gerald, John D. Rambles in Spain 308
Flandrau, Charles Macomb. Prejudices 477
Flecker, James Elroy. Thirty-six Poems 163
Flamini, Francesco. Introduction to the Study of
the Divine Comedy 98
Fogazzaro, Antonio. Leila 445
Ford, Webster. Songs and Sonnets 165
Forman, Henry James. In the Footprints of Heine. 169
Forman, Henry James. The Ideal Italian Tour.... 448
Forman, H. Buxton. Letters of Edward John Trelaw-
ney 270
French, Allen. The Siege of Boston 272
Frenssen, Gustav. Klaus Hinrich Baas 444
Frohman, Daniel. Memories of a Manager 479
Fuller, Thomas E. Cecil Rhodes 44
Gade, John A. Cathedrals of Spain 478
Gales, R. L. Studies in Arcady 168
Galpin, Francis W. Old English Instruments of
Music 396
Galsworthy, John. The Patrician 442
Garber, John Palmer. Annals of Educational Prog-
ress in 1910 356
Garrison, Theodosia. The Earth Cry, and Other
Poems 167
Garstang, John. Land of the Hittites 96
Geddes, J., Jr., and Wilkins, E. H. Manzoni's I
Promessl Sposl 358
Gigliucci, Valeria. Clara Novello's Reminiscences... 130
Gilman, Charlotte Perkins. The Man-made World.. 471
Graves, Charles L. Life and Letters of Alexander
Macmillan 154
Griffin, W. Hall, and Minchin, Harry C. Life of Rob-
ert Browning 206
Griffls, William Elliott. China's Story 481
Groscup, George E. A Synchronic Chart and Statis-
tical Tables of United States History 221
Guest, Montague J. Lady Charlotte Schreiber's Jour-
nals 475
Guitteau, William Bachus. Government and Politics
in the United States 481
Hall, G. Stanley. Educational Problems 341
Hall, Sharlot M. Cactus and Pine 167
Hall, Thomas C. History of Ethics Within Organ-
ized Christianity 219
Halleck, Reuben Post. History of American Litera-
ture 481
Harben, Will N. Dixie Hart 94
Hare, Christopher. The Romance of a Medici War-
rior 220
Haring, C. H. The Buccaneers in the West Indies.. 220
Harris, Virgil M. Ancient, Curious and Famous
Wills 480
Harry, Joseph Edward. Sophocles' Antigone 400
Hart, Albert Bushnell. The Obvious Orient 397
Hartley, C. Gasquoine. Things Seen in Spain 308
Headley, John. Tramps in Dark Mongolia 96
Henderson, Archibald. Mark Twain 396
Herbert, A. S. The First Principles of Heredity 60
Herkomer, Hubert von. The Herkomers 58
Hicks, Seymour. Twenty-four Years of an Actor's
Life 272
Higginbotham, John U. Three Weeks in the British
Isles 441
Hills, Elias C., and Morley, Silvano G. Las Mejores
Poesias Liricas de la Lengua Castellana 358
Hittell, Theodore H. The Adventures of James Capen
Adams 446
Hobson, J. A. A Modern Outlook 354
Hollander, Jacob H. David Ricardo 481
Holme, Chas. Peasant Art in Sweden, Lapland, and
Iceland 98
Howard, William Guild. Laokoon 24
Hueffer, Ford Madox. Memories and Impressions... 345
Hunt, William, and Poole, Reginald L. Political
History of England 273
Husband, Joseph. A Year in a Coal Mine 357
Husband, M. F. A. A Dictionary of Waverley Charac-
ters 24
Hutchinson, Horace G. A Saga of the "Sunbeam".. 441
Hyatt, Stanley Portal. People of Position 93
Jackson, Vincent. English Melodies 450
James, George Wharton. Heroes of California 131
James, Grace. Joan of Arc 306
Jepson, Willis Linn. The Silva of California 221
INDEX
vu.
PAGE
Jerrold, Lawrence. The Real France 309
Jervis, W. P. A Pottery Primer 399
Johnson, Rossiter. History of the Civil War, revised
and enlarged edition 221
Johnston, Harry H. The Negro in the New World.. 209
Johnston, R. F. Lion and Dragon in Northern China 130
Joline, Adrian Hoffman. Edgehill Essays 397
Jones. S. Carleton. Out of Drowning Valley 94
Jordon, David Starr. The Call of the North 24
Jordon, David Starr. Ulrich von Hutten 24
Jonrdan. Philip. Cecil Rhodes 217
Karpeles, Gustav. Heinrich Heine's Memoirs 160
Kennedy, Chas. W. Poems of Cynewnlf 59
Kester, "Vaughan. The Prodigal Judge 269
King, Leonard W. History of Sumer and Akkad. ... 97
Kirkham, Stanton Davis. East and West 438
Knight, William. The Glamour of Oxford 221
Krehbiel, Henry Edward. The Pianoforte and Its
Music 356
Lang, Andrew. The World of Homer 131
Lamed, J. N. A Study of Greatness in Men 311
Lamed. .1. N. History for Ready Reference, Second
Supplementary Volume 221
Lawton, Frederick. Balzac 90
Leacock, Stephen. Literary Lapses 132
Learning, Thomas. A Philadelphia Lawyer in the
London Courts 478
Lewisohn's, Ludwig. German Style 355
Library Economy, Modern American 400
Little, Archibald. Gleanings from Fifty Years in
China 477
Lloyd, Henry Demarest. Mazzini and Other Essays. 96
Lloyd, J. A. T. Two Russian Reformers 129
Lomax, John A. Cowboy Songs 261
Longford. Joseph H. Story of Old Japan 97
Longman's Historical Illustrations 221
Luffmann, C. Bogue. Quiet Days in Spain 127
Luquiens, Frederick Bliss. Three Lays of Marie de
France 450
Mackail, J. N. Lectures on Greek Poetry 346
Mackereth, James A. A Son of Cain 164
Mahan, A. T. The Interest of America in Interna-
tional Conditions 265
Mangold. George B. Child Problems 273
Marriott-Watson, H. B. Alise of Astra 267
Masefield, John. Chronicles of the Pilgrim Fathers. 481
Mason, Redfern. The Song Lore of Ireland 122
Mathews. John L. The Conservation of Water 19
Matthews, Brander. Moliere 125
Matthews, F. Schuyler. Familiar Trees and Their
Leaves, revised edition 450
Maude, Aylmer. The Life of Tolstoy 83
Mead, Edwin D. Mohonk Addresses 59
Meade, Rebecca Paulding. Life of Hiram Paulding. . 98
Meredith's Works, Memorial Edition 220
Meriwether, Lee. Seeing Europe by Automobile.... 441
Merrill, Charles E., Jr. Donne's Letters 221
Mitchell, Lewis. Life and Times of Cecil Rhodes. . . 44
Monroe, Paul. A Cyclopedia of Education, Vol. I ... 349
Monypenny, W. F. Life of Disraeli, Vol. 1 13
More, Paul Elmer. Shelburne Essays, seventh series 57
Moore, F. Frankfort. The Commonsense Collector. . 399
Moore. F. Frankfort. The Life of Oliver Goldsmith 472
Moulton, Richard G. World Literature 480
Mudge, Isadore G., and Sears, M. Earl. A Thackeray
Dictionary 24
Mumby, Frank A. The Romance of Book Selling. . . . 259
Murray, Gilbert. Sophocles' CEdipus Rex 400
Musicians' Library 59
Neale, Walter, and Hancock. Elizabeth H. The
Betrayal 268
Neihardt, John G. The Dawn-Builder 269
Neilson. William Allan. The Chief Elizabethan
Dramatists 358
Newton, Joseph Fort. Lincoln and Herndon 131
Nicholson, Meredith. Siege of the Seven Suitors .... 94
Nixon. Paul. A Roman Wit 400
Nixon-Roulet. Mary F. The Spaniard at Home 308
Novicov. J. War and Its Alleged Benefits 301
Noyes, George R. Dryden's Poems 23
Noyes, George R. Selected Dramas of Dryden 23
O'Brien, R. Barry. John Bright 357
Orbaan, J. A. F. Sixtine Rome 399
O'Reilly, E. Boyle. Heroic Spain 308
Osborn, Henry F. Huxley and Education 450
Osborn, Henry F. The Age of Mammals 88
Ostwald, Wilhelm. Natural Philosophy 356
PAGB
Oxford Library of Prose and Verse 221, 45O
Paine, Harriet Eliza. Old People 59
Pancoast and Shelly. First Book in English Litera-
ture 23
Parrott, Thomas M. Plays and Poems of George
Chapman 59
Paul. Herbert W. Famous Speeches 124
Paullin, Chas. O. Life of Commodore John Rodgers. 58
Pennypacker, Samuel W. Pennsylvania in American
History 85
Perrin, Bernadotte. Plutarch's Cimon and Pericles. 23
Peterson, Arthur. Sigurd, A Poem 55
Phillips, Stephen. Pietro of Siena 53
Phillips, Stephen. The New Inferno 54
Phillpotts. Eden. Wild Fruit 162
Pinchot, Gifford. The Fight for Conservation 19
Podmore, Frank. The Newer Spiritualism 272
Pollard, Alfred N. Records of the English Bible 399
Porter. Charlotte. Lips of Music 167
Porterfield, Allen Wilson. Karl Lebrecht Immermann 399
Pound, Ezra. The Spirit of Romance 218
Powell, E. P. How to Live in the Country 449
Proctor, Mary. Half Hours with the Summer Stars 450
Protheroe's, Ernest, New Illustrated Natural History
of the World 450
Quiller-Couch, Arthur. Brother Copas 443
Quiller-Couch, A. T. Lady Good-for-Nothing 93
Ransome, Arthur. Edgar Allan Poe 16
Reinheimer, Hermann. Survival and Reproduction.. 128
Renwick, George. Finland To-day 441
Reynolds, Stephen. Along Shore 22
Rice, Wallace. The Little Book Series 59
Rix, Frank R. The Mastersinger 6O
Roberts, Charles G. D. Neighbors Unknown 438
Robertson, Donald. Beauty's Lady and Other Verses 166
Robinson, Edwin Arlington. The Town Down the
River 164
Rodd. Rennell. The Englishman in Greece 221
Rolland. Romain. Jean-Christophe 91
Rose. Hgloise Durant. Dante 54
Rosebery, Lord. Lord Chatham 263
Saintsbury, George. Historical Manual of English
Prosody 274
Salaman. Malcolm C. Old English Mezzotints 98
"Sale, Mark." A Paradise in Portugal 441
Salisbury. R. D. Elementary Physiography 23
Salley, Alexander S., Jr. Narratives of Early Caro-
lina 450
Santayana, George. Three Philosophical Poets 23
Sargeaunt, John. Dryden's Poems 23
Savage. Ernest A. Story of Libraries and Book Col-
lecting 95
Schelling. Felix E. English Literature During the
Lifetime of Shakespeare 156
Schreiner, Olive. Woman and Labor 470
Scollard, Clinton. Chords of the Zither 165
Scott, Cyril. The Voice of the Ancient 163
Scott. John Reed. The Imposter 94
Scott-James, R. A. An Englishman in Ireland 169
Sharp, Dallas Lore. The Face of the Fields 439
Shaw, Bernard. The Doctor's Dilemma 257
Shaw. Rafael. Spain from Within 309
Shorter, Edwin Du Bois. American Oratorv of
To-day 124
Shotwell, Walter G. The Life of Charles Sumner... 22
Shuman, E. L. How to Judge a Book 57
Singleton, Esther. How to Visit the Great Picture
Galleries 450
Sloan, William Milligan. Life of Napoleon, revised
and cheaper edition 220
Slosson, Edwin E. Great American Universities .... 21
Smalley. George W. Anglo-American Memories 478
Smith, Horace. The War Maker 398
Smith, Robinson. Cervante's Don Qnijote 99
Snaith, J. C. Mrs. Fitz 92
Social Ethics. A Guide to Reading in 23
Spingarn, J. E. The New Criticism 249
Stimson, Frederick Jesup. Popular Law-Making .... 393
Stoker, Bram. Famous Impostors 97
Storr, Francis. Half a Hundred Hero Tales 358
Stowe. Charles E., and Stowe, Lyman B. Harriet
Beecher Stowe 469
Stratton-Porter, Gene. Music of the Wild 438
Straus. Ralph. Robert Dodsley 51
Strlndberg, August. Mother Love, and The Creditor 310
Studies in Langauge and Literature in Honor of
James Morgan Hart 274
Vlll.
INDEX
Strunsky, Simeon. The Fatient Observer 311
Super, Chas. W. Plutarch on Education 98
"Sylva, Carmen." From Memory's Shrine 3
Taylor Edward Robeson. Lavender and Other Verse 166
The Holy Bible, reprint of the 1611 authorized ver-
s j on 399
Thomas, Edward. Feminine Influence on the Poets. 398
Thurston, Katherine Cecil. Max
Thurston, E. Temple. The Patchwork Papers 219
Townlev Houghton. English Woodlands and Their
Story 449
Treat, Payson J. The National Land System 309
Tucker, T. G. Life in the Roman World 121
Turner Essays in American History 128
Upward, Allen. Lord Alistair's Rebellion 266
Van Hise, Charles R. Conservation of Natural Re-
sources 18
Verses by "V." I 62
Villari, Pasquale. Mediaeval Italy ,219
Waite, Alice V., and Taylor, Edith M. Modern Mas-
terpieces of Short Prose Fiction 400
Walford, L. B. Recollections of a Scottish Novelist 95
Wallace, Alfred Russel. The World of Life 304
Wallington, Nellie fUrner. American History by
American Poets 450
Wallin's The Angel of Death 221
Wallis, Frank E. How to Know Architecture 168
Ward, A. W., and Waller, A. R. Cambridge History
of English Literature, Vols. V. and VI 302
Watts, Mary S. The Legacy 444
Weale, B. L. Putnam. The Conflict of Color 210
Weaver Lawrence. Small Country Houses of To-day 447
Webb, Henry Law. The Silences of the Moon 271
Wells, H. G. The New Machiavelli 266
Wetmore, Monroe N. Index Verborum Vergilianus . . 358
White, Stewart Edward. The Cabin 447
Whitney, Helen Hay. Herbs and Apples 166
Whiting, Lillian. Boston Days, revised edition 482
"Who's Who" (English) for 1911 221
Wicksteed, Joseph H. Blake's Version of the Book
of Job 220
Wilcox, Delos F. Great Cities in America 170
Williams, Jesse Lynch. The Married Life of the
Frederic Carrolls 269
Williamson, C. N., and Williamson, A. M. The
Golden Silence 443
Willcocks, M. P. The Way Up 94
Willson, Beckles. Life and Letters of James Wolfe. 87
Winter, William. Gray Days and Gold, new edition 391
Winter, WMlliam. Over the Border 391
Woodside District Library, Index Catalogue of the . . 221
Wordsworth's Sonnets. Riverside Press Edition .... 60
Workman, W. H., and Workman, Fanny B. The Call
of the Snowy Hispar 440
Young, A. B. Plays of Thomas Love Peacock 400
MISCELLANEOUS
PAGE
Acrobatic Art, A Word for. Irving K. Pond 205
Alcott Memorial, The. Charles Welsh 256
"American Economic Review, The" 313
Austen, Jane, and Winchester Cathedral. (Mrs.)
M. G. Murray-Lane 298
"Byron Manuscript," The Newly Discovered. Samuel
A. Tannenbaum 153
Byron Manuscript, The. Chas. J. Sawyer 256
Cambridge Mediaeval History, Announcement of. 24, 359
"Children's Library of Work and Play" 360
Copyright, Anglo-American. Lavin Hill 435
Dramatic Situations, The Thirty-six Original, F. H.
Hodder and David Lloyd 152
Earle, Alice Morse, Death of 170
Fogazzaro, Antonio, Death of 222
Fraser, Alexander H. R., Death of 483
"Graphic Arts, The" 222
History and Macaulay. Charles Woodward Hutson. 83
Hoe Sale, The 359
Home University Library of Modern Knowledge,
Announcement of 313, 400, 483
"Hundred Years to Come, A." 8. T. Kidder 435
Japanese Language, Recent Tendencies in the.
Ernest W. Clement 384
Lane Co., John, Reorganization of 483
Library Renewals, The Question of. Samuel H
Ranch 82
Lincoln as a Statesman. Chas. M. Street 8
Lippincott, Craige, Death of 313
Literature, How One Man "Took." V. Gilmore Iden 468
Lowell and the Russian Mission. George Abbot
James 435
"Mizzeled," Another Mourner of. Lelia M. Richards 153
PAGE
Modern Language Association of America, Central
Division of, Sixteenth Annual Meeting 60
Onomatopoetics. Casicell A. Mayo 298
Oxford Dictionary of Current English, The Concise.. 451
Plato and Dante, Cosmography of. William Fair-field
Warren 153
Poetic Resemblances. E. R. F 468
Poets, Misguided, and the Public Library. Louis I.
Bredvold 153
"Political Science Quarterly," One Hundredth Num-
ber of 24
Preston, Harriet Waters, Death of 451
Princeton University Press, Mr. Charles Scribner's
Gift to 451
"Print-Collector's Quarterly, The" 482
"School Review, The," Change of Editorial Man-
agement of 360
S6che, Leon : The "Anecdotalist" of French Ro-
manticism. Albert Schinz 383
Serious Reading, The Pleasures of. Anne Warner. . 118
Shakespeare, Mr. Shaw's Attitude Toward. Mar-
garet Vance 118
Stevenson's Works, "Swanston Edition," Announce-
ment of 451, 482
"Thirteen Original Situations," The, and "Eleven
Ancestral Witticisms." Daniel Edwards Ken-
nedy 118
Tolstoy's Unpublished Manuscripts 359
Tombstones as a Source of Historical Information.
John Boynton Kaiser 256
Wagner's Autobiography, Announcement of 401
Words and Their Ways. Charles Welsh 206
THE DIAL
i/l SEMI-MONTHLY JOURNAL OF
yiicrHrn Criiitism, gismsshm, anfr dfttformathm
EDITED BY \ Volume L.
FRANCIS F. BROWNE J -Vo. 589.
1 1 Q1 1
. 1, J.J..
Wet*, a copy./ Pure ABTS BUILDING
^ a year. 1 203 Michigan Blvd.
A REMARKABLE BOOK
THE CORSICAN
FOUR IMPRESSIONS
A Diary of Napoleon
CRITICAL OPINIONS
FOUR IMPRESSIONS
" It may be said without qualification that it is the most important contribution
to Napoleonic literature that has yet appeared." New York Herald.
" It supplies a want hitherto unmet in
Napoleonic literature. . . . Mr. John-
ston has done his work skilfully, and it
was a work well worth doing."
Liv ing Age (Boston),
" It is necessary now for even the casual
student of the life of this most remark-
able of moderns to have at hand this
book if clear light on the subject is de-
sired.** St. Louis Globe-Democrat.
" It is the unrolling of one of the most wonderful of minds, the frank,
unblushingly frank, revelations which a great man made of his weaknesses.
The spectacle of a dissection of a character by its owner is seldom brought
within a brief compass so effectively as it has been brought by Professor
Johnston's sympathetic understanding of subject and reader." Boston Transcript.
" It is easily believable that no clearer
revelation of the great Emperor will
ever appear than this remarkable and
unintended self-revelation."
Washington, D. C., Star.
" It's an intensely interesting book, and
has us see Napoleon clearly, has us
understand him better than we could
by all the screeds of history.**
Chicago Inter Ocean.
" Every word is Napoleon's own. . . . He has here painted his picture as
Pepys and the other famous diarists never succeeded in painting theirs. . . .
One of the great diaries of literature." New York Times.
$1.75 net. Postage 15 cents.
BOSTON HOUGHTON MIFFLIN COMPANY NEW YORK
THE DIAL, [Jan. 1,1911.
"Get the book and read it yourself, for there
never was another like it, or one half as good."
RICHARD WASHBURN CHILD'S new novel
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Read what others of the best reviewers say of Jim Hands
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"Full of a quick sense of character and a ready humor."
"An artistic success approaching perfection."
" Has that peculiar faculty of causing first a chuckle, then
a choke in the throat a smile, and then a mist of
tears, and all of them are worth while."
" A profitable book as well as a companionable one."
" Genuine, direct, and lovably convincing."
" A thoroughly human book, of vital and abiding interest."
" Crowded with human documents unfolded with all the
gifts of a born teller of stories."
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Cloth, $1.20 net Postpaid, $1.32
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THE DIAL {founded in 1880) it published on the Itt and 16th oj
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Entered aa Second-Class Matter October 8, 1892, at the Post Office at
Chicago, Illinois, under Act of March 3, 1879.
No. 589.
JA]STUARY 1, 1911.
Vol. L.
COXTEXTS.
TAKING STOCK
PAGE
3
CASUAL COMMENT 5
The bibliographer's task. An eccentric and ascetic
classical scholar. The end of an unsuccessful peri-
odical. The by-products of Dr. Henry Tan Dyke's
industry. An age of reason in library management.
The increasing dignity of college journalism.
Emil Reich, historian, essayist, and optimist. The
Newark Museum Association. The triumph of the
Hellenists at Oxford. To discourage book-stealing.
An extraordinary editorial record. Library books
by special delivery.
COMMUNICATION 8
Lincoln as a Statesman. Chas. M. Street.
LAFCADIO HEARN'S LAST LETTERS. Frederick
W. Gookin 9
CULTURE AND BUSINESS. James Toft Hatfield . 11
DISRAELI'S EARLIER CAREER. Laurence if.
Larson 13
AN ENGLISH ESTIMATE OF POE. Charles
Leonard Moore 16
WASTE AND CONSERVATION. Charles Richmond
Henderson 18
Van Hise's The Conservation of Natural Resources
in the United States. Pinchot's The Fight for Con-
servation. Mathews's The Conservation of Water.
BRIEFS ON NEW BOOKS 20
Reflections of a hermit-philosopher. Studies in the
Psychology of Religion. The diary of a daughter
of the Confederacy. A journalistic treatment of
Universities. An American's impressions of Berlin.
Life of the 'longshore fisherman. Sketches of
men and manners in old Virginia. Glimpses of six
Presidents and their families. A ponderous biog-
raphy of a great personality. For the student of
Shakespeare.
BRIEFER MENTION 23
NOTES 24
TOPICS IN JANUARY PERIODICALS 2o
LIST OF NEW BOOKS . . 25
TAKING STOCK.
It is impossible to measure the influence of a
great writer upon the generation in which he
fives and works. Certain outward signs there
are, in the form of a traceable moulding of
public opinion, as shown in the way in which
his idealism becomes the acknowledged motive-
power of men of action, or in the form of that
discipleship which makes the individual the
radiating centre of a school of influence propa-
gating his idealism by offshoots and obviously
imitative embodiments. These effects are always
more or less manifest to the student of literary
history and of intellectual affairs in the broader
sense, but they fall far short of giving a full
account of the matter. They show us the surface-
flow of the current of tendency, but they leave
the subtler part of its action unrevealed. For
it is by its permeation of the sub-soil of human
consciousness, rather than by its visible erosions,
that the influence of a great writer does its last-
ing work, making possible some unexpected and
rich new product of human sympathy or enlight-
enment. We recall what Lowell once said of
Emerson : " To him more than to all other causes
together did the young martyrs of our Civil War
owe the sustaining strength of thoughtful hero-
ism that is so touching in every record of their
lives." We think also of the example of Cer-
vantes, who " smiled Spain's chivalry away,"
when he seemed to be doing no more than pro-
vide entertainment for his readers, and of Milton,
who steeled the forces of puritanism for their
warfare of spirit against sense, when he seemed
to be engaged only in the poetical elaboration
of an outworn mythology, and of Mazzini, who
raised Italy from the dead, when he seemed
merely to be plotting against principalities and
powers in the ordinary way of revolutionary
politics.
Such influences as these are slowly exerted,
and it is a long while before their results are
declared. They work, for the most part, upon
minds without articulate power, upon the im-
pressionable minds of the young, quietly but
potently, until the time ripens for their trans-
lation into deed. When that times comes, the
outcome is apt to be surprising, for it is the
resultant of innumerable spiritual forces, singly
insignificant perhaps, but collectively irresis-
THE DIAL
[Jan. 1,
tible, because all are exerted in the same general
direction and toward the accomplishment of the
same general purpose. We believe that the
chief service done by a great writer for his
fellow-men is that of thus fitting for action the
generation that is growing up, of quickening the
sympathies and clarifying the thoughts of the
young, who will later have the shaping of the
world in their own hands. And this incalcu-
lable power to stimulate the imagination and
strengthen the will of adolescent humanity is
immensely heightened by the fact that it pro-
ceeds from a living being, from a voice that
issues, not from the tomb, but from a breathing
organ of human speech. It is true that the
voice must make its appeal to nearly all who
heed it through the medium of the printed page,
but as long as it is known to be the utterance
of a man among men it has from that very fact
an added force. The reader who heeds it can-
not forget that it is within the bounds of possi-
bility that some favored hour may bring him
into the presence of its possessor, to be thrilled
by its actual accents, and warmed by the glow
of the living personality which is its setting.
That faculty of hero-worship which is the attri-
bute of all generous young souls instinctively
demands the concrete embodiment of its object ;
it is a tribute that loses much of its natural ardor
when paid to a phantasm.
The sum of all these reflections is that the
world is made rich in a very special sense by
the great writers who are living in it, and that
no heritage of past glories can prevent humanity
from seeming impoverished when its intellectual
leaders cease from their labors. The observa-
tion is especially pertinent just now, when the
last leaf has fallen from the tree of genius that
flourished so luxuriantly a generation ago, and
when the world must face the fact that the ac-
counts of a great literary epoch are practically
closed. For it is the simple truth that there is
no writer now anywhere alive who is the peer
of the half-dozen who have adorned the past
decade, or of the score or more who have made
splendid the literary annals of the past thirty
years. Just as in a commercial enterprise, the
first month or so of the new year is needed to
settle up the affairs of the old, and prepare its
balance-sheet, so in the large matters of a cen-
tury's intellectual business, it takes about a
decade of the new century to clear up the ac-
counts of the old, and make it possible to esti-
mate the achievement of the hundredyear.
Upon this occasion, then, when the twentieth
century is just ten years on its way, it may not
be unprofitable to take stock in the literary
world, to reckon up our quick assets, and to
set down what may seem advisable to the score
of profit and loss. Some unsettled accounts
there must needs be, some overlapping activities,
for centuries are artificial periods, after all, and
the Weltgeist recks little of them. Still, the
line between the nineteenth century, which we
know in full, and the twentieth, the develop-
ments of which we may only surmise, is rather
more definitely drawn than is often the case with
such arbitrary divisions, and the old stock (to
recur to our previous figure) is pretty well dis-
posed of , while we hardly know as yet what are the
wares that will take its place upon our shelves.
Among the losses of the recent past we think
of such great men as Tolstoy, Bjornson, Ibsen,
Carducci, and Swinburne. Casting our eyes a
score of years yet farther back, we have the
vision of such men as Tourguenieff, Auerbach,
Freytag, Hugo, Renan, Taine, Tennyson,
Browning, Rossetti, Morris, Arnold, Ruskin,
Carlyle, Emerson, Longfellow, Whittier,
Lowell, Holmes, and Whitman. This is a
cursory retrospect only ; a more particular one
would disclose other losses comparable with
many of these. But it suffices for our purpose,
which is merely to show clearly that we now
live in an age comparatively poverty-stricken
as to the richer personalities of literature, and
seemingly incapable of holding aloft the torch
so long held alight by those giant runners
in the race. It is a condition too obvious
to call for demonstration ; the youth who in
1880 faced the future might count upon the
living spiritual guidance of such men as the
youth of 1910 look for in vain along the line
of the literary horizon. Can it prove possible
that these latter-day youth, when they in turn
shall have rounded their half-century, will be
able to look back during their own lives upon
anything like our array of great nineteenth-
century figures?
Let us make a comparative and somewhat
more detailed survey of the situation. For
Russia, we have, in the place of Tourguenieff
and Tolstoy, only such men as Andreieff and
Gorky. For the Scandinavian countries, we
have, in place of Bjornson and Ibsen and
Drachmann and Rydberg, only such men as
Hamsun and Brandes and Strindberg. The
case of Germany is better, for the veterans
Heyse and Spielhagen remain, and with them
there are the younger figures of Hauptmann
and Sudermann and Frenssen. But the case
of France is depressing, since we may hardly
1911-]
THE DIAL
find substitutes for Hugo and Renan and Taine
in such men as Rostand and Anatole France,
even throwing in Maeterlinck (as a writer in
French) for good measure. And it would be
foolish even to hint that any living Italian
say d'Annunzio or Fogazzaro could be held
a worthy successor of Carducci. Spain, indeed,
offers us Galdos and Echegaray, fairly equival-
ent to the best of their predecessors, and Poland
makes a finer showing with Sienkiewicz than it
could boast at an earlier age. The greatest
figure among English men of letters now living
is undoubtedly that of Mr. Thomas Hardy, the
sole survivor of the company of his peers and
more than peers who stood shoulder to shoulder
thirty years ago. The case of America is the
most discouraging of all. We admire such men
as Mr. Howells and Mr. James, and hold them
in our deepest affection, but they hardly fill the
places of the poets we have lately lost Sted-
man and Aldrich and Moody and not at all
the places of such seers and singers as Emerson
and Whittier and Longfellow and Lowell.
Now that our hurried stock-taking is over,
and we are facing the essential facts of world-
activity in literature at the present day, we
cannot feel altogether cheerful about the situa-
tion. The feeling does not arise merely from
the fact that the list of the great recently de-
parted vastly outweighs the list of the best that
the world of the living has to offer. This fact
in itself would be sufficient cause for serious
reflection, and we are made still more serious
when we compare the two lists more specifically,
thinking of the contrast between the two sets of
men in the matter of style and the general power
of expression, in the matter of intellectual
authority, and in the matter of moral weight.
When we reinforce the comparison by taking
into account the lesser writers, past and present
the men who, while not individually of the
first rank, are perhaps collectively more repre-
sentative of their respective periods than the
men of towering genius we have a still more
depressing sense of the general lowering of
standards. More often than not, we are offered
preciosity and strained effort in the place of style,
flippant superficiality as a substitute for wisdom,
and a materialistic or hedonistic attitude toward
the great problems of conduct instead of a rev-
erent recognition of the moral law and glad
submission to its behests. What poets of our
day could say with Dante
" In la sua voluntade & uostra pace,"
what opportunist philosophers could be sharers
of Spinoza's sublime faith in the good, of Kant's
awe in contemplation of man's imperious inner
instinct of righteousness ?
Yet we may, after all, take heart when we
think of the familiar saying about the darkest
hour and the dawn, or when we recall Schopen-
hauer's confutation of the counsels of despair.
"Die Quelle, aus der die Individuen und ihre
Krafte fliessen, ist unerschopflich und unendlich
wie Zeitund Ratim . . . Jene unendliche Quelle
kann kein endliches Maass erschopfen : daher
steht jeder im Keime erstickten Begebenheit,
oder Werk, zur Wiederkehr noch immer die
unverminderte Unendlichkeit off en." There
may be prophets even now growing up among
us, in the most adverse environment, who are
destined in days to come to hold the world's
ear no less compulsively than the greatest of
those whose recent loss seems to have left us so
strangely bereft of inspiring guidance.
CASUAL COMMENT.
THE BIBLIOGRAPHER'S TASK, like that of the
lexicographer, the index-maker, the compiler of
almanacs, and many another fashioner of the tools
used by other workers in literature or science, is a
rather cheerless one. A consciousness of duty per-
formed must often be the chief if not the only reward.
In turning the leaves of the latest issue of "The
Bulletin of the Bibliographical Society of America,"
which contains an appended list of " American
Bibliographical Publications " and one of " Bibliog-
raphies of Bibliographies," one cannot but admire
the zeal and self-devotion displayed in the compila-
tion of many of the learned but very restrictedly
useful works there mentioned. For example, what
return in fame or fortune can be hoped for by the
author of a bibliography of writings on paraphysis
and hypophysis in the brain of the alligator, or by
the enthusiastic aurist who has laboriously compiled
a " partial bibliography of recent papers relating to
the Eustachian tube " ? A little better chance for
popular recognition seems probable in the case of
another bibliographer who has interested himself
in the literature relating to " meals for school-
children " and has drawn up a list of references.
And when we come to the subject of aeronautics
we find ourselves in a domain comparatively rich in
appeal to the average reader. A " Bibliography of
Aeronautics," from the pen of Mr. P. Brockett, and
published by the Smithsonian Institution, is de-
scribed as reaching to the rather surprising length of
nine hundred and fifty-four pages. But not one of
these special bibliographical lists can be compared in
dryness and technicality with the bibliographies of
bibliographies, twenty-five of which are named in the
" Bulletin." Especially admirable in these respects
is M. Leon VaUeVs " Bibliographic des Bibliog-
raphies," containing, with its supplement, more than
6
THE DIAL
[Jan. 1,
eleven hundred pages. Another monumental work
in the same department is the great "Biblio-
graphic pale"ographico-diplomatico-bibliographique
ge'ne'rale," in two volumes, by P. Namur, published
at Lidge in 1838. In good truth, there seems to
be no sort of book, however remote from ordinary
human interests, that cannot be written if one will
but follow Johnson's example in the making of his
dictionary, and set oneself doggedly to it. Never-
theless, it is not likely that bibliography will ever
be one of the crowded professions.
AN ECCENTRIC AND ASCETIC CLASSICAL SCHOLAR,
of vast learning and striking originality, was re-
moved from our corporeal vision in the recent death
of Professor J. E. B. Mayor, of the University of
Cambridge. Best known to the world of letters by
his magnum opus, his erudite edition of Juvenal,
he was known to his friends as a vegetarian, a tee-
totaler, a bachelor recluse, a lover of old authors,
and the possessor of one of the finest libraries in
Cambridge, all bought with the money saved on
food, as he took pride in declaring. On his semi-
starvation diet, which he succeeded in bringing down
as low as twopence a day, he reached the ripe age of
eighty-five and over, having in the strenuous days of
his editorial labors on Juvenal proved to his own
satisfaction that the less he ate the better he could
work. It was only medical intervention that cut
short a rather prolonged period of no eating at all.
Omniscience was his foible, and he could quote from
the classics in a way that might have made old
Robert Burton turn green with envy. The special-
ization of modern science he had small regard for,
holding that the man of science could not see life
steadily and see it whole. He was fond of lecturing,
being a frequent speaker at the Victoria Institute,
in London, and he was a pulpit orator of marked
originality. His studies in Juvenal of the luxury
and corruption of Rome had led him, his friends
averred, to adopt the simple life; but he himself
denied that even in the worst days of the Empire
the Romans were any more addicted to luxury than
some modern nations. Whatever the cause, he
adopted a mode of life that made him a singularly
interesting and attractive figure in the university
world in which he lived.
THE HEROIC END OF AN UNSUCCESSFUL PERIODI-
CAL is chronicled in an open letter from Mr. C. D.
Spivak, 240-242 Metropolitan Building, Denver,
Colorado, addressed " to medical librarians and all
booklovers." The periodical in question died game,
as the following extracts from the letter will show.
" The year 1898 will be known in the annals of
medicine by an epoch-making event. In that year
'Medical Libraries,' a bi-monthly publication de-
voted to the interests of medical libraries, first saw
the light of day in the city of Denver. For several
years it made its irregular and spasmodic appear-
ance, and closed its career in a blaze of glory, A.D.
1902. Its circulation reached the astounding num-
ber of 120. What it lacked in quantity it made up
in quality. Among its admirers, subscribers, and
contributors it counted the foremost librarians of
the day [here a brilliant galaxy of names]. Now
comes the proud editor and publisher of said defunct
periodical and offers to send to all medical librarians
and to all who are interested in freak medical
journalism, complete sets of vols. 2, 3, and 4, and
incomplete sets of vols. 1 and 5, for the asking.
All the said sad editor asks in return is that these,
his dear departed ones, be reverently laid out,
decently shrouded, adequately coffined, properly
epitaphed, securely inhumed, and be unostenta-
tiously gathered unto their fathers in God's acre.
He devoutly and prayerfully hopes for their resur-
rection." Who now will give these " dear departed
ones " a reposeful abiding place where the wicked
cease from troubling and the weary be at rest?
THE BY-PRODUCTS OF DR. HENRY VAN DYKE'S
INDUSTRY as preacher and teacher, which have
mostly taken the form of poems, essays, short
stories, and chapters on religion and ethics, are so
considerable in volume that all sorts of extravagant
estimates have been formed concerning the annual
amount received by him in royalties on his more
than thirty volumes of prose and verse. Probably
his revenue from this source has now become suffi-
ciently large to render his salary as professor of
English literature at Princeton not exactly indis-
pensable to him, and to make irresistibly inviting
the prospect of a life free from the irksomeness of
regular lectures, weekly faculty meetings, and stated
examinations. At any rate the published report of
his resignation from the chair which he has held
since 1900 most of that time in connection with
the pastorate of the Brick Presbyterian Church in
New York need not greatly surprise the world,
and to his readers the announcement will bring
hope and expectation of an even more rapid suc-
cession of books from his pen than hitherto. In
enumerating the activities of this versatile pastor-
professor, one should not fail to mention his appoint-
ment as American lecturer at the University of
Paris in 1908-9, when he chose for his subject
" Le ge"nie de 1'Ame'rique " and, incidentally, disap-
pointed some of his admirers by not, as they thought,
making the most of his opportunity. It will be
interesting to note what effect his greater leisure
will have on his literary productivity.
AN AGE OF REASON IN LIBRARY MANAGEMENT
was entered upon, in this country at least, as long
ago as the formation of the American Library
Association at the centennial celebration of the
Declaration of Independence. The mediaeval chain-
ing of books and the much more recently prevalent
jealous suspicion of library visitors and readers
have in our own times given way to cordial and
trustful relations between library administrators and
library users. In the latest issue of the " Brooklyn
Public Library Handbook " one notes approvingly
1911.]
THE DIAL
the extreme liberality with which that library is
conducted. Its privileges are open to " any resi-
dent of Greater New York or any non-resident in
business in the city." Its travelling libraries are
delivered free of all expense to any society, club,
charitable institution, or similar organization, within
the Borough. The library and all its branches are
open for the circulation of books every day in the
year. Works in several volumes are counted as
single books and are lent as such. Special cards,
entitling the holder to six books at a time in addition
to the two books obtainable on the regular card, are
issued to teachers, students, and others engaged in
special study. Vacation privileges are liberal. Books
for the blind are " delivered through the mail to
the nearest Branch Post Office free of charge, and
may be returned in the same way." One remnant of
bureaucratic unreason, however, still lingers in this
admirably administered institution : " No book will
be exchanged on the same day on which it is taken
out, unless a mistake has been made by the Library
assistant." (But " a book may be returned at any
time," which is well.) The defense of this regula-
tion is plausible enough, but the fact that some very
busy libraries, including the Boston Public Library,
permit as frequent exchanges as the borrower
wishes, tends greatly to weaken its force. The
vigorous growth of the Brooklyn library since its
small beginnings of thirteen years ago speaks vol-
umes (some six hundred thousand, we believe) for
the wisdom and efficiency of its management.
THE INCREASING DIGNITY OF COLLEGE JOURNAL-
ISM manifests itself from time to time in noteworthy
ways, and rejoices those who see in the student
periodical a most valuable and efficient school of
authorship as well as an institution for the training
of administrative and business talent in the publish-
ing field. Not long ago one of the Harvard under-
graduate publications (the " Lampoon," we believe)
erected a fine building for its own use and moved
into it with appropriate ceremonies ; and now word
comes of the incorporation of the Daily Princetonian
Publishing Company, with Mr. Charles Scribner,
of the class of '75, Mr. Bayard Stockton, '72, and
three members of the senior class, constituting a
board of directors, and Dr. Woodrow Wilson, '79,
Mr. Robert Bridges, '79, and Mr. Andrew C.
Imbrie, '95, as further members of the corporation.
The purpose of the incorporating act is to establish
a fixed policy for this student daily and to give it
the benefit of advisory aid and support from a cer-
tain number of directors chosen out of the alumni.
EMIL REICH, HISTORIAN, ESSAYIST, AND OPTIM-
IST, Hungarian by birth, cosmopolitan in culture
and tastes, and a most stimulating writer on a great
variety of subjects, died in London the llth of
December. After receiving his academic training
at Prague, Budapest, and Vienna, he devoted him-
self to that self-education which is the beginning of
real wisdom, and which he hoped to acquire for him-
self in the great libraries of the world. But by the
time he was thirty years old he decided that for the
true comprehension of history, his chosen study,
something besides books was necessary; but he
started on those travels which brought him to this
country for a five-years' sojourn, and thence turned
him toward France for another four years, and to
England for twelve, in the course of which he lec-
tured frequently at Oxford, Cambridge, and in
London, and was employed by the British govern-
ment in the preparation of the Venezuela boundary
case. His published writings are many, but we
shall name here only his " Hungarian Literature,"
" History of Civilization," " General History,"
" Foundations of Modern Europe," " Success among
Nations," "Plato as an Introduction to Modern
Life," and "Success in Life." A breezy, buoyant,
optimistic tone characterizes his work and has con-
tributed not a little to his success in letters and in
life. ...
THE NEWARK MUSEUM ASSOCIATION, which has
issued its First Annual Report, was organized in
the spring of 1909 "to establish in the City of
Newark, New Jersey, a Museum for the reception
and exhibition of articles of art, science, history
and technology, and for the encouragement of the
study of the arts and sciences." Incorporated under
the laws of a State that has sanctioned the incor-
poration of many less beneficent societies, the
Newark Museum Association has begun its educa-
tional and uplifting work by opening rooms in the
city library building, under the active supervision
of the librarian, Mr. John Cotton Dana, for the
free exhibition of permanent and loan collections of
paintings and other art objects, and of such other
articles as may properly find a place in the cases
and on the shelves of a museum. This movement
for increasing the usefulness of Newark's fine, large
library building in every legitimate way calls to
mind the similar educational activities entered upon
years ago by the City Library Association of Spring-
field, Mass., where, as it happens, Mr. Dana was
librarian immediately before his call to Newark,
and where a handsome white marble structure has
just been added to the library-museum group of
buildings. It seems not unlikely that New Jersey
may be here somewhat indebted to Massachusetts
for a valuable suggestion. Mr. Dana, we note, is
the secretary of the board of trustees of the new
association. ...
THE TRIUMPH OF THE HELLENISTS AT OXFORD,
in the recent vote of the Congregation to retain
compulsory Greek, after a year of discussion as to
the advisability of yielding to the "practical" trend
of education and abolishing the prescribed study of
the noblest of literatures, will rejoice all true friends
to the cause of letters. The Oxford action is of
world-wide interest and will exert world-wide in-
fluence. Especially will the English-speaking world
take note of this momentous decision of a long-vexed
question, and will pause in its impetuous eagerness
8
THE DIAL
[Jan. 1,
to substitute what it imagines to be pecuniarily gain-
ful studies in the place of what it is disposed to
regard as the mere frills and foolish adornments of
elegant culture. Professor Gilbert Murray, it is
interesting to learn, favors a certain degree of re-
laxation in Greek requirements, and would have the
schools of science and mathematics relieved from
the compulsory study of that language. Further,
in answer to the gibe that Greek is a class badge,
" So, a short time ago was French," he says, "and,
a short time before that, the alphabet. We want
Greek to be a class badge no longer." This Oxford
decision, retaining Greek and thus causing its re-
tention in the secondary schools, will tend greatly
to prevent its soon becoming a mere class badge.
To DISCOURAGE BOOK-STEALING from libraries
any helpful suggestion cannot fail to be always
welcome. From Lewiston, Maine, there comes,
through the columns of " Public Libraries," an
ingenious and original plan for the diminution of
unregistered book-borrowing. The librarian at
Lewiston writes that with a circulation of about
sixty thousand volumes an annual loss of more than
one hundred and seventy-five from the open shelves
had been sadly noted, until the following preventive
device was adopted : " Into the card-pocket in the
back of each book is thrust a long card of some
brilliant-colored stiff cardboard which extends two
inches or so beyond the cover when the book is
closed. These cards are stamped conspicuously
with consecutive numbers, thereby keeping tally
and suggesting method to the borrowers. They
also bear the request stamped with rubber type,
' Please exchange this card at the desk.' . . . The
long cards effectually prevent anyone from forget-
ting to register his book, and their vivid color ren-
ders them so conspicuous that he hesitates to dis-
pose of them if he is not entirely alone." This
plan has so far worked admirably at Lewiston.
For further details see the December number of
the above-named periodical.
AN EXTRAORDINARY EDITORIAL RECORD has
been made, in his busy life of letters, by Sir Wil-
liam Robertson Nicoll, better known, before his
knighthood of this year, as Dr. W. Robertson
Nicoll. From a speech of his published in "The
British Weekly," of which he has long been editor,
it appears that in the omniscience and omnipotence
of his early prime that is, in the year 1886, when
he must have been about thirty-six years old he
undertook the editorship of some half-dozen periodi-
cals at the same time. They included " The Brit-
ish Weekly," "The Bookman," "The Expositor,"
" Woman at Home," and certain other publications
issued by the book-publishing house with which he
is still connected. That he is now content to drive
a team of fewer horses may indicate that with ad-
vancing years he has become a wiser even though
not a sadder man. A continuation and publication
of these literary reminiscences of a remarkably
busy and successful literary man would gratify his
wide circle of readers.
*
LIBRARY BOOKS BY SPECIAL DELIVERY may now
be had from the St. Louis Public Library, which
has made arrangements with the Missouri District
Telegraph Co. to send books by its messenger boys
to such card-holders as care to avail themselves of
this service. The charge for delivery or return of
books within the city limits varies according to dis-
tance from ten to sixty cents, and covers simply the
cost of carriage. If the innovation meets with favor,
the library may institute a messenger service of its
own and thus considerably reduce the cost to the
card-holder ; but such mode of delivery will prob-
ably never become inexpensive enough to be other
than an emergency service. Strictly speaking, this
is really no innovation in the library world. For
many years the Philadelphia Library, a semi-public
institution, has employed district telegraph messen-
gers to deliver and bring back books, at the mem-
ber's expense and upon his request. And many
other libraries must have had more or less frequent
recourse to the same convenient service.
COMMUNICA TION.
LINCOLN AS A STATESMAN.
(To the Editor of THE DIAL.)
In the review of Goldwin Smith's " Reminiscences,"
in your issue of December 16, Mr. Smith is commended
for his freedom from the " popular rage " with regard
to Lincoln on the ground that " Lincoln's chief merit
lay in his unfailing honesty." The reviewer maintains
that Lincoln was not a statesman, and did not even have
an appreciation of the effect of his own position, in its
national as well as inter-national bearings. He says:
" He [Lincoln] entertained the apologetic and partial
reasons which occupied public attention and concealed
in part the true force of events. The working classes
in England had a more thoroughly correct view of
the war than most Americans. The question was not
whether we should allow another nation to spring up on
the soil of the United States, but whether a slave-holding
nation should establish itself at our side with exacting
and hostile claims."
In 1858, in the well-known debates, Lincoln laid the
basis of his position in a scriptural principle that de-
feated him for the United States Senate that year and
elected him President two years later. That principle
found its first great impulse, under our government,
in Webster's and Corwin's opposition to the Mexican
War's development into a greed for " more space."
But neither Webster nor Corwin, appreciating as they
did the effect of more territory as a menace to fratri-
cidal strife, dared recognize the real condition of the
State as Lincoln did. And while Seward announced
the " irrepressible conflict," Lincoln saw in the conflict
a principle beyond: this nation could not endure, one-half
free and one-half slave. This found utterance in 1858.
And here we have what our reviewer says Lincoln
should have appreciated and did not. When the war
came, his position as President was, to obey the Consti-
1911.]
THE DIAL
tution, suppress the rebellion, defend the union, preserve
the government. The war developed the opportunity
to issue the Proclamation of Emancipation without vio-
lating the Constitution. Lincoln was not a soldier; he
was a statesman.
Lincoln never believed " a slave-holding nation should
establish itself at our side with exacting and hostile
claims." He warned us that, if it did, that nation
would either absorb the nation to the north or be ab-
sorbed by it. The states would continue to be one
household, even though a new house must be built and
new regulations adopted.
Further, Lincoln announced a principle of states'man-
ship in 1859, applying it to the impassioned conditions
then existing, which any student of Lincoln, contemplat-
ing him as detached from the " indiscriminate lauda-
tion " that sees little but his honesty or his Republic-
anism, cannot but appreciate in a Lincoln attitude
towards the impassioned conditions uppermost in our
present political agitations. This principle appears in
a letter of April 6, 1859, declining an invitation to
speak at a Thomas Jefferson Birthday function in
Boston. The entire letter should be read to appreciate
the force of the principle. That principle is that man
must be considered above the dollar. It is truer now
than it was then: " It is now no child's play to save the
principles of Jefferson from total overthrow in this
nation."
Litterateurs can profit by a sane study of Lincoln's
type of mind and style of expression as much as can
those property-intoxicated Republicans who seek justifi-
cation for their policies and methods by a use of the
magic name of Lincoln as a Republican. In the pre-
face to Emerson's " Parnassus," the seer says that poetry
teaches the enormous force of a few words. Poetry
teaches this as much by its enormous waste of words
as it does by its occasional use of a unique word or
phrase or verse that charms the ear or mind forever.
Lincoln teaches the meaning of a few words as poetry
cannot. There must always, of necessity, be more
waste than wisdom in versifying. But Lincoln was
brief, and his words, " candid as mirrors, gave the per-
fect image of his thought." Time cannot change their
fundamental value to any student of organized society.
His Gettysburg address said what was most needed to
be said. And it is fortunate that it was said in a " per-
fectly simple and straightforward way." And, strange
as it may seem, the literary quality of pathos is here in
its sombre beauty as I have not seen it noticed by the
" critics," as it is not in much of his more lauded ex-
pressions.
One word more. We should cease trying to hammer
honesty into the exquisite natures of our budding men
in their childhood by the use of the names of Lincoln
and Washington. It is as childish for grown-up men
to do this as it is to do that other childish thing that
Lincoln ridiculed, doing things " under the party lash
that they would not on any account or for any consider-
ation do otherwise." Talk to the children about Lincoln's
shrewdness more and his honesty less and we will appre-
ciate the force of honesty more, will realize that he
who is single-minded can see what humor meant to
Lincoln, and in the new light will feel a new patience
and faith, helpful to our children, helpful to our pens,
helpful to our citizenship, because we have been born
again in new minds as well as hearts.
CHAS. M. STREET.
St. Joseph, Mo., Dec. 23, 1910.
[eto
LAFCADIO HEART'S LAST LETTERS.*
The profound impression made by the publi-
cation, four years ago, of " The Life and Letters
of Lafcadio Hearn " is deepened and strength-
ened by the printing of another volume of his
letters. Those now given to the world were, for
the most part, written to Professor Basil Hall
Chamberlain of the Imperial Japanese Univer-
sity, a friend for whom Hearn felt high respect
and warm affection. They form a connected
series extending from early in 18 90, when Hearn
first arrived in Japan, to the latter part of 1894.
In them he poured out his inmost thoughts, feel-
ing sure of intellectual sympathy whatever might
be the subject that happened to engage his at-
tention at the moment.
The charm of these letters is manifold. The
wide range that they cover is remarkable, and
especially so considering the isolated life that
Hearn led. A mind so keenly alive as his and
so extraordinarily sensitive would have found
food for thought in any environment. That he
should crave novelty is not strange. Nor is it
cause for wonder that the shyness that held him
aloof when in personal contact with his fellows
should have as its correlative poignant longing
for companionship with friends whom he could
recognize as his intellectual equals. Such com-
panionship Professor Chamberlain gave him. In
return he let few days pass during the years of
his residence in Matsue and Kumamoto without
a chat with him on paper.
These outpourings are the fruit of a mind
surcharged with thought and impelled by inner
necessity to its expression. With delightful
absence of self -consciousness the writer tells of
the happenings about him, comments upon the
curious lore he has picked up, and describes
lovely scenes he has chanced upon in his wan-
derings. From these he turns to thoughts sug-
gested by books he has read, or evoked by
memories of past experiences of men and things.
Now he discourses upon Balzac and Zola, then
upon gothic architecture, or the utility of super-
stition, or the impermanence of opinions, and
anon he recalls a dramatic episode about a
Polish brigade in the Franco-Prussian war.
Again he is captivated by some Japanese folk-
tale, or provoked by the stupidity of the mission-
aries, or concerned with the rhymes in ProvenQal
* THE JAPANESE LETTERS OF LAFCADIO HEAKN. Edited,
with an introduction, by Elizabeth Bisland. Illustrated.
Boston : Houghton Mifflin Co.
10
THE DIAL
[Jan. 1,
poetry. But whatever his theme he never fails
to exemplify his ideas about letter writing.
" What you say about letters that coulent de source
I feel strong sympathy with for two reasons. In the
first place letters not spontaneous give one the notion
that the writer feels a certain distrust in abandoning
his thoughts to paper, and consequently has not toward
his friend that perfect feeling which casts out fear. The
second is that the receiver is also forced into a certain
constraint and artificialness in his replies; then the
matter becomes a mere drudgery. Of course there are
other cases, such as the very curious one you suggest,
which I take to be ruled by a sort of sesthetic formality,
the reluctance of the artist to be for a moment in-
artistic, like The'ophile Gautier answering a reproach
about not writing by the phrase : ' Ask a carpenter to
plane a few planks for fun.' "
It is easy to see how this phrase of Gautier's
must have amused Hearn, for writing was his
chief recreation as well as his life work. His
letters to his friends were written with the
utmost ease and pleasure. His books, on the
contrary, were the product of unremitting effort.
" I never write," he confessed to Professor
Chamberlain, in a letter describing his method
of work, " without painfully forcing myself to
it." Every page was rewritten at least four or
five times, and one much admired paragraph
was recast no less than seventeen times before
he could accept it as an adequate vehicle for
the expression of his thought. " Composition
becomes difficult only when it becomes work,
that is literary labour without a strong inspira-
tional impulse or an emotional feeling behind
it." Being written without any expectation that
they would ever be printed, his letters have less
refined subtlety of phrase than his books, but
neither this quality nor that of style is wanting,
and they have also the directness and vivacity
of the sketches of a master painter. In them
his delight in the " physiognomical beauty " of
words to quote his own phrase finds full
vent. Professor Chamberlain's condemnation
of the use of Japanese words in Hearn 's books
called forth this outburst:
"For me words have colour, form, character; they
have faces, ports, manners, gesticulations; they have
moods, humours, eccentricities; they have tints, tones,
personalities. That they are unintelligible makes no
difference at all. Whether you are able to speak to a
stranger or not, you can 't help being impressed by his
appearance sometimes, by his dress, by his air,
by his exotic look. He is also unintelligible, but not a
whit less interesting. Nay ! he is interesting BECAUSE
he is unintelligible. I won 't cite other writers who
have felt this same way about African, Chinese, Arabian,
Hebrew, Tartar, Indian and Basque words, I mean
novelists and sketch writers.
" To such it has been justly observed: ' The readers
do not feel as you do about words. They can 't be sup-
posed to know that you think the letter A is blush-
crimson, and the letter E pale sky-blue. They can't
be supposed to know that you think KH wears a beard
and a turban; that initial X is a mature Greek with
wrinkles; or that " no " has an innocent, lovable,
and childlike aspect.' All this is true from the critic's
standpoint. But from ours, the standpoint of
The dreamer of dreams
To whom what is and what seems
Is often one and the same,
To us the idea is thus :
" Because people cannot see the colour of words, the
tints of words, the secret ghostly motions of words :
" Because they cannot hear the whispering of words,
the rustling of the procession of letters, the dream-
flutes and dream-drums which are thinly and weirdly
played by words :
"Because they cannot perceive the pouting of words,
the frowning and fuming of words, the weeping, the
raging and racketing and rioting of words :
" Because they are insensible to the phosphorescing
of words, the fragrance of words, the noisesomeness of
words, the tenderness or hardness, the dryness or juici-
ness of words ; the interchange of values in the gold,
the silver, the brass, and the copper of words :
" Is that any reason why we should not try to make
them hear, to make them see, to make them feel ?
Surely one who has never heard Wagner, cannot ap-
preciate Wagner without study ! Why should the peo-
ple not be forcibly introduced to foreign words, as they
were introduced to tea and coffee and tobacco ?
" Unto which the friendly reply is, ' Because they
won't buy your book, and you won't make any money.'
" And I say : ' Surely 1 have never yet made, and
never expect to make any money. Neither do I expect
to write ever for the multitude. I write for beloved
friends who can see colour in words, can smell the per-
fume of syllables in blossom, can be shocked with the
fine elfish electricity of words. And in the eternal
order of things, words will eventually have their rights
recognized by the people.' "
Notwithstanding his love for the mere ab-
stract sound of words, Hearn was too much of
an artist in their use and too clear a thinker to
find satisfaction in the sound if there were
even a suspicion of failure to convey the precise
shade of meaning intended. The qualities he
perceived in them existed for him because he
recognized the possibility of portraying the most
intangible and evanescent nuances, because he
felt their power of suggestion, of connotation^
of poetic imagery more convincing than direct
statement. Yet he realized also the value of
simplicity. " After attempting my utmost at
ornamentation," he wrote, " I am converted by
my own mistakes. The great point is to touch
with simple words."
The letters printed in this volume reflect the
varying moods of the writer. The pendulum
swings first this way and then that. As he him-
self says, " they are certainly a record of illusion
and disillusion." So many are the themes
touched upon that a dozen extracts would not
suffice to give an idea of their variety and inter-
1911.]
THE
11
est. There is a great deal in them about Japan
and the Japanese, but much less on the whole
than one would expect to find. He was, how-
ever, addressing those who knew Japan better
than he did, and the thing that most fre-
quently crops out is his detestation of " the frank
selfishness, the apathetic vanity, the shallow
vulgar scepticism of the New Japan that prates
its contempt about Tempo times, and ridicules
the dear old men of the pre-meiji era."
Mrs. Wetmore's preface and introduction are
devoted to a warm appreciation of Hearn as a
man and a writer, and to an impassioned vindi-
cation of her friend from the aspersions cast
upon him by the circulation of what she stig-
matizes as "un veracious legends" about his
early life. " Among the legends," she tells us,
" is a great deal of fanciful nonsense wrapped
up in the technical verbiage of the specialist,
which always daunts and convinces the ignor-
ant." On the facts as related by her she makes
out a good prima facie case. But Hearn's
readers will not need this testimony. For them
the nobility of his character shines forth in his
writings. Mrs. Wetmore does not overstate
the truth when she asserts that " his preoccupa-
tion with all visible fairness is the most salient
character of his genius, and a careful study of
his books and of his great mass of letters will
show that he is singularly free from all gross-
ness not once in any word of his, written or
printed, is found the leer of the ape, the repul-
sive grin of the satyr." Grapes are not gathered
from thorns. The significant quality in all of
Hearn's writings is the mental and moral uplift.
As happily phrased by his biographer : " To
those who can see no purpose in giving one's
whole life to attain artistic excellence in the
expression of thought and emotion Lafcadio
Hearn's personality will convey no meaning.
But those capable of being touched and stirred :
by such a nature will brush away the ' imperti-
nences ' and find inspiration and stimulus in !
the personality of Lafcadio Hearn."
FREDERICK W. GOOKIX.
CULTURE AXD BVSIXESS.*
With praiseworthy directness, and on regret-
table paper, Mr. Crane assembles all his resour-
ces for an annihilating assault upon all kinds of
higher schooling for young men who have to
make their own living and who expect to pursue !
* THE UTILITY OF ALL KINDS OF HIGHER SCHOOLING, j
An Investigation. By R. T. Crane. Chicago : Published by j
the Author.
a comiercial or industrial career. No one can
read t.e entire book without getting the im-
pressioi of wholesome independence and of a
blunt aid business-like purpose of going straight
at the f;cts as the author grasps them. I take
strong exception to Mr. Crane's statement, "I
shall rec.ive neither the thanks nor the sym-
pathy of tie college clique for this investigation,"
for every 'riend of culture must welcome all the
light whici can be thrown upon the seamy side
of our educational system : would to God there
were less <f truth in these indictments ! Here,
for example, is the charge that our colleges are
exerting an influence in the direction of "hedg-
ing" and way from frankness ; while nothing
less than fatal, if true, is the accusation that
" educated people take just as much interest in
worldly nutters as others." Is it worth while
to pay attention to this sort of challenge ? If I
read the signs rightly, I think we'd better!
Like Lord Byron, whose " young mind was
sacrificed to books," enormous numbers of our
best youth, in Mr. Crane's opinion, are being
condemned to miserable failure by our academic
practices. Not only is the author quite right in
his opinion that the atmosphere of most Ameri-
can colleges is charged with little of the serious-
ness of business, but there are a good many
other vreak points which might equally well be
noticed. Comparing the English universities,
we must bitterly lament the paralysis of the
American student's personal interest in govern-
mental and other high responsibilities ; even
worse is the charge, which might sometimes be
laid against our universities, of capitulation to
barbarism and impiety, their ill-bestowed hos-
pitality toward those who show no allegiance to
supreme values. Our higher schools often
harbor a set of students whose doings might
better be the subject of consideration by that
publication of the Carnegie Institution which
presents Contributions to the Study of the
Behavior of Lower Organisms ; after years of
toleration, specimens whom no amount of curry-
ing can ever groom are turned forth to be-
come leaders of Philistinism, High-priests of the
Unimportant. The acceptance of size as the
canon of efficiency is nothing short of wicked.
While we pay full tribute to the author's
candor, we are not without disturbing suspicions
that his dialectic method is not quite impec-
cable : certain definite statements are deficient
in complete accuracy, as when he attributes to
the president of Yale (page 322) a well-known
remark of the distinguished governor-elect of
New Jersey. His way of collecting facts, by
12
:E DIAJL
[Jan. 1,
a series of peremptory categorical questions,
would be more convincing were it notior his
sovereign unconcern in brushing aside wie pre-
ponderance of the direct evidence su/mitted;
those who take pains to answer seem to/ prevail-
ingly "evasive," or "prejudiced," 01" liars."
Yielding to none in our welcome of I publica-
tion which is announced as a "live wire," we
must still regret to see it spluttering useless
sparks and at times endangering the Connections
of its trolley. One statement, at tast, I be-
lieve to be cruelly unjust : " College men are
seldom found to be conspicuous invthe great
moral questions affecting the welfare and happi-
ness of mankind." The author's concession in
favor of a universal grammar-school course
would seem arbitrary in logic, at least to
some of my best Greek and Italian friends
residing on Halsted Street, Chicago. I feel
sure that if letters had been addressed to a
hundred of the leading business men, they
would have given strong testimony to their
conviction that there is " nothing in it " when
it comes to cutting off the potential wages
which a normal child could earn at shoe-blacking
parlors or news-stands. Many of them go back
to the analphabetic felicities of " a time when
we had little of it," and have small opinion of
any betterment of the race by such conventional
sophistications as reading and writing. A year
in the business itself, or in some wage-paying
factory, they pretend, is worth for their purposes
any three years in a public grammar-school.
Interpreter Kelly reports that the Alaskan
Eskimos, who have as yet seen no outsider who
can equal them in fishing and shore-whaling,
assert stoutly that the whole tribe of white men
is " ilualok " or " unfit for anything."
The author frankly delimits his cultural con-
fession by the following definition : " By edu-
cation I mean knowing important things." Yet
even when we reduce the whole problem to these
simple terms, organized scholarship still offers
the only way by which to discover and hold in
check the infinitely expanding body of facts.
Even " the fellow with the flying-machine bug,
and the person attacked by the archasological
germ" (page 227) have a way of showing
themselves not in the least contemptible in the
estimate of our race. Mr. Crane is now and
then generously inconsistent to the bald and
utilitarian doctrine which he preaches, as when
he is lenient enough to imply an approval of
some "general education," apart from profes-
sional studies, in the case of physicians. The
man who covers only his own field never does
quite cover it, the web of human relations is
too intricate for that, and the educated man
must be quick to infer the larger whole from a
concrete symbol. The rise of Germany and the
rapid progress of Japan are victories for the
professor ; the significant generals of our Civil
War were trained at West Point ; our State
universities are making investigations which
will result in saving millions of dollars to
farmers who have been paying from four to ten
times as much as they ought to do for plant-
food. The average net earnings of an acre of
wheat amount to less than eight dollars an acre,
which the information gained at the University
of Illinois increases by more than twenty dollars
an acre. Mr. Crane's nihilistic skepticism
reaches a point of simplicity which is no less
than pathetic, and makes one wish to cover,
rather than indelicately expose, the touching
and childlike innocence of such statements as
" A teacher can tell his pupils nothing more
than they can find for themselves in the books ";
" every feature of the farming industry was
thoroughly understood long before agricultural
colleges were started " ; " as all libraries have
the various subjects tabulated, I can see no
reason [this is credible] why persons desiring
any special knowledge cannot be placed in the
way of finding it by the librarians."
But one cannot discuss with heart-felt interest
a book whose scope ends at a point a long way
this side of where the handling of so supremely
vital a matter as education should begin. This
plausible and crepitant work never comes within
range of the thing which matters most to a lover
of his kind. It has frankly to do with financial
success as a goal. " Start with the boy, and
make your own help "; " the only thing that
interests business men is whether a man under-
stands their business and can promote it ";
" breadth and theories are just what the young
man does not need for business success "; " can
a foreman do his work better if he be on in-
timate speaking terms with the azimuth ? " It
is simply impertinent to set up as a final norm
the standards of the Chicago market-place, a
centre of hustling and bustling activities, but
hardly a place which has done much to
" Give to barrows, trays and pans
Grace and glimmer of romance;
Bring the moonlight into noon,
Hid in gleaming piles of stone;
On the city's pav^d street
Plant gardens lined with lilacs sweet."
However forcible the putting of Mr. Crane's
contention may be, it is far too individualistic
and self-centered. Conceding, if need be, all
1911.]
THE DLL
13
that he would prove, and more, we still enter a
demurrer against his conclusion. We do not
admit that " the greatest pleasure a man can
have arises from the feeling that he has been a
success in a creditable occupation." " If money
is not the whole thing, I think it is safe to say
that it is probably seventy-five per cent of the
whole thing" can this be the ethics of that
America whose infancy endured so full a, bap-
tism of sacrifice and privation ? Let us assert in
a very clear tone that with the mere accumula-
tion of money an idealist has simply nothing
to do. This doesn't imply that money has no
value : because I insist on a little salt in my
breakfast-food, it is not to be inferred that a
five-pound bag of it is to be upset into the
oatmeal-boiler. If it be true that the law of
business success in Chicago demands a sur-
render to worldliness, all the more is it forever
our plainest duty to challenge, defy, and insult
that law. The " hard-fisted battle " which we
are invited to enter neither satisfies our taste
nor enjoys our respect. As Remain Holland
says in his monograph on Beethoven : " I. do
not call heroes those who have triumphed by
thought or force ; I call heroes those who were
great by their heart." Not for all the spoils of
that clangorous field will we part with the sense
of finer values, that delicacy, tact, and refine-
ment which belong to the education of a gentle-
man :
Adde quod ingenuas didicisse fideliter artes
Emollit mores, nee sinit esse feros.
There is indeed, thank Heaven, "something
better than mechanical pursuits and the ordi-
nary drudgery of life." If these matters be
lightly esteemed by the Chicago business world,
so much the worse for the world of business in
Chicago.
If a leaf of autobiography be permissible, I
should like to add that I was fairly started and
sufficiently successful in a Chicago business from
which every one of my immediate peers among
the office-boys of that era (as far as I have kept
track of them) has since gained a fortune ; no
one of them any longer can experience my own
romantic thrill of magic novelty in taking a
turn in a motor-car, but I believe that I have
always been glad that I turned to making my
own living in a less remunerative career, for
the simple reason that all other pleasures are
not worth its pains. I cannot envy even the
augmented resources of my sometime cronies :
" He gave them their request, but sent leanness
into their soul." If a humanist has no luxuries,
he has, it is to be hoped, the gift to let them go
by, ad to addjess himself blithely to rolling
the Syphus-sfcAie of daih tasks. There may
i's book dleges, some traitors
.cism ; bvc every now and then
test and i sign" some Agassiz
to makt money," some Bur-
to be yndicated. And so
iat the tiirst of the soul for
and be.uty will never be
those n whom Mr. Crane
tble faiires" we shall still
the arth. Some eternal
thai "brains and good
ith fa -play and industry,"
irreproachably excellent i these virtues doubt-
less are. have beeU pitiful' crowded out in the
iment f standards in our
life. Che tragic possibility
humaculture might perish
y noaeans inconceivable.
of hher learning is com-
mitted the sacred Vuty - helping to nourish
and keep alive t\>is dicate plant of pure
humanism. As fai^t as tJ college ministers to
this, as far as it makN?s students free of the
society of the idealists? *>ts, and prophets of
be, asMr. C
to schlarly
emergs " as a p
who ha "no
bank \ho refus
we ha\j faith
" useles " trutt
quenchtl ; some
sees onV "mise
salute a> the salt
values, ligher e
character couple
i
hap-hazard develc
turbulent Americt
that the heritage cT
from the earth is)
To our institutior
mankind, it is valuable
American state ; if it f j
thrown ruthlessly into
JA:|
jyond ail price to our
s here, it may well be
imanity's melting-pot,
s TAFT HATFIELD.
DISRAELPS E-fER CAREER.*
With the death oft^rd Beaconsfield (April
19, 1881), there pasfl from the stage of Eng-
lish politics one whjwas not only an eminent
stajtesman but a j^terful political artist as
well. Benjamin Pis-aeJi's life, particularly his
earlier career, *as cne of singular variety and
seeming contortions : a statesman and a lit-
terateur, anySealist and a political campaigner,
a radical *6d a Tory, a Jew and a Christian,
to mentis only the more evident antitheses, he
still achieved the remarkable feat of shaping a
career, which, when closely studied, seems fairly
consistent after all. It would seem that such
a personality would offer unusual attractions
to a biographer, and that such a career would
be the object of apu-ly and detailed study. Biog-
raphies have been written, but they are scarcely
more than sketches, wholly inadequate when
we consider the importance of the subject and
*THE LIFE OF BENJAMIN DISRAELI, Earl of Beacons-
field. By WiHiain Flavelle Monypenny. Volume I. Illus-
trated. New York : The Macmillan Co.
14
T]
DIAL
[Jan. 1,
s. For t4rty
:uly exha] ; |tive
al side offcuch
aeli Papns," a
. other tfivate
: Lord
is privatf secre-
rears agf Lord
passed
aconsfiel
.nnounct
.he lorn
the wealth of available materi
years the world has waited for a^j
biography of Lord Bjaconsfiel
The materials for the person
a study are found injthe " Disi
large collection of Itters a
documents which on tie death
field continued in thacare of 1
tary, Lord Rowton. I Seven
Rowton died, and tfl papers
keeping of the trusteeaf the B
According to the pulshers' a
was " then decided j have
biography done, andMr. Ml nypennj
London ' Times,' a v.ll-knovf a journs
selected to do the wet, and I since ihei
been constantly engagij in thf 3 task.'
volume has just apptled ; ;| nd, accoi
present plans, the wc| willj be compl^
three or four volumes
It is natural to centre tl)
biography of Disraeli
stone, which was issu
stone's life was writte:
John Morley's work is
Similarly, the present
gavded as of Tory or
William Flavelle Mon
>m
i
is study wi
rival, Mr.
years ago.
a,f political frie
1 cinct with liberalism,
jiography may bej re-
in. The author, Mr.
^enny, has long been
associated with the conl l-vative press ; he has
also seen service, both jol hialistic and military,
in South Africa, in the ijry land of the Boers.
)sed to be in sym-
ideas of his subject
|,tive attitude toward
Perhaps it is not
relume that traces
3nt toward Toryism
He may, therefore, be si
pathy with the imperialisl
as well as with his conse
the British constitution
wholly fortuitous that thi
Disraeli's political develop
and outlines his defence ojafche traditional*con-
stitution, including the itfoike of Lords, should
appear on the eve of I p<jlitital campaign in
which the leading issue/ft the " ending or mend-
ing " of that same H<6use of Lords.
In the volume now published, Mr. Mony-
penny carries the narrative down to 1887, the
year that saw Disraeli's first election to Parlia-
ment. The period covers thirty-three years of
the future prime minister's life, a period of con-
siderable interest and of some romance. The
chapters devoted to ancestry, childhood, anct
youth, early training and influences, and similar
matters, are written in the <-aaventional way,
It may be said in
found no evidence
that his family was
of the Inquisition
to Venjee, whence it
and need not detain us
passing that the author 1
to support Disraeli's beli
ancient in Spain at the
and was forced to mi
found its way to England. " What we know
for certain is that the grandfather, Benjamin
D'Israeli, who ' became an English denizen in
1748,' had his Italian home not in Venice but
at Cento in Ferrara." The author concludes
that the name and the family may be either of
Spanish or of Levantine origin.
In addition to the Disraeli papers, Mr.
Monypenny has used letters in the possession of
families that were closely associated with the
Disraelis. Some use has also been made of a
fragmentary diary which does not seem to have
been published before. However, as most of
the materials are already accessible to students,
the value of the biography (at least so far as
the first volume is concerned) will lie principally
in the author's method and interpretation. Mr.
Monypenny has adopted the plan of citing docu-
ments very extensively, so extensively that
some of the chapters are scarcely more than a
series of epistolary extracts bound together by
brief but illuminating comments. Of eighteen
pages devoted to the " Tour in Italy," less than
four are of the author's own writing. Disraeli's
first successful political campaign is described
in sixteen pages, of which all but about two
pages is composed of extracts from documents.
Other chapters are written on the same plan.
Whether these statements are to be regarded
as favorable or unfavorable criticism, will de-
pend on the purpose of the volume. Students
of history will welcome a biography of this type,
one that permits further study of personality,
motives, and circumstances from the document-
ary sources included with the narrative. On
the other hand, the general reader is scarcely
well served with a biography of this sort. To
him there will always be much in letters and
diaries that has little significance. Not knowing
the circumstances under which they were writ-
ten or the times that they reflect, he fails to get
the deeper impressions that such extracts are
intended to convey, and the reading soon be-
comes tiresome. It is always desirable that a
biographical narrative be flavored with bits of
c.onten\porary writing and generously provided
with illustrative extracts from the author's
sources ;\but it is a question whether the practice
has not open overdone in this particular case.
While ihe author is sympathetic, he is not
effusive : aU through the narrative he maintains
a strictly juojcial attitude and writes with admir-
able reserve. \ No attempt is made to slur over
such episodes as reflect on Disraeli's good sense
and judgment or to suppress information as to
embarrassing situations. In this work for the
1911.]
THE DIAL
15
first time, perhaps, do we get definite impres-
sions of the financial distress in which the future
chancellor of the exchequer found himself just
before his elevation to Parliament. In 1836
his debts almost prevented his appearance in
public ; fears of his creditors and the officers
of the law seem to have haunted him continu-
ously. Writing to his lawyer concerning his
appearance at a political dinner, he remarks :
" I have been requested to move the principal toast,
* The House of Lords.' I trust there is no danger of
rny being nabbed, as this would be a fatal contretemps,
inasmuch as, in all probability, I am addressing my
future constituents."
But the author also bears testimony to Disraeli's
financial integrity ; though his embarrassments
were numerous and frequent, "nothing that
seriously touches his character is to be deduced
from the records as they have been preserved."
Travel, literature, and politics were the chief
matters of interest to Disraeli during these
years. His journeys in the Mediterranean lands
and in the Orient are important chiefly as fur-
nishing experiences that later were worked into
his novels, though it is likely that the Oriental
tour did much to develop in the future states-
man the interest that he always showed in
Eastern politics. Several of Disraeli's novels
date from these years ; but the world has long
ago passed judgment on his literary efforts, a
judgment that the new court has not reversed.
Mr. Monypenny finds that so long as the novel-
ist is able to draw on his own experiences, he
produces readable, often brilliant, chapters ; but
when he has to draw on the resources of his
imagination, the product becomes what Glad-
stone once called " trash."
The most satisfactory parts of the work are
the sections dealing with Disraeli's frantic efforts
to get into Parliament. The author makes it
very clear that there was nothing meteoric in
Disraeli's later appearance as an influential poli-
tical leader. During the five years between his
first unsuccessful candidacy at Wycombe and his
election for Maidstone in 1837, he was regarded
by his Tory friends (and they formed an im-
portant group) as a coming leader. Much of
his time and energy was given to political
pamphleteering and editorial writing for such
journals as the London " Morning Post " and
" The Times." In some of this work he de-
scended to a low literary plane.
" The articles, which have been preserved in a book
of cuttings, are in the strain of reckless vituperation
which was then the fashion even in responsible journals,
with only here and there a flash of wit or a happy
phrase to redeem the personalities."
But there can be no doubt that they were
widely read. They were important also in that
they gave the young writer an opportunity to
review and clarify his own political ideas and to
build up a theory of practical government that
later became the conservative creed.
The most important of these writings is a
yplume of 200 pages entitled " A Vindication of
the English Constitution." In this he develops
the old theory that representation is, and should
be, not a matter of numbers or territorial areas,
but of estates. The Lords represent one estate,
the Commons another. " The House of Com-
mons is no more the house of the people than is
the House of Lords." The peerage represents
the church, the law, the counties and boroughs,
the land, " and as the hereditary leaders of the
nation, especially of the cultivators of the land,
the genuine and permanent population of En-
gland, its peasantry."
Much is made of the ancient character of
the House of Lords : " Their names, office, and
character, and the ennobling achievements of
their order must be blended with our history
and bound up with our hereditary sentiment."
Still, both the peerage and the commonalty must
be democratic at the roots : it must be possible
for any subject to gain legal admittance to
either estate. And the estates themselves he
conceives as " the trustees of the nation, not its
masters."
This defence of the peerage was written in
1835 by a young man who three years earlier
had sought admittance to Parliament as a radi-
cal. There was, however, nothing very startling
in Disraeli's early radicalism : it consisted chiefly
in a determination to stand apart from the old
party organizations.
" His political stock in trade consisted, in fact, of a
sincere and ardent patriotism, genuine popular sym-
pathies, a strong and apparently instinctive antipathy
to Whiggery, and an hereditary disposition to Toryism
derived from his father with an imaginative interest in
its romantic aspect that was native to himself."
When he was convinced that only within one
of the historic parties could he hope to achieve
anything, his choice was quickly made. But he
carried with him into the Tory camp his ideas
of democracy and moderate reform.
In this apparent passage from one political
extreme to the other, his biographer sees noth-
ing strange. He calls attention to the fact
that nearly all the greater English statesmen
have had ambiguous party records.
" If we are to measure consistency by ideas, Disraeli
is the most consistent of them all, and yet more than
16
THE DIAL
[Jan. 1^
any of the others he was to suffer throughout his career
from the reputation of political time-server and adven-
turer acquired in these early and errant years."
Perhaps we have in these lines a clue to the
author's treatment of the Beaconsfield policies
in the volumes to come. Disraeli's political
career, as Mr. Monypenny seems to view it, is
an effort to work out and realize in practical
measures a system of political ideas developed
in his younger days while he was still suspected
of radical tendencies.
LAURENCE M. LARSON.
N ENGLISH ESTIMATE OF POE.*
It is related of the Mormon Bible that when
it was discovered it was in the unintelligible
letters of an unknown tongue ; but that with
it was found a pair of iron-bound spectacles,
seen through which the strange script translated
itself into plain English. Mr. Arthur Ransome,
an English critic, is the fortunate possessor of
such a magic aid for interpreting the hitherto
misunderstood works of Edgar Allan Poe. So,
in effect, he tells us in his brief preface, in which
he calmly brushes aside all that has yet been
done in England or America to make Poe clear
to the world. When we consider that among
those he thus disposes of are Mr. Andrew Lang,
whose essay in the " Letters to Dead Authors "
is the classic of Poe criticism ; Mr. Gosse, who
twenty years ago broached the subject of Poe's
supremacy in American literature ; Mr. Sted-
man, who if not altogether sympathetic was
always kindly and intelligent in his treatment
of Poe; Mr. Aldrich, Mr. Trent, Mr. Peck,
Mr. Didier, and many others ; it seems a large
order for a new critic to try to fill.
As Mr. Ransome is superior to all these
writers, he is naturally superior to the author
he is dealing with. Criticism is one thing, con-
descension another. We are inclined to think
that Poe would have preferred the foulest
calumnies of his enemies to Mr. Ransome's
patronizing way of waiving these aside, not
because they are in the main untrue, but be-
cause they really do n't matter, you know. And
we are certain that Poe would have raged like
the maddened Ajax at being led forward by
the hand, so to speak, and presented to the
world, not as a great poet, not as the supreme
master of the short story, but as the critic
whose wavering thought dimly glimpsed the
* EDGAR ALLAN POE. A Critical Study. By Arthur
Ransome. With portrait. New York : Mitchell Kennerley.
light which has since shone forth in Walter
Pater, Ernest Dowson, and Mr. Lascelles Aber-
crombie, whoever the latter may be.
About a fourth part of Mr. Ransome's book
is taken up with long extracts from Poe's writ-
ings. This affords one an agreeable chance to
refresh one's memory though, really, Mr.
Ransome's own prose is so good, that, as far
as wording goes, it does not need such rein-
forcement. The meaning of it is another mat-
ter. We confess that we do not find any such
revelations as Mr. Ransome seems to promise
in his preface. Practically all the points he
touches upon have been brought out by previ-
ous writers. Poe's loneliness of mind, the an-
tagonism between him and his countrymen, his
mathematical and metaphysical bent, his mor-
tuary turn of mind (as Mr. Lang terms it),
his business ability for others, the comparative
inferiority of " The Raven " to some of the other
poems, the unique character of four or five of
the colloquies and philosophical compositions,
all this, and much else which Mr. Ransome men-
tions, has been already fully treated.
Mr. Ransome is hardly more than tepid in
his praise of the Tales. He considers Poe in
this field inferior to Balzac and an imitator of
Lytton. To count the noses of an author's
readers is a poor way to judge his rank, but
influence on other writers is a pretty sure test.
Poe has probably had twenty imitators to one
that either of the above-named men can boast
of. That Poe is supreme in the short story,
and that he gained for this kind of art a place
with the great forms of literature, is the claim
of the true believers.
For Poe's poetry, Mr. Ransome has more
respect, though he thinks that many others
since have done equally well. The bulk of
Poe's verse is not great, but there are fifteen
or sixteen pieces of the first rank. Shelley
can hardly show more gems of the purest
water, and Burns certainly not twice as many.
Yet these two are the greatest English lyric
poets.
Mr. Ransome comes, in fact, to about the
same conclusion that Mr. Brownell reaches. The
latter began by asking what American litera-
ture would be without Poe, and ended by declar-
ing that Poe did not belong to literature at all.
Mr. Ransome trips his way through Poe's works
on tiptoe, rather holding his nose by the way ;
and as he views piece after piece he dismisses
it as a failure, a good intention, or a half suc-
cess. Yet he allows that in Poe there passed
through the world something wonderful and
1911.]
THE DIAL,
17
unique. This is the very folly of criticism.
A man is not a great writer unless he writes
something great. The bees know where there
is honey, and the swarm of Poe's imitators is
plain proof that his work has the secret of
immortality.
In reality, Mr. Ransome's sole interest in
Poe is in the criticism. He fastens upon Poe's
definition of poetry as the rhythmical creation of
beauty, and on the many dicta in which Poe
proclaims beauty as the end and aim of art.
Mr. Ransome finds these opinions in consonance
with his own views, and with those of the new-
est school of art thought ; and he hails Poe as
an early prophet. We believe that Poe's
criticism was false, but that his work trans-
cended his theory. Mr. Ransome praises him
for his bad doctrine, and puts aside the saving
deed.
It is impossible to give any precise definition
of beauty. We all know that when we use this
word in common parlance we do not mean power,
or grandeur, or sublimity, or awfulness, or
horror, or ugliness, or the grotesque and comical.
Yet all these things are sensations of the mind ;
they all enter into the creations of art. Why
anyone should want to reduce all these fractions
of thought and feeling to a common denominator
and call that beauty, is a mystery I have never
been able to fathom. The Greeks in their best
estate did pretty well in literature, but they
were guided by no such idea. Aristotle, the
first and greatest literary critic, knows nothing
of it. Plato possibly glimpsed such a concep-
tion as coming, which may in part explain his
hostility to poetry. Come the conception did,
but not until Greek life and Greek art lay in
ruins together. The great German critics,
Lessing, Goethe, and Schiller, accept no such
narrow limitations of literature. They knew
the complexity of life, and of art's consequent
report of it, and they allowed many elements
and aims to poetry.
In the house of art there are many mansions.
That of beauty, however attractive, is not the
greatest or the most important. Is the Book
of Job great poetry? What possible beauty is
there in the spectacle of the patriarch, bowed
down with misfortunes, covered with sores, sit-
ting on a dunghiJl exposed to the mosquito-like
boring of his comforters ? What beauty, in any
sane sense of the word, is there even in the
tremendous and appalling utterance of the
Almighty in answer to Job's cries ? Is " King
Lear" great poetry? There is beauty in the
apparition of Cordelia, and by stretching the
meaning of the word we may possibly make it
cover the devotion of Kent and the fortitude of
Edgar. But all the rest of the play is a whirl-
wind of horror and terror and desolation.
Surely the critics who preach the doctrine
that beauty is the sole aim and end of art do
art and literature the greatest disservice. The
world regards them as Alceste regarded Oronte,
or" as Hotspur did the perfumed courtier who
recommended spermaceti for an inward wound.
No one has fought longer or more fiercely
against the domination of the didactic in litera-
ture, the cult of the commonplace, than the
present writer. But if it is a question between
the rule of these things and the reign of the
Precieuses, I should not hesitate in my choice.
My attitude of mind would be like that of the
outspoken lady confronted by the statue in
the Vatican : " So that is the Apollo Belve-
dere, is it? Well, what I say is, give me
Ruggles!"
If what our new critics mean by their creed
of beauty is merely workmanlike, adequate, and
perfect execution, then there may be something
said for the doctrine. In ordinary speech we
use the word "beauty" loosely. We say that a
street-sweeper cleans a crossing, or a laundress
does up linen, or a surgeon performs an opera-
tion, beautifully. What we mean is that they
do their tasks as well as they can be done ; that
they do them perfectly. The authors of the
Book of Job and of " King Lear " also did their
tasks perfectly. They gave the ultimate ex-
pression to the terrors and profundities with
which they deal. But if this is the meaning of
the creed, it is only a truism ; for unless a work
of art is adequately done it had better not be
done at all. And there are so many kinds of
adequacy that the word " beauty " is the most
unfortunate nomenclature that could be applied
to them. The prose of Swift or Defoe is just
as adequate for the purposes for which it is
used as the prose of Shakespeare or Congreve
or De Quincey or Pater. Pope has in his verse
as brilliant an instrument for what he wants to
do as Poe has in his. But Poe certainly would
not have called Pope's poetry the rhythmical
creation of beauty. Yet in the mind of Mr.
Ransome, and critics like him, there hovers an
idea other than mere adequacy the idea of
absolute beauty, the something different from
power or horror or ugliness, as the aim and
end of art.
Mr. Ransome of course approves Poe's di-
alectic against long poems. The same examples
that served me above may answer here. The
18
THE DIAL
[Jan. 1,
Book of Job and " King Lear " are works of con-
siderable dimensions. They are certainly not
what Poe meant by a short poem. But just as
certainly they are not collections of distinct and
separate episodes. Each is unitary. Every
word in them goes to build up a great effect,
create one tremendous impression. And this
impression, whether we read the pieces at a
single sitting or not, is overwhelming. The
same is true of still longer works like the Iliad
or the Divine Comedy. The impression, indeed,
of such works stamps itself on whole nations
and ages. The Ramayana is four or five times
as long as the Iliad, and the Mahabharata three
times longer still ; yet it may be said of these
poems, not that India possesses them, but that
they possess India. That the inequalities in a
long work are more apparent than those of
a short poem, is of course to be expected.
But few indeed are the lyrics of the world
which are of even and perfect execution
throughout. Under the microscope the razor's
edge is a saw.
Last of all, Mr. Ransome praises Poe's study
of versification. As this is based on the idea
of quantity, and as quantity does not exist, or
exists only in a weak and limited manner, in
English poetry, it is difficult to accept either
Poe's text or Mr. Ransome's comment as of
much value.
The age of littleness is on us. Among the
newest critics, of whom I should say Mr. Ran-
some must be quite a distinguished talent, there
is only the worship of exquisite words, charming
cadences, lovely images. It is the culto estilo
of Marini and Gongora over again. Mr. Ran-
some re-states what I have seen mentioned in
print a number of times as if it were a matter of
some importance the fact that Ernest Dow-
son's favorite line of poetry was Poe's
" The viol, the violet, and the vine."
It is a pretty line, but that Dowson should
select it from all the splendors and ineffable
glories of English verse, speaks volumes for
the limitations of Dowson's mind. What Poe,
who, however he may have erred in theory,
reached out in practice to the boldest and most
daring designs to the boundaries of thought
and conception, whose aim always was to dec-
orate his construction, not to construct his
decoration, would have said of the attempt
made in this book to father upon him the
modern school of weakness, can only be con-
CHARLES LEONARD MOORE.
WASTE AND CONSERVATION.*
Youth thinks all things possible ; senility
finds the light grasshopper a load. Science
seeks to be free from illusions and to confront
reality. Americans have mis-read the meaning
of nature, and have imagined soils to be inex-
haustible, mines to be deep as China, forests
to be positive obstacles in the way of civiliza-
tion. As soon as industry was organized, it
began to exploit women, girls, and children ;
to rob the future race for present profit ; to
squeeze the life out of vigorous immigrants in
a single generation, and to cast degenerates
and alcoholics into insane asylums or the grave.
This was the folly of uiiinstructed youth, heed-
less of remote consequences, myopic to all but
immediate profits. The habit of waste runs
through all conduct ; the reckless abuse of coal
and timber and soil confuses man's judgment
about himself; the spendthrift, while he is
scattering his miserly and unscrupulous father's
wealth, is squandering his own nerves and
blood.
There are numerous indications of the coming
of more mature and more scientific and sober
consideration of natural resources, things, and
men. Some sources of evidence are suggested
in the volume entitled "The Conservation of
Natural Resources in the United States," by
the President of Wisconsin University, who is
a distinguished representative of science, and a
man of vision and of patriotism. One can fol-
low such a guide with confidence ; his warnings
are clothed in exact statistical form ; his coun-
sels are all the more likely to be heeded because
they are deliberate and expert, and point out
at each step the best known methods of re-
covering losses and avoiding future waste. He
does not scold or declaim ; he teaches convinc-
ingly.
Thus to conserve our limited supply of coal,
which, once used, is gone forever, the author
recommends not only better technical methods
of mining, but legislation regulating the forms
of leases and the basis of royalties. If the
prices are exorbitant, Congress has power
to regulate them ; the people are defenceless
only while they remain ignorant and supine.
*THK CONSERVATION OF NATURAL RESOURCES IN THE
UNITED STATES. By Charles Richard Van Hise. New
York : The Macmillan Co.
THE FIGHT FOR CONSERVATION. By Gifford Pinchot.
New York : Douhleday, Page <fe Co.
THE CONSERVATION OF WATER. By John L. Mathews.
Boston : Small, Maynard & Co.
1911.]
THE DIAL
19
Monopolies are powerful, but government is
supreme ; a reasonable profit is necessary to
encourage production, while robbery of the
people can be prevented.
When the disastrous consequences of forest
fires are portrayed, the reader is not left in
gloom. He is told that under government
ownership mountain- sides may be made to
return profits on planted trees : that a forest
patrol saves vastly more than it costs ; that
waste branches can be utilized for firewood,
pulp, and chemical products ; that a gradual
change in the tax law would remove the motive
of forest owners to destroy the timber at once
and leave the permanent property for their own
families. After demonstrating to the prosper-
ous farmer that he is robbing his heirs by im-
poverishing the soil, he is taught how erosion
may be diminished by a curved furrow ; how
nitrogen can be extracted from the air and
transformed into plant-food ; how potassium
may be procured when it is lacking ; and how
phosphorous is lost and won. Then, when,
with ample and exact learning, the author has
pointed out the blunders of waste and the
methods of wise economy, he passes to the in-
terpretation of ultimate values. Conservation
reduces the expenditure of human energy, it-
self strictly limited in amount, upon mere sub-
sistence, and thus leaves time and power free
for intellectual and spiritual activities, satis-
factions, and development. A true scheme of
conservation includes the application of sci-
entific and preventive medicine to the task of
prolonging human life and raising its quality.
Narrow and selfish individualism is no longer
adequate ; egoistic exploitation of many by a
few is national bankruptcy. Posterity has
claims upon us. The criterion of right, justice,
law, is the permanent welfare of the race. A
new and larger creed is now formulated by the
conservation conferences.
The argument of Mr. Pinchot's volume on
" The Fight for Conservation " is political,
economical, and patriotic. It asserts that the
chief danger to our civilization lies in the at-
tempt of great corporations to monopolize the
rapidly vanishing forests, mines, pasture lands,
and especially the water-power. It is certainly
an earnest and eloquent appeal, and there are
many facts which give it plausibility. The
conclusion, however, is reached without any
elaborate array of facts from the author's own
special scientific storehouse, and by a method
of which economists rather than physicists are
the more competent judges. One would not
turn to this little volume for information about
the scientific aspects of conservation of forests
and mines, startling as are some of its illustra-
tions of national wastefulness and recklessness.
A very attractive picture of the theory of
national and state conservation policies is found
in " The Conservation of Water," by Mr. John
L. " Mathews ; but more topics are covered
than the title indicates. Beginning with the
" water farm," or storage of water near the
head waters of streams, we travel on through
the processes of swamp drainage, irrigation, the
development of power, the revetment of the
bank, the purification of rivers, the establish-
ment of navigation, the conservation of the soil.
The result promised is a splendid Utopia. The
political philosophy is the same as that of the
volumes by Dr. Van Hise and Mr. Pinchot,
national and state control of the natural sources
of power and fertility in the interest of the
nation.
For many years the scientific men employed
by the Federal and State governments, by
universities and by corporations, have been
exploring and measuring the resources of the
country mines, forests, water, soil. For years
their discoveries were hidden in museums and
offices ; their words of warning were apparently
unheeded. But the facts were on record. Men
of business studied them and turned them to
private account ; they acquired title and legal
claim to use the national wealth as they pleased;
and the popular ethical creed offered no hin-
drance to their policy. If it is a race in which
every man is for himself, then who can blame
the swiftest and strongest and most cunning if
he grasps the lion's share ? But science is not
the tool of a clique ; it belongs to humanity,
and soon or late its service will be offered to all.
Since the politicians have found that the con-
clusions of science are popular war-cries there
is danger that the careful students of nature
who first made this movement possible may
be ungratefully forgotten and their advice be
ignored. The books here called to notice will
help to prevent this danger of f orgetf ulness and
neglect of competent guides.
CHAKLES RICHMOND HENDERSON.
THE LATE Arthur J. Butler is responsible for a vol-
ume now published by Mr. Henry Frowde, and entitled
" The Forerunners of Dante," being a volume of selec-
tions from the Italian poetry of the thirteenth century.
Some thirty poets are represented, and a considerable
body of notes elucidates the obscurities of the text.
There is also a preface of much value.
20
THE DIAL
[Jan. 1,
BRIEFS ON NEW BOOKS.
_ ^ .. More and more perfectly and satis-
Reflections . \ , ' . ,
of a hermit- f actonly is Mr. Arthur Christopher
philosopher. Benson finding himself in that rural
solitude which he has chosen for his reflective ma-
turity after having, as he says "lived laboriously and
hastily for twenty years " in populous towns and
among strenuous toilers. " The Silent Isle " (Put-
nam) contains the latest instalment of those quietly
delightful meditations and reminiscences and miscel-
laneous observations with which for nearly a decade
he has been enriching our literature and winning an
ever-increasing audience of appreciative listeners.
His strength lies in the perfect frankness and sim-
plicity with which he opens his mind and heart to his
readers. "Here I stand, I can do no otherwise,"
he seems to say to them. Planting himself in-
domitably on his instincts, and there abiding, he is
making at least a part of the huge world come
round to him, as Emerson declares that it always will
to the man having the courage of his convictions.
The present volume, Mr. Benson explains in an
Introduction, " is an attempt, or rather a hundred
attempts, to sketch some of the details of life, seen
from a simple plane enough, and with no desire to
conform it to a theory, or to find anything very
definite in it, or to omit anything because it did not
fit in with prejudices or predilections." The quiet
mode of life he has chosen for himself in a retired
spot which he rather fancifully likens to an island,
was not adopted, he declares, in any attempt to
shirk his fair share of the natural human burden ;
but feeling that he had borne an unprofitable load
long enough, and that it was high time to let down
the pack and untie it and see what it contained, he
discovered that its contents were mostly designed,
like the furniture of the White Knight's horse in
"Through the Looking-Glass," to provide against
unlikely contingencies. And so he concluded that
he might live life, of the brevity and frailty of
which he had become suddenly aware, on simpler
and more rational lines. How he has been doing
this and hopes still to do it, the subsequent pages of
the book very entertainingly set forth. Apposite
anecdote and illustration, passing reminiscence and
pertinent reflection, with here and there a touch of
quiet humor or gentle sarcasm, enrich and adorn the
pages and beguile the reader from chapter to chap-
ter until, all too soon, the end is reached. But it is
a book that one can turn back and read over again
with little or no decrease of zest.
Studies in the
Psychology
of Religion.
The psychological study of the
*. J . J
expressions of the religious impulse
b^jg f a j r t o become an American
specialty. The " Varieties of Religious Experience "
of our master psychologist, James, brought its re-
cognition to scholarly and popular attention abroad
and at home. The emphasis of variety and the
contrast of experience drew attention from trees to
forest. The vigor, tolerance, independence and
unconvention of American and Americanized ex-
pressions of religion furnished the abundant material
and the panoramic outlook. Starbuck, Coe, Pratt,
King, and others, have contributed specifically, and
other psychologists such as Stanley Hall, Dewey,
Royce generically, to the consummation of the
American position. To these is now added " The
Psychology of Religious Experience." (Houghton),
by Professor E. S. Ames of Chicago. The work
forms a notable addition to the literature and to the
statement of the position. It may be recommended
as an inviting and satisfying approach to the gen-
eral field. The volume is distinctive in its combin-
ation of an anthropological survey the clues
afforded by custom, magic, spirits, sacrifice, myth
with a survey of the developmental sequences in
the individual, the religion of childhood, adoles-
cence, and the normal adult reactions ; and an
analysis of the vicissitudes of religious experiences
in their social and historical settings. The domi-
nant conception is that of religion as a sense of
intimate social obligation, an enlargement of the
outlook and activities, and an enhancement of life's
values through sacrifice in favor of non-personal
though not depersonalized ends. Whether the
direction of attitude, contemplation, fervor, service,
restraint, is of one kind or another, whether
enforced and directed by one set of conditions or
another, whether drawn from its orbit by the em-
phasis of events or distorted by anomaly, fanati-
cism, or dogma, to unusual contours, the essential
conformity of the varied expressions to the satisfac-
tions of fundamentally analogous needs persists. It
emerges plainly, in so far as we look away from
the exaggerations and irrelevancies of sect and
schism and heresy, or construe their more legitimate
expression as but differentiations of conventionalized
social appeal to different classes or temperaments,
and avoid the confusion of pietistic and unquestion-
ing conformity to dessicated ritual with significant
religious impressibility. " Getting religion " proves
to be so differently significant from maturing
religiously. In the end, and conspicuous in the
immediate horizon, such forces as democracy and
science, and the illumination of cultural sensibility
and humane tolerance, determine and measure
religious attitudes ; and the normal exemplar of
future society will be more wholly and consistently
religious, when the channels of his religious expres-
sions shall be adjusted more nearly than the present
traditional stage makes possible, to the consumma-
tion to be effected by the radical alteration of the
social and industrial life. The transient inconsist-
encies of preaching and practice are inevitably
misleading. The wider and deeper survey of the
religious life directs the view to essentials, and
clarifies the perspective of interpretation. Pro-
fessor Ames's volume is a stimulating and reassur-
ing aid to the performance of this service for the
sympathetic and progressive idealist.
1911.]
THE DIAI,
21
Thediarvof romance of adventure, the joy
a daughter of of young love, the sweetness of friend-
the Confederacy. s hi p> an( j the horror of war are all
depicted in the pages of an absorbing little book that
can be read through, without haste, in a sitting,
" The Diary of a Refugee " (Moffat, Yard & Co.).
Mrs. Frances Fearn, editor of this vivid chronicle
of stirring events (which she has also dramatized
under the title, "Let us Have Peace "), explains in
an Introduction that the Diary is of her mother's
writing and is only now made public in response to
an appeal from a historical society for the bringing
to light of any material bearing on the Civil War.
The writer was the wife of a Louisiana planter who
with his family was driven by the advance of the
Federal forces in 1862 to take refuge first in Texas,
then in Havana, and soon afterward in Europe.
The history of hardships endured, and of the loss
of loved ones in the war, is relieved by incidents of
a romantic or chivalrous or amorous description, in
which a beautiful daughter Clarice is the heroine.
A near view of life in Paris under the Empire is
also afforded, and we read how the fair Clarice at-
tracted such attention from the Emperor that her
mother felt it necessary to carry her off to London
until the imperial ardor should cool. General Grant,
a kinsman of the family, is made to appear in an
attractive light and to show the family characteristic,
kindness. Lincoln too is introduced, on the occasion
of his assassination, and that tragedy is frankly ad-
mitted to be " the greatest misfortune " and " more
disastrous in its effects upon the South than any-
thing that could have happened." Mrs. Fearn has
well performed her editorial duties (even though at
the outset she makes "data" a singular noun), fill-
ing in sundry gaps in this old journal and making
it into a book well worth reading and of real his-
toric value. A few family and other portraits are
given, as also several drawings by Miss Rosalie
Urquhart. Admiral Dewey, in a commendatory
letter printed in the Introduction, acts as sponsor
to the book.
A journalistic Mr - Edwin E. Slosson's book on
treatment of " Great American Universities "
Universities. (Macmillan) must not be taken too
seriously. When the several articles appeared in
" The Independent," they attracted local and general
interest, of the kind that makes for publicity. In
a book of 500 pages, with appropriate introduction
and conclusion, the result invites other and more
critical standards than attend its reception by casual
readers. Doubtless universities must be content to
be subjects for (or invite) journalistic treatment ;
and Mr. Slosson's review of fourteen of the large
universities embodies considerable information in
regard to them, statistical, critical, biographical,
administrative, and miscellaneous. Nor can it be
urged that the space is devoted to externals only ;
they figure unduly but naturally. Yet an earnest
attempt is made to set forth inner tendencies, and
reflect local color and college spirit. The articles
made good journalism, and, indeed, a high order
of journalism, as such things go. As educational
criticism, to which the volume pretends, it will per-
form some service and perhaps as much disservice. It
will help many to get a far better idea of the univer-
sities described than they could or would otherwise
secure ; and it will prevent some from getting a true
conception of the real American university, and de-
bar them hopelessly from a like understanding of the
ideal one. A university is a complicated machine ;
but when you describe it as such, particularly to the
non-mechanical, you create an illusive impression that
they understand it ; and you have distracted atten-
tion from the far more important fact that a university
is something other than a complicated machine. To
this distorted perspective, Mr. Slosson's straining
for journalistic effect adds a needless touch of bur-
lesque. It varies from good-humored banter to very
bad taste. It affords illumination ; but it suggests
the glare of the footlights, not of the lamp of learn-
ing. It is hoped that the public seriously interested
in universities will not take the volume for more than
a sheaf of impressions. This should be done in fair-
ness to Mr. Slosson and to the universities. One
may have misgivings concerning the discernment of
the general reader. If so, one may find consolation
in the reflection that it shows well for American
universities, that even the skilful photographer does
not find on his films the features worthy of record.
These are reserved for the artist-painter.
An A merican't ^ ne minister of the Am erican Church
impressions in Berlin has many unusual oppor-
of Berlin. tunities to see both the public and
the private life of the Kaiser's Capital at first
hand, and could hardly fail to make an interesting
book of his record of a twelve years' residence. Dr.
Dickie is almost as inveterate a story-teller as Dr.
Depew ; and by dint of telling not only his own
experiences but the stories that have been told to
him, and stories that he has elsewhere heard of
those whom he has casually met, he has brought
together an interesting collection. Add to these some
really first-hand observations regarding the condi-
tions of living abroad as, for instance, the oppor-
tunities and the dangers of unattended girls and
we have the best features of the book. The chapters
on Stoecker, Harnack. Pfleiderer, Curtius, Hermann
Grimm, Rahel and Henriette Herz, are of very un-
equal value, on the whole promising more than they
yield, and sometimes strangely empty or wandering.
The last two, of course, can be little else than trans-
lation, and the translation is sometimes lame. The
good clergyman's breathless reverence for royalties,
who are never introduced without two or more cap-
itals, is almost unpleasant when in the presence of the
imperial family. The Emperor's eye "beams and
glows and glistens as no other eye can into which
I have been permitted to look." The Empress is
" that noblest of all women." And neither of them
appears but Dr. Dickie comes to " attention " with
his hat off. But one can forgive this when he knows
22
THE DIAL
[Jan. 1,
that the Emperor has been very nice to Dr. Dickie,
even permitting him to copy into the book one of
his own sermons, and, still more gracious, one of his
prayers. And with all his projecting personality,
one cannot deny geniality and some charm to the
author. (Dodd, Mead & Co.)
. The small fisherman of the English
the 'longshore coast (the South Devon coast, ap-
ftsherman. parently) is painted to the life in
Mr. Stephen Reynolds's " Alongshore : Where Man
and the Sea Face One Another" ( Macmillan). It is
a book to be read and pondered by those of whom
the Devonshire fishermen scornfully say, with not a
little truth, "The likes o' they can't tell what the
likes o' us got to contend wi,' nor never won't."
Mr. Reynolds, by taking a hand in the work of these
toilers of the sea and by sharing their hardships,
has fitted himself to write understandingly of them,
and he has the artistic temperament necessary to
impart something of ideal beauty to the hard real-
ities of 'longshore fishing, where a shifting beach,
scanty resources and other adverse conditions com-
bine to make life a very serious matter to the dimin-
ishing remnant of a hardy and once numerous
class. The organization of industry and the spread
of modern commercial methods have dealt unkindly
with the small fisherman, whose total extinction is
feared and deprecated by Mr. Reynolds. Valuable
suggestions for the improvement of his lot are made
by the author, especially in an appended article
reprinted from the London " Daily News " and en-
titled "Small Holdings on the Sea." A small and
inexpensive motor boat, of ingenious construction
and of tested serviceability in 'longhore fishing,
where all boats have to be beached every night, is
described as offering " some chance, at all events, of
arresting the otherwise almost hopeless and wholly
deplorable decline in small fishing." Character
sketches, amusing or otherwise interesting incidents,
fishermen's yarns, abundance of snappy dialogue
in quaint but easily intelligible dialect, with other
pleasing features, including half-tone reproductions
of photographs (rather misleadingly described on the
title-page as "illustrations by Melville Mackay"),
contribute to the attractiveness of the book.
Sketches of men Few Northerners, and probably also
and manners in few Southerners, are now familiar
old Virginia. with the humorous writings of Dr.
George W. Bagby, a Virginia physician who early
adopted the profession of letters, arid, as journalist
and lecturer, never tired of voicing the praises of
the Old Dominion, chiefly in the form of realistic
sketches of characters and scenes dear to his heart.
Some of the best of these abundant and swiftly-
written pieces have been collected and provided with
an introduction by Mr. Thomas Nelson Page, and
appear in a volume entitled "The Old Virginia
Gentleman, and Other Sketches " (Scribner). A
portrait of Dr. Bagby, with a sketch of his life by Mr.
Edward S. Gregory, is fittingly provided. Both Mr.
Page and Mr. Gregory are enthusiastic in their
praise of Dr. Bagby 's genius. " Next to Poe," de-
clares the former, " the most original of all Virginia
writers was he whose reputation in his lifetime
rested mainly on humorous sketches of a mildly
satirical and exceedingly original type, but who was
master of a pathos rarely excelled by any author
and rarely equalled by any American author. Like
Poe, his work was known among his contemporaries
merely by a small coterie of friends. But these
adored him." " The very Dickens and Shakespeare
of the Virginia negro " he is further styled by his
biographer. He is certainly possessed of humor and
pathos, of an admirable facility in the use of epithet,
and a rich fancy in dressing out the reproduced
characters of his well-stored memory ; while his easy
colloquialism of style is suited to the tastes of the
great mass of readers. Those who never tire of
recalling the greatness and the glory of old-time Vir-
ginia will not soon tire of Dr. Bagby's graphic pages.
Glimpses of six While evei T "ght-minded person
Presidents and feels only disgust at the impertinent
their families. curiosity regarding persons that is
fed by the current newspapers, we are all curious
as to the personal character and home life of our
presidents. This proper curiosity or interest is min-
istered to by the reminiscences of Colonel William
H. Crook, who has for forty years served in the exec-
utive department of the White House. " Through
Five Administrations " (Harper) shows the personal
side of Lincoln, Johnson, Grant, Hayes, Garfield,
and Arthur, with glimpses into their family life
and the personality of their wives. Mr. Crook was
made body-guard of President Lincoln three months
before his assassination, and attended him every-
where. The account of this association is interest-
ing, but no new traits or characteristics are pre-
sented.. Mrs. Lincoln, however, is set before us in
a much more favorable light than by many writers
of her time. President Johnson won the respect
and affection of his office force; Mr. Crook's ac-
count tallies with that of Secretary Welles in that
respect, and the two stories of the struggle with the
radicals and of the impeachment proceedings are
much the same in tone. The author loved General
Grant, and labors hard to free him from every
suspicion of unworthy favoritism ; but he is less
convincing here than in any other part of the book.
The reminiscences are exceedingly interesting, and
are valuable as side-lights on the history of the time.
. , Mr. Walter G. Shotwell's new life
A ponderous
biography of a of Charles oumner (Crow ell) lias
great personality. faQ me rit of being a serious attempt
to retell the story of the quarter-century that saw
the Civil War come on and the tremendously im-
portant events that followed that war, all gathered
about Sumner as the central figure. In those years
of excitement and passion, Sumner was one of the
greatest figures ; and it is important that he should
be more than a name to us of these later times and
1911.]
THE DIAL
23
quieter days. The work shows an earnest purpose,
and contains much that is valuable ; yet its defects
are obvious. It contains more than seven hundred
large and closely printed pages that are trying to
the eyes of the reader ; and it is overloaded with
detail, making the reading a matter of time and
effort. The author's style is not attractive, and he
has introduced moralizings and many matters but
loosely connected with Sumner's life and work.
The treatment is from what may be called the
traditional New England point of view ; no trace
appears of the new light shed on the characters
and events by recent material. For example, it is
the old Stanton and the old Andrew Johnson that
we see in these pages, as well as the old motives
and the old judgments with which contemporary
writings were filled. The Sumner here portrayed
is a demigod ; the author sees no failings in him.
In spite of these drawbacks, the book is interesting,
for no careful narrative of these years of storm and
stress can lack interest, and the great personality
of Charles Snmner will always command attention.
For the student who is not especially
concerned with the discussion as to
the meaning of Shakespeare's words,
but wishes to know the meaning in as direct and
simple a manner as possible, Mr. R. J. Cunliffe's
" New Shakespearean Dictionary " (Scribner) will
be a very useful handbook. It is much less bulky
than Schmidt, even less so than Littleton's Dyce ;
and yet it gives all that the student needs to
know about the words whose meanings are un-
familiar to him. Thus, to take an illustrative ex-
ample, "Lebanon" is disposed of thus: "Identified
variously, and quite uncertainly, with ebony (which
does not appear to be poisonous), henbane, and yew."
Then follows the quotation from " Hamlet." Little-
ton discusses the various interpretations to the extent
of half a page, and does not enlighten the general
reader to any greater extent. The work aims to treat
all words which are not part of the modern lan-
guage ; this is done by means of succinct definitions
and illustrative quotations, limited in the case of
frequent occurrence to three or four. The author
has been able to make use of the splendid work of
the New English Dictionary, and thus to put within
easy reach the results of its exact scholarship.
BiRIEFER MENTION.
A " Historical French Reader," by M. Felix Weill,
is pu Wished by the American Book Co., who also send
us " Easy Standard French," edited by Dr. Victor E.
Francois, and a volume of tales by modern German
writers, " Ernstes und Heiteres," edited by Fraulein
Josepha Schrakamp. These three little books all have
notes and vocabularies.
"A Guide to Reading in Social Ethics and Allied
Subjects " is a bibliography published by Harvard
University, and compiled by a group of twenty-three
instructors in that institution. It is a work of the
highest authority, and its contents are so classified as
to make it a reference work of great value. There are
upwards of fifty special topics, each of which has been
undertaken by a specialist in the field of its own pecu-
liar literature.
A group of recent " Oxford " reprints, published by
Mr. Henry Frowde, includes the following: " Traherne's
Poems of Felicity," edited by Mr. H. I. Bell; " Shelley's
Prose in the Bodleian Manuscripts," edited by Mr. A.
H. Eoszal; Tennyson's "The Princess," edited by Mr.
Henry Allsopp; and "Tennyson: Fifty Poems, 1830-
1864," edited by Mr. J. H. Lobban.
In "The Poems of Eugene Field" (Scribner) the
publishers have for the first time brought together in a
single volume the entire verse output of that prolific
and popular writer. No less than thirteen scattered
and previously copyrighted volumes have been drawn
upon for the purpose of bringing all these pieces within
a single pair of covers. There are over five hundred
pages of text.
Students of Dryden have now their choice between
two carefully-edited and scholarly editions of his poems.
Of the " Cambridge " text, edited by Dr. George Noyes,
we spoke some weeks ago, and we now mention the
appearance of an " Oxford " text, edited by Mr. John
Sargeaunt, and published by Mr. Henry Frowde. It
is a volume of six hundred two-columned pages, with a
brief introduction, and only a few notes.
Professor George R. Noyes has edited, and Messrs.
Scott, Foresman & Co. have published, a volume of
the " Selected Dramas of John Dryden," to which is
added Buckingham's "The Rehearsal." The Dryden
plays included are " The Conquest of Granada by the
Spaniards," " Marriage la Mode," " All for Love,"
and " The Spanish Friar." An extensive critical ap-
paratus is provided, including voluminous notes.
Mr. Henry S. Pancoast's "Introduction to English
Literature " has long been esteemed as one of the best
of our elementary text-books. It is now followed by a
somewhat simple manual, designed for younger stu-
dents, and entitled " A First Book in English Litera-
ture." In the preparation of this work, which is
published by Messrs. Henry Holt & Co., the author has
had the assistance of Mr. Percy Van Dyke Shelly.
"Plutarch's Cimon and Pericles," newly translated
by Professor Bernadotte Perrin, and supplied with an
extensive critical apparatus, is published by Messrs.
Scribner's Sons. The volume is a successor to the
similarly-planned " Themistocles and Aristides " of
nine years ago, and is to be followed by a " Nicias and
Alcibiades," thus presenting the Greek history of the
fifth century B. c. as illustrated by six of its foremost
personalities.
Lucretius, Dante, and Goethe, they make a tempt-
ing trio to read about, especially when we are permitted
to view them under the philosophical guidance of Pro-
fessor George Santayana. " Three Philosophical Poets "
is the title of the volume, which is published by Har-
vard University, and is the" initial volume of a series of
" Harvard Studies in Comparative Literature." We
shall look forward with interest to the further volumes
of a series so happily begun.
Professor R. D. Salisbury's "Elementary Physiog-
raphy " (Holt) has been prepared by the method which
Freeman used in writing his smallest history of the
24
DIAL
[Jan. 1,
Norman Conquest. That is, a very big book was first
written (the " Physiography " in the " American Science
Series"), then a smaller "Physiography for High
Schools," and last of all, the present work, designed to
give a student about half as much to do as its immediate
predecessor. Such a method is pretty sure to produce
a good text-book, and there is no better of its scope,
and for its purpose, than the one now briefly described.
The American Unitarian Association has undertaken
the publication, in a uniform series, of the popular
writings of President David Starr Jordan upon social
and ethical themes. There are now eleven small
volumes in the series, the latest issues being " Ulrich
von Hutten " and " The Call of the Nation." Dr.
Jordan is a virile and impressive writer, and what he
has to say, either on the lecture platform or in the
present printed form, makes strongly for righteousness.
" A Dictionary of the Characters in the Waverley
Novels of Sir Walter Scott " (Dutton), by Mr. M. F. A.
Husband, is a work of reference prepared "for the
humanist who sees in Scott a noble nature worthy of
closer acquaintance." The world of Scott's creation (in
the novels alone) includes no less than 2836 characters
(seventy of them being horses and dogs), and all of
these are here indexed and briefly described. A com-
panion volume is " A Thackeray Dictionary," compiled
by Messrs. Isadore Gilbert Mudge and M. Earl Sears.
The number of entries is not specified, but it seems to
be about equal to the number in the Scott volume.
A German text of unusual interest and importance
is provided by Professor William Guild Howard in a
volume of selections entitled " Laokoon " (Holt). The
text includes the " Laokoon " itself, of course, together
with Lessing's " Entwiirfe zum Laokoon," and besides
these Goethe's essay on the subject and Herder's
"Erstes Kritisches Waldchen." The editorial matter
is very extensive, including ten essays upon special
themes, and an elaborate commentary and bibliography.
From the same publishers we have other German texts
as follows: Ludwig's "Der Erbforster," edited by D.
Morton C. Stewart; Gutzkow's " Uriel Acosta," edited
by Professors S. W. Cutting and A. C. von Noe"; Storm's
" Auf der Universitat," edited by Mr. Robert N. Cor win ;
and Herr Ludwig Fulda's " Der Duinmkopf," edited by
Professor William Kilborne Stewart.
Part V., Section 3, of Mr. Dana's "Modern American
Library Economy as Illustrated by the Newark, N. J.,
Free Public Library " (Elm Tree Press, Newark) is
devoted to " The Picture Collection " and is from Mr.
Dana's own pen. As usual, there are diagrams and
half-tone illustrations to make the text as clear as pos-
sible. The selection, mounting, filing, exhibiting, and
lending of the Newark collection of pictures, numbering
now about one hundred thousand, are lucidly described.
A subsequent Part (XL) of the work will take up the
art department proper, with its thousand or more bound
volumes and its large collection of engravings, litho-
graphs, and other prints. One concluding remark:
Noticeable in our library literature is the increasing
use of " she " and " her " as the pronoun of common
gender. For instance, Mr. Dana writes: "The person
in charge is always ready to give assistance to any one
who seems to have difficulty in locating the material
she wants." Why not " the desired material "? or
even " the material he wants "? Are library-users, like
church-goers, becoming confined to the weaker sex ?
A new Supplement to the " Dictionary of National
Biography " is now in preparation. It will deal ex-
clusively with persons who have died since the death
of Queen Victoria on January 22, 1901, up to the end
of 1910, and will be prepared under the editorship of
Mr. Sidney Lee.
With the appearance of the " Political Science
Quarterly " for December, 1910, this scholarly and
authoritative review completes its twenty-fifth year of
existence. The one hundredth number, like the first,
appears under the managing editorship of Professor
Munroe Smith, of Columbia University.
"What Diantha Did," a novel by Mrs. Charlotte
Perkins Gilman, will be issued immediately by the
Charlton Co., of New York. This is Mrs. Gilman's first
novel, and in it she will show the practical working-
out of the theories regarding the solution of the house-
keeping problem which she has already made familiar
to the public through her previous books, " Women
and Economics " and " The Home."
Mr. Burton E. Stevenson is arranging for Messrs.
Henry Holt & Co. a collection of English and Ameri-
can verse, in which, while standard poems will be
prominent, unusual emphasis will be laid upon the work
of contemporary American writers and upon the lighter
forms of verse. Mr. Stevenson is especially desirous
of preserving in authentic form the many fugitive
poems which everyone admires, but no one can find
when he wants them, and will welcome any suggestions
as to possible inclusions.
The Summer School of Harvard University announces
an interesting innovation in the teaching of Fine Arts,
namely, a course on Turner and the landscape painting
of his time to be given in London next summer by
Professor Pope. The course will begin on July 5, and
end on August 15, and will be open to women as well as
men. It will be conducted by means of lectures, con-
ferences, visits to galleries, and reports. The chief aim
will be a study of the works of Turner in the galleries
in and near London, together with a study of his en-
vironment and development, in order to learn as much
as possible of the mental processes involved in the pro-
duction of great imaginative works of art. Persons
intending to take this course must enroll before June 1,
1911. Further information may be obtained by ad-
dressing the instructor, Professor Arthur Pope, 6 Buck-
ingham Place, Cambridge, Massachusetts.
The Syndics of the Cambridge University Press have
undertaken, on the completion of the " Cambridge
Modern History," to publish a comprehensive history
of medieval times, drawn up on similar lines. The work
will appear in eight volumes, and will cover the period
from Constantine to the close of the Middle Ages.
The principles which have guided the conception of
this work are those laid down by the late Lord Acton
for the " Cambridge Modern History," though experi-
ence has suggested some improvements of detail in the
mode of carrying these principles out. The scheme for
the work was laid down by Mr. J. B. Bury, Lord
Acton's successor as Regius Professor of Modern His-
tory. The editorship has been entrusted to the Rev.
H. M. Gwatkin, Dixie Professor of Ecclesiastical His-
tory in the University of Cambridge, and the Rev. J.
P. Whitney, of King's College, Cambridge, Professor of
Ecclesiastical History in King's College, London. The
1911.]
THE DIAL
25
work is intended to cover the entire field of European
medieval history and in every chapter to sum up recent
research upon the subject. Foreign specialists as well
as English have given their assistance; America,
France, Germany, Spain, Italy, Russia, and Hungary
are represented in the list of contributors. The first
volume, which deals with the period of the Fall of the
Roman Empire in the West, will be ready about Easter
1911, and will be followed, it is hoped, by two volumes
in each year. The volumes will be published in chron-
ological order. A full bibliography is added to every
chapter, and, where necessary, footnotes to the text are
admitted. A portfolio of illustrative maps, specially
prepared for the present work, will be published with
each volume.
TOPICS r>f LEADING PERIODICALS.
January, 1911.
AgricultnralEdncation in France. A.F. San born. World To-day.
America, Industrial. Ten Years of. C. M. Keys. World'* Work.
American Naval Expenditure. A. G. McClellan. Atlantic.
American Poets, Three. Richard Le Gallienne. Forum.
American, The First. Beverley Buchanan. World To-day.
American Trees, Foreign-Born. Mabel Smith. Rev. of Rev*
Arctic Prairies. The HI. Ernest Thompson Seton. Scribner
Automobile, The, in Fire Service. H. T. Wade. Her. of Rev*'.
Balloon " America II.," Flight of. Augustus Post. Century.
Battleship, The New. Alfred T. Mahan. World 1 * Work.
Brown, John, after Fifty Years. W. D. Howells. No. American.
Child. A Crusade for the. Olivia H. Dunbar. No. American.
China, American Trade with. Frederick McConnick. Century.
Congressman, Troubles of the. W. D. Eakin. Lippincott.
Corporations, The Tribute of the. A. J. Nock. American.
Country Youth, The, in the City. E. A. Halsey. World To-day.
Disease, Conquest of. Woods Hutchinson. World 1 * Work.
Divorce, The Problem of. Rheta Childe Dorr, forum.
Drama, The, and the Play. Arthur Colton. North American.
Dunce, The Passing of the. E. J. Swift. Harper.
Efficiency and Tariff Revision. B. Baker. Review of Review*.
English Bible, Tercentenary of. J. Somerndike. World To-day.
Experiences, My IV. Booker T. Tfashington. World's Work.
Farming with Automobiles. G. E. Walsh. Review of Reviews.
Felony. Facts of. Benjamin Coombe. World To-day.
Fruit Industry of Northwest. S. C. Miller. World To-day.
Furs from Far Places. E. Alexander Powell. Everybody'*.
Gas-Engine, Children of the. Robert Sloss. World'* Work.
Goodness, The Ignominy of. Max Eastman. Atlantic.
Government of Law or of Men? H. H. Lurton. No. American.
Grand Canyon. The. John Burroughs. Century.
History. A Dramatic Decade of. W. B. Hale. World 1 * Work.
Homer, Winslow. Christian Brinton. Scribner.
Hotel, The Land of the. Mary Heaton Vorse. Harper.
Human Drift, The. Jack London. Forum.
India. On the Way to. Price Collier. Scribner.
Ionic Greek before Homer. George Hempl. Harper.
Iowa Plant-Breeder, An. L. H. Bailey. Century.
Italians in the United States. Alberto Pecorini. Forum.
Journalist, Training of the. H. W. HorwilL Atlantic.
Lee and Davis. Gamaliel Bradford, Jr. Atlantic.
Loeffler, The Music of. Lawrence Oilman. North American.
London Town Planning Conference, A. J. Ihlder. Rev. of Rev*.
Luther, Martin, and his Work. A. C. McGiffert. Century.
Methodist Church in Italy. Archbishop Ireland. No. Amer.
Mines, Tragedies of the. Joseph Husband. Atlantic.
Miracles. The Subject of. W. H. Thomson. Everybody'*.
Moliere's Birthday. Edwina S. Babcock. Atlantic.
Mormons, The n. Frank J. Cannon. Everybody'*.
Napoleon, An Unpublished Talk with. T. B. Richards. Harper.
Norway, Progress in. Daniel L. Hanson. World To-day.
Oklahoma. Ten Years of. B. F. Yoakum. World 1 * Work.
Panama Canal, The. A. G. McLellan. North American.
" Pelleas and Melisande." Our. Georgette Maeterlinck. Century.
Panama, Realizing the Dream of. G. F. Anthier. Rev. of Rev*.
Pension Carnival IV. William B. Hale. World'* Work.
Personalities and Political Forces. A. B. Hart. No. American
Platinum and Nickel Industries. D. T. Day. Rev. of Rev*.
Political Corruption. Cause of. Henry Jones Ford. Scribner.
Politics in 1911. William Allen White. American.
Polygamy, Mormon Revival of. Burton J. Hendrick. McClure.
Population, Ten Years' Growth in. E. Durand. World'* Work.
Post Office, Stories of the. Catherine Cavanagh. Bookman.
Prison Reform in America. Charles Ware. World To-day.
Railroad Monopoly. J. Moody and G. K. Turner. McClure.
Railroads and the People. E. P. Ripley. Atlantic.
Reconstruction Period, Diary of XII. Gideon Welles. Atlantic.
Russian Bookseller. Experiences of. Ivan Narodny. Bookman.
Schoolhouse, The Social. Anne Foreythe. World To-day.
Shognns, Last of the. Frederick Starr. World To-day.
Short Story Famine, The. George J. Nathan. Bookman.
Sierra. My First Summer in the. John Mnir. Atlantic.
Socialism and Human Achievement. J. O. Pagan. Atlantic.
Socialistic Tendencies in England, George Bourne. Forum.
Stage Decoration, Some Ideas on. Ellen Terry. McClure.
Stage Management, Neglect of. W. P. Eaton. American.
Style, The Question of. Frederic Taber Cooper. Bookman.
Sweden, The Book Arts of. William Allen. Bookman.
Tariff-Made State, A. Ida M. Tarbell. American.
Tariff, The Lemon in. Samuel Hopkins Adams. McClure.
Tax Reform in California. Carl C. Plehn. Rev. of Rev*.
Telegraph and Telephone Men. Allen T. True. Scribner.
Tete Jaune Country, The. Cy Warman. World To^lay.
Tolstoy at Sixty. Nadine Helbig. Bookman.
Tolstoy. A Visit to. Jane Addams. McClure.
Unemployment Insurance in Germany. E. Roberts, Scribner.
United States. The, and Canada. P. T. McGrath. Rev. of Rev*.
University, The, and American Humour. B. Hooker. Bookman.
Western Art Exhibition, A. J. S. Dickerson. World To-day.
Whistler and Verity. Haldane Macfall. Forum,
Woman Suffrage, Importance of. Max Eastman. No. Amer.
Womanhood, The Purpose of. C. W. Saleeby. Forum.
Women, A Platform for. Rebecca Lose. Forum.
Women of To-morrow V. William Hard. Everybody'*.
LIST OF XEW BOOKS.
[The following list, containing 1S7 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES
The Romance of a Medici Warrior: The True Story of
Giovanni Delle Bande Nere. By Christopher Hare.
Illustrated in photogravure, etc., large 8vo, 343 pages.
Charles Scribner's Sons. $2.50 net.
The Spanish Journal of Elizabeth Lady Holland.
Edited by the Earl of Dchester. Volume m., with
photogravure portrait, large 8vo, 437 pages. Long-
mans, Green, & Co. $4.20 net.
Morris Ketchum Jesup: A Character Sketch. By Will-
iam Adams Brown. With photogravure portrait,
large 8vo, 246 pages. Charles Scribner's Sons.
Famous Importers. By Bram Stoker. Illustrated, 8vo,
349 pages. Sturgis & Walton Co. $2. net.
A Texas Pioneer: Early Staging and Overland Freight-
ing Days on the Frontier of Texas and Mexico. By
August Santleben; edited by L D. Affleck. 8vo, 321
pages. Neale Publishing Co. $2. net.
Secret Memoirs of the Regency: The Minority of Louis
XV. By Charles Pinot Durlos; translated by E.
jTiles Meras. Illustrated, 12mo, 343 pages. "Court
Series of French Memoirs." Sturgis & Walton Co.
$1.50 net.
Joseph Hayden: The Story of his Life. By Franz von
Seeburg; translated by Rev. J. M. Toohey. 12mo.
302 pages. Notre Dame, Ind. : Ave Marie Press. $1.25.
Leon Gordon: An Appreciation. By Abraham Benedict
Rhine. With portrait, 12mo, 181 pages. Jewish Pub-
lication Society of America.
HISTORY
The Cambridge Modern History. Planned by Lord
Acton; edited by A. W. Ward, G. W. Prothero, and
Stanley Leathes. Volume XH.: The Latest Age.
Large 8vo, 1033 pages. Macmillan Co. $4 net.
The Japanese Empire and Economic Conditions. By
Joseph D'Autremer. Illustrated, large 8vo, 319 pages.
Charles Scribner's Sons. $3. net.
The Jews: A Study of Race and Environment. By
Maurice Fishberg. 12mo, 578 pages. Charles Scrib-
ner's Sons. $1.50.
Hood's Texas Brigade: Its Marches, its Battles, its
Achievements. By J. B. Policy. Illustrated, 8vo,
347 pages. Neale Publishing Co.
26
THE DIAL
[Jan. 1,
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ested in and we will forward catalogues of both new and
second-hand books on those lines. Our stock is enormous
and our prices will please you.
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Just published catalogue No. 67. English literature from Chau-
cer to the present time. 112 pages. New Books at Bargain Prices.
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A Catalog of Art Books.
A Catalog of Standard Sets.
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SPRINGFIELD, MASS.
LIST OF NEW BOOKS Continued
GENERAL LITERATURE
Constrained Attitudes. By Prank Moore Colby. 12mo,
249 pages. Dodd, Mead & Co. $1.20 net.
South African Folk-Tales. By James A. Honey. 12mo,
151 pages. Baker & Taylor Co. $1. net.
The Collected Works of Ambrose Bierce. Volumes
II. and III. Each 8vo. Neale Publishing Co. In 10
volumes, $25. net.
NEW EDITIONS OF STANDARD LITERATURE
The Works of George Meredith. Memorial Edition.
New volumes: Farina, General Ople, and Tale of
Chloe; The House on the Beach, The Gentleman of
Fifty, and The Sentimentalists. Each illustrated
in photogravure, etc., 8vo. Charles Scribner's Sons.
(Sold only in sets by subscription.)
Centenary Edition of the Works of Charles Dickens.
New volumes: A Child's History of England; Nich-
olas Nickleby, in 2 volumes. With the original illus-
trations, 8vo. Charles Scribner's Sons. Per volume,
$1. net.
Oxford Editions of Standard Authors. New volumes:
The Poems of John Dryden, edited by John Sar-
geaunt; The Poetical Works of Thomas Moore, ed-
ited by A. D. Godley. Each 12mo. Oxford Univer-
sity Press.
Red- Letter Days of Samuel Pepys. Edited by Edward
Frank Allen; with introduction by Henry B. Wheat-
ley. Illustrated, 12mo, 298 pages. Sturgis & Walton
Co. $1.25 net.
VERSE AND DRAMA
The Poems of Sophie Jewett. Memorial edition. With
photogravure portrait, 12mo, 274 pages. Thomas Y.
Crowell & Co. ?1.25 net.
The Creditor: A Tragic Comedy. By August Strind-
berg; translated by Francis J. Ziegler. 8vo, 118 pages.
Brown Brothers. $1. net.
Antl- Matrimony: A Satirical Comedy. By Percy
Mackaye. With frontispiece in color, 12mo, 160
pages. Frederick A. Stokes Co. $1.25 net.
A Midsummer Memory: An Elegy on the Death of
Arthur Upson. By Richard Burton. 12mo, 41
pages. Minneapolis: Edmund D. Brooks.
Provenca: Poems Selected from Personae, Exulta-
tions, and Canzoniere of Ezra Pound. 16mo, 84
pages. Small, Maynard & Co. $1. net.
Traherne's Poems of Felicity. Edited from the MS.
by H. I. Bell. 12mo, 150 pages. Oxford University
Press.
The Pioneers: A Poetic Drama in Two Scenes. By
James Oppenheim. 16mo, 61 pages. B. W. Huebsch.
50 cts net.
Theft: A Play in Four Acts. By Jack London. 12mo,
272 pages. Macmillan Co. $1.25 net.
Rose of the Wind, and Other Poems. By Anna Hemp-
stead Branch. 12mo, 229 pages. Houghton Mifflin
Co. $1.25 net.
Cowboy Songs, and Other Frontier Ballads. Edited by
John A. Lomax; with introduction by Barrett Wen-
dell. 325 pages. Sturgis & Walton Co. $1.50 net.
Motherlove: An Act. By August Strindberg; trans-
lated by Francis J. Ziegler. 16mo, 41 pages. "Mod-
ern Authors' Series." Brown Brothers.
"There Is Nothing New": Poems. By Victoria F. C.
Percy. 18mo, 78 pages. London: Elkin Mathews.
Paper.
Cactus and Pine: Songs of the Southwest. By Sharlot
M. Hall. 12mo, 204 pages. Sherman, French & Co.
$1.50 net.
Forest and Town: Poems. By Alexander Nicolas De
Menil. 16mo, 137 pages. Torch Press. $1.25 net.
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THE NEW LAOKOON
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THE DIAL
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Celebrated Criminal Cases of America. By Thomas S.
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Natural Philosophy. By Wilhelm Ostwald; translated
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Lumen de Lumine; or, A New Magical Light. By
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Flashlights from Real Life. By John T. Dale. 12mo,
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Oh, to Be Rich and Young! By Jabez T. Sunderland.
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The Teddysee. By Wallace Irwin. Illustrated, 12mo,
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A History of the French Academy
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No. 590.
JANUARY 16, 1911.
Vol. L.
THE CHICAGO OPERA
PAGE
. 35
JOHN SYNGE AND HIS PLAYS. Warren Barton
Blake 37
CASUAL COMMENT 41
The pending English copyright bill. The passing
of a noted rhetorician. Mr. Shaw pokes fun at
Shakespeare. The inanity of our current drama.
Colonel Higginson's eighty-seventh milestone.
Anatole France on the question of women " immor-
tals." Twenty thousand biographies in brief.
Some newly-discovered Whittier poems. Literary
taste in a New York policeman.
THE LIFE OF AN EMPIRE- BUILDER. Percy F.
Bicknell ; . .*/.:>*. . : . 44
A CRITICISM OF MODERN ART. Edward E.
Hale, Jr .46
MEN AND MANNERS OF COLONIAL VIRGINIA.
Walter L. Fleming 48
A FAMOUS PUBLISHER OF THE 18TH CEN-
TURY. Edward Payson Morton 51
A GROUP OF LONG POEMS. William Morton Payne 53
Phillips's Pietro of Siena. Phillips's The New
Inferno. Miss Rose's Dante. Ficke's The Break-
ing of Bonds. Peterson's Sigurd. Burton's A
Midsummer Memory. Anderson's The Happy
Teacher.
BRIEFS ON NEW BOOKS 53
The eventful life of a famous peace-promoter.
Surveys of literature, old and new. A guide to the
appreciation of literature. An American commodore
of the old navy. An artist's memories of his early
training. Essays, satirical and otherwise. Poetry
for every taste. The strength and cheer of old age.
BRIEFER MENTION 59
NOTES 60
LIST OF NEW BOOKS . . 61
THE CHICAGO OPERA.
A new chapter has been added to the history
of opera in Chicago. Until the present year,
this city has been dependent upon visiting com-
panies for its supply of this particular form of
artistic satisfaction, and the supply has been
uncertain in quality and narrowly limited in
quantity. Some years we got one week, some
years two, and there was now and then a barren
year when we got none at all. In the season of
1909-10, there arose the hope of better things,
for an entire month of opera was then vouch-
safed us by the magnates who control the out-
put of that forced musical product. A year
ago, also, there was promise in the air, for an
enterprise was set on foot to supply the long-
felt need of a permanent organization which
should make Chicago its centre, and which
should give us what might fairly be called an
opera season. That season, covering ten weeks,
is just now ending, and its success is a matter
of recorded history. To the faith, the determi-
nation, and the devotion of the group of men
who made the enterprise possible, and who
offered to bear the loss, if loss there should
prove to be, we pay our tribute of grateful
recognition. The fact that they have closed
the season with no loss to shoulder does not
detract from our sense of obligation. They
assumed a heavy risk for the public good ; it is
a matter for general congratulation that the
public rose to the height of its opportunity, and
proved itself unwilling to become otherwise than
morally indebted to its benefactors.
Among the elements which have contributed
to the success of a venture which caused many
wise heads to wag doubtfully a few months ago
we may mention those of major importance.
The interprise was set in operation by the right
sort of driving force, the quality of energy
which is put into their work by men of prac-
tical affairs. These men are not accustomed
to failure, and they have now shown that even
in the untried field of artistic endeavor the
far-sighted and sagacious methods which bring
business success are applicable to other than
strictly business interests. Then the exploita-
tion of the venture, in the form of preliminary
heralding, reports of progress, and continuous
publicity during the actual opera season, was
very skilfully managed. Finally, the artistic
36
THE DIAL
[Jan. 16,
forces assembled were such as to win confidence
from the start, a confidence which we need
hardly say has been more than justified by the
ten weeks of actual performance. Not only
were we provided with an array of soloists
capable of meeting an exacting demand and of
adapting themselves to a great variety of parts,
but also with a completely adequate chorus and
orchestra, and with stage-settings that might
fairly be described as sumptuous. We have only
to add that as director general or field marshal
of all these forces and material adjuncts we
were given the services of Signer Cleofonte
Campanini, a great leader, to whose genius we
have been indebted for the artistic unity and
impressive totality of effect without which the
best efforts of the most accomplished individual
performers would have proved unavailing.
This much may fairly be said in the way of
whole-hearted praise. There remains the task
of indicating, less for reproof than in the hope
of future correction, what seem to us to have
been instances of mistaken judgment in the
planning of the work and in its business man-
agement. It has been frankly an opera season
upon a French-Italian basis, with Verdi, Puc-
cini, Massenet, Charpentier, and Debussy for
its supporting pillars. This has meant the pro-
production of several works hitherto unknown
to our public "La Fanciulla del West,"
"Thai's," "Louise," and "Pelleas et Melis-
ande" for which we are extremely grateful.
They are not great works, but they are interest-
ing ones, and it is well that they should have
been performed ideally, because it is only by
the test of performance that new works may be
appraised ; practically, because the appeal of
novelty is one that the box-office may not ignore.
With these works we must also mention the
over-discussed "Salome," which calls for special
consideration. This opera was announced long
in advance, was given two performances, and
was then withdrawn in deference to a storm of
protest. Whether or not that protest was of a
kind that deserved to be effective we are not
now inclined to say. But no gift of prophecy
was needed to know that it would be made,
and exactly what form it would take. The
management should have taken this into ac-
count, and cannot offer surprise as their defence.
They should have determined either not to pro-
duce the work at all, or to keep on producing
it no matter how loud the outcry from the hosts
of philistinism. This lack of decision in this
matter is not altogether to their credit. With
the exception of "Salome," and possibly of
" Les Huguenots," no work by a German com-
poser was given during the entire season. This
exclusion was deliberate, and did not result
from a lack of the requisite forces ; it had only
the effect of alienating a large section of the
opera-going public, the section whose tastes are
the most deserving of consideration. To many of
the most serious lovers of music, a season of opera
without Wagner and Mozart, without Beethoven
or Weber or Humperdinck, is not opera at all.
We cannot think it a far-sighted policy which
filled ten weeks with French and Italian works
alone, and which drew its entire repertory from
two classes of works more or less sensational
novelties and hackneyed popular favorities.
Before the beginning of the season, we ex-
pressed the hope that a moderate scale of
charges would be adopted, as the only means
of building up a steady and warmly-attached
following. We regret to say that this hope was
not realized ; the high scale that was fixed upon
had the inevitable consequence of packing the
theatre upon some nights, and leaving it half-
empty upon others. What is needed is a tariff
which will not be thought exorbitant by most
lovers of music, and which will keep the house
practically filled for all the performances. We
believe that a lower tariff would have had pre-
cisely this effect, and would have yielded about
the same aggregate returns. Even if there were
some risk in the experiment, it would be worth
making, because its success would mean a public
support ungrudgingly given and likely to be
found lasting. The tariff actually adopted has
proved, it is true, measurably successful, but it
has left many of the supporters of the enter-
prise with a sense of detachment and even an
irritation. Irritation is not a strong enough
word to express the feeling of the public toward
the policy which, not content with adhering to
the scale of prices (already unnecessarily high)
officially announced, has grasped every possible
opportunity to extort two or three additional
dollars from the purchaser of a ticket whenever
a sensational novelty or an exceptionally pop-
ular vocalist was the attraction offered. This
policy has resulted in a few crowded houses, but
it has nearly killed the goose that should lay
the golden eggs of future seasons. It is a
policy which has come perilously close to bad
faith with the public, in one instance notably,
when the augmented schedule was not even ad-
vertised, but was left to be discovered at the
box-office by applicants for tickets. We are
glad that it is possible in some degree to offset
these unpleasant facts by calling attention to
1911.]
THE DIAL,
37
the wise and happy policy that provided a Sat-
urday night performance every week at greatly
reduced prices, and a series of Sunday afternoon
concerts of which no one could maintain that
they did not give good measure of value for the
moderate prices asked for the seats.
Next year's opera is already assured us by
the success of the season now ended. We hope
that it may prove no less profitable, and may
achieve success without resorting to devices that
will be more sharply resented upon repetition
than they have been by the public in this year's
tolerant and receptive mood. We think that
the scale of prices should be lowered ; we are
quite certain that, whatever it may be, no de-
parture should be made from it when it is once
announced. We trust that the half-price per-
formances and the Sunday concerts may be con-
tinued. We believe that the management will
not again make the mistake of ignoring German
opera in the interest of the inferior French and
Italian forms. And we urge upon them with
all the emphasis at our command not to give
heed to the ill-advised plea for opera in the En-
glish language, if that is to mean the wrenching
of the score from the forms of foreign speech
with which it is perforce most vitally linked.
To deal in this brutal fashion with such a work
as " Tristan " or * Aida " or " Pelleas " would
be an artistic indignity of which we do not like
to think any true musician capable. Those
who ask for it have only the shallowest of argu-
ments to advance in its favor, and they ignore
the most fundamental aesthetic considerations.
The only opera that has a right to be sung in
the English language is opera which English
composers have fitted to English words. When
such works are given to the world, we shall be
among the foremost to welcome their appearancej
But to anyone for whom an opera is a work of
art, an attempt to sing it with translated words
is simply unthinkable.
JOHN SYNGE AND HIS PLATS.
The picture lover who thinks that in admiring
the French luminists " impressionists," we used
to call them he is welcoming painting's last
word, is no more behind the times than the reader
who supposes that, in knowing something of Lady
Gregory, Mr. George Russell ("A.E."), and Mr.
"William Butler Yeats, he keeps pace with the Irish
literary movement. The dim distances and elusive
charm of these writers remain ; but if I may be
permitted to mix my metaphors some of the
Irish playwrights prepare an altogether different
palette. Such new arrivals as Pdraic Colum and
S. L. Robinson and Rutherford Mayne are inter-
ested, above all, in the vivid Ireland of the hour.
And yet, beside the work of one who was their elder
brother, the richly actual work of these dramatists
either seems almost trifling or betrays an unchecked
dalliance with the wraiths peopling the Celtic shadow-
land where Ossian was magnified and Fiona Macleod
tarried. In London, this greater Irish playwright
great in achievement as well as by comparision
has been acted by those same Abbey Theatre play-
ers who were, at Dublin, his original interpreters.
His ' Deirdre," the text of which has only recently
been published, was lately presented at the Court
Theatre; his "Tinker's Wedding" was acted a year
ago at His Majesty's.* Here, however, he has held
no stage f; nor has he had, like Mr. Yeats, his
American editions. His plays are u literature " all
the same ; and must (notwithstanding) hold spell-
bound the American audience before which they
are adequately produced: so admirably theatric
they are in essence and in spoken line. Yet it is
only to-day, with the presentation of his one-act
play, " In the Shadow of the Glen " t by Mrs.
Fiske, that he is coming into his own.
n.
John Millington Synge pronounced sing
was born in 1871 ; being (I quote from a letter of
his brother's writing) " the youngest son of the late
John Hatch Synge, barrister-at-law, and owner of
landed property in County Galway." He died thirty-
eight years later, the author of six plays and a few
poems and translations, and standing on the thres-
hold of what promised to be a happy marriage.
For this man of vigor, struck down by an incurable
malady, death was announced some months at least
before it came ; in the interval he worked at his
play '' Deirdre." *' Death is a poor untidy thing at
best, though it's a Queen that dies," he wrote on
his sick-bed; and to Naisi, the Paris of this Irish
Helen-drama, he gave this line : " It's a hard
and bitter thing, losing the earth."
* '' The Tinker's Wedding," a comedy in two acts, was
published by Maunsel (Dublin), 1907. A four-column edi-
tion of the dramatist's entire contribution, including his
verse, has just been issued by the same publisher.
t The professional stage, that is. His one-act " Riders to
the Sea " was produced by amateurs before the Twentieth
Century Club, in Boston, five years since; and was subse-
quently discussed in a paper by Professor Vida D. Scndder,
of Wellesley College. Lecture and play were published in
" Poet-Lore,'' in the spring of 1905. The three-act comedy,
" The Playboy of the Western World " (Dublin : Mannsel ;
1907) was acted in Chicago, April 13, 1909, by Hart Conway's
pupils in the School of Acting of the American Conserva-
tory of Music.
t With " Riders to the Sea," this comedy is issued by the
London publisher, Elkin Mathews, in his " Vigo Cabinet
Series."
See "The Curse"; a poem whose full title is, "To a
Sister of an Enemy of the Author's who disapproved of the
' Playboy,' " in the preface to Synge's " Poems and Transla-
tions," beautifully printed at the Cuala Press, 1909.
38
THE DIAL
[Jan. 16,
The family that bred this man gave more than
one bishop to the established church of Ireland,
more than one man of law to the Dublin Courts.
Did the Synges pass on to their one poet-playwright
something of the Protestant spirit that they had
so strongly, that something purged, however, of
dogma? If so, the inheritance took form as a pro-
test against Protestantism. For here was one who
accepted this world for what it was, and in it found,
without reforming it, plenty to love and to hate.
Though Mr. J. B. Yeats has described him on the
margin of my copy of the " Playboy " as " an
ardent home-ruler and Nationalist," he was obliged
to add, "yet so little pugnacious that he never
declared his opinions unless under some sort of
compulsion. A resolute peaceful man." Also, " a
solitary, undemonstrative man, never asking pity,
nor seeking sympathy, but . . . folded up in
brooding intellect."
If something of inherited independence and op-
position entered into the composition of even the boy
Synge, it may be well to note that he never suffered
from a plethora of inherited goods and chattels,
for all that " landed property in County Galway."
Most men would have considered his tiny income
quite too small a fund for travel and literary work.
But of his education he could not complain. First
of all, he was prepared by tutors for Trinity Col-
lege, Dublin, which he entered in 1888. There he
took prizes in Hebrew and Gaelic, and was grad-
uated in 1892. He studied music, too, and ob-
tained a scholarship in Harmony from the Royal
Irish Academy a year before his college graduation.
In 1893, he continued these musical studies in
Germany. The eternal wanderlust that had stung
men like Bamfylde, Moore, Carew, George Borrow
(Mr. Huneker calls the roll) was in his blood, too.
He was, for some years now, the gypsy-scholar,
or another Goldsmith, if you will. Doubtless he
played the fiddle better than that other Irishman:
the fiddle which, years later, he scraped in Mayo
cottages for peasants to dance and sing by. He
was, also, to play for Italian sailors ; to hear story-
telling in Bavarian woods. But, after spending a
year in Germany, he "gave up music for litera-
ture," as the brother writes in the letter I have
before me. From 1895, he was in France prin-
cipally at Paris. It was his intention to fit himself
for criticism : he went at the task with more thor-
oughness than is used in Anglo-Saxon countries.
His gift for languages had declared itself at Dublin ;
at the Sorbonne. he sought to master Romance phi-
lology no less than French literature and the world's
best criticism. His was no Bohemian ideal: he
joined no band of cafe"-poets or sect of mutual
admiration. The symbolists seem never to have
deeply impressed this solitary student, who knew
the Paris of their noisy decadence. Racine was his
favorite among French poets. For some years after
1895, he spent a part of each year in Paris; he had,
too, friends in the country, whose homes he visited.
All of which sounds most conventional for a
poet. A shade less conventional is the circumstance
that this student of philology and of literature
whether in France or elsewhere on the Continent
commonly lived with a family of the working class.
To these folk he paid a small sum to share their
table-room and attic ; he shared in their conversa-
tion, too, and learned something of their private
ways and thought. Two advantages, at least, this
programme afforded. First of all, economy. Fur-
thermore, it helped him in the mastery of languages,
and satisfied, for the moment, a certain impulse
that he strongly had to study, not books and speech
alone, but human nature : human nature at home.
Later, we shall see, he followed the same regimen
in Ireland. And, impersonal as his literary method
is, Synge's plays are, almost consequentially, rich
in personality: for this sympathy of the writer for
his characters, attained, not in the study, but in
living with them on equal terms, gives his people
roots in the soil they stand on. They are, indeed,
no less real than the incidents and homely details
of his plays are vividly suggestive of their proper
setting.
But it was not of home that he was thinking
while he lived on at the Paris shoemaker's, now
and again helping out the housewife, who was a
couturier, with a rush order, and taking calmly, as
a matter of course, a scolding for his clumsiness.
Mr. Yeats, in an introduction contributed to one of
Synge's plays, five years ago, tells us of finding this
fellow-countryman in Paris, and of the end of this
phase of his life this unique preparation for literary
fruitf ulness. Six years earlier which must mean
the winter of 1898-1899 he writes, he had been
staying at a students' hotel in the Latin Quarter,
and someone introduced him to an Irishman,
" who, even poorer than myself, had taken a room at the
top of the house. It was J. M. Synge, and I, who thought
I knew the name of every Irishman who was working at
literature, had never heard of him. . . . He had, however,
nothing to show but one or two poems and impressionistic
essays, full of the morbidity that has its roots in too much
brooding over methods of expression, and ways of looking
upon life which come, not out of life, but out of literature ;
images reflected from mirror to mirror.''
Life had cast no light into his writings ; he had lost,
too, the Irish that he had learned at the University :
" for the only language that interested him was that
conventional language of modern poetry which had
begun to make us all weary." " Give up Paris,"
counselled the fellow-poet to this uncertain seeker
of romance ; " you will never create anything by
reading Racine, and Arthur Symons will always be
a better critic of French literature. Go to the Aran
Islands. . . . Express a life that has never found
expression."
Now, the Aran Islands, bare platforms and hag-
gard steepes of rock, lie " about thirty miles from
Galway, up the centre of the bay, but they are not
far from the cliffs of County Clare, on the south, or
the corner of Connemara, on the north."
1911.]
THE D1AJL
39
in.
The Aran Islands which become the stage of
all but one or two of Synge's dramas, also the chief
source of their plots and their types are three in
number : " Aranmor, the north island, about nine
miles long ; Inishmaan, the middle island, about
three miles and a half across and nearly round in
shape ; and the south island, Inishere." All this
and more one learns from the preface of that book
of Synge's to which he gave their name as title.*
It is no less a book of travel with decided merits
than a document bearing upon the author's work
for the stage, and upon the manner of life that he
took up after leaving behind him the schools and
garrets of Paris. The scene is a bleak one, " yet
perhaps no other area speaks so eloquently, through
ruined forts and churches, of thousands of pagan
and Christian years lived painfully against the
challenge of winds and waves and hunger."f Part
one of the book shows us John Synge sitting over
a turf fire, listening to the murmur of Gaelic that
rose from the little public-house under his room.
In Aranmore occurs this scene. But soon we find
our author setting out for Inishmaan, " where Gaelic
is more generally used, and the life is perhaps the
most primitive that is left in Europe." The natives
are Irish, but chastened in their laughter ; these are
" dark " people, i.e., reserved, as compared with
the mainlanders. In Inishmaan, one morning,
stories are told round the kitchen fire; and the
author confesses to being strangely moved at hear-
ing an illiterate old man, a native of that wet rock
lost in the sea, telling a tale of a bargain for a pound
of human flesh, and stories reminiscent of " Cym-
beline " and other legends laden with European
associations.
From the mouths of just such old men the play-
wright who had as yet all his playwriting before
him took down the argument of more than one of
his dramas, told in the picturesquely vivid lan-
guage of the islanders : and all in the first person.
It was thus that he heard the story which he later
made into the one-act piece, "In the Shadow of the
Glen." I name that play particularly, not on ac-
count of Mrs. Fiske's recent "discovery" of its
possibilities, but because the playwright has so
closely followed the narrative of the island story-
teller; and because it is one of the earliest of Synge's
productions: having been produced at the Moles-
worth Hall, Dublin, in October, 1903. There are
but four personages : Dan Burke, an old fanner ;
Nora, his young wife ; Micheal Dara, a young
herder ; and a tramp. The scene is " the last cot-
tage at the head of a long glen in County Wicklow."
It is characteristic of Synge's daring that his tramp,
who comes to the cottage only to beg " a sup of new
milk and a quiet decent place where a man could
*"Tlie Aran Islands." By John M. Synge. With
drawings by Jack B. Yeats. Dublin : Maunsel. 1907.
t Article, "The Aran Islands," by Maude Radford
Warren ; " Harper's Magazine," May, 1910.
sleep," leaves it accompanied by " the woman of the
house," whose husband had found her " a hard
woman to please," and " a bad wife for an old man."
It is characteristic of his powers, no less, that his
reader accepts as natural, and perhaps as necessary,
the changes brought about in four lives and in all
their relations by the events of only a few moments.
At th* opening of the piece, woman and tramp are
total strangers ; they go out hand in hand, to sleep
in a wet ditch. At the opening, the husband is
jealous of a doltish young "herd," and sets a trap
to catch his wife in sin with him. At the end of it,
old Dan and young Micheal toast each other out of
one bottle, and, " God help you, I don't mind you
at all," says the ex-husband to the supplanted lover.
One knows various writers who, with the tale of
" The Shadow of the Glen " ready to hand, could
have made a passable farce of it. John Synge has
written pure comedy : and comedy that remains
clean, albeit merciless, stripping its figures stark
naked to the eyes of body and soul. But in that
stripping, it is not the sordid alone that is uncovered.
The restlessness, the vague dissatisfaction of the
" hard woman to please," is as limitless as Hedda
Gabler's restlessness and introspection.
Above all, one's sense of justice is quite satisfied
with the denouement. This last assertion holds good,
equally, for all Synge's theatre. On reflection, it
seems to us that everyone gets his deserts in these
Irish dramas : in blows, in wettings, and in caresses.
This is true of " The Shadow of the Glen " no more
than of the much greater tragi-comedy, " The Play-
boy," which I shall not spoil by trying to condense.
The principal figure of that piece runs the whole
gamut of natural timidity and tearfulness, heroism
(of its sort), and braggadocio. Like the woman who
lived in the shadow of the glen, he has suffered from
the loneliness and emptiness of life. His mood is
murderous, but it is also amorous ; and when it
is amorous the poetry of a starved soul sings out
unafraid. The Playboy experiences beatings and
adulation, mockery and love and praise; and all these
things belong to the youth to whom Synge has given
substance and shadow. There is the same lyric
beauty, heightened by contrasting irony, in "The
Shadow of the Glen," with the tramp's invitation to
" come along with me now, lady of the house, and
it's not my blather you'll be hearing only, but you'll
be hearing the herons crying out over the black
lakes, and you'll be hearing the grouse and the owls
with them, and the big thrushes when the days are
warm"; there is the same lyricism, and also the
same justice, in " Riders to the Sea," the most per-
fect piece of them all, where not only a deep sense
of the sea's power and pitilessness is conveyed, but
where this power and pitilessness throw into relief
the fatalism in which old Maurya is wrapped as
in a garment : relaxed, at last, in her sense of the
futility of struggle. This woman is much more than
a widow of the wet west coast, mourning her lost
mate and her lost children. Through this piece
40
THE DIAL
[Jan. 16,
rises, in her keening for the dead, a note of tragedy
unalloyed : the tragedy of the sea, but also the
tragedy of the Irish temper. In love with sorrow,
and branded with sorrow's mark, Maurya loses the
last of her sons even before the sea has closed above
him. And, satiated with grief, she mourns his
death less than she has grieved, during nine days,
at death's premonition. The chapter is ended, and
"I'll have no call now to be crying and praying
when the wind breaks from the south, and you can
hear the surf is in the east, and the surf is in the
west, making a great stir with the two noises, and
they hitting one on the other," is her comforting
thought. "No man at all can be living for ever,
and we must be satisfied."
But if, in reading " Riders to the Sea," we have
been purified by the quintessence of tragedy, its
terror and pity, every one of these plays has its
tragic comedians, idealists each in his way or hers,
who all do, momentarily (and only momentarily)
escape through the windows of the imagination
from bitter and binding circumstance. Their theme
is the yearning after beauty, or love, or heroism ;
the end is disillusion. Even of this bitterness is
his comedy finally purged. Its purges are honest
sympathy and pervasive humor.
IV.
" All art is a collaboration." Anyone happening
upon this sentence in the brief preface to John
Synge's "Playboy of the Western World" might
fancy that here was a preaching playwright.
Wrongly, beyond a shred of doubt, albeit Synge
was a loyal member of the group of Abbey Theatre
writers and players whose devotion to their artistic
faith is as stout as their nationalism. But Synge,
with no theses to lay down, took the world as he
found it, as playwright and as citizen. He found
it a world full of interesting surfaces ; but he held
that the drama, like the symphony, "does not
teach or prove anything."*
Instead of that, and in spite of a kind of brood-
ing sadness that is seldom wanting, Synge's work
expresses a certain quality of the Irish realistic
drama well brought out in the remark of a London
play-reader to one of my friends. Their theme
was the English-speaking stage. u Among the thou-
sands of plays I have gone through in the last few
years," said the play-reader, "a fair proportion
have been the work of Irish men and Irish women.
I have only to read a few pages of one of these
plays to differentiate those posted to me from Lon-
don, and those from across the Channel. Techni-
cally, the Irish pieces often stand below the English ;
* After writing these paragraphs, I had the pleasure of
reading in the "New Quarterly" for February, 1910, in a
paper by Mr. Francis Bickley, entitled "Synge and the
Drama," the statement that " Synge was not part and parcel
of the Irish Revival in the same way that Mr. Padraic Colum,
for instance, is part and parcel of it. Mr. Colum, it may be
affirmed, has as an artist, been created by the movement,
bynge became affected by it, but he was neither its parent
nor its son."
but invariably they have an individual flavor, a
kind of interest in life and in living, that stamps
them instantly recognizable."
This quality is most in evidence in the work of
the playwright who died so recently, at the height
of his powers. Ageless as are his characters and
their aspirations, the sun of to-day beats almost
cruelly upon the actual landscape: landscapes that
are, withal, very dear both to characters and to the
playwright. In his comedies, he tells us of realities ;
in his verses, he bids his reader to
" stretch in Red Dan Sally's ditch,
And drink in Tubber fair."
Except in one play and that scarcely completed *
Synge celebrated, not the kings and queens of
old Ireland, but tinkers who guzzle and swear, and
tie up priests in sacks ; blind beggars ; a playboy,
or " sport," who is acclaimed a hero for having
killed his own father, and loses caste only on being
proved a liar. The love-making of these pitilessly
rendered types is, withal, as romantic as their oaths
are eloquent. Romance was never more insistently
demanded by a sophisticated public than by these
simple-minded characters themselves. Pegeen, the
publican's daughter, rejects her most promising
suitor for no better reason than that he is " a mid-
dling kind of a scarecrow, with no savagery or fine
words in him at all." The blind beggars of " The
Well of the Saints" are satisfied, "smelling the
things growing up, and budding from the earth,"
sniffing the furze sprouting on the hill, and hearing
the lambs of Grianan, "though it's near drowned
their crying is with the full river making noises in
the glen."f To find such irrepressible poetry and
nature-love as penetrates this prose, or so unbound
an imagination, or such ceaseless conflict of native
idealism with base realities, John Synge's readers
must journey back to the Elizabethan drama at its
most fiery. One remembers Matthew Arnold's
tribute to Celtic romance : " full of exquisite touches,
showing how deeply nature lets him (the Celt) into
her secrets."
And yet, spontaneous, ebullient even, as his plays
are, the preface to Synge's "Playboy," to which I
have referred, does, however, very perfectly develop
one line of theory. The playwright confines himself
to discussing dialogue. " When I was writing ' The
Shadow of the Glen,' some years ago," he tells us,
" I got more aid than any learning could have given
me from a chink in the floor of the old Wicklow
house where I was staying, that let me hear what
was being said by the servant girls in the kitchen."
The anecdote is not reproduced simply for the light
* " Deirdre of the Sorrows ": A Play in Three Acts. By
John M. Synge. Cuala Press, Churchtown ; 1910. The same
tale out of Irish folk-lore has been treated dramatically by
Mr. Yeats, Mr. Russell, and others : and as a narrative by
Lady Gregory and by William Sharp. Synge's play was
given its first performance at the Abbey Theatre, Dublin,
in January of this year. Since then it has been performed by
the same Irish players in London.
t " The Well of the Saints," a comedy in two acts, was
published (London, 1905) by A. H. Bullen.
1911.]
THE DIAL
41
it casts upon one author's processes, nor yet because
it reminds us of Moliere and his Laforet ; it serves
to point out the happy chance that made of Synge
an Irish playwright, not a Londoner, or a cosmo-
politanised Yankee. Yes, in Ireland two languages
are spoken: one of them Ireland's by birthright,
the second, falsely called English, falsely, since
this monument, though the bricks are English, was
planned by Irish architects, and is quite unlike any-
thing of English construction. Such a monument
is Synge's. And, in finding new words for great
themes, in this age when thought and words alike
are all impotently stereotyped, as it were, a tremend-
ous service is accomplished for English speech itself,
as well as for the stage. It is not merely that
homely phrases are used the combinations of
fisher-folk and farmers. It is that they are used
without a loss of dignity, where dignity is demanded.
The purely ridiculous, is, for that matter, never
aimed at ; even in the most boisterous of the
comedies. Synge's humor, like all of humor that is
ripest and best, is a shade too sad for noisy mirth.
As for his language, and its freshness, it is worth
our while to read on in that preface of which a word
has already been spoken. " In a good play," Synge
writes there, " every speech should be as fully flav-
ored as a nut or apple, and such speeches cannot
be written by anyone who works among people who
have shut their eyes on poetry." And yet, if Ireland
alone, of English-speaking lands, still uses " for a
few years more " a speech that is, by turns, fiery
and magnificent and tender, even Ireland shows no
writers who share with Synge that fully flavored
diction. As for the greater world, and the litera-
ture of towns, the linguistic sweetness of a Mallarme
or a Huymans lacks (as Synge himself expressed it)
roots in the profound and common interests of life,
while the realities of an Ibsen or Zola are coined in
words joyless and pallid. The one thing is, however,
no less essential than the other : the reality, and what
Synge called " joy," what Hazlitt called ' gusto."
The dead playwright had them both. True, the
casual visitor to Ireland may complain that never
did he hear peasants use speech so telling as Synge's
and that these peasants of the dramatist's make no
discrimination between the natural and the super-
natural. Yet Synge drew his peasants only after
knowing them in their huts and by their hearths ;
the ringing speech of his rustics is the unhackneyed
speech of that people, heard and reported by a poet.
Indeed, their imagery is no literary exercise, but is
only sufficient to the expression of unshamed emo-
tion. This language belongs by right to a race of
men who speak in English, but who think in Gaelic.
Nor do the more primitive among contemporary
Irishmen and Irishwomen much more critically
discriminate between the natural and the miraculous
than do the persons of " The Well of the Saints."
Finally, to the sense of reality and the sense of full
rich life and gusto which are found here in rare
union is joined the skill of one who visualizes all
that he has seen or heard of, and manages all with
a hand which, seemingly careless, is none the less
sure of its virtuosity. Whether or not Synge " re-
wrote his plays entirely perhaps twelve or thirteen
times," * I have no personal knowledge ; but not for
nothing went those Paris years of study and experi-
ment.
To-day, few Americans know the vigorous and
racy Speech of Synge's; his strong nationalism
and scarcely less strong regionalism ; his grasp of
character generally, and of the Celtic character
first of all. Have I conveyed to some few readers
the invitation directly to interest themselves in
John Synge in his fearlessness without gross ness,
his tenderness without sentimentality, his untamed
energy of action and his rare pungency of phrase ?
It was denied to Synge to live long enough to gain
an international audience in his own lifetime ;
and he died without achieving all the good work he
promised to do in a world he loved well, in spite
of seeing it clearly. But so far as he went, he
walked firmly ; there need be offered for his fulfil-
ment no word of apology. Nor can we mean any-
thing to him, now, we and our enthusiam : in spite
of all that he may mean to us.
WARREN BARTON BLAKE.
CASUAL COMMENT.
THE PENDING ENGLISH COPYRIGHT BILL contains
one clause of preeminent importance, the others re-
lating to details of comparatively minor significance.
By the statute of 1842, which is still in force, the
term of copyright is at present forty-two years, or
the lifetime of the author and seven years thereafter,
whichever period shall be the longer. If the new
bill is passed the term will be the lifetime of the
author and fifty years thereafter, in accordance with
the recommendations of the Berlin Convention of
1909. This term is now in force in Austria, Bel-
gium, Denmark, France, Portugal, and Russia;
while Italy grants copyright protection for the
author's lifetime or for forty years, whichever term
be the longer; Germany for the author's lifetime
and thirty years ; Spain for the author's lifetime
and eighty years. The proposed English law would
apply to citizens or residents of the kingdom or
empire, and to citizens of states in copyright rela-
tions with Great Britain. It would be for the Crown
to ascertain whether this country, under its statute
of 1909, is granting such copyright protection to
British subjects as to entitle it to claim the protec-
tion of the proposed law for its own citizens. Not
unnaturally or unjustly would our manufacturing
requirements and other petty restrictions be con-
sidered as barring us from the copyright privileges
extended to other nations. Deplorable and humili-
ating is it that this country, because of its absurd
* See Lord Dunsany's criticism of the Court Theatre per-
formances of " Deirdre," " Saturday Review," June 4, 1910 :
" But ' Deirdre of the Sorrows,' he had not time to rewrite,
at least not more than once, and it may not be in all respects
so perfect a play as his others, bnt it has a grander theme."
42
THE DIAL
[Jan. 16,
copyright laws, should be the only civilized nation
excluded from the benefits to accrue from the de-
liberations, now in progress, of the Berne Convention
in its attempts to harmonize and systematize the
copyright requirements of the literary world.
THE PASSING OF A NOTED RHETORICIAN was
chronicled in the death, on Christmas day, of Pro-
fessor Adams Sherman Hill of Harvard University.
How many a student of that admirable textbook,
Hill's " Rhetoric," has fondly dreamed of writing
his way to fame by a careful observance of those
beautiful laws so clearly laid down and so aptly
illustrated by the author ! If it were not for the
embarrassing necessity of having something to say
before one can write with both power and correctness,
Professor Hill would have created a multitude of
eminent authors. In addition to his "Principles of
Rhetoric," which appeared in 1878, and in a revised
edition seventeen years later, he wrote " Our En-
glish," "The Foundations of Rhetoric," and an
elementary textbook of rhetoric and composition.
Born in Boston in 1833 of good ancestry on both
sides, he struggled along for five years under the
distasteful Christian name of Abijah, but was re-
lieved of the incubus by legislative enactment in
1838. Harvard was, naturally enough, his college,
and the law his first profession, which was early
dropped for journalism, which in tnrn yielded to
the more dignified attractions of the professorial
chair. Assistant professor of rhetoric at Harvard
from 1872 to 1876, he was made Boylston profes-
sor of rhetoric and oratory in the latter year, and
professor emeritus in 1904. To have held the
Boylston professorship of rhetoric, to the teachings
from which famous chair so many of our celebrated
earlier writers have acknowledged their indebted-
ness, is surely glory enough for any man.
MR. SHAW POKES FUN AT SHAKESPEARE, and
gratifies his well-known desire to dig up Shake-
speare's bones and throw stones at them, in the
recently acted and more recently published one-act
farce, '"The Dark Lady of the Sonnets." The
humor of this latest Shavian drama can hardly
equal the humor of its being presented as part of a
benefit performance in aid of the projected Na-
tional Shakespearean Memorial Theatre. The real
if not the ostensible motive of the play cannot be
mistaken as a desire to make Shakespeare ridiculous
by representing him as a snapper-up of other men's
good sayings, a picker of other men's brains. In
the opening scene a warder on the terrace at White-
hall Palace, whither Shakespeare has come to keep
an appointment with Mary Fitton, the Dark Lady
of the Sonnets, happens to utter the phrase, "Angels
and ministers of grace defend us!" Thereupon
Shakespeare : " Well said, Master Warder. With
your leave I will set that down in writing ; for I
have a very poor and unhappy brain for remem-
brance. . . . Stare not so amazedly at me; but
mark what I say. I keep tryst here to-night with
a dark lady. She proposed to bribe the warder.
I gave her the wherewithal ; four tickets for the
Globe Theatre." The Warder: "Plague on her!
She gave me only two." Shakespeare (detaching
a tablet) : " My friend, present this tablet, and you
will be admitted at any time when the plays of
Will Shakespeare are in hand. Bring your wife.
Bring your friends. Bring the whole garrison.
There is ever plenty of room." The broad humor,
not to say horse-play, of the piece is in harmony
with its author's published expressions of modified
admiration for the author of " Hamlet." The play
may be read in full in the January number of
" The Red Book."
THE INANITY OF OUR CURRENT DRAMA receives
scathing condemnation at the hands of Professor
Felix E. Schelling of the University of Pennsyl-
vania, the well-known student of the early English
stage. Induced in an idle moment to transfer his
attention to the American stage of a quarter-millen-
nium later, he decided it to be the part of wisdom
for him still to remain two centuries and a half
behind the times. " Our popular drama of to-day,"
he affirmed in a recent public address, " is vulgar,
flippant, and inane ; as a picture of life it is for
the most part absurd. It would be difficult to find
an art of any former degenerate age so devoid of
ideas, so repetitious and preposterous, as the popular
syndicated stage of to-day." Nor is it all to be
accounted for by " commercialism, the want of an
educational and established theatre, and the in-
herited antipathy of the godly." " There are hun-
dreds who sit in open-eyed wonder before the glitter
of tinsel decking a bevy of painted ' stage ladies '
to one who could follow a dialogue of any subtlety
with understanding. This is why our theatrical
plots revolve in tedious repetition about the thirteen
original situations, none of them original any longer,
and why we continue to perpetrate on the stage,
with bland, unblushing iteration, the eleven ances-
tral witticims." And yet the time-honored " situ-
ations " have lost none of their virtue, given only a
man of genius to infuse them with fresh life and
interest. It is the new treatment of the old and
familiar that the story-reader and the theatre-goer
will always delight in, even as each man's life is of
significance and worth to him just so far as it is a
fresh presentation of universal experience. Shake-
speare's " situations " were almost without exception
already old in his own day, and scores of Greek
tragedies were based on the calamitous history of a
single family. ...
COLONEL HIGGINSON'S EIGHTY-SEVENTH MILE-
STONE was passed the other day not unobserved by
that wide-reaching public that reads his writings
and admires his character and deeds. Among the
visitors at his Cambridge home on that day the
inevitable newspaper interviewer was of course
conspicuously present. " What do you consider the
great problem of our day ? Slavery was the prob-
lem of your day, and that was settled." Thus the
1911.]
THE DIAL
43
man with open notebook and expectant pencil ; to
which the veteran abolitionist : " Yes, it was settled,
but not easily, and it doesn't appear to be wholly
settled yet. . . . Looking at the slavery question
to-day, it looks simple enough the way it was
settled but it didn't look simple then. And it
is the same with the questions of to-day. They
will look simple enough a generation hence, per-
haps, although they do not look simple to us to-
day. ... It is impossible to tell how our present
problems will be settled, but I am satisfied that the
future is safe." And this hopeful outlook is taken
even though the speaker is fully aware that "our
civilization is vastly more complicated to-day than
it was sixty years ago." It is always refreshing
to find a man of Colonel Higginson's years who
refuses to believe that the world, like a sucked
orange, will be about ready to throw away as soon
he shall have done with it.
ANATOLE FRANCE ON THE QUESTION OF WOMEN
'IMMORTALS" says some things of interest to a
writer in " Le Temps." In view of Madame Curie's
reported desire to become a member of the august
body into whose assembly-room no petticoated person
is at present allowed to so much as peep, what her
distinguished compatriot has to say concerning the
election of women to membership will not fail to
command attention. " Yes," he declares, "I should
call it perfectly legitimate for the Acaddmie to elect
women of talent and quality. Nothing seems to me
more logical and traditional, and among the reasons
that arise in my mind, as I examine the question
without previous reflection, I see this argument at
once : the very purpose of the Acade'rnie Francaise.
What is that purpose ? Unquestionably this : To
conserve Beauty and Tradition in France, to repre-
sent genius and good manners, to associate them in
a select company who thus incarnate the eminent
qualities of this country, or at least what its founders
believed to be its essential virtues. Now, woman is
no stranger to good manners or French traditions ;
and a woman of talent, of nobility, of supreme dis-
tinction, may well deserve a place in the company
who, in the eyes of certain people, represent the
flower of the French virtues." That a country
which has produced a Madame de Stael, a SeVign,
a Re'camier, a Roland, a George Sand, and, finally,
a scientist like Madame Curie, should seriously con-
sider the propriety of creating academiciennes, is
scarcely surprising.
TWENTY THOUSAND BIOGRAPHIES IN BRIEF are
contained within the covers of the English "Who's
Who " for 1911. In spite of its compactness and
its abbreviations, the book is rich in live human
interest, and is even not devoid of humor. One
enjoys remarking the different pastimes and diver-
sions set against various names of note. Mrs. Jesse
Saxby, for instance, amuses her leisure hours with
" trying to write in rhyme " and " whist, the only
game worth playing," Mr. Asquith and Mr. Balfour
delight in golf, and the editor of " Punch " enlarges
his biceps by swinging the croquet-mallet. The
English passion for organizing multitudinous so-
cieties with long names betrays itself in the many
and sufficiently puzzling abbreviations abounding in
these miniature biographies. But there is an index
to these cabalistic symbols, whereby one learns
that a certain person of note, sporting the initials
I.B.S. A., is a member of the Inanimate Bird Shoot-
ing Association, and another, labeled with the let-
ters S.C.A.P.A., belongs to the Society for Check-
ing the Abuses of Public Advertising. " Who's
Who " may not be quite so interesting as some
novels, but it certainly will be found more interest-
ing than certain other novels that might be named.
SOME NEWLY-DISCOVERED WHiTTiER POEMS are
announced by Mr. Samuel T. Pickard, the poet's
biographer, who has for some time been occupying
the old Whittier house at Amesbury. Referring to
his study of a volume of "The New England Re-
view " for 1830-31, Mr. Pickard said, as reported
in the press : " While it was edited by Whittier, I
find much that has escaped me hitherto. I have
found a whole nest of poems by Whittier never before
recognized as his. The signature was the odd one,
' Feramorz.' I find these ' Feramorz ' poems are
Whittier's, and that he used this signature before
and after he became editor of the ' Review.' "
When we recall at how tender an age Whittier pro-
duced verse of real merit, and remember that it was
his first published poem (written in his twentieth
year) that excited William Lloyd Garrison's en-
thusiasm and led him to predict the young writer's
future fame, we may confidently hope that this
" nest of poems " will prove to be a valuable dis-
covery. We trust Mr. Pickard will procure their
early publication.
LITERARY TASTE IN A NEW YORK POLICEMAN
has been manifesting itself in the expert censorship
of plays whose alleged immoral tendency has caused
complaint. Sergeant Quackenbos, a scholar and a
linguist, with especial mastery of French, reported
the other day to Police Commissioner Copsey in
regard to a certain doubtful dramatic production
that he found nothing offensive in it, but added :
" As to the relative merits of the play, personally
I consider it weak and insipid, devoid of force and
the plot much injured by the apparent effort to
eliminate from it everything forceful and decided,
with the evident intention of placing upon it a con-
struction so loose and open that even the most
biassed opinion should find no cause for reproach."
The recent annual blue-book report of the London
commissioner of police reveals a great variety of
talents and accomplishments among the eighteen
thousand quiet and gentlemanly guardians of the
law in that vast metropolis, but contains no mention
of any such critical taste and power of literary ex-
pression as are possessed by Sergeant Quackenbos
of New York.
44
THE DIAL
[Jan. 16,
THE LIFE OF AX EMPIRE-BUILDER.*
The flood of hasty biographies and other
sketches of Cecil Rhodes that was let loose by
his death in the spring of 1902 has long since
subsided, and the season has arrived for a more
deliberate and careful chronicling of the life-
history of that remarkable man. A detailed ac-
count of him and his phenomenal achievements
as financier and empire-builder is presented in
Sir Lewis Michell's two-volume work, " The
Life and Times of the Right Honourable Cecil
John Rhodes," and simultaneously a personally
reminiscent view of the man in his prime, as
he was known to one much older than he but
interested in the same problems of public policy
and statesmanship, comes from the pen of Sir
Thomas E. Fuller in his volume entitled "The
Right Honourable Cecil John Rhodes : a Mono-
graph and a Reminiscence." South Africans
both of them, these two authors have brought
together enough details to make up a fairly
complete portrait of their former friend and
associate, painted however, as was to be ex-
pected, with every advantage of a favorable
light and a becoming posture, and with the
almost inevitable softening of harsher lines.
The main events of Rhodes's public life have
long been too familiar to the world to render
necessary here any recapitulation of them.
Less stale and far more interesting will be a
few glimpses of the inner workings of his mind,
in boyhood and manhood, so far as they can be
discerned, and an attempt to get clearly before
us the ideals that inspired him and sustained
him amidst the herculean labors he imposed on
himself from an early age. That the two works
above named furnish the material for forming
a just estimate of the largeness of his ideals and
of the vigor and originality of the mind that
entertained them, will not be doubted when it is
learned that the first-named of his biographers,
as an executor and trustee under the will of
Cecil Rhodes, has had free access to his private
papers, while the other was on terms of some-
*THE LIFE AND TIMES OF THE RIGHT HONOURABLE
CECIL JOHN RHODES, 1853-1902. By the Honourable Sir
Lewis Michell, member of the Executive Council, Cape
Colony. In two volumes. With portraits. New York:
Mitchell Kennerley.
THE RIGHT HONOURABLE CECIL JOHN RHODES. A
Monograph and a Reminiscence. By Sir Thomas E. Fuller,
K.C.M.G., formerly member of the Legislative Assembly
for the City of Cape Town, and subsequently Agent-General
for the Cape of Good Hope. With portraits and other illus-
trations. New York : Longmans, Green, & Co.
thing like intimacy with him for more than
twenty years.
Sir Lewis Michell makes his hero's " dream
of Empire" so early take possession of his
thoughts that even as a child in plaided frock
at Bishop's Stortford (where he was born in
1853, being the fifth of nine sons presented to
the Reverend Francis William Rhodes by his
second wife, Louisa Peacock, a lady of good
family), he is conceived of as already planning
enterprises of imperial scope. At any rate, it
appears true that he was early given to periods
of abstraction, that the ordinary pursuits of his
fellows failed to engross him, that when once
interested in any project his concentration of
thought and energy was remarkable, and that,
as his biographer says, " to the last he was a
shy and solitary spirit, full of strange silences,
and with a reserve difficult to break through."
Early symptoms of the ailment that finally over-
came him sent the boy Cecil in 1870 to Natal,
where an elder brother was already breaking
virgin soil as a cotton planter. The compara-
tive loneliness of the new life and the vastness
of the new lands open to colonization and con-
quest could not but favor the nursing of any
projects of empire that the young English im-
migrant may have been disposed to cherish.
The discovery of diamonds in the Orange Free
State about the time of his arrival in South
Africa, with the subsequent opening of large
diamond-bearing tracts to the inrushing miners,
must have still further inflamed the youth's
imagination. Seeing clearly the power of money
to forward his schemes of British dominion, he
very soon forsook the humdrum of farming and
engaged in the fierce excitement of diamond-
hunting, buying and selling claims, forming and
consolidating mining companies, and in a won-
derfully short space of time proving himself
the coolest, boldest, most successful of all that
host of strenuous and not too scrupulous wealth-
seekers.
Side by side with these plans of wealth and
power, and rudely jostled by them, one would
think, there were entertained other projects and
wholly different ideals. When in the autumn
of 1871 young Rhodes turned his back on farm-
ing and started for Colesberg Kopje in a Scotch
cart drawn by a yoke of oxen, he carried with
him, beside a bucket and spade, several volumes
of the classics and a Greek lexicon surely the
strangest outfit known to the mining fraternity.
An Oxford course and an Oxford degree were
what the boy had set himself to obtain ; not that
he was consumed with any burning thirst for
1911.]
THE DIAL
45
academic knowledge, so far as can be judged,
nor that he felt irresistibly drawn to the classics
of Greece and Rome, but because he had calmly
reasoned the matter out and decided that an
Oxford degree would help him in the path he
had marked out for himself. The charm of
the ancient university, and the value of associa-
tions there formed by the undergraduate, he felt
and acknowledged to the full ; and throughout
his life any reminder of his college days was sure
to move him. The course at Oxford, much in-
terrupted by necessary visits to South Africa,
was at last completed and the coveted diploma
obtained ; and the college (Oriel) that had con-
sented to receive so irregular a student, after
he had elsewhere been repulsed, profited thereby
in due time, to the extent of one hundred thou-
sand pounds. The story of the Rhodes scholar-
ships, a fitting sequel to the tale, is now of
course an old one.
The young diamond-digger's sublime confi-
dence in his future is splendidly attested in the
magniloquent terms of a will that he caused to
be drawn as early as 1877, when he was but
twenty-four years old. In this remarkable
document he leaves his entire estate (before he
has acquired it) to Lord Carnarvon, then Secre-
tary of State for the Colonies, and to his suc-
cessors in office, and to his friend Sidney
Godolphin Shippard of the Inner Temple, " in
Trust," the purpose of the trust being, as
formally stated, " to and for the establishment,
promotion, and development of a Secret So-
ciety, the true aim and object whereof shall be
the extension of British rule throughout the
world , the perfecting of a system of emigration
from the United Kingdom, and of colonization
by British subjects of all lands where the means
of livelihood are attainable by energy, labor,
and enterprise, and especially the occupation
by British settlers of the entire Continent of
Africa, the Holy Land, the Valley of the
Euphrates, the Islands of Cyprus and Candia,
the whole of South America," and so on, leav-
ing scarcely a square foot of the uninhabited
or uncivilized globe to other countries, and
even providing for the " ultimate recovery of
the United States of America as an integral
part of the British Empire," and, best of all,
seeking " finally, the foundation of so great a
Power as to hereafter render wars impossible
and promote the best interests of humanity."
Of Rhodes's political honors and offices in
the Cape Colony, and of his amazing success
in amassing a fortune, with all the interesting
and intricate intertwining of his political
and his money-getting schemes and activities,
nothing can here be said. Sir Lewis Michell's
book goes into all that quite adequately, and
the shorter work of Sir Thomas Fuller contains
some additional particulars. The famous Jame-
son Raid figures also as an important topic
in ttoth books, the first-mentioned devoting
nearly fifty pages to it and ending with the
assertion that "the idea prevalent in some
quarters that the inception of the Raid is still
wrapped in mystery is wholly erroneous. The
vital facts are all in print, and there are no
unrevealed secrets." The two authors agree
in making Rhodes by no means free from
responsibility in the affair, but its importance
as precipitating the Boer War is emphatically
denied by one of them. Touching on the much-
discussed " Kruger telegram " from the German
Emperor at the time of the raid, Sir Lewis has
this to offer respecting the subsequent interview
between Rhodes and his Imperial Majesty :
" I imagine that a verbatim report of the interview
between Rhodes and the Emperor will never see the
light of day, bat there is reason to believe that during
their conversation the Emperor asked for his opinion
of his famous ' Kruger telegram ' at the time of the
Raid, and that Rhodes replied, ' I will tell you, your
Majesty, in a very few words. It was the greatest
mistake you ever made in your life, but you did me the
best turn one man ever did another. You see, I was a
naughty boy, and you tried to whip me. Now, my peo-
ple were quite ready to whip me for being a naughty
boy, but directly you did it, they said, " No, if this is
anybody's business it is ours." The result was that
your Majesty got yourself very much disliked by the
English people, and I never got whipped at all ! '"
An interesting consequence of this momentous
interview, and a substantial proof of the favor-
j able impression then made upon his South
African guest by the Kaiser, was the inclusion
of Germany among the Rhodes Scholarship
beneficiaries, and the leaving of the selection
of German Rhodes scholars entirely in his
Majesty's hands. So, at least, we are led to
believe.
Turning from the larger work, whose author
does not hesitate to acclaim his hero as " the
greatest of modern Englishmen," we must say
a few words in commendation of the smaller.
Its evidences of the intimate acquaintance en-
joyed by its author with Cecil Rhodes give it
unquestioned value and vivid interest to the
reader. Let us quote from an early page its
description of Mr. Rhodes :
" Mr. Rhodes was a tall, broad-shouldered man, with
face and figure of somewhat loose formation. His hair
was auburn, carelessly flung over his forehead, his eyes
of bluish grey, dreamy but kindly. But the mouth
aye, that was ' the unruly member ' of his face. With
46
THE DIAL
[Jan. 16,
deep lines following the curve of the moustache, it had
a determined, masterful, and sometimes scornful ex-
pression. Men cannot, of course, think or feel with
their mouths, but the thoughts of Cecil Rhodes soon
found their way to that part of his face. At its best it
expressed determined purpose at its worst, well, I
have seen storms of passion gather about it and twist
it into unlovely shapes. Neither sculptor nor painter
knew just what to do with it."
The indifference to small matters always
shown by this large-patterned man is refreshing
to read about. In dress, while he was at home
in any costume, he took so slight heed of con-
vention and fashion that, unless watched and
warned by careful friends, he would many a
time have shocked Mrs. Grundy by appearing
in Scotch tweeds where broadcloth was de
rigueur. The account of his home life and
bachelor habits at Groote Schuur is agreeable
reading, and the description of his library,
where at great expense he had collected all the
authorities consulted by Gibbon in writing his
" Decline and Fall," forms one of the best
chapters in the book. With its emphasis on the
human and the more lovable side of the man,
this fragmentary account of him admirably sup-
plements the longer and more ambitious work.
PERCY F. BICKNELL.
A CRITICISM OF MODERN ART.*
Mr. Babbitt has produced, in " The New
Laokobn," a delightful and stimulating book.
I recall nothing in recent years in the literature
of aesthetics which is of the same interest. It
has the charm of a broad view of historical
changes and conditions, and the value of a
soundly developed thought on matters of theory.
It is an excellent book for people who feel
mixed up or puzzled at the chaotic condition
of ideals now current in music, painting, litera-
ture ; who want a clue to find their way out of
the labyrinth of dissolving views offered us by
the latest excitements in each of the arts. And
those who are not puzzled, and who like the
excitement of constant experiment and change,
will be interested in this effort to make matters
a little more regular and systematic. Even the
most extravagant may well enjoy this survey of
their eccentricities, though they may not sym-
pathize with the spirit which animates it.
The Laokoon of Lessing, although a book of
unique position, has not been so powerful an
influence as a good many works which in
*THE NEW LAOKOON. An Essay on the Confusion of
the Arts. By Irving Babbitt. Boston : Houghton Mifflin Co.
themselves could not claim the same eminence.
There are many books or many critics, to be
more exact that have impressed themselves on
men's minds and action far more powerfully.
Ruskin has been a far more powerful influence
than Lessing, I should say ; and so has Taine.
Indeed, one could count a score of rivals begin-
ning with Winckelmann or Goethe, and coming
down to Morelli and Anatole France. The
chief idea of Lessing that was expressed in the
Laokobn, the distinction between the functions
of the different arts, was not heeded. On the
other hand, the period following Lessing shows
very great confusion between the aims and
methods of the different arts, and very great
enthusiasm in trying to make all the arts only
different ways of doing the same things. Poets
have emulated painters, and musicians poets.
Painters have in general been content to paint ;
but even among the painters there have been
those who aimed at symphonies on the one hand,
and those who were anxious to tell stories on
the other. The immense production of art in
the nineteenth century has resulted in an almost
intoxicated delight in trying to do anything
and everything with every or any art and in
any and every way.
It is this continued confusion and grand
hurly burly that gives occasion to Mr. Babbitt
for his survey of the conditions of artistic theory
as we see it in the work of art since Lessing,
and for his presentation of some critical can-
ons designed to offer, if not a shelter in the time
of storm, at least a breathing-space in a time
of general artistic exhilaration and excitement.
I think such an effort will be greeted with
pleasure by many. The mere idea of there
being such a book will, I am sure, be a relief
to not a few who may never read it. There
surely must be many who would be glad to stop
looking at some grey thing of Whistler's and
trying to find any symphony or any white in it,
who would be glad to stop thinking they ought
to find in Strauss anything philosophic or like
Nietzsche, people who will like to stop skip-
ping passages on persons or landscapes which
mention all the colors of the rainbow but do
not enable us to see any, or who will be glad to
think it respectable to read a story or see a play
that has no problem or message or criticism of
life in it.
Lessing failed to impress his contention upon
the generations that followed him. He had a
clear idea that there were definite forms of art
which owed their charm and their power to
being themselves and not something else. He
1911.]
THE DIAL
47
spoke of the arts of poetry and painting, and
distinguished between their possibilities ; but
his understanding of what each should do or
could do was based upon his understanding of
what both tried to do. He believed that poetry
must deal with things as viewed in the relation
of time, and that painting should deal with
them as they appeared in space ; but he held
that both should present an imitation of nature.
And, further, he was a classicist, in that he
believed in having things clear-cut, rational,
definite. To him, the main thing in poetry was
a well-ordered fable ; in painting, a well-ordered
composition.
It is not unnatural, then, that a century like
the nineteenth, in which the classic tradition
was by no means binding in which, in fact,
the rejection of classic aims and methods was
almost an aim in itself, that such a time should
have lost sight of the distinction whereby one
might attain to classic result.
Mr. Babbitt finds the key to all this confu-
sion of effort and effect in the influence of
Rousseau. Rousseau exalts the imagination;
and one penetrated with the spirit of Rousseau,
though he might be devoted to Nature, would
scarcely endure the discipline of imitating or
following her closely. It is not a picture of
the world that romantic art is to give us : it is
a record of the sensations of the romanticist as
he views the world, and such a record of sensa-
tions may easily stimulate our powers even to
things that never were or could be in the
world. The romanticist had not so much in
mind to give an idea of what others were doing
or had done as to stimulate one to do some-
thing oneself or to think of doing it. " His
aim," in Mr. Babbitt's words, " is not so much
to paint action as to suggest reverie."
In following out this idea, Mr. Babbitt deals
especially with two directions of nineteenth
century art, namely, word-painting and pro-
gramme music, and handles them in a broad
and excellent way. Programme music is some-
thing which some think is the only music, and
some think hardly music at all. It would cer-
tainly seem that the fact that few people as a
rule can tell what the music means unless they
have the programme in hand or in mind, would
make it doubtful if music was here dealing
with what music could deal with ; but Mr.
Babbitt presents many interesting examples,
of which the one I like best is that of the man
who was enthusiastic over the way that the
master had indicated in his tone-poem " the
whistling of the wind through the arms of a
mill, but was told that what the master had
really tried to render in this passage was the
bleating of a flock of sheep !" Word painting
includes the whole range of suggestive prose,
as well as much modern poetry, where the idea
of the writer is not to convey any definite idea
of something he has seen or known, but to
stimulate in the reader an imaginative range
more or less like that which he experiences
himself. We do not need to be told how im-
portant these two forces have been in nine-
teenth century art.
Even more important, because the element
is more penetrating, is Mr. Babbitt's discussion
of the question of form and expression. Ro-
manticism is lyric, in that it has always honored
self-expression : even the realists who believed
in the most detailed views of environment
allowed that such views must be modified by the
artist's temperament. And here Mr. Babbitt
speaks of the novel, the most prolific if not the
most important of the art-forms of the century :
he says it is the form " that lends itself most
naturally to all the meanders of feeling," to a
vast overflow of " soul " in the romantic sense.
But he is satisfied with suggesting this oppor-
tunity for the triumph of expression over form
(and certainly anybody can think of enough
examples), and deals for the most part with
scientific or philosophic manifestations of the
same thing in nineteenth century thought.
It is certainly a most interesting review,*
and, as I have said, there must be many who
will want to read it. It is a book that has some-
thing for various classes of readers. Those
who know the subject well will find it inter-
esting, with much to agree or disagree with.
Such a view of periods in literature or art is
always interesting when done by a competent
man, and we have here the addition of a theo-
retical position on a burning question. But
the book is by no means a mass of generaliza-
tions ; in fact, Mr. Babbitt more commonly
deals with special cases. So there will be
many who will not be so much interested in
the sweeps of aesthetic theory, who will be inter-
ested in considering whether sky-scrapers are
beautiful. Indeed, perhaps the ranging of many
minor points into one general discussion is quite
as valuable for the general reader as the making
of large generalizations. What shall we think,
for instance, of the vitality and ugliness of much
* In what goes before 1 have allowed myself as a rule to
use Mr. Babbitt's illustrations and now and then his own
words and phrases without acknowledgment. Whatever is
good is likely to be his.
48
THE DIAL
[Jan. 16,
of Rodin ? Is there really any common sense in
Bernard Shaw ? What is the use of a symbol
in art ? How shall a man defend his still liking
Mozart? What is to be done about Richard
Strauss's depiction of the baby's bath, not only
with full orchestra, but also fifty additional
instruments, including four saxophones, a tri-
angle, a glockenspiel, and a bass drum ? Or, to
go further back, was Keats an Elizabethan born
out of due season ? Was he all Greek ? Is the
subject of Wordsworth's " Simon Lee " really a
matter for fine poetry? What did Beethoven
try to do in the " Pastoral Symphony"? And
so on. Those things, or others of the same kind,
are such things as people often argue about,
with no idea of any principle to give them a
starting-point. Mr. Babbitt's survey of romantic
art gives them at least something to agree or
disagree on.
I have said but little, perhaps not enough, of
the constructive part of this book. It is evident
from the title that Mr. Babbitt believes that art
can do most for the human spirit when each art
does that for which it is especially adapted. The
greater part of the essay is devoted to a con-
sideration of what has happened when every
artist did whatever he fancied at the moment.
But the last part of the essay is more construc-
tive, and presents something of an ideal of a
right joining of appropriate form and genuine
expression. The reader with some tincture of
aesthetic will probably find this part of the book
most interesting. Mr. Babbitt stands for an
ideal of Humanism that is growing in charm
every day ; though, as he admits, it cannot even
now see the prospect of early dominance.
I wish him good luck ! I must confess that
I do n't quite know whether I agree with him
or not. I am just now rather confused in my
ideas in aesthetics. But I can at least appre-
ciate such a brilliant and original study as this,
even though it tries to overturn some of my
favorites. EDWARD E. HALE, JR.
MEN AND MANNERS OF COLONIAL,
VIRGINIA.*
With "The Institutional History of Vir-
ginia in the Seventeenth Century," Dr. Philip
Alexander Bruce has completed the publication
of his studies in the first century of Virginia
* INSTITUTIONAL HISTORY OF VIRGINIA IN THE SEVEN-
TEENTH CENTURY. An Inquiry into the Religious, Moral,
Educational, Legal, Military, and Political Condition of the
People. By Philip Alexander Bruce, LL.IX In two vol-
umes. New York : G. P. Putnam's Sons.
history. In previous volumes he has pictured
in detail the economic and social aspects of
early times in the Old Dominion ; while in
these two large volumes of 700 pages each he
describes those institutions and conditions with
which he has not already dealt. The work is
therefore confined to a description of the politi-
cal and administrative phases of colonial his-
tory. But governmental activities had a wide
range in those days, even though in a frontier
community ; and they are here described in
125 chapters which are arranged to cover the
five general subjects of Religion and Morals,
Education, Legal Administration, Military
System, and Political Condition. Each subject
is treated exhaustively, with a wealth of fact
and illustration that may be somewhat weari-
some to the general reader but will be eagerly
welcomed by the student and the historian who
may use this work, and the previous volumes,
as the ultimate authority on the period treated.
Nothing of importance has been neglected, and
much that would be unimportant in the history
of a later time is here developed at length as
throwing light on the formative period of the
first Anglo-American colony. None of the
sources have been overlooked ; the author says
that he has made " a personal examination of
all the original documents bearing on the sub-
ject preserved not only in this country but in
the great English depositories." The work will
be valuable not only for the immense amount
of information which it contains, but also for
the general conclusions not too many at
which the author arrives after his thorough
examination of the sources.
Dr. Bruce looks upon his subject from the
imperialistic the British point of view, not
from the narrowly colonial standpoint ; that is,
he considers seventeenth century Virginia as an
outlying district of the Empire, an expansion
of England in men, in manners and customs,
and in institutions. The English inheritances
were modified, though not radically, by the
necessities of a frontier environment, and not
by intention. No other of the Anglo-American
colonies was so like Mother England. The
author says of this fact :
" In considering retrospectively the different condi-
tions prevailing in Virginia during the seventeenth
century, the historian is deeply impressed with its close
resemblance in all the varied aspects of its life, save
the agricultural alone, to the mother country. The
colony had been settled, not, like New England, by the
representatives of a single section of the English people,
namely, those in sympathy with a special phase of relig-
ious belief and its austere social influences, but by rep-
1911.]
THE DIAL
49
resentatives of the English people at large, who were
profoundly devoted to the monarchical principles, to the
doctrines of the Anglican Church, and to the liberal
and generous social traditions of their race. The con-
ditions observed in Virginia were, as a consequence,
much nearer to those which, in these early times, gave
a distinctive character to an English community; it was
much more a segment of the mother country, because
more reflective of the typical diversities of life and
thought there, indeed, it can be justly said that Vir-
ginia, in the seventeenth century, resembled England
as closely as it was possible for a sparsely settled colony
of small wealth, situated in a remote quarter of the
globe, to do."
In nothing did the colony resemble England
more than in its religions establishment and in
its moral standards. The church organization,
with its parish, vestry, tithes, and glebe, was
the Anglican establishment on a small scale ;
the chief but important difference being that
the clergymen held their places not permanently,
but by the year, at the pleasure of the vestry.
Of the beginning of the Church in English
America, the author gives some details of in-
terest. The first church edifice consisted of a
sailcloth tied to the trunks of trees.
" As thus spread out, it afforded an ample shelter
from the rays of the sun. The walls of this impover-
ished sacred edifice were made of rails mauled from
timber procured on the spot; the seats, of round and
unhewed logs ; and the pulpit, of a bar of wood nailed
to two trees. When the sky became overcast and rain
fell, the services were held in a large tent brought over
from England. . . . [The second church] was made
apparently of rough sawn planks or unhewed logs, in
the shape of a barn; the roof was covered with rafts,
sedge, and earth; and so, we are informed, were the
walls; while the weight of the whole rude structure
rested upon crotchets."
Church-going was enforced by law, and any
breaches of morality were punished by severe
penalties. After careful study, Dr. Bruce con-
cludes that on the whole the Virginia clergy
were not generally " of loose lives and ungodly
conversation," but averaged as good as those of
England at the same time, and that the people
were religious, and more moral than their En-
glish contemporaries. Since the Church was a
department of the State, the activity of the
government in ecclesiastical affairs is fully
described. The following quotations show that
New England had no monopoly of stringent
church rules :
" Whoever omitted going to church was punished
for the first offence by the loss of his day's allowance ;
for the second, by a severe whipping; and for the third,
by his condemnation to the galleys for a period of six
months. Profanation of God's name by an unlawful
oath was, for the second offence, to be punished with a
bodkin's thrust through the tongue; and for the third,
with death; and the penalty of death also was to be
paid by whoever stole one of the sacred articles belong-
ing to the church building. . . . During the seventeenth
century the supervision exercised by the authorities to
ensure a proper observance of the Sabbath was, in some
respects, quite as strict in Virginia as it was in New
England, where the stern and austere code of the Puri-
tans was so rigidly enforced in all the departments of
life. Even the most trivial violations of the sacred
character of the day were invariably punished ; and this
seems all the more remarkable in a community where
all the amusements and pleasures within the people's
reach were heartily encouraged provided they were
not carried to a point dangerous to the peace and
moral health of society."
But in time the innumerable influences of the
frontier and the reaction against the formalism
of the Anglican Church resulted in the rise of
dissent, not of the Puritan kind, for Puritanism
no more than persecution could exist in such a
sparsely settled region, but of the more liberal
and emotional kind. Dr. Bruce says of the
cause and growth of dissent:
Loyal as the great mass of the people were to the
Church of England, as represented in their ministers
and parish churches, there was nothing in the manner
in which it imparted its religious consolations to vivify,
from time to time, the religious instincts of its congre-
gations in the spirit of the modern religious revival.
Now this was precisely what the early Quakers did.
They found in those thinly settled and remote commu-
nities a population strongly disposed by their situation
to religious thought, and ready to fall almost headlong
into indulgence of religious emotions as soon as that
chord in their hearts was touched. The missionaries
of the sect made a direct appeal at the very heart.
Religion dropped the formalities of the liturgy and
spoke to the spirit in the language of every day. It
became personal, urgent, irresistible. It is not at all
improbable that nothing but the unpractical features of
Quakerism prevented a far more general conversion to
that faith than seems to have really occurred."
The chapters on education as fostered by
the government bring out new and interesting
information. Strong public sentiment in favor
of free education existed ; but this, the author
shows, could not become effective because of the
thinly scattered population. Those who were
able had tutors at their homes for their children,
and later sent them to England. Like the
classic pedagogue, these tutors were frequently
purchased servants. One colonist leaves by
will a sum for the purchase of a teacher of
English and Latin for his children ; another
purchases one Thomas Hellier, promising him
that he is to be a tutor and not be required to
work as a field-hand except when there is an
extraordinary demand for labor and then only
" for a short spurt." A college was early pro-
jected, but not until late in the century was
the College of William and Mary established.
When James Blair was in England in behalf of
50
THE DIAL
[Jan. 16,
a college, he represented to Lord Seymour that
it would help the church. Seymour thought a
college unnecessary. " But, my Lord," remon-
strated Blair, " the colonists have souls to save."
" Souls ! Damn their souls ! " was the reply ;
" make tobacco." The greater number of the
children, however, were taught the rudiments
in the Old Field School."
" Such a school was established at some spot in con-
venient reach of every boy and girl in a whole neigh-
borhood. In order to insure this, it was customary to
build the schoolhouse in some old field, long abandoned
to pine and broom-straw, which occupied a central situa-
tion; and here, during the hours when the school session
was not in progress, the building remained locked,
vacant, and silent; but during the hours of instruction
it was filled with the murmurs of recitation, and the con-
fused sound of whispering tongues and shuffling feet.
From the adjacent forest came fee voices of birds sing-
ing in the branches, and in winter the roar of the wind
in the bare treetops. The whole scene was marked by
the spirit of extreme remoteness and seclusion; and only
the presence of the shouting and dancing children in the
hours of play, or the smoke curling up from the chimney
in the hours of work, gave it any apparent connection
with the world of human beings."
By studies of the records, of wills, and of
voting-lists, the author decides that the propor-
tion of illiterates in the entire white population
was in the last quarter of the century a little
less than half ; but only a fourth of the women
could read. Books, which were always valued in
terms of tobacco, were somewhat plentiful, and
there was a fair degree of culture.
For defense, the colony had only the old
English militia based upon the principle of the
Assize of Arms ; arms and ammunition were
strangely scarce, and the authorities as well as
the people were sometimes very apprehensive
of foreign Indian attacks, and were correspond-
ingly relieved when the danger was passed.
Governor Berkeley, in 1666, after a threatened
attack by the Dutch, wrote to Charles II. : " As
we are further out of danger, so we approach
nearer to Heaven with our prayers that your
Sacred Majesty's enemies may either drink the
sea or bite the dust."
The law of Virginia was the law of England
in spirit and in letter ; but the court system
was much simpler than the English, the proced-
ure less complicated, and the justice dispensed
was not only law but equity. Lawyers and law
books were few. A very remarkable contrast
with English conditions was the administration
of criminal law. Where in England three hun-
dred offenses were punishable by death, less than
half a dozen led to the gallows in Virginia. In
the administration of criminal law the colony
was a century and a half in advance of the
mother country. But if the punishments were
not brutal they were at least numerous in kind ;
hanging, fine, imprisonment, the lash, the white
sheet, tying neck and heels, the wooden horse,
the stocks, the pillory, ducking, and public
apology, are among the examples given. Since
the jails were only ten feet by fifteen, we may
assume that prisoners were few.
Tracing the early political institutions, Dr.
Bruce shows that the House of Burgesses,
which "broke out" in 1619, was a natural
development and not an unexpected happening.
However, the event was of extraordinary im-
portance.
"It was not until 1618 that the first legislative as-
sembly of English-speaking people to convene in the
Western Hemisphere met at Jamestown; and from that
year, which was made forever memorable by this great
event, to the present date, there has been no discontinu-
ance in practice of the principle of popular representa-
tion within the area of country covered by the modern
United States."
In summing up, Dr. Bruce finds that in
several rather important particulars Virginia
was unlike England : the agricultural system
was extensive, not intensive ; slave labor was a
main reliance ; there was no law of primogeni-
ture ; land titles were recorded, not kept in pri-
vate control ; legal administration was simple ;
clergy were hired by the year; manhood suf-
frage gave a democratic assembly; public ser-
vice was paid for. These influences tended to
make a different people of the Virginians, but
there were stronger ones which tended to make
Virginia a new England, the common English
descent of the people; the presence of the sev-
eral classes of society ; the purely English social
peculiarities ; the education of leaders in Eng-
land ; the Anglican establishment ; the system
of large estates ; the identity of moral and relig-
ious standards ; and, finally, the similarity of
legal and political institutions. Early Virginia
history is therefore the history of the successful
transplanting of English institutions under con-
ditions different from those of England, and of
the successful development and modification of
those institutions. Of the supreme importance
of the expansion of England into America, Dr.
Bruce says in closing:
" If to-morrow a vast wave from the Atlantic, set in
motion by some appalling convulsion of nature, should
sink England forever below the level of the ocean, and
thus destroy the last remnant of her population and the
last vestige of her cities and her fields, yet in her spirit,
which represents all that is highest in nations as in
individual men, she would still survive in that great
power over sea, whose seed she planted, whose growth
she nourished, and whose chief claim to the respect of
mankind will always be in upholding those general
1911.]
THE DIAL
51
ideas of law, government, and morality, which its peo-
ple inherited from the little island lying like an emerald
in the stormy seas of the North. From this point of
view, the foundation of Jamestown becomes the greatest
of all events in the modern history of the Anglo-Saxon
race, and one of the very greatest in the history of the
world. From this point of view also the conditions
prevailing in colonial Virginia the foremost and most
powerful of all of the English dependencies of that
day, and the one which adopted the English principles
and ideas most thoroughly, and was most successful in
disseminating them becomes of supreme interest; for
from these conditions was to spring the characteristic
spirit of one of the greatest of modern nationalities;
and from these conditions was to arrive a permanent
guarantee that, whatever might be the fate of England
herself, the Anglo-Saxon conception of social order, poli-
tical freedom, individual liberty, and private morality,
should not perish from the face of the earth."
WALTER L. FLEMING.
A FAMOTJS PUBLISHER OF THE 18TH
Most students of the drama and of eighteenth-
century poetry are familiar with Dodsley's " Col-
lection of Plays " and " Collection of Poems,"
usually called "Dodsley's Miscellany "; but
many people will be surprised to learn how
important Robert Dodsley was in his own
generation, not only as a publisher but as a
poet and playwright. It is strange that a man
so prominent in the literary circles of London
between 1735 and 1764 the friend of Pope,
of Shenstone, of Johnson, of the Wartons, of
Bishop Percy, and publisher for all of them
should have been so neglected by literary his-
torians. But it is so ; for Robert Dodsley has
received only casual mention even from the men
who know that period best. It is a pleasure,
therefore, to find that Mr. Ralph Straus, the
author of " Robert Dodsley, Poet, Publisher,
and Playwright," has not only made a welcome
contribution to the history of English literature
in the eighteenth century, but has done an
exceptionally careful and satisfactory piece of
work.
Dodsley began his literary career in 1729,
with " Servitude, a Poem. . . Written by a Foot-
man," and if one came upon only that work, or
its successor of 1732, " A Muse in Livery : or
the Footman's Miscellany," one might be ex-
cused for thinking him merely another mildly
interesting phenomenon, like Taylor the Water
Poet, or Stephen Duck the Thresher Poet.
But Dodsley published, in February, 1735, his
* ROBERT DODSLEY, POET, PUBLISHER, A>T> PLAY-
WRIGHT. By Ralph Straus. Illustrated. New York : John
Lane Co.
" Toy-shop, a Dramatick Satire," which went
into a fourth edition in April, and a sixth before
the year was out ; moreover, the " Toy-Shop "
was popular on the stage of both the theatres.
" The King and the Miller of Mansfield," which
followed in 1737, was a favorite on the stage
for many years. In 1740 came his " Chronicle of
the Kings of England," in style a parody of the
Bible ; and in 1750, " The CEconomy of Human
Life," a series of maxims. All of these went
through numerous editions and translations, and
must have been among the " best sellers" of
their time. Dodsley's tragedy of " Cleone," in
1758, was a less pronounced success, but far
from a failure. In addition, among clever
epigrams and mediocre verses Dodsley achieved
one song which his biographer rightly calls
" near to immortality," " One kind kiss before
we part." It is evident, therefore, that Robert
Dodsley is by no means a negligible figure in
the literature of the age of Johnson.
It is as a publisher, of course, that Dodsley
is of most interest and importance. Mr. Straus
gives a good deal of space to an illuminating
discussion of his business shrewdness notably
his acceptance of Joseph Warton's " Odes "
and his refusal to publish Collins's and devotes
over seventy pages to a very careful bibliog-
raphy of the books he issued. Dodsley may
well have been proud of his books. Consider
this brief list of the most notable : Glover's
" Leonidas "; Pope's " Letters." as well as some
of his poems; Johnson's "London," "Vanity
of Human Wishes," " Irene," " Rasselas," and
his "Dictionary"; Shenstone's "Schoolmis-
tress "; Young's " Night Thoughts "; Aken-
side's " Pleasures of Imagination "; Joseph
Warton's " Odes " and his " Essay on Pope ";
Spence's " Polymetis "; Gray's " Ode on a
Distant Prospect of Eton," and his " Elegy ";
Paltock's "Peter Wilkins," and Fielding's
" Amelia "; Voltaire's " Siecle de Louis XIV.,"
and Lowth's " De Sacra Poesi Hebraeorum ";
Gilbert West's " Odes of Pindar," and Tom
Warton's " Observations on the Faery Queen ";
Dyer's "Fleece"; Burke's "Account of the
European Settlements in America," and his
" Essay on the Sublime and Beautiful "; the
second edition of Walpole's " Catalogue of
Royal and Noble Authors "; the London edi-
tions of " Tristram Shandy " and the " Sermons
of Mr. Yorick "; Percy's " Five Pieces of Runic
Poetry" and " Reliques " (this last after Robert
Dodsley's death); Evans's " Specimens of the
Welsh Bards," and Goldsmith's " Enquiry into
the Present State of Polite Learning in Europe."
52
THE DIAL
[Jan. 16,
One of the noteworthy things about this list is
that it represents not merely Classicism or
Romanticism, but practically all the literary
currents of the age.
It is to be regretted that Mr. Straus did not
give us more information about those details of
printing in the eighteenth century which are
so useful and so very hard for even the special
student to come by. He never tells us, for
instance, how large an "edition " was; and yet
it is to be presumed some information on the
subject was accessible to him in Dodsley's
papers. It is a pity, too, that he did not sup-
plement his bibliography by an analysis of its
contents, since it is too long for many generali-
zations to be obvious, and yet examination
brings to light much that is interesting. For
example, we find that in the thirty years of
Dodsley's career as a publisher he issued over
seven hundred books, of which nearly half are
poems or plays though the plays form only
a small fraction and under ten per cent are
religious. Essays, letters, scientific and his-
torical works, do not quite equal the poetry.
It is significant, too, both of the taste of
Dodsley's generation and of his own judgment
as a publisher, that nearly a third of the poems
and plays went into two or more editions. His
list of fiction includes only twenty-six titles,
but fourteen of them were reprinted at least
once. Of the dozen books which went into six
or more editions, three were of Dodsley's own
making his "Toy-shop," his "Miscellany,"
and his " (Economy of Human Life "; among
the others were the " Night Thoughts," the
" Elegy," the " Pleasures of Imagination,"
Cotton's now forgotten " Visions in Verse," an
alteration of " Comus," and an Anatomy.
Examination of the bibliography shows fur-
ther that over three-fifths of Dodsley's books
sold for one shilling six pence or less, and only
about one-tenth for over six shillings. Dodsley's
highest priced book was Johnson's Dictionary,
the two volumes of which sold for four pounds
ten shillings ; but Dodsley shared the risks with
five other publishers. The most expensive books
which Dodsley issued by himself were an
" England Illustrated " in two volumes at fifty-
six shillings, Spence's "Polymetis" at forty-
two shillings six pence, " L'Ecole des Armes "
at forty-two shillings, and the " Memoirs of
Clanrickarde " at thirty-one shillings six pence.
Dodsley and Tonson together issued at fifty shil-
lings a two-volume " Don Quixote " ( Jarvis's
translation), which went into a third edition.
Mr. Straus speaks of the frequency with which
Dodsley shared the risks and profits of books
with other publishers, but does not point out
that these partnerships were about as often
in shilling and sixpenny books as in more ex-
pensive ones.
In comparison with Dodsley, the Newberys
between 1740 and 1800 published about five
hundred and fifty books less than four-fifths as
many as Dodsley in twice the length of time.
Less than a sixth of the Newberys' publications
were poems or plays ; and out of some eighty
books of fiction, a majority were sixpenny or
shilling abridgments of "Robinson Crusoe,"
" Clarissa," " Don Quixote," and the like. The
Newberys made a specialty of juvenile books,
which formed more than a third of their output.
This last fact explains why the Newberys sold
more than a third of their books for sixpence
or less, as against a sixth of Dodsley's. The
Newberys far outstripped Dodsley in frequent
editions, but have only Goldsmith to put against
Dodsley's long list of notable authors. Hasty
examination of a modern publisher's catalogue,
which contains some 1500 titles in general
literature, shows that nearly ten per cent of his
books sell for six dollars or over, and only
about five per cent for less than forty cents
clear evidence of the increased market for
expensive books, as well as of the decline of
the old practice of issuing single essays and
poems as pamphlets.
In what Mr. Straus has done, however, he
has been exceptionally accurate and thorough,
as will be evident from this very brief list of
additions and corrections all the reviewer
could find after a good deal of checking up :
P. 47. Johnson's "London" is said to have
appeared in May, but on p. 319 the Bibliog-
raphy records two editions in April.
P. 86. Swift's " Directions to Servants " was
" issued posthumously on Feb. 13th, 1746."
That was the date of the second edition, ac-
cording to the Bibliography, which records the
first edition on Oct. 31, 1745, less than two
weeks after Swift's death.
P. 319. Ogle's imitations of Horace's First
and Third Epistles in 1738 have the comment :
" Other Epistles seem to have been published
at the same time." Ogle's imitation of the
Second Epistle appeared in 1735 ; see B.M.
11630. c. 10 (4).
P. 325. " Katherine Phillips " was a pseu-
donym of James Bramston.
P. 327. The University of Chicago has a
copy of " Grobianus, or the Compleat Booby,
1911.]
THE DIAL
53
by Roger Bull, Esq. London : printed for
T. Cooper. Price bound 4s. 1739."
P. 329. Unless my notes are wrong, B.M.
643. 1. 28 (14) is a copy of the first edition
of " The Alarm."
P. 337. " Venus and Ardella " should be
" Venus and Ardelia."
P. 337. The University of Chicago's copy of
Johnson's " Irene " has on the title-page " as it
is acted at the Theatre Royal in Drury Lane."
P. 339. The Harvard Library has a copy
of West's " Pindar."
P. 340. The University of Chicago has a
copy of " The Complaint. . . printed for A.
Millar ... and R.D. . . 1750."
P. 340. " Penshurst " was by Francis Cov-
entry; see Dodsley's "Collection," 1758, 4. 50.
P. 340. Add": Fawkes, (Francis). The
Works of Anacreon, Sappho, Bion, Moschus,
and Musaeus," &c., 3s. Advertised in Public
Ledger, Apr. 1, 1750: "Subscribers are de-
sired to send for their books immediately to
Messrs. Dodsley or Newbery."
P. 340. " Peter Wilkins "was by Robert
Paltock.
P. 341. Add: Smart (Christopher). Poet-
ical Works. The Gen. Evening Post, Aug.
4, 1750, has proposals for one volume, 4to, at
10s. 6d., to be delivered 20th Feb., 1751, on ap-
plication to Bathurst, Dodsley, or Newbery.
P. 347. The University of Chicago has a
copy of "Pompey the Little. Printed for
M. Cooper, 1751."
P. 350. " Some Reflections on . . . Boadicia"
is, I think, by Dr. Pemberton.
P. 353. " The Fable of Cebes " should be
the " Table of Cebes."
P. 354. The entries for Dec. on this page
should be for Jan.
Pp. 354 and 361. Balby (Geo.) should be
Bally.
P. 362. " Theatrical Records." The Uni-
versity of Chicago has " Theatrical Records ; or
an Account of English Dramatic Authors and
their Works. London : Printed for R. & J.
Dodsley . . . 1756."
P. 363. Boyce's " Poems " were published
this year by Dodsley, Newbery, and one other.
See "A Bookseller of the Last Century," 176.
Pp. 371 and 372. The " Letters of Lady
Juliet Catesby," &c., were by Frances Brooke,
as recorded on p. 383.
P. 372. Add : " Comus, . . . London :
Printed for A. Millar . . . 1760."
P. 373. The "Memoirs of Miss Sidney
Biddulph " were by Mrs. Frances Sheridan.
P. 378. Five Pieces of Runic Poetry "
was published anonymously by Thomas Percy.
There are copies at the Universities of Chicago
and Pennsylvania.
P. 381. "Brooke (Sarah)" should be
" Brooke (Frances)."
EDWARD PAYSON MORTON.
A GROUP OF L.OXG POEMS.*
The central situation of " Measure for Measure "
becomes the theme of " Pietro of Siena," a new
dramatic poem by Mr. Stephen Phillips. This
tragedy manquS is worked out in three brief acts
of blank verse, all the scenes falling between sun-
set of one day and sunrise of the day following.
Pietro Tornielli has captured Siena, and the tyrant
Luigi Gonzago is condemned to death. But his
sister Gemma pleads for his life, and Pietro, fasci-
nated by her beauty, bargains for her body as the
price of release. When they meet that night, she
so arouses the stirrings of his nobler nature that he
foregoes his lustful purpose, and vows to make her
his lawful wife. The following lines will show with
what eloquence Gemma appeals to the tempter :
" You ghost, with but the vantage of the grave,
O lover with cold murder on your lips,
Bridegroom whose gift is blood, whose dower is death !
Ah, what a tryst ! What moonlight ever saw
Such a forbidden rapture as is this '.'
Then take me in your arms, but never me !
Or kiss these lips where lips have ceased to move.
Fool, can you understand in your wild blood
That never shall yon reach me on these terms ?
How can yon drink my beauty, if no soul
Makes the draught live ? You bargain for a bliss,
But no bliss from a bargain ever came.
That bliss may be too sudden, may be slow,
Howe'er it come ; but it is thoughten wise,
Not planned, not calculated ; be it sin
Or fire of angels, not this way it comes,
Nor ever hath : now to thy lips I yield
My own, but with a cold laugh in my soul,
Or else in dreadful thought thy kiss I take.
Now thou art master ; thy brief hour demand !
But had I loved thee, Pietro, not this way
Would I have clasped thee, but in sacred fire,
And then shonldst thou have tasted of deep life ;
Then not of flesh but of the endless soul."
* PIETRO OF SIENA. A Drama. By Stephen Phillips.
New York : The Macmillan Co.
THE NEW INFERNO. By Stephen Phillips. New York :
John Lane Co.
DANTE. A Dramatic Poem. By Heloise Durant Rose.
New York : Mitchell Kennerley.
THE BBEAKING OF BONDS. A Drama of the Social
Unrest. By Arthur Davison Ficke. Boston : Sherman,
French & Co.
SIGURD. A Poem. By Arthur Peterson. Philadelphia :
George W. Jacobs & Co.
A MIDSUMMER MEMORY. An Elegy on the Death of
Arthur Upson. By Richard Burton. Minneapolis : Edmund
D. Brooks.
THE HAPPY TEACHER. By Melville B. Anderson.
New York : B. W. Huebsch.
54
THE DIAL
[Jan. 16,
It is a little puzzling, after these heroics, to note
with what alacrity she accepts the new legal " bar-
gain " proposed hy Pietro, and how cheerfully the
brother acquiesces when the news releases him from
imminent death at the sunrise hour. Such changes
of heart are not exactly reasonable when brought
about within the narrow limits which the author's
setting have allowed him.
" Dreaming in starless night, it seemed that I,
Lifted in spirit arms, was outward borne,
Beyond the steadfast boundaries of the earth
And the invisible orb of the vast sun.
" Then was I 'ware that one beside me was,
Whom I felt speaking rather than heard speak.
4 One whom thou lovest and who still loves thee
Despatched me to thy side,' the spirit said."
Thus opens '' The New Inferno," a second contribu-
tion by Mr. Phillips to the season's literature, tak-
ing the form of a blank verse poem in nine cantos,
each divided into quatrains as above shown. It is a
sophisticated modern Inferno into which the spirit
guide takes us, although it emphasizes the old idea
of Dante, the idea that the after life brings punish-
ment which is the logical consequence of earthly sin.
Thus we find Napoleon imprisoned in a dreary world
of ice, and Torquemada writhing in the flames.
These are the only historical figures of the vision,
which is otherwise concerned with types of lust and
violence. The lesson of the poem is found in the
following quatrains :
" For now I see that Hell no city is,
Nor place appointed, that no judge presides,
Nor our Creator in his anger sits
To sentence, and to punish the free soul.
" Far worse ! the stain contracted leaves us not.
No deepest grave obliterates a fault,
But to the Earth the immortal spirit clings,
And being spirit in greater madness burns."
There are five passages in this poem, but we do not
think that, on the whole, it will add materially to
the author's reputation.
Mr. Phillips uses the great name of Dante as a
peg upon which to hang his own philosophical mus-
ings, but it is the historical Florentine of whom we
read in Miss Rose's fine dramatic poem. This
" Dante," a work in four acts, takes up the principal
happenings of the poet's life, from the factional strife
and the broil of politics in his native city, through
the years of exile at Verona and elsewhere, to the
peaceful end at Ravenna. The first three acts are
concerned with the events which lead up to his ban-
ishment, the plot whereby he is persuaded to make
Gemma Donati his wife, and the death of Beatrice.
The fourth act sets forth the story of his closing
years. Our illustrative extract shall be the ending
of the work, the last words placed upon the lips of
the dying poet.
" Come closer, shades. What, do ye fly my touch ?
Hath woe not purified my flesh enow ?
Must my poor soul, still sighing, sit within
The adamantine prison of the flesh ?
Hath it not even reached an outer door
Where through some blessed chink it spies beyond
Its kin at rest, care-free, in sweet Elysium ?
Fed on the tree of life in Paradise,
When perfect grown, must these new spirits swing
The incense of their love and praise alone
In Heaven's domes ? Shall not some holy breath
Be wafted down from them to earth again,
Sweetening our lives and cleansing us from sin,
And so let those above by mystic tie
Be linked to what they were in living men ?
O Beatrice, such pure soul as thine
Needs lower stoop than most, to reach us here.
Madonna, at thy feet I lay my love ;
0, lift it to thy bosom, let it lie,
Like scented blossom, lightly, near thy heart.
Still silent, blessed one ? Thine eyes speak only ;
Thou standest near the Church enthroned in glory,
Beside the Rose of Heaven, the Virgin Mother,
Who shineth, clothed in light eternally.
Even thou even thou art Beatrice !
Stretch out thy holy hands ; help me to thee !
let my faltering tongue find power
So that a spark of all thy glory trail
Resplendent through all centuries to come,
Lit by the love that moves the sun and stars,
That gives me God and Florence Beatrice "
This passage shows how deftly the author has made
use of the Dantean phrase, weaving it into the fabric
of her verse. There are other passages in which
she reproduces the poet's recorded words more
exactly, introducing them as literal quotations, thus
avoiding the insuperable difficulty of inventing fit
words of her own for the significant moments of the
action. The whole work is done in a spirit of the
deepest sympathy and reverence, and is marked by
the scholarly acquaintance with the subject without
which a work of dramatic effectiveness, such as this
work distinctly is, could not have been produced.
The politics of Florence, with their shibboleths
of faction and their insolent individual ambitions,
bear little apparent resemblance to our modern poli-
tics, swayed by social and economic forces, and con-
tending upon a scale unimaginable in the Italy of
the Middle Ages. Yet poetry, seeing in all such
struggles but varying manifestations of the unchang-
ing soul of men, and viewing them all sub specie
CBternitatis, may discern a kind of underlying unity
in the most diverse expressions of the human spirit.
Thus we do not seem to pass into a wholly different
sphere when we turn from the old-world strife of
Guelph with Ghibelline to the new-world strife of
capital with labor if only we approach both themes
under the idealistic guidance of the poet. It is a
poem in dramatic form, " The Breaking of Bonds,"
by Mr. Arthur Davison Ficke, that brings before
our gaze the social unrest of modern life with a
degree of imaginative power that raises the subject
from the temporal to the eternal plane, and corre-
lates it with subjects that might upon first thought
seem better fitted for poetic treatment. Mr. Ficke,
taking Shelley for his exemplar, seeks to forecast the
shaping of a new earth out of the miserable place of
our present abode. He says : " I have expressed
in the following pages neither a political plan, nor
a carefully rounded and utterly impossible scheme
urged on the world for adoption. I have merely
1911.]
THE DIAL
55
taken as a beginning the social hostility of to-day ;
I have transported it into the world of imagination ;
and there let the dramatic forces inherent in the
situation work out what I conceive to be their nat-
ural equilibrium." Mr. Ficke's method is highly
symbolical. His characters are abstractions and
spirits, like those employed by Moody in " The
Masque of Judgment " or by Mr. Hardy in " The
Dynasts." There are choruses of the Men who
Labor, the Masters of Wealth, and the Wise Men,
there is the Watcher on the Tower, and there are
the Spirits of Beauty and of Power, of the Cities
and of the Hills, and the Spirit of the Eighth Day
of Creation. It is this last-named Spirit upon whose
shoulders the burden of prophecy is laid, and who,
after the cataclysm which has laid waste what we
now call civilization, gives heart to stricken man-
kind in such noble words as these :
" One thing alone is worth your straining toil,
To seek that way which in good time shall lead
Up toward the fairer future of mankind.
Deep in the soul of each must rise the dream
Of man with higher powers, man more divine ;
Flooded with light whose spark was on his brow
When he emerged from out creation's deeps,
The wonder and the mystery of the world.
As from the brute he grew in ages past,
A greater passion of exalted life
Shall thrill and glorify him, till he rise
Godlike and wingeVl with his destiny.
Such is the fate I give and ye must take.
This is your pole-star. Crown nor crucifix
Suffice for this ; but in each secret heart
The light must spring, a more than mortal sense
Of ages leading ever toward new heights ;
That the far generations, sweeping on,
Shall each see clearer, and descry at last
What wondrous destiny lies free to man.
But far in distant ages, all the years
Of weary toil shall turn to their fulfilment.
The lesser fails ; the higher shall endure ;
And in the end, the Promised Land shall spread
Its vast aerial valleys at men's feet. .
Greater mankind shall walk the walls of heaven
Yet never dreamed. And from the cloudy night
Of man's long martyrdom shall come the dawn."
It is the Watcher who has the last word, and he
gives it this fine Swinburnian turn :
" New Masters may rise,
But they shall not endure.
We shall push our emprise
Past each barrier and lure
Through ways that are dim, to an end that is
clear, with a hope that is sure.
" Crowns of gold or of thorn
Are as phantoms that pale
In the infinite dusk ;
Yet one crown shall not fail,
Yea, the crown of man's ultimate freedom that
over the world shall prevail."
Mr. Ficke has given us a poem that is well worth
while, a poem that is intensely modern in feeling
and at the same time true to the English tradition
of what is permissible and what is not, of what is
desirable and what is to be shunned.
It is somewhat venturesome, after the superb
treatment of the subject by William Morris, for
anyone to attempt anew a " Sigurd " epic. But we
think that Mr. Arthur Peterson's poem has justified
the venture, and we have read with much pleasure
his new version of the greatest of all Teutonic leg-
ends. His style is simple and his narrative straight-
forward, as befits a theme which needs neither
rhetorical adornment nor constructive artifice for its
setting forth. As he retells the story, it seems to
combine the essentials of the Nibelungenenlied ver-
sion with some of the variations made familiar by
the Wagnerian cycle. It deals mainly with the
scenes at Gunter's Bnrgundian court, and ends with
the death of Sigurd and the self-immolation of
Brynhild. Sigurd's earlier career is recounted by
the hero himself, much as Odysseus tells the story
of his wanderings at the Court of the Phaeacians.
But the story is simplified by assuming that when
Sigurd awakens Brynhild on her rock, acting on
Gunter's behalf, he has had no previous knowledge
of her, thus avoiding the necessity for making use
of the potion of oblivion in working out the tragic
consummation. Hagen has no evidence beyond his
own evil suspicions that the King has been betrayed
by his representative and blood-brother. We notice
that the scene of Brynhild's fire-encircled sleep is
given as the island of Halgoland near the mouth of
the Elbe. Can it be that the author has confused
this island with the Halogaland of the sagas? Mr.
Peterson is a believer in the preponderance of the
Scandinavian element in the population of the Brit-
ish Isles, and even goes so far as to suggest that the
Jutes and Angles were kinds of Norsemen, given
which assumption his demonstration is easy. This
view is expressed in the Vala's prophecy, made
when Sigurd questions her concerning his fate.
" But see ! E 'en now, on Britain's stormy shores,
Hengist and Horsa, with their sea-tost hosts,
Land, and great England, Rome's predestined heir,
Begins her conquering march. As, in a gale,
A mighty tidal wave, holp by the winds,
Breaks on some isle, and overwhelms the land,
All things submerging ; so, on Britain's isle,
The viking tide, in waves successive, breaks,
And overflows the land ; o'erflows save where,
In west and north, the mountain fastnesses
Of Wales and Caledonia lift their towers.
Angles, Jutes, Saxons, Norsemen.Swedes, Goths, Danes,
One people called by many names, one race
Of ocean-warriors, golden-haired, they come."
We must make a further quotation from this pro-
phecy, because in it the author achieves his highest
flight.
" Methinks as in a dream I see them now.
With tossing prows far out at sea beheld,
With spears and helmets through the ocean mists
Flashing, they come ; unheralded ; with dread
Watched by those spirits pusillanimous
Whose purblind eyes see not in these fierce foes
Heaven's chosen seed, the saviours of the land,
Wild giants they, wet with the salt sea-foam,
But in their lives the primal virtues shine
Strength, courage, justice, boundless energy,
Truth-telling, love of home, contempt of death,
THE DIAL
[Jan. 16,
High wisdom, and all else that makes the man
And through them is old Europe born again.
As comes the spring-time back to earth, so comes
Once more the age heroic back to men.
The figure of a Norseman, spear in hand,
Crown'd with his winged helmet, eagle-like
Koaming, in dragon-ship, the ocean, looms
Above the world's horizon : I behold
Comrades in fame, thy vikings range themselves
Beside the stalwart shapes that founded Rome,
And hero-hosts Hellenic ; and in thee,
Sigurd, though briefer was thy life than theirs,
Ulysses and ^Eneas live again.' 1
A noteworthy contribution to elegiac verse is
offered by Dr. Richard Burton, who in "A Mid-
summer Memory " sings of his lost friend Arthur
Upson. It will be remembered that Upson was
drowned a little more than two years ago, in the
thirty-second year of his age, but not before he had
won for himself the recognition of them that know.
His death was a grievous loss to American poetry,
but we may find some consolation in the fact that
it has given us this tender and heart-felt threnody.
We quote the last two of the fifty-four stanzas :
" Even as Arthur of the Table Round
Followed the Gleam and fought the good fight through,
Then floated down the mere unto the sound
Of flutes that like soft wind forever blew,
So thou didst straight embark and with a smile
Float on the bosom of the After-while.
" The pure of heart are blessed ; they shall be
God's chosen, he is close to them alone.
Lover of earth, now heaven hath claim on thee,
Boldly thine eyes face that refulgency
Of more than mortal keenness ; for thine own
Were pure indeed ; forever safe thou art,
Because thine often-heavy human heart
Rests, circled by that promise, They shall see .'"
Wit and wisdom, packed for the most part in
Hudibrastic measures, are the characteristics of
Professor Melville B. Anderson's Phi Beta Kappa
poem, " The Happy Teacher." Mr. Anderson
has been a teacher for upwards of thirty years,
and his confession that the word spells happiness
will be echoed in the heart of every teacher w^ho
is worthy of that noble profession. He has now
commenced emeritus, which is a kind of happiness
also for the veteran with long years of useful work
behind him, although it must be mingled with
something of regret. Mr. Anderson's pedagogy is
of the soundest, as may be instanced by his com-
ment on the " systems " so dear to the commercial
type of school administration.
"Their schools and systems, all and some,
Seem founded on the axiom
That gear of clock-work can direct
The engine of the intellect.
They dream, like alchemists of old,
To find in their retorts the gold,
Blind to the true transmuting stone,
Only to Nature's bantlings known.
The spirit bloweth and is still :
Come, harness it to turn our mill !
No teacher, but mechanic tool,
Who, when the angel moves aright
On waters of Bethesda's pool,
Would thermograph them by some rule
Of I ; <MII mar or Fahrenheit.
" Our happy guide, of Socrates'
Athletic school, distrusts degrees.
Why dub the graduated ass
Whose ne plus ultra is to pass,
Honorificabilitudinitas ?
O runner, fling aside the crutch !
Is his monition ; overmuch
Our Capuan schools abound in aids,
Diplomas, titles, badges, grades :
Why titillate with bait so slight
The hungry edge of appetite ?
Why tempt the torpid ? Fat of rib
Is fat of wit : shut up the crib."
Mr. Anderson's satire is not all aimed at the pur-
blind pedagogue, but finds many other objects for
its shafts. Here is one forcible example, which we
commend to workers in the cause of conservation :
" Has Earth no vengeance, have the Heavens no curse
For him who by destruction fills his purse ?
Let actuaries calculate the worth
Of him who, dying, poorer leaves the earth :
Carve the hard face, that coming man may see
The cruel features of his enemy !
Hark ! by the noble soul distinctly heard,
Out of those marble lips escapes the Word
That sacrifice of self for those unborn
Is worship which the gods will never scorn.
Who makes the world his oyster, leaves it dead
And done with, soon as ever he has fed,
Who sucks the juice and chucks away the shell
Should find no fellowship except in Hell
Where Dante found the traitors wintering,
Congenial spirits for the Lumber King."
The true consecration of the teacher (to return to
the main theme of the poem) is found in his ac-
ceptance of the ideal thus nobly stated :
" No follower and no flatterer of the crowd,
Not foremost in the synagogue is bow'd
Our Teacher, giving alms unseen of men,
Shouts not upon the housetop his Amen !
Yet when Hosannah to the Lord on High,
With voice of many waters people cry,
Than he, none feels the common impulse more ;
But, praying, goes within, and shuts the door.
Deep in the heart he keeps a Holy Shrine ;
There looks he, not in vain, for the Divine."
In its guise of a playfulness which does not really
conceal the serious underlying thought, this poem
is suggestive of some of Lowell's best things, and
its didacticism is precisely of the sort which he
would have applauded. We think that the author
will not bear us ill-will for pointing out this resem-
blance, -r,
WILLIAM MORTON PAYNE.
BRIEFS ON NEW BOOKS.
The eventful A hearty welcome is assured to
life of a famous the authorized English version, trom
peace-promoter. tne p rac ticed pen of Mr. Nathan
Haskell Dole, of the " Memoirs of Bertha von
Suttner " (Ginn). These " Records of an Eventful
Life," as they are called in a sub-title, cover a
period of about sixty years, from the writer's
birth at Prague in 1843 to her husband's death in
December of 1902 ; but a supplementary chapter
descriptive of her three weeks in America in 1904
1911.]
THE DIAL
57
has been provided for this edition, as also a Preface
to her English and American readers. Apart from
the interest attaching to the Barness von Suttner's
early conversion to the cause of international peace,
to her subsequent activities in behalf of that cause,
and especially to the circumstances that impelled
her to write her world-famous novel, " Lay Down
Your Arms," there is so much of romance and so
wide a variety of rich and memorable experience in
the life of this greatly-gifted woman as to render
her autobiography irresistibly attractive to a wide
circle of readers. Indeed, these pages from life,
especially those describing the writer's early literary
and artistic enthusiasms, and recounting her passions
of the heart and her elopement with the man in
whose company she was to enjoy a "perfect union
of unclouded happiness," may well prove more fasci-
nating than any passages from her works of fiction.
The beginning of her acquaintance with Alfred
Nobel was curiously brought about, and her inter-
course with him through the years that followed until
his untimely death furnishes matter of the most
readable kind. Other noteworthy friendships and
other correspondence abound. The Baroness's prom-
inence in the peace movement naturally made her
more or less intimately acquainted with nearly all
the leading advocates of that cause, while her literary
and musical tastes procured her a host of friends
among authors and musicians. Mention must be
made of her outspoken admiration of many Amer-
ican institutions, including especially the magnifi-
cent Congressional Library and the hardly less
admirable Boston Public Library. Through all the
" Memoirs " there runs a certain German thorough-
ness, an attention to homely detail, that characterizes
her famous novel, and that may occasionally weary
some, but will more often ingratiate and entertain.
The work is a powerful utterance in behalf of a
most deserving cause, as well as a charming piece
of literature.
Survey* of
literature,
old and neiv.
Mr. Paul Elmer More's " Shelburne
Essays" (Putnam) have now reached
a "Seventh Series," and probably
some readers will by this time have forgotten the
origin of the title, the rural retreat where the
first series was conceived and at least partly written.
The aloofness and dispassionateness of thought and
style that that retreat seems to have fostered still
mark the successive additions to the series. To use
the words applied by him to Edward FitzGerald
in the present volume, Mr. More impresses one as
standing calmly " aloof from the currents of the
hour, judging men and things from the larger circles
of time," and as at least partly " emancipated from
the illusions of the present." The essays now col-
lected have with a single exception already appeared
in print, although often in an abridged form, and are
in almost every case prompted by books that have
presented themselves for review. The chapter now
for the first time published deals with " Criticism,"
and begins by drawing a parallel, somewhat forced
perhaps, between Matthew Arnold and the third
Earl of Shaftesbury. Naturally, Mr. More exalts
the critic's office, and he even persuades himself, if
not his reader, that the critical Cicero has been "as
dynamic an influence in civilization as St. Paul."
A chapter on "The Pragmatism of William James"
agreeably disappoints one by proving to be more in
sympathy with the current revolt against cut-and-
dried philosophical systems than might have been
expected from the writer's somewhat conservative
habit of thought and from a rather unsympathetic
reference he has elsewhere made to the " prattle of
pragmatism." Yet while exposing the manifest
weaknesses of the pragmatic position, he has not
emphasized so strongly as he might have the service
rendered to freedom of thought by Messrs. James
and Dewey and Bergson and their associates.
The essays not already mentioned have to do with
Shelley, Wordsworth, Hood, Tennyson, Morris,
Aldrich, Francis Thompson, Mr. G. Lowes Dick-
inson, Louisa Shore, and, more briefly, a few other
authors. Increased ripeness of judgment, widened
and deepened knowledge, and enlargement of vision
are to be noted in comparing this latest volume of
the set with some of its early predecessors.
A guide to the Those who wish to read wisely and
appreciation well, and not merely to hasten the
of literature. flj g jj t o f tj me) c^d not do better
than take a preliminary course of self-instruction
in Mr. Edwin L. Shuman's inviting little treatise,
" How to Judge a Book " (Houghton). Twenty
years of writing about books, notably as literary
editor of the Chicago " Record-Herald," have de-
veloped the author's literary taste, trained his
judgment, and given him facility in expressing his
opinions. His book, which is sub-titled " A Handy
Method of Criticism for the General Reader," and
which is of similar size and general nature to
Mr. Larned's " Books, Culture and Character,"
although necessarily more technical, devotes nearly
three-quarters of its contents to the consideration of
prose fiction, leaving but forty-seven pages for all
other literature, and despatching poetry and drama
in eighteen of these pages. But as the novel is un-
questionably the most elaborate as well as the most
popular form of literature, there is some reason in
this apportionment. Not surprising, either, is the
democratic test applied by the author to works of
art. "The greatest art," he holds, "is that which
gives the most lasting pleasure to the largest num-
ber of people." But this rule, literally interpreted,
would lead to some curious conclusions. For ex-
ample, multiplying the duration of pleasure by the
number of persons pleased, we should obtain a
product indicating the art of E. P. Roe's novels to
be far greater than that of George Meredith's, or, to
take less recent authors, the art of " The Deerslayer "
greater than that of "The Scarlet Letter." Mr.
Shuman's reading, especially in fiction, has evi-
dently been wide, and he recalls readily and aptly
such scenes and characters as he needs for illustra-
58
THE DIAL
[Jan. 16,
tion. He seems to assign the right place to morality
in art, neither exalting it as a leading motive on the
one hand, nor going so far, on the other, as to preach
unreservedly the gospel of "art for art's sake."
Sanity and good taste speak in every page of the
book, which moreover ingratiates by its amenities
of style.
Mr. Charles Oscar Paullin's life of
An American T i. r> j / A .LU
commodore of Commodore John Kodgers (Arthur
the old now. JJ. Clark Co.) is at once a biography
of an able commander and a history of the old navy
from 1802 to 1838. Dr. Paullin, by his long studies
in American naval history, is well qualified to do
the work; he has also had a wealth of material
from which to draw out his facts the printed mat-
ter, both public and private, relating to the subject,
files of old newspapers, the manuscript records in
the Navy Department, and family documentary
collections never before used. Each period of Rod-
gers's life is exhaustively treated, his family and
boyhood life ; his experiences as a young officer in
the Navy ; his career in the Mediterranean and in
the War of 1812 ; and his constructive work as
member of the various boards and commissions
which organized and reorganized naval institutions
after the War of 1812. The most interesting part
of the biography is that which deals with the Am-
erican naval force in the Mediterranean during the
troubles with the Barbary States. The responsi-
bilities upon naval commanders were then much
greater than in the present day of steam vessels
and cables. In dealing with the North African
powers Rodgers proved to be a successful diplomat
as well as a fighting captain, and was most success-
ful in his difficult task. But his best and most per-
manent work was as senior member of the boards
which inaugurated a progressive and constructive
policy planned a new navy, built navy yards,
planned the naval academy, the naval observatory,
and the Hydrographic Bureau. The book is a good
history of the last generation of the wooden navy
and of the best representative of the commanders
of that period one who for twenty years was at
the head of the navy. The volume is well illus-
trated with contemporary portraits, facsimiles, and
copies of old prints.
An artist's ^* r Hubert von Herkomer has writ-
memorie* of his ten, not exactly a sequel, but rather
early training. an antecedent to "My School and
My Gospel" in his equally entertaining record of
the rather harsh experiences leading up to the open-
ing of his school and the firm establishment of his
fortunes. In "The Herkomers " (Macmillan) he
traces his family history and his individual biog-
raphy from the simple Bavarian days through the
rough American experiment and the up-hill English
struggle to the serener and more prosperous years
of later life. The art instinct seems of old to have
been strong in the Herkomers, in the plasterers and
cabinet-makers and wood-carvers and other artisans
of the family, while the love of music and skill in
making music were prevalent on the mother's side
of the house. Their art being more to the Herkom-
ers than wealth or station, poverty and obscurity
were their cheerfully-accepted portion until the
present chief representative of the family came into
full possession of his powers. The story of these
years of hardship, told by Sir Hubert in the com-
placency of his own acknowledged success in life,
has in its way much of the fascination of Cellini's
glowing and picturesque autobiography. A single
incident will here indicate the stuff the Herkomers
were made of. In their English exile the family
was sorely pressed for the wherewithal to procure
food and clothing, so that the father sacrified his
cloak to provide jacket and trousers for his son,
himself walking a little faster to keep warm, and a
little later cut out the meat and alcoholic drink
from his dietary, and also abjured tobacco ; and the
son insisted on sharing the glory of this renunciation
by embracing vegetarianism. The book is inviting
in its literary style, and is attractively illustrated ;
but the author might well bear in mind Lowell's
observation on the use of the dash, that it stands as
a confession of ignorance of the rules of punctuation.
A remarkable command of oddly
Essays, satirical c t ureg q ue epithet, surprising dex-
and otherwise. r , ,.
terity in the moulding 01 whimsically
striking phrases, great fertility of invention where
the available resources of existing speech fall short
of his needs, such are the salient characteristics
of Mr. Frank Moore Colby's style in his collection
of short and crisp essays published under the title,
"Constrained Attitudes" (Dodd). Merrily sar-
castic also and good-naturally satirical is he in his
rapid shots at folly as it flies. The follies of literary
persons receive some of his shrewdest hits, as when,
in mild derision of the professional nature-writer,
he opines that many a non-professional too might
" know when a thing is bosky and when a thing is
lush, know the wonderful hour that is neither night
nor day, and the tang of salt air, and the skirl of
the haw-bird, and the booming note of the dugong,
and where the bumbleberries cluster thickest and the
wild pomatum blooms." Some remarks on Ibsen,
not heartily eulogistic, are bright and amusing,
however charged with one-sidedness of view. " He
writes only for those who go to the theatre to be
disturbed. Instead of beginning with love in
difficulties and ending with a happy marriage, he
begins with happy marriages and ends with the
very devil." . In ridicule of ostentatious and learned
quotation the author says, among other good things,
" It is a humane rule never to jingle your literary
pockets merely to tantalise the poor." The book
shows gain in both substance and form as compared
with its predecessor, "Imaginary Obligations."
While still a self-constituted critic of everything
criticizable, the author is a shade less dogmatic
than he used to be. It may be hoped that in time
he will acquire a very creditable store of human
fallibility.
1911.]
THE
59
That unwearied maker of antholo-
gi 68 ' Mr> Wallace Rice < has P ut ^
wide acquaintance with literature in
the form of verse to a most effective use in the
compilation of "The Little Book Series," published
by the Reilly & Britton Co. Each volume of this
series offers a selection of poems upon a special
subject poems from a great variety of authors
(among them foreign poets in translation) and
includes many out-of-the-way pieces that only om-
nivorous readers would be likely to find. Since few
readers are of this type, the number of those whose
gratitude Mr. Rice has deserved should be propor-
tionally large. The twelve volumes thus far pub-
lished have for their respective subjects Bohemia,
Cheer, Love, Laughter, Friendship, Out-of-Doors,
School-Days, Sports, Lullabies, Limericks, Brides,
and Kisses. Here is surely poetry for all tastes,
and there is no assignable limit to the further ex-
pansion of the series. A similar series each volume
of which shall be devoted to a single poet is also
planned by the editor. Mr. Rice has a peculiar
fitness for the task which he has here undertaken,
and the task itself that of bringing the treasures
of poetry to the attention of people who balk at
definitive editions and collected works is one of
the most praiseworthy imaginable. We should
think that many thousands of new readers might be
gained for poetry by thus serving it out in moderate
and palatable rations. Poetry is, after all, not too
bright and good for human nature's daily food, if
only the world knew it, and we extend a grateful
welcome to an enterprise which, like the present
one, attempts to give practical effect to that ele-
mentary proposition.
Miss Harriet Eliza Paine, who died
last year at the age of sixty-four,
left a series of unpublished essays
on the general subject of the joys and sorrows of
growing old. These posthumous chapters now
appear under the collective title, " Old People "
(Houghton) with a prefatory biographical sketch
of the author by Miss Alice Brown. Ardent stu-
dent and inspiring teacher, Miss Paine was com-
paratively early overtaken by two infirmities that
sadly interfered with her chosen pursuits and must
have sorely tried her brave spirit. These ailments
of the body were deafness and blindness neither
of them total, but both, especially the former, very
pronounced. With the voice of authority, therefore,
she speaks, in her book, on the subjects of "Silence"
and " Darkness." Other chapters are headed
"Greeting Old Age," "Change and Breadth,"
" Work," " Earning a Living," " On Keeping
Young," "The Inner Life of the Old," "The Rela-
tions of the Old and Young," and " The Renewal
of Emotion." Miss Brown's sketch and her own
stimulating pages present her to us as one whom
we would gladly have known, and known intimately.
A characteristic passage from her very first para-
graph gives promise of the strength and cheer of
The strength
and cheer
of old age.
the succeeding pages. " Some of us have a stout
conviction," she writes, "which has weathered
many a gale, that the ideal is the only reality ; but
veterans understand that to pull a steady oar always,
whether the tide and wind and current are with us,
or whether the tide and wind and current are against
us, is the only way to make the reality ideal."
Idealist, but not a dreamer, Miss Paine has left a
book that will speak to older readers in accents at
once strong and comforting.
BRIEFER MEXTIOX.
A volume of " Mohonk Addresses " by Edward
Everett Hale and David J. Brewer, given from 1895 to
1907 at the Mohonk Arbitration Conferences, is edited
by Mr. Edwin D. Mead, and published by Messrs.
Ginn & Co. for the International School of Peace. The
addresses are brief and very much to the point. There
are sixteen of them in all, eleven by Dr. Hale and five
by Justice Brewer.
Sociology is working its way down in the schools, and
is probably headed for the Kindergarten. Meanwhile,
a stage in its pedagogical progress is marked by the
publication of Dr. Charles A. Ellwood's " Sociology and
Modern Social Problems " (American Book Co.), a
text-book rather more elementary than any we have
heretofore seen, and in striking contrast to the ponder-
ous treatises of Spencer, Ward, and Giddings.
Amateur dramatic societies might do worse than turn
their attention from the trifling farce-comedies they
usually select to such sterling material as is offered by
Mr. Horace B. Browne's volume of " Short Plays from
Dickens " (Scribner). These " plays," which are
nothing more than brief dramatic scenes, are very
entertaining in their dialogue form, and may be easily
managed also, requiring few characters and even fewer
accessories.
"The Poems of Cynewulf," translated into English
prose by Dr. Charles W. Kennedy, and "The Plays
and Poems of George Chapman (The Tragedies),"
edited by Dr. Thomas Marc Parrott, are two welcome
volumes that emanate from Princeton University, are
included in a " Library of Scholarship and Letters,"
and are published by Messrs. E. P. Button & Co.
Both volumes have all the apparatus that a conscien-
tious student could desire.
" Forty Songs by Richard Strauss " (for high voice),
edited by Mr. James Huneker, is a highly acceptable
addition to the Messrs. Ditson's " Musicians' Library."
However we may dispute about Strauss as a composer
for the stage and the orchestra, we generally admit him
to be a master among song-writers, one who has the
key to the treasury of pure lyric beauty. This volume
has the usual accompaniments of portrait and intro-
ductory essay, and gives the texts in both German and
English. Other publications of the same house are
" The Cocoa Palm and Other Songs for Children," by
Miss Mary Dillingham Frear (a revised edition) ; a
second volume of " Classics for Violin" (an interesting
selection of pieces ancient and modern); a set of
" Octave Studies after J. S. Bach," edited by Mr. Isidor
Phillipp; a collection of "Choice Part-Songs for Men's
Voices," edited by Mr. George L. Osgood; and a collec-
tion of " Twenty Popular Anthems," compiled by Mr.
Robert E. Austin.
60
THE DIAL.
[Jan. 16,
NOTES.
Mr. G. K. Chesterton's study of William Blake is to
be issued immediately by Messrs. E. P. Button & Co.
in their " Popular Library of Art."
Two of the special features of the new edition of
Wordsworth's complete poetical works, to be issued in
ten volumes by Houghton Mifflin Co., will be a sketch
of the poet's life by Mr. Hamilton Wright Mabie and
a prefatory essay on the Wordsworth country by Mr.
John Burroughs.
In " The Purchasing Power of Money," which is to
be published early this Spring by the Macmillan Co.,
Professor Irving Fisher of Yale University has attacked
an old problem, but one which is ever timely and which
is especially so now. The immediate purpose which
the author has set himself is to determine the causes
upon which the general level of prices depends.
Dr. William Edgar Geil, whose study of the Great
Wall of China was embodied in book form a year ago,
has extended his research to the " Capitals of China,"
and a descriptive volume bearing this title and fully
illustrated is to be brought out by the Lippincott Co.
early in the Spring. The same house has in prepara-
tion " A Short History of the Navy," by Capt. George
R. Clarke and others.
Mr. Herbert W. Paul, the well-known English histori-
cal student, has brought together in a volume called
" Famous Speeches " a large number of the most notable
orations delivered in Parliament or elsewhere from the
time of Oliver Cromwell to that of Gladstone. Mr.
Paul will supply a general introduction, biographical
introductions, notes, etc. Messrs. Little, Brown, &
Co. are publishing the volume in this country.
A collection of " Early Plays from the Italian,"
edited, with introductions and notes, by Mr. R. Warwick
Bond, is announced by the Oxford University Press.
These plays are " Supposes," " The Buggbears," and
" Misogonus," and the book as a whole is an attempt to
illustrate the connection between the Latin, Italian, and
Early Elizabethan comic stage, whether in subject-
matter and spirit or in technical forms, Mr. Bond also add-
ing some brief notice of the allied Educational-Drama.
The sixteenth annual meeting of the central division
of the Modern Language Association of America, held
at Washington University, St. Louis, on December 28,
29, and 30, was marked by a fair attendance and an
interesting programme. Chicago was tentatively fixed
as the place of the next meeting, and Professor Frank
Hubbard of Wisconsin was chosen to take Professor
Fossler's place as chairman of the Western Division
for 1911.
Several interesting books to be issued during the
next few weeks by Messrs. Henry Holt & Co. are the
following: ''Turner Essays in American History," by
former pupils of Dr. Frederick J. Turner of the Uni-
versity of Wisconsin; "The Stability of Truth: A
Discussion of Reality as Related to Thought and
Action," by Dr. David Starr Jordan ; " Some Fore-
runners of Italian Opera," by Mr. W. J. Henderson;
and a volume by Dr. Frederick A. Braun undertaking
to trace the influence of Goethe upon Margaret Fuller.
There undoubtedly exists a demand for very ele-
mentary, popularly written treatises on scientific sub-
jects, which presuppose no technical knowledge what-
ever of the field covered on the part of the reader.
Since the days of Huxley there has been no really great
master of science, both able and willing to meet this
demand. Consequently such books are nowadays mainly
the productions of uninspired, if diligent, compilers.
In this class belongs Dr. A. S. Herbert's " The First
Principles of Heredity" (Macmillan). It is the out-
growth of a series of workingmen's lectures, and covers
in an orthodox and rather uncritical manner the main
facts and theories of inheritance. As a general intro-
duction to the abundant modern literature on the subject
it may be found useful. While in the main accurate
it cannot be relied on implicitly in matters of detail.
It is reported that some time before Count Tolstoy's
death, he made arrangements by which, after he died,
none of his books were to be reprinted until his widow
had sold the new complete edition of his works, in the
preparation of which she has been engaged during the
last two years. This edition is now almost finished ; only
three volumes remain to be printed. The edition will be
limited to 10,000 copies. Countess Tolstoy is also col-
lecting for publication her husband's correspondence,
which will fill several volumes.
There is peculiar timeliness in the immediate publi-
cation, by Messrs. A. C. McClurg & Co., of a book
which will in small compass deal with the whole
question of militarism. " War or Peace : A Present
Day Duty and a Future Hope," is written by General
H. M. Chittenden, U. S. A., a graduate of West Point,
1884, who served as chief engineer of the Fourth Army
Corps during the Spanish-American War, and who is
already known to the public for his writings on the
history of the West. General Chittenden presents the
somewhat unusual spectacle of a soldier who does not
let professional bias color his treatment of facts; and
after carefully marshalling the arguments for and
against war, and summing up the world situation of
the present day, he declares in favor of the dis-
continuance of war as a means of national adjustment.
Seventy-five of Wordsworth's sonnets are embodied
in the latest of the series of limited editions produced
at the Riverside Press. The volume is a square octavo,
printed on Fabriano hand-made paper from an old-
style type of exceptional clearness and beauty, each
sonnet having an entire leaf to itself. Except for a
graceful woodcut on the title-page, the typographical
arrangement could scarcely be more severely simple
as befits the poetry which it enshrines. The contents
are arranged under three headings, " Nature,"
"Man," and "The Poet"; and while many of the son-
nets might logically be placed in either group, the
arrangement is not without interest and value. Every
Wordsworth lover will rejoice in this dignified setting
of some of the poet's choicest jewels.
" The Mastersinger," edited by Dr. Frank R. Rix,
and " Art Songs for High Schools," edited by Mr. Will
Earhart, are two new school singing-books published by
the American Book Co. The selections chosen by Dr.
Rix are "of large content from the masterworks of
the great composers " a description in the main true,
although it hardly justifies the inclusion of " The Lost
Chord " and a selection from " Erininie." Most of the
thirty odd numbers are, however, really worth while.
Mr. Earhart's book does not claim so much, but offers
what is simply a fair average selection of pieces good
and indifferent. Since there are about one hundred
and fifty of them altogether, the teacher has wide room
for choice. But we have never yet been able to under-
stand why any music that is not of the very best should
ever be given to children in their singing-books.
1911.]
THE DIAL
61
LIST OF
BOOKS.
[The following list, containing 36 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
Annals of a Yorkshire House, from the Papers of a Maca-
roni and his Kindred. By A. M. W. Stirling. In 2 volumes,
illustrated in photogravure, etc., large 8vo. John Lane Co.
$10. net.
Madame de Pompadour. By Jean Louis Goulavie; trans-
lated by E. Jules Meras. With portrait, 12mo, 281 pages.
" Court Series of French Memoirs." Sturgis & Walton Co.
$1.50.
Elkanah Settle : His Life and Works. By F. C. Brown.
Large 8vo, 169 pages. University of Chicago Press. $1.25 net.
A Little Fif er's War Diary. By C. W. Bardeen ; with intro-
duction by Nicholas Murray Butler. Illustrated, large 8vo,
329 pages. Syracuse, N.Y.: C. W. Bardeen.
GENERAL LITERATURE.
Letters of Edward John Trelawny. Edited by H. Buxton
Forman. Illustrated in photogravure, etc., 8vo, 306 pages.
Oxford University Press.
Letters to Sever all Persons of Honour. By John Donne;
edited, with notes, by Charles Edmund Merrill, Jr. New
edition ; 8vo, 318 pages. Sturgis & Walton Co. $5. net.
Books on the Bacon-Shakespeare Controversy. By
Elizabeth Wells Gallup. Comprising: The Bi-literal Cypher
of Sir Francis Bacon ; The Tragedy of Anne Boleyn. Each
illustrated, 8vo. Detroit: Howard Publishing Co. Paper.
VERSE AND DRAMA.
The Oxford Book of Ballads. Edited by Arthur Quiller
Couch. 16mo, 871 pages. Oxford University Press. $2. net;
also, on Oxford India paper, $2.50 net.
The Englishman in Greece: A Collection of the Verse of
Many English Poets. With introduction by Sir Rennell
Rodd. 16mo, 328 pages. Oxford University Press. $1.75 net.
A Williams Anthology : A Collection of the Verse and Prose
of Williams College, 1798-1910. Edited by Edwin Partridge
Lehman and Julian Park. 12mo, 220 pages. Williamstown,
Mass. : Privately printed.
Five Centuries of English Verse. By William Stebbing.
In two volumes, I2mo. Oxford University Press.
The Fruits of Enlightenment. By Lyof Tolstoi. I2mo,
149 pages. John W. Luce & Co. $1. net.
A Lesson in Marriage: A Play in Two Acts. By Bjornstgerne
Bjornson ; translated by Grace Isabel Colbron. New edi-
tion ; 16mo, 66 pages. Brandu's.
The Unfading Light. By Caroline Davenport Swan. 12mo,
171 pages. Sherman, French & Co. $1.25 net.
The Harlot's House. By Oscar Wilde : illustrated in photo-
gravure by Althea Gyles. New edition ; 8vo. John W. Luce
& Co. $1. net.
Fhoclon, and Other Poems. By E. A. Doyle. 12mo, 214 pages.
Winchester, Ohio : Published by the author. $1.
FICTION.
Berenice. By E. Phillips Oppenheim. Illustrated in color,
etc.. I2rao, 264 pages. Little. Brown, & Co. $1.25 net.
The Pendulum. By Scota Sorin. With frontispiece, I2mo,
282 pages. Duffield & Co. $1.50.
The Gift of the Grass. By John Trot wood Moore. Illustrated
in color, 12mo. 348 pages. Little, Brown, & Co. $1.50.
Silver-wool. By Emily Jenkinson. I2mo, 314 pages. Baker
& Taylor Co. fl.50.
Peter Rngrg, the Missing Man. By William Austin; with
introduction by Thomas Wentworth Higginson. New edi-
tion; illustrated and decorated in tint, 16mo, 111 pages.
John W. Luce & Co. $1.
What Diantha Did. By Charlotte Perkins Oilman. 12rao,
250 pages. New York : Charlton Co.
The End of Dreams. By Wood Levette Wilson. Illustrated,
12mo, 348 pages. Mitchell Kennerley. $1.50.
The Heiress of Cranham Hall. By Meredith Junior. With
frontispiece, 12mo, 285 pages. New York: Broadway Pub-
lishing Co.
Love Letters from the Nile. By Mary Randolph. Illus-
trated in color, I2mo, 205 pages. New York: Knickerbocker
Press.
Elisabeth Koett. By Rudolf Hans Bartsch ; translated by
Ludwig Lewisohn. 12 mo. 265 pages. New York: Desmond
FitzGerald Co. $1.20 net.
RELIGION.
Christianity and the Modern Mind. By Samuel McComb.
12mo, 243 pages. Dodd, Mead & Co. $1.50 net.
The Efficient Layman ; or. The Religious Training of Men.
By Henry Frederick Cope. 12mo, 244 pages. Griffith &
Rowland Press. $1. net.
PUBLIC AFFAIRS.
Correction and Prevention. By Charles Richmond Hender-
son. In 4 volumes, illustrated, large 8vo. " Russell Sage
Foundation Publications." Charities Publication Com-
mittee. Per volume, $2.50 net.
Barbarous Mexico. By John Kenneth Turner. 12mo, 340
pages. Chicago: Charles H. Kerr & Co.
MISCELLANEOUS.
The Beginnings of the American Revolution. By Ellen
Chase. In 3 volumes, illustrated, large 8vo. Baker &
Taylor Co. $7.50 net.
The Stone Age in North America. By Warren K. Moore-
head. In 2 volnmes, illustrated in color, etc., large 8vo.
Hough ton Mifflin Co. $5. net.
Old English Mezzotints. By Malcolm C. Salaman ; edited
by Charles Holme. Illustrated, large 8vo. John Lane Co.
$3. net.
The Oldest Music Room in Europe : A Record of Eighteenth-
Century Enterprise at Oxford. By John H. Mee. Illustrated,
large 8vo, 216 pages. John Lane Co.
An Illustrated Guide to the Flowering' Plants of the
Middle Atlantic and New England States. By George T.
Stevens. Illustrated, 8vo, 749 pages. Dodd, Mead & Co.
$2.50 net.
The American Shotgun. By Charles Asking. Illustrated.
8vo, 321 pages. Outing Publishing Co. $2. net.
The next great issue before the American people. Pretident Taft.
IMPORT AND OUTLOOK OF SOCIALISM
By NEWTON MANN
Author of " The Evolution of a Great Literature," etc.
'THE doubling of the Socialist vote in the United States
* at the recent elections, lifting the Party into an actual
prominence in the country and securing representation in
Congress, goes far to confirm the declaration of President
Taft at Jackson, as quoted above. In the present volume
Mr. Mann with his customary large ability has sketched
within moderate compass the rise of this movement, dis-
cusses the means by which, as is believed, the great change
is to be brought about, and critically examines the grounds
on which the Socialist hope is built, treating in successive
chapters the economic and the moral urgencies. (Thirteen
chapters and index.)
"An Illuminating and Persuasive Volume"
From a column editorial in Unity, Chicago
" Mr. Mann does no careless work, and this book testifies
to his usual painstaking and fearless labor. ... It is a book
that will lift the word out of the list of the bugaboo words.
Socialism is no longer to be disposed of by taboo. One read-
ing this book no longer dreads it on account of the ' material-
ism,' the ' infidelity,' or the ' irreligion ' connected therewith.
It is a book for the thoughtful, and particularly for the per-
plexed . . . who realize that there is something the matter.
The book is handsomely printed. We welcome it as one
more timely volume for the teacher, the parent, the preacher,
and, above all, the business man who is afraid to think out
these economic and social problems."
From an editorial in The Boston Common [public service]
"Raises Socialism to the power of a religion. If we had
to learn of historic, contemporary, and prophetic Socialism
through one book only, we know of none other which so
clearly or attractively presents it."
From The Boston Globe
" The book is not made of doubtful value by containing
biased views, for the author has been fair in his presentation.
To know these pages thoroughly is to be in touch with the
essentials of a great question."
One volume. Cloth, 5x8 inches. 336 pace*.
$1.50 net; pottage, 12 cents.
JAMES H. WEST CO., PUBLISHERS, BOSTON
62
THE DIAJL
[Jan. 16,
ALL OUT- OP- PRINT BOOKS SUPPLIED,
n o matter on what subject. Write us. We can get
you any book ever published. Please state wants. Catalogue free.
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of Authors will be sent
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This CATALOGUE contains a full list of titles to date.
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STUDY and PRACTICE of FRENCH in Four Parts
L. C. BONAMB, Author and Publisher, 1930 Chestnut St., Philadelphia.
Well-graded series for Preparatory Schools and Colleges. No time
wasted in superficial or mechanical work. French Text: Numerous
exercises in conversation, translation, composition. Part I. ( GO cts. ) :
Primary grade; thorough drill in Pronunciation. Part II. (90 cts.):
Intermediate grade; Essentials of Grammar; 4th edition, revised, with
Vocabulary; most carefully graded. Part III. ($1.00): Composition,
Idioms, Syntax; meets requirements for admission to college. Part I V.
(35c. ) : handbook of Pronunciation for advanced grade; concise and com-
prehensive. Sent to teachers for examination, with a view to introduction.
A PRIVATE gentleman forming a Col-
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brated personages, desires correspondence
with those who may have such letters and
will dispose of them . Dealers will not reply.
Good prices paid for good specimens.
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1911.]
THE DIAJL
63
Sales of Important Literary and Art Collections
The Library and Autographs
Of
Edmund Clarence Stedman
First Editions. Presentation Copies, Letters and Manuscripts (some unpublished).
E. C. Stedman Eugene Field E. A. Poe A. C. Swinburne
Mark Twain Austin Dobson John Hay Geo. Meredith
The Brownings W. S. Landor J. W. Riley William Winter
P. B. Shelley Walt Whitman W. D. Howells Edmund Gosse
Sixty Association items of Aldrich, Unpublished Letters of the Brownings. Unpublished Letters and an Unpublished
MS. of Eugene Fie Id among nearly fifty lots of Field items of extraordinary interest; John Hay's privately issued "Poems"
and " Pike County Ballads." each with letter relating to it : an Autograph copy of " Old Ironsides " ; Lander's own copy of
"Idyllica Heroica"; Meredith's " Modern Love"; Keats' " Endymion "; MANUSCRIPTS AND LETTERS OF E. A. POE.
Walt Whitman & Bayard Taylor; Shelley's "Posthumous Poems" and "We Pity the Plumage." an important AUTO-
BIOGRAPHIC LETTER OF A. C. SWINBURNE of ten folio pages. Swinburne's own copy of " Theophile Gantier " and
other books and letters. Every book has Mr. Stedman 's autograph or bookplate; nearly all are of association interest,
including privately printed items very difficult to procure.
Fart I. (A to E Afternoons and Evening's of January 12 and 18, 1911
Part II. F to O) Afternoons and 19 and 20, 1911
Part III. (P to Z Afternoons and 24 and 25. 1911
Part IV., Paintings, Prints and Signed Photographs, January 26, 1911
The Anderson Auction Company
12 East 46th Street, New York
Catalogues and full information to intending buyers furnished on request. Sales in preparation include Robert
Hoe, Mark Twain, Judge Jacob Klein of St. Louis, and the Judson S. Dntcher Whistler Etchings.
F. M. HOLLY
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Circulars sent upon request. 156 Fifth Avenue. NEW YORK.
WRITERS ARTISTS.
We sell Stories. Jokes.
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The only biography of the founder of modern Socialism
KARL MARX: His Life and Work
By JOHN SPARGO
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64
THE DIAL
[Jan. 16, 1911.
THE LIFE OF
CHARLES SUMNER
By Walter G. Shotwell
"is certainly the most exhaustive
and perhaps the most painstaking
biography of Sumner that has yet
appeared," says the Outlook. " In
this volume of more than 750
closely printed pages, every phase
of the great Senator's career is
studied in detail, and . . . with a
narrative skill that seldom allows
the interest to flag."
8vo, cloth. Two portraits.
By mail, $1.65.
T. Y. CROWELL & Co., NEW YORK
>f Interest to lUbrarians
The books advertised and reviewed in this
magazine can be purchased from us at
advantageous prices by
public 3Ufcrarfe0, >ci)ool,
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In addition to these books we have an excep-
tionally large stock of the books of all pub-
lishers a more complete assortment than
can be found on the shelves of any other
bookstore in the United States. We solicit
orders and correspondence from libraries.
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New Titles Now Ready
SPAIN FROM WITHIN
By Rafael Shaw
Treats of religious, educational, political, and economic
I conditions in a way interesting to the general reader.
It makes startling disclosures.
Cloth, 8vo, 16 illustrations, $2.50 net.
THE ARGENTINE REPUBLIC
By A. Stuart Pennington
A full description of many features of this great republic
of South America, especially interesting to the business
man. Cloth, 8vo. 8 illustrations, $3.00 net.
BRITISH COSTUME During xix Centuries
By Mr,. C. H. ASHDOWN
From the time of the druids through the reign of George
III., specifying the beginnings and endings of periods
for each style. A monumental work, of interest to illus-
trators, artists, costume-designers, historians, stage
managers, pageant committees, etc.
Cloth, 8vo, profusely illustrated in
color and black and white, $4.50 net.
OLD KENSINGTON PALACE and Other Papers
By A ast in Dobson
Short studies, all written within the past two years, of
French and English figures of the XVIII. Century, lean-
ing to the social and anecdotal, with an admixture of
I literary criticism. Cloth, 8vo, gilt top, $1.50 net.
HISTORICAL VIGNETTES By Bernard Cape,
Each pictures a dramatic moment in the life of a person-
age of historical importance, treated fancifully, but in
the majority of cases having a legendary basis.
Cloth, Svo, $2.50 net.
COUNTY COAST SERIES
THE NORFOLK AND SUFFOLK COAST
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Each describing delightful English country and towns,
touching on the rich historical and literary associations,
j Cloth, 8vo, fully illustrated, each, $2.25 net.
SPRINGS, STREAMS, AND SPAS OF LONDON
By Arthur Stanley Foord
Describes the streams which, though no longer above
ground, have given their names to London Streets,
traces the gradual growth of the water supply, and gives
accounts of "Spas" or wells of historical associations.
Cloth, 8vo, illustrated, $3.50 net.
HIGHWAYS AND HOMES OF JAPAN
By Lady Lawson
The home life of the Japanese. Photographs of excep-
tional interest have been chosen for illustrations.
Cloth, 8vo, illustrated, $3.75 net.
WOMAN AND MARRIAGE By Margaret Stephen,
To give women (and men incidentally) that under-
standing of themselves which leads to healthy parent-
hood and the bearing of strong, healthy children.
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Recent Important Books
Japanese Letters of Hearn
Edited by ELIZABETH BISLAND
" This must take its place as one of the few lasting, noteworthy books of the year ... a
revelation, showing Hearn to have been a larger and finer character than even his admirers
have quite realized . . . the best of all his books because it contains most of his rare, exotic
personality."- - Chicago Record-Herald.
" No man ever so completely revealed himself
in a correspondence as did Lafcadio Hearn."
New York Herald.
" The charm of these letters is manifold.
"There is a decided charm about all these
letters."
Boston Transcript.
With delightful absence of self -consciousness
the writer tells of the happenings about him, comments upon the curious lore he has picked
up, and describes lovely scenes he has chanced upon in his wanderings." The Dial.
Illustrated. $3. 00 net. Postage 21 cents.
The Corsican NAPOLEON'S DIARY
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Digressions of V By ELIHU VEDDER
" A fluent and complete disclosure of personality, a disclosure nearly as complete in its way and quite as interesting
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The Old Testament Narrative Arranged and Edited by ALFRED D. SHEFFIELD
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A Beginner's History of Philosophy Vol. 2 Modern Philosophy By H. E. CUSHMAN
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Ready February 25 : ROBINETTA By the authors of " The Affair at the Inn."
By KATE DOUGLAS WIGGIN, MARY and JANE FINDLATER, and ALLAN McAULAY
BOSTON
HOUGHTON MIFFLIN COMPANY
NEW YORK
66
THE DIAL
[Feb. 1,
SOME IMPORTANT 1910 BOOKS FOR LIBRARIES
Published by LITTLE, BROWN, & CO., Boston
Eiteratut*
ANGELL, EMMETT DUNN. PLAY: Games for the
Kindergarten, Playground, School Room and Col-
lege. 190pp. Illus. $1.50 net.
Games simply described and in many cases illustrated. The
introductory chapters contain practical suggestions for the
equipment of public playgrounds. A. L. A. Booklist, Sept. '10.
CRAWFORD, MARY CAROLINE. ROMANTIC
DAYS IN OLD BOSTON. 411 pp. Illus. $2.50 net.
Nineteenth Century Boston, its preachers, social leaders,
artists, writers, actors, orators, the Boston abolitionists, the
Brook Farm group, and the growth of the city after 1821, are
described with skill, imagination, discrimination, and charm.
A. L. A. Booklist, Dec. '10.
HOMER, ILIAD OF. Translated into hexameter verse
by Prentiss Cummings. 2 vols. 528 pp. $3.00 net.
This translation has been well C9nsidered and carefully
executed, being faithful without slavishness, and simple yet
poetic. Boston Transcript.
HOWE. MAUD. SICILY IN SHADOW AND IN
SUN. The Earthquake and the American Belief Work.
490 pp. Illus. $3.00 net.
Hardly another American is so capable of interpreting
Italian life and character. Chicago Tribune.
JAMES, GEORGE WHARTON. THE GRAND CAN-
YON OF ARIZONA: HOW TO SEE IT. 265 pp.
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A visitor's guide to the Canyon, incorporating in revised
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Booklist, Nov. '10.
HEROES OF CALIFORNIA. 502pp. Portraits, etc.
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It tells of the lives and deeds of the men who made Cali-
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MAHAN, A. T. THE INTEREST OF AMERICA IN
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The volume is written in a scientific and realistic spirit,
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ST. AUGUSTINE. THE SOLILOQUIES OF. Trans-
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A timely volume which should be among the treasures of all
who love life, literature, and the things of the spirit. Chicago
Record-Herald.
WALKER, EMMA E. THE PRETTY GIRL PAPERS.
306 pp. $1.25 net.
Invaluable information in matters of hygiene and care of
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very sensible advice. New York Times.
WHITING. LILIAN. LOUISE CHANDLER MOUL-
TON: POET AND FRIEND. 294pp. Illus. $1.50 net.
A biography that presents to us the poet and friend just as
she lived. Boston Transcript.
jFiction
LAGERLOF, SELMA. THE GIRL FROM THE
MARSH CROFT. Translated by Velma S. Howard.
277pp. $1.50.
Nine short stories of Swedish peasant life. The first and
longest is in a new vein a realistic sketch showing few of the
romantic and mystic tendencies which mark the author's earlier
work. A. L. A. Booklist, June '10.
OTIS, ALEXANDER. THE MAN AND THE
DRAGON. 323pp. Illus. $1.50.
It is a clean, vigorous account of a young man's struggle to
do right and his success. Book Review Digest.
SIENKIEWICZ. HENRYK. WHIRLPOOLS. Trans-
lated by Max A. Drezmal. 390pp. $1.60.
The heroine, Marynia, is one of this author's finest female
creatioBs. Mr. Sienkiewicz has here given his admirers a new
kind of love story. N. Y. Times.
WALLER, MARY E. FLAMSTED QUARRIES.
493 pp. Illus. $1.50.
A story that will find favor with Catholic readers for its
delineation of the life and good services of a devoted priest.
A. L. A. Booklist, October '10.
C&ildmt'0 Books
BAKER, ETTA ANTHONY. FROLICS AT FAIR-
MOUNT. 295pp. Illus. $1.50.
A sequel to " The Girls of Fairmount," and picturing life at
a girls' finishing school. A. L. A. Booklist, Feb. '10.
BURGESS, THORNTON W. OLD MOTHER WEST
WIND. 169pp. Illus. $1.00.
A collection of extremely pleasing stories for very little
children, of a quality to be recommended for bed-time reading.
A. L. A. Booklist, Dec. '10.
BUSH, BERTHA E. A PRAIRIE ROSE. 305 pp. Illus.
$1.50.
A wholesome, charming, realistic story of pioneer days in
Iowa.
CHANNON, FRANK E. AN AMERICAN BOY AT
HENLEY. (Henley Schoolboy Series.) 296 pp. Illus.
$1.50.
Gives a good idea of an English schoolboy's life. Boston
Transcript.
COX, JOHN H. KNIGHTHOOD IN GERM AND
FLOWER. 187 pp. Illus. $1.25.
Tells in an exceedingly attractive form the old stories of
Beowulf and Sir Gawain and the Green Knight of the Arthurian
romance. San Francisco Argonaut.
ELLIS, KATHARINE RUTH. THE WIDE AWAKE
GIRLS AT COLLEGE. (Wide Awake Girls Series.)
294pp. Illus. $1.50.
Wholesome, and touched with genuine humor. A.L. A.
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GODFREY, HOLLIS. JACK COLLERTON'S EN-
GINE. (Young Captains of Industry Series J 285pp.
Illus. $1.25.
It is among the first juveniles to tell interestingly about the
present state of aviation. St. Louis Globe-Democrat.
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JULIA. BETTY IN CANADA. {Little People Every-
where Series.} Ill pp. Illus. 60 cents.
BORIS IN RUSSIA. 120pp. Illus. 60 cents.
FRITZ IN GERMANY. 120 pp. Illus. 60 cents.
GERDA IN SWEDEN. 120pp. Illus. 60 cents.
No series has approached this in combination of delightful
story, reliable and varied information, beautiful illustrations,
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MASEFIELD, JOHN. MARTIN HYDE, THE DUKE'S
MESSENGER. 303pp. Illus. $1.50.
A story of Monmouth's Eebellion pronounced " the best
historical romance for boys published in several years."
RAY, ANNA CHAPIN. SIDNEY: HER SENIOR
YEAR. ( Sidney Series.) 320pp. Illus. $1.50.
A wholesome, genuine, and not too sentimental story of the
doings of a set of girls at Smith College. New York Times.
TILESTON, MARY WILDER. THE CHILD'S HAR-
VEST OF VERSE. 322pp. Illus. $1.50.
Contains 200 selections of verse for children 6 to 13, all
appropriate and many of rare merit.
(Edition
DICKENS, CHARLES. THE LIBRARY DICKENS.
Complete in 30 vols. 12mo. Illus. Cloth with reinforced
library binding. $30.00 net; any story sold separately.
$1.00 net per volume. Entire set now ready.
1911.]
THE DIAL
67
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68 THE DIAL [Feb. 1,
Important Issues for Every Library
THE LIFE OF NAPOLEON BONAPARTE
By WILLIAM MILLIQAN SLOANE, Ph.D., L.H.D., LL.D., Professor of History in Columbia University.
" The greatest history of the greatest man of modern times," the one complete and final summary of the world's infinite
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SEVEN GREAT STATESMEN : In the Warfare of Humanity with Unreason
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ABRAHAM LINCOLN And Other Addresses in England
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THE LURE OF THE ANTIQUE
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THE STORY OF SPANISH PAINTING
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THE WORKER AND THE STATE
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A VAGABOND JOURNEY AROUND THE WORLD
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THE CENTURY CO. UNION SQUARE NEW YORK
1911.] THE DIAL, 69
NOW READY _ t NOW READY
rl 111
AMERICAN YEAR BOOK
FOR 1910
Prepared under the care of a Supervisory Board consisting of accredited representatives
or members of THIRTY-FIVE GREAT NATIONAL LEARNED SOCIETIES
Dr. ALBERT BUSHNELL HART, Harvard University, Chairman.
Dr. S. N. D. NORTH, Managing Editor.
The American Year Book records the events and progress Its 882 closely printed pages provide exact information on
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OTHER APPLETON BOOKS RECOMMENDED TO LIBRARIES
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tive treatise on library economy, but rather a bird's-eye view of the subject. Illustrated. I2mo, cloth. $1.50 net.
Egypt: Ancient Sites and Modern Scenes
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Railroad Traffic and Rates
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The record of an experienced traveller in the little frequented parts of Colombia and Venezuela. The author, for the most part alone,
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D. APPLETON & COMPANY : 35 WEST 32d STREET : NEW YORK
70
THE DIAL
[Feb. 1,
T. Y. Crowell & Company's 1910 Books
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1911.] THE DIAL
THE OUTLOOK
writes
that so few books have been published concerning Norway. As a matter
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tells us many interesting things about both land and people. Indeed, her
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308 pages, profusely illustrated from unusual photographs and
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f) T/\T> "TVrCH"V\r'd remarkable book on Psychic Research
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T) T/\T> 'VTCl f^lVPQ world-wide success, "A Lesson in Mar-
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THE DOMINANT SEX, a play in three acts by ANNIE NATHAX
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BRANDU'S 767-769 LEXINGTON AVENUE NEW YORK
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THE DIAL
[Feb. 1,
FOR THE LIBRARY
G. F. ABBOTT (Editor)
Greece in Evolution
Studies prepared under the auspices of the French
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Balzac A Biography
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REDFERN MASON
The Song Lore of Ireland
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T
HE purpose of this work is to familiarize students
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This new edition of a work which has become a
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GINN & COMPANY, PUBLISHERS
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THE TASK WORTH WHILE
By HENRY S. MABIE, D.D.
' This masterpiece on Missions embodies the lectures
delivered in 1909-10 by special invitation of the Theological
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THE DIAL
73
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THE DIAL, Fine Arts Building, Chicago.
Entered as Second-Class Matter October 8, 1892, at the Post Office at
Chicago, Illinois, under Act of March 3, 1879.
No. 591.
FEBRUARY 1, 1911.
Vol. L.
CONTENTS.
LIBRARY MACHINERY VS. HUMAN NATURE 75
ECHOES FROM THE LIBRARY PRESS OF 1910.
Aksel G. S. Josephson 77
CASUAL COMMENT 7!
Tolstoy's desire of seclusion. Amateur censorship
of current literature. Recent library legislation in
Maryland. Literary and other dual personalities.
The criminal's taste in literature. Education and
efficiency. The growth of the Library of Congress.
The story of a Byron manuscript. The effect of
book exhibitions at county fairs. The proper in-
gredients of a travelling library. The organization
of Harvard libraries. Yasnaya Polyana as an inter-
national peace memorial. The tardy acceptance of
a Carnegie library.
COMMUNICATIONS 82
The Question of Library Renewals. Samuel H.
Eanck.
History and Macaulay. Charles Woodward Hutson.
TOLSTOY, ROMANCER AND REFORMER. Percy
F. Bicknell 83
PENNSYLVANIA IN HISTORY. Charles Leonard
Moore . . 85
THE HERO OF QUEBEC. Lawrence J. Burpee
87
A HISTORY OF SIX MILLION YEARS. T. D. A.
Cockerell 88
THE GENIUS OF BALZAC. Lewis Piaget Shanks 90
RECENT FICTION. William Morton Payne ... 91
Rolland's Jean-Christophe. Snaith's Mrs. Fitz.
Quiller-Couch's Lady Good-for-Nothing. Hyatt's
People of Position. Mrs. Thurston's Max. Miss
Willcocks's The Way Up. Nicholson's The Siege of
the Seven Suitors. Scott's The Impostor. Jones's
Out of Drowning Valley. Harben's Dixie Hart.
BRIEFS ON NEW BOOKS 95
Library history in a nutshell. Some memories of a
popular story-writer. Tramps in Mongolia. Ad-
dresses of a social reformer. Relics of a mighty
people. An outline of Japanese history. Biog-
raphical studies in imposture. The builders of early
Babylonia. Impressions of American travel by a
Briton. A naval officer of the olden time.
BRIEFER MENTION 98
NOTES 99
TOPICS LN FEBRUARY PERIODICALS .... 99
LIST OF NEW BOOKS . . 100
LIBRARY MACHINERY VS.
HUMAN NATURE.
There was once an old-fashioned librarian at
the head of a modern library (this was not long
ago, and there may be others like him even
now) whose conception of a head librarian's
functions was beautiful in its simplicity and
admirable in its theoretical provision for every
foreseen or unforeseen contingency. He sat in
his snug little book-lined office, read the liter-
ary reviews and marked certain books for pur-
chase, and formulated rules for the administra-
tion of the great library whose destinies he con-
trolled. These rules were handed to a sub-
ordinate and duly published as the law of the
institution until such time as they should be
repealed or revised. Reports from depart-
mental heads concerning the practical effect or
non-effect of these rules were from time to time
graciously received, as were also the properly
registered complaints and suggestions of the
visiting public; and after these reports, com-
plaints, and suggestions, which often revealed
an amazing discrepancy between the theoretical
perfection of the rules and their practical de-
fects, had been read and pondered by the lib-
rarian, there was a fresh formulation of rules,
or of amendments to rules, and the new code
went into effect.
If a public library were nothing but a ma-
chine, however big and complex, and if human
beings were walking mechanisms, all built on
the same model, the old-fashioned librarian's
method of administration would have worked to
a charm. But they reckon ill who leave out
human nature in their schemes for running the
universe or any minutest part of it. Our learned
bibliothecary above-mentioned never came in
touch with his public, and hardly with his offi-
cial staff. His surviving friends still smile at
the remembrance of the almost panic-stricken
haste with which he was wont to beat a retreat
to his sanctum when waylaid by a reader or
other person in quest of such assistance as, by
the rules of the library, was to be rendered by
a certain specified departmental superintendent
or by some minor official.
Between the mechanically perfect-running
but otherwise worthless system by which a
nickel-in-the-slot apparatus would furnish any
76
THE DIAL
[Feb. 1,
desired book, pamphlet, periodical, or piece of
information, automatically registering the loan
and return of books, and the unorganized,
chaotic, hap-hazard way of conducting a library,
there is surely a happy medium ; and this happy
medium, with its maximum of quiet orderliness
and frictionless efficiency, and its minimum of
red tape and vexatious restrictions, every ear-
nest library worker is more or less consciously
striving to attain. Just now the pendulum has
been set in full swing toward an unbureaucratic
management of " the people's university," and
this is well. What unnumbered disgusts and
" disgruntlements " have been excited by the un-
wise or untactful enforcement of rules not dic-
tated by the ripest judgment ! The weaknesses
and prejudices of human nature insistently de-
mand recognition in the formulation of library
rules, so far as such rules must be formulated.
What library worker cannot recall instances of
astonishing and often amusing sensitiveness or
resentfulness in book-borrowers and readers?
There comes to mind a certain middle-aged man
who had in an advanced stage of development
what we call " the library habit." That is, he
was a frequent and long-staying visitor at the
public library, without any manifest consistency
or earnestness of purpose in his visits. But by
some chance he had applied several times for a
particular book that happened on each occasion
to be out or misplaced, and the perhaps un-
necessarily curt announcement of the book's
unprocurability, two or three times repeated in
response to rapidly successive requests, begot
in his mind a suspicion that it was being pur-
posely and even malevolently withheld from
him. As soon as the existence of this unjust
suspicion was discovered, the man was reasoned
with and the most convincing arguments were
brought to bear upon his understanding, if he
had any, to bring him to a saner frame of mind ;
but all to no purpose, and he summarily with-
drew his patronage from that library. Another
instance of whimsical resentfulness recurs to
memory. At a certain library where, as is
universally the case, the demand for recent
popular books is far in excess of the supply,
applicants are notified by mail, upon request,
when any desired work may be had. Moreover,
in its praiseworthy attempt to do the greatest
good to the greatest number, the library some-
times sends these notices to those who have not
asked for them, but who are known to have
applied unsuccessfully for certain books. It
was one such gratuitously-notified card-holder
who one morning came snorting into the library
and up to the delivery desk with a vigorous
complaint against the authorities for bothering
him with postal cards whenever he happened to
ask for a book that was out.
The tactful librarian is he who knows by
something like intuition how to avoid all such
ruffling episodes as the foregoing. Nothing
mars the pleasure and impairs the usefulness of
library work like these petty discords between
the serving and the served. The importance of
an ingratiating manner and an unfailing ability
to avoid giving offense was felt by that public
speaker who, in addressing a certain recent con-
vention of librarians, began with the assertion
that no one could hope to succeed in the profes-
sion if he ate onions. The increasing attention
now given to the " human appeal " side of
library work is evidenced by the various affili-
ated activities that are carried on under the
modern library's roof. It is rightly held that
to make a good library-user of a person, he
must be caught young. Hence the picture-
exhibitions and the story-hours and, of late, the
indoor games that serve as beneficent lures to
turn many juvenile footsteps library- ward. Not
only educative games, like Authors and Logo-
machy, but even jackstraws and tiddledewinks
receive the sanction of children's librarians.
From Madison, Wisconsin, there comes word
that the moving-picture apparatus has now been
pressed into the service of the juvenile depart-
ment at the public library, " as an aid in making
the library more fully an educational institu-
tion." The story of Sir Galahad, of Oliver
Twist, of King Lear, or perhaps of Robinson
Crusoe, is first told in a brief and simple manner
by the children's librarian, and then the moving
pictures present the same series of events to the
eye, " the scenery and costuming of the char-
acters being in perfect accord with the theme."
One can easily imagine the breathless interest
with which the assembled little ones watch
Oliver as he extends his bowl for more gruel
and encounters the scandalized astonishment of
the poor-house officials. How many a Dickens-
lover, or potential Dickens-lover, must be then
and there called into being ! The question how
far it is wise or indeed legitimate for the public
library, established in accordance with certain
State laws, to go into the business of furnishing
mere amusement, however harmless and health-
ful, to the children of its community, will never
be settled by any hard and fast rule ; and it is
undoubtedly well that the error, if any, should
be on the side of indulgence and a large-minded
and large-hearted interpretation of library law
1911.]
THE DIAL
77
rather than on that of bureaucratic stiffness
and over- cautious conservatism. Something at
any rate may be learned from errors of com-
mission ; little or nothing by refusing to make
experiments and strike out new paths.
Our above-mentioned old-fashioned librarian
chose to play toward his library somewhat the
part of an absentee deity who winds up his
universe and leaves it to run until it runs down.
The modern librarian, on the other hand, feels
himself to be something like an immanent pres-
ence in his little world, and if he absents him-
self even for a day the system tends to languish
and suffer torpor. He resists the temptation,
so natural to one having to do constantly with
rules of classification, systems of labelling, and
methods of shelving, to classify and label and
shelve his helpers and his visitors and thereafter
wash his hands of them. Ever on the alert for
new and unexpected developments in human
nature around him, and for fresh and unforeseen
demands on his tact and resourcefulness, as
well as on his stores of technical and general
knowledge, he recognizes that there is no such
thing as finality or completeness in library
economy, and that the library with a flawless
set of rules flawlessly enforced would be a
hopelessly dead library.
ECHOES FROM THE LIBRARY PRESS
OF 1910.
" The library world is still seeking an equilibrium
between things essential and things non-essential,"
says Mr. Charles E. Rush in the January number
of the " Library Journal," in an article called
t; Practical Problems in Reorganization Work."
Among the non-essentials he classifies the greater
part of library statistics, " page after page of bare
figures." " Who cares for them and reads them " ?
he asks. The accession book is another fossil which
he would like to see removed ; and he is not alone
in his objections to it. Mr. Rush refers to " the per-
sistent and increasing demands that are daily made
by library patrons (and we know not by how many
hundreds more of would-be patrons) to leave out the
red tape in our rules, open the shelves, liberalize the
allowance of books and the time limits, simplify our
catalogues, show more books and less library ma-
chinery." The library should carefully consider the
needs of its constituency, the attitude of its patrons
toward it, and not hesitate to reorganize if that
seems to be the best way to meet the demands of
the public. After all, the library exists to serve
the public. The necessity of occasional reorganiza-
tion is also pointed out by Mr. W. Dawson Johnston,
in his paper on " The Librarian as an Educator,"
printed in the October number of the same periodi-
cal. " The work of organization," he says, " is con-
ceived to end with the establishment of the library.
Now, from any point of view but a personal one,
the establishment of a library is only the first step
in its organization. Even a machine requires re-
modelling ; much more an institution. The changes
in the community, the changes in other institutions,
and the changes in the institution itself make
reorganization necessary." Mr. Johnston's paper
discusses the position of the library towards the
educational revolution of our day, and he urges that
the services of the school to the library be con-
sidered, it has in the past been neglected even by
librarians for the discussion of how the library
could serve the school. There are, he thinks, some
things that the school does now that the library could
do better, and he thinks that such topics in the
curriculum as the reading of literature might well
be taken from the school and turned over to the
library. To quote from another part of the same
paper : ' The demand for school extension has
resulted in the establishment of evening schools,
summer schools, continuation schools, and other in-
stitutions for adult education. In many cases, per-
haps in most cases, these institutions have justified
their establishment, but many times and in many
places it would have been more economical and
sometimes better to have provided added library
facilities instead of added school facilities, or, per-
haps, gardens and playgrounds." But would it ?
That would depend on the personality, the interests,
the sympathies of the librarians in charge. In the
last part of the paper, Mr. Johnston speaks of
" Research and Libraries," and here points out par-
ticularly two defects of the present organization of
libraries : that special collections coming to libraries
either by bequest or by purchase are not kept up
and added to through new purchases, and the lack
of specialization in the reading-room service.
The latter question was also taken up by Mr.
Frank P. Hill in his contribution to the symposium
of " Retrospect and Forecast " which was presented
at the annual meeting of the New York Library
Club in May, when the club celebrated its first
quarter century, and printed in the June " Library
Journal." The retrospects were concerned with the
changes that have taken place during the last
twenty-five years, in statistics, methods, scope, and
ideals. Mr. Hill speaks of the possibilities of special-
ization, pointing at a movement which became crys-
tallized at the A. L. A. conference of 1909 when
the Special Libraries Association was organized.
" The work thus initiated," he says, " and for which
there is a legitimate and, heretofore, practically
unexplored field will no doubt go forward, though
perhaps not through the medium of a separate organi-
zation. More and more the need of specialization
in libraries presents itself, and as resources become
known students will turn from the free and reference
libraries to special libraries, where they will find all
material connected with their own line of work."
And further : " In order to ensure the efficient
78
THE DIAL
[Feb. 1,
handling of the many and varied collections result-
ing from increased specialization, a staff of consult-
ing librarians will probably be necessary to render
the collections available, and it will only be in the
spirit of cooperation that the best results will
follow."
Miss Mary W. Plummer, in her contribution to
the Forecast, dealing with the future of the library
schools, urges what it may be permitted to say that
the present writer has advocated for years, and which
it is pleasant to see that a director of a library school
has at last taken up, namely, the establishment of
graduate schools of library administration and bibli-
ography in connection with one or two universities.
She characterizes the present situation aptly enough
as chaotic, and says that she " can see nothing to
bring order out of this growing chaos but organiza-
tion and systematization on a larger scale than any-
thing we have tried. Let the general courses con-
tinue for the younger people, for the general work,
always having in view the discovery of talents and
aptitudes for specialization ; and let there be two or
three schools in the country, connected with univer-
sities and an integral part of them, in which the
study of technique and administration may be con-
nected with an outline course in medicine, law, theol-
ogy, science, pure and applied, civics, child study, or
whatever specialty calls for training. A university
frequently carries on a course followed by one or
two students only, so that a paucity of applicants
in any one division of the work would not mean dis-
couragement or bankruptcy. What do I mean by
an outline course ? To begin with, the history and
biography of a science or an art; a reading know-
ledge of the languages in which its best treatises
have been written ; a knowledge of the rarities and
the curiosities of its literature ; an understanding of
its terminology, past and present ; an acquaintance
with its present development, tendency, literature,
and practice," in other words, the history and bib-
liography of scientific literature. Something of the
same note is found in Mr. Adam J. Strohm's paper
read at the Library School Section at the 1909 con-
ference of the A. L. A., entitled : " Do We Need a
Postgraduate Library School," and printed in con-
densed form in < k Public Libraries " for February.
"In examining the study courses of the library
schools one cannot escape a sense of confusion from
their mixture of trifles and ponderousness. Picture
bulletins and story hours on one hand ; architecture
and Latin paleography on the other. The student
who may find interest in the one is not of the intel-
lectual caliber that will master the other, while the
college graduate and the more desirable library
school students will frown at some of the food set
before them. The library schools, in taking cogni-
zance of certain manifestations of modernism in
library methods and bidding scholarship to enter as
well, are falling between two stools. It is feast for
one and starvation for the other."
Mr. Louis N. Wilson, the librarian of Clark Uni-
versity, has again used the method of the question-
naire, to bring out some mooted problems of library
work ; this time his attention is drawn to the rela-
tions between " The Library and the Teaching Pro-
fession," under which title the results of his inquiry
are published in the March " Public Libraries."
He finds that " the situation is hopeful, and one
cannot help the feeling that the problem is nearer
solution than is generally supposed. Both sides are
anxious to bring about changes, upon which they
seem to be fairly well agreed, and all that remains
to be done is to get to work and do it." But there
is the rub, it seems ; for, after having given some
examples of what a few librarians and teachers have
to say about what should be done, and having cited a
few instances of cooperation, he continues : " But
these are only a few bright spots amid a sea of
gloom. In the great majority of cases libraries are
still far behind what they might be and the teachers
do not afford them the help they have a right to
expect. Teachers are, as a rule, overworked, and
librarians have to struggle for sufficient funds to
keep the machine going." Turning to the con-
siderations of ideal conditions, the author outlines
briefly what may reasonably be asked of librarians
and teachers in order to bring the conditions about.
" In the first place, libraries must make their books
available to scholars. The day when people desir-
ing to use books will be satisfied to be turned over
to the tender mercies of a complicated card catalogue,
has passed. Librarians should realize by this time
that books placed in a closed stack room are fast
dying, if not already dead books." " There should
be a large, well lighted, and well ventilated room
set aside for students and teachers in the library.
In this room the most expert attendant should be
on duty and should seek the cooperation of the
teachers in selecting and displaying books and artic-
les of interest to the profession. Here library rules
and regulations, necessary in dealing with the gen-
eral public, perhaps, should be abolished, and no
effort spared to aid the seeker after knowledge.
Teachers in special lines should be induced to take
a special interest in keeping the library advised of
any new book that they consider of value or wish to
see." To fill out the space at the bottom of the
column where Mr. Wilson's article closes, the editor
has printed the following quotation from Whately :
" It is folly to expect men to do all that they may
reasonably be expected to do."
What is probably the most important utterance
made during the past year to any group of librarians
may be read in the " Presidential Address of Fred-
erick George Kenyon, Principal Librarian of the
British Museum," in the September number of the
British " Library Association Record." Mr. Kenyon
begins by saying that he is not a librarian in the
ordinary sense of the term, the books with which
he has had to deal having been manuscripts ; nor
has the practical experience of the administration
of a great library of printed books been his. He
proposed, therefore, to deal, not with the practical
application of any principles of librarianship, but
1911.]
THE DIAJ
79
with some of these very principles themselves. He
asks the pardon of the audience, if he, in so doing, ;
should be found to utter a number of platitudes.
" It does us no harm, I think, sometimes to turn
our thoughts from the details of our daily work to
the principles which inform them and the ideals
which inspire them. The principles and ideals
may appear to be platitudes, but like many other
platitudes, they are sometimes in danger of being
overlooked in practice." " Books," he says, " may
be roughly divided into three classes, the literature |
of the imagination, the literature of knowledge, and
the literature of pastime," and he gives a highly
instructive and entertaining description of these
three classes and the way in which they are inter-
woven with each other to form the organic whole
known as the world's literature. The chief attrac-
tion of a librarian's position Mr. Kenyon sees in
the opportunity to guide the reader's taste. " Many
of his readers are, no doubt, persons in search of
definite information with regard to their trade or
profession ; many others are merely in search of an
agreeable method of passing their leisure time, but
others are young men and women in search of edu-
cation and self-improvement, and to them the advice
of the librarian may mean much." And he proceeds
to disprove, with statistics (which, he says, though
" they often are dangerous things, and as unreliable
as experts," often have " a steadying effect on con-
troversy ") the current idea, popular, at least, with
certain British newspapers and politicians, that
libraries are chiefly concerned with the circulation
of colorless and worthless fiction. " Libraries
should be the salt of the nation." And he feels
that they have an important function before them
in guiding the workingman (and probably not the
workingman alone) from racing tips and foot-ball
reports to " the literature which gives refreshment
and knowledge, the literature which gives ideas
and expands the mind. This cannot be done all at
once. The desire for self-culture is not a plant of
natural growth in this country, and in the past
many influences have been hostile to it. The people
of this country have for two generations listened to
the doctrine that the pursuit of material self-interest
is the law of human progress, and they cannot now
readily assimilate the doctrine of self-culture and
self-training for the good of the community. . . .
The man who considers his own material welfare
the sole subject of importance may, if he is ignorant
enough, think that material welfare will come to
him from the study of betting news ; at least it is
not for those whose daily occupation is the fluctuation
of rubber shares to contradict him. A higher stage
is reached when a man studies the literature of his
own trade or profession in order that he may get
on in it. The motive is still material self-interest,
but it is self-interest of a more enlightened kind,
and exercised on nobler subjects. It involves a
training of the intellect which may lead to higher
things. Yet a further stage is reached when the
reader seeks knowledge for its own sake, from the
sense of the mysterious attractions of knowledge,
the wonders of nature, of mechanical science, of
human life and thought. And the highest stage of
all apart from that mystery of the intercourse of
man with his Creator, of which I will not speak
here the highest stage of all is reached when a
man realizes that his supreme duty is not self-interest,
but self-training in the interest of the community."
In the latter part of his address, Mr. Kenyon touches
upon the preparation of the librarian for his duties,
the chief of which he summarizes as being concerned
with the selection of the books for the library, the
making them accessible to the public, and the guid-
ance of the readers in their use. " The first is a
matter of knowledge, subject an important pro-
viso to financial limitations. The second is a
matter of technical training in classification and
cataloguing. The third is a matter again of knowl-
edge, but still more of tact and sympathy." And
he closes with the following appreciation of his
former colleague, the late Richard Garnett : " His
knowledge, which ranged from astrology to horse
racing, approached omniscience ; if he had not the
actual information you required at his fingers' ends,
he could almost certainly tell you where to look for
it, and knew something of what had been done and
written with regard to it ; he had a reverence for
every kind of work and research, and could enter
into the feelings and aspirations of any one who
would consult him ; and his good-nature was in-
exhaustible."
AKSEL G. S. JOSEPHSOX.
CAS UAL COMMENT.
TOLSTOY'S DESIRE OF SECLUSION was long
cherished by him before his secret departure from
Yasnaya Polyana in the early morning of Nov. 10.
A letter written to his wife thirteen years ago but
not to be delivered to her until after his death
has now appeared in print, in the St. Petersburg
Novoe Vremya, and reveals a state of domestic
friction that had long ago become hardly bearable
to the earnest apostle of the simple life. " Long
have I been tormented," he writes, " by the discord
between my life and my beliefs. To compel you
all to change your life, the habits to which I myself
had accustomed you, I could not ; and to leave you
ere this I also could not, believing that I should
thus deprive the children, while they were little, of
whatever small influence I could have over them,
and that I should grieve you. On the other hand,
to continue to live as I have lived these sixteen
years, struggling and irritating you or falling myself
under those influences and temptations to which I
had become accustomed and by which I am sur-
rounded, I also cannot. . . . The chief thing is
that just as the Hindus nearing sixty retire into the
woods, and as old religious men seek to devote their
last years to God and not to jokes, puns, gossip, or
tennis, so for me, enteriag my seventieth year, the
soul-absorbing desire is for tranquillity, for solitude,
80
THE DIAL
[Feb. 1,
and, if not for entire harmony, at least not for
crying discord between my life and my beliefs and
conscience." A still more recent communication
to the press from Mr. P. A. Boulanger, an intimate
friend of Tolstoy's, and one who was with him at
the end, pictures in harrowing detail the increasingly
inharmonious state of affairs at Yasnaya Polyana
during the last few years. Hopelessly unadjustable
differences of ideals and aspirations, of tempera-
ment and of the sense of what is demanded by con-
science, made the Tolstoy home life a growing agony
for the ardent reformer and moralist, and scarcely
less so for his wife and those others of his house-
hold who failed to share his views.
AMATEUR CENSORSHIP OF CURRENT LITERATURE,
pithily expressed in terms of uncompromising direct-
ness, may be found in almost any much-used public
library list of recent accessions, especially in fiction.
Written in pencil against various titles in these
lists, and sometimes even on the cards in the card
catalogue, one encounters such brief and emphatic
commendatory or condemnatory expressions as
"Fine," "A 1," " Tip-top," O. K.," "N. G.,"
"Rotten," "Mush," "Horrid." These and other like
nut-shell criticisms serve to warn and advise succeed-
ing readers much as the symbols adopted by profes-
sional wanderers, and found on gate-posts and tree-
trunks and dead walls along the highway, constitute
a code understood and heeded by every member of
the guild who is in search of a desirable place of re-
freshment and rest. Another significant though
mute and involuntary seal of approval or disap-
proval is the appearance of the book itself. It is
astonishing how invariably the more interesting
books quickly shed their cloth covers and get them-
selves enrolled in the library-bound regiment, and
how a failure to win this promotion within six
months ordinarily means permanent exclusion from
the favored company. Critical comment, written
in the book itself, especially at the very end, is not
uncommon, however strongly discouraged by the
rnling powers. All this unlawful scribbling is of
course very wrong, but the actuating motive is
altruistic. Being invariably anonymous, it can
bring no fame or acknowledgment of any kind to
the discerning and public-spirited critic.
RECENT LIBRARY LEGISLATION IN MARYLAND
reveals progress toward better things in that far too
sparsely be-libraried State. The revised library law
of 1910 created a Maryland Public Library Com-
mission, in place of the State Library Commission
which had existed since 1902 ; and it gives to the
new body certain "additional functions of advising
and stimulating the establishment of County and
Election District Libraries, and of purchasing and
sending one hundred dollars worth of books to lib-
raries established under the Act." The county lib-
rary system, as illustrated so creditably by the
Washington County Free Library at Hagerstown,
appears to meet local needs and fit in with local
conditions in a way hardly possible throughout the
country at large ; yet the hastening of the day when
every Maryland village shall have its own perma-
nent library administered by its own chosen officers
is to be prayed for. We note in the " First Annual
Report " of the newly constituted Commission that
whereas the new library law, as originally drafted,
provided for a yearly appropriation of five thousand
dollars to carry on the Commission's activities, this
amount was cut by the legislative shears to fifteen
hundred, thus cruelly crippling that zealous band of
workers. But, as in a damage suit, it was probably
understood on both sides that the sum asked for
would undergo a process of subtraction, the only
question being the exact size of the subtrahend.
LITERARY AND OTHER DUAL PERSONALITIES,
such as the late William Sharp, who was both
Saxon and Celt the latter under the pseudonym of
" Fiona Macleod " - are likely to have new light
thrown on their complexities of mental and moral
structure by the new method just introduced at the
Johns Hopkins Hospital of studying and treating
nervous diseases. The nervous person, according
to Dr. Sigmund Freud of Vienna, the inventor of
this new method, is nervous simply because his un-
conscious half is craving some satisfaction or some
activity that is withheld. This possession on our
part of a dual nature is of course a matter of com-
mon knowledge ever since " The Strange Case of
Dr. Jekyll and Mr. Hyde " reminded us of it. To
learn what this latent self is thus dumbly and feebly
groping for, it is proposed to subject the patient's
dreams to expert interpretation, and thereby to
supply the want and cure the nervousness. All very
good, we say, if the thing the unconscious self is
trying to do or to attain is harmless, like writing
poetry or translating Homer or acquiring a copy of
the original edition of " Rasselas "; perhaps some
mute inglorious Milton may by this means be rend-
ered vocal and illustrious. But if one's subliminal
consciousness is fretting for the summary extinction
of a hated enemy or an odious rival, or if the un-
conscious part of a person is longing to seize and
devour some particularly luscious specimen of for-
bidden fruit, what then ?
THE CRIMINAL'S TASTE IN LITERATURE, so far as
that taste has been noted by public library workers
in reference to the incarcerated criminal, is surpris-
ingly and encouragingly high. Possibly, and indeed
probably, in his native habitat he might not give the
impression of possessing delicate discrimination in
the matter of reading ; but in the quiet seclusion of
prison life he most often chooses from the books
offered him those that have stood the test of time
and have earned the right to be called classics.
The current report of the Vermont Board of Library
Commissioners emphasizes the fact that from the
traveling libraries sent for the last three years to
the State Prison the books borrowed by the convicts
have been handled very carefully, have been much
read, and evince a demand "for a better class of
reading than the average patron of a public library
1911.]
THE DIAL
81
calls for." Among other Vermont library notes of
interest it is cheering to read that all but sixty-seven
of the two hundred and forty : six towns and cities
in the State are now provided with established
libraries; and of the unprovided sixty-seven, seven-
teen have traveling library stations. When it is
remembered that Vermont's total population is little
more than half that of Boston, these figures become
significant of much.
EDUCATION AND EFFICIENCY are related to each
other, necessarily and increasingly, in this strenu-
ous age of ours ; and if a school or college is ineffi-
cient in its methods or wasteful in its expenditures,
it is likely to be made unpleasantly aware of the fact
at an early stage in its struggle for existence. This
truism by way of introduction to some brief men-
tion of an elaborate investigation into "Academic
and Industrial Efficiency " that has been conducted
under the auspices of the Carnegie Foundation for
the Advancement of Teaching, and whose results
are presented in " Bulletin Number Five " of that
Foundation. Mr. Morris Llewellyn Cooke, a mech-
anical engineer and not a teacher, and therefore
without the prejudices of a teacher, has made this
investigation and written a full account of his find-
ings. Eight institutions of learning were visited,
and their department of physics was subjected to
a searching scrutiny. " It may well be," remarks
President Pritchett in a Preface to the printed re-
port, " that a thorough-going administrative study of
the income and expenditure of one of our large and
newly grown universities may be more helpful to it
at this moment than more money. We have gone
through a period of great expansion. Just now a
critical examination and appreciation of what we are
getting out of the expansion is probably more to be
desired than further expansion." These words, ut-
tered just at the moment when the Massachusetts
Institute of Technology, over which Dr. Pritchett
presided before assuming his present office, is urging
acute need of funds to meet the increasing demands
made upon it, or even to continue its activities at all,
have a peculiar significance and timeliness.
THE GROWTH OF THE LlBBABY OF CONGRESS
has been so increasingly rapid under its present
able head as almost to make the observer gasp for
breath. The current "Report of the Librarian," a
bound volume of three hundred and five octavo
pages, shows noteworthy recent development in all
departments. A few random notes from its rich
pages will convey even to the unbibliothecal mind a
sense of the vastness and vigor of this our national
library. Whereas there were but one hundred and
twenty-five persons employed when Mr. Putnam
took office not so very long ago, there are now three
hundred and thirteen engaged in the library's various
departments. Its book collection numbers one
million seven hundred and ninety-three thousand
volumes. Its expenditures for the last fiscal year
were more than eight hundred thousand dollars.
Its bindery handled thirty-one thousand volumes.
Its copyright department registered more than one
hundred thousand books, pamphlets, and other
items. Finally, the libraries subscribing to its
printed catalogue cards form a list filling thirty-five
pages of the Report. But to gain a clear concep-
tion of the Congressional Library's manifold and
ever-inreasing activities, one needs to examine the
Report itself, which is obtainable at a nominal price.
THE STOEY OF A BYBON MANUSCRIPT of con-
siderable interest to autograph-collectors and Byron-
lovers was recently told in the " Pall Mall Gazette."
It was the discerning eye of a London bookseller,
Mr. Charles J. Sawyer, of New Oxford Street, that
recognized the peculiar worth of a bit of writing
lately offered for sale by a Nottingham auctioneer.
The treasure was secured by Mr. Sawyer, and proves
to be the original draft of the poet's epitaph to his
dog Boatswain, who died in 1808 and was buried
in the garden at Newstead Abbey, not far from the
spot where his master was to be interred sixteen
years later. The manuscript, given by the poet to
the family of Job Turton, the man who erected (at
a cost of one hundred pounds) the monument that
attested the grief of the dog's master, passed from
hand to hand until finally it was carried to the auc-
tion room by a granddaughter of Turton, and so
came to public view and into Mr. Sawyer's possession.
THE EFFECT OF BOOK EXHIBITIONS AT COUNTY
FAIRS is encouraging. Note has already been made
here of last autumn's experiment, particularly in
Indiana and Vermont, with carefully selected col-
lections of agricultural and other works as a new
feature at the annual "cattle-show." And now from
Indiana, on the authority of Dr. Stanley Coulter of
Purdue University, as quoted in the current issue
of the " Library Occurrent," we learn that " ap-
proximately five hundred dollars' worth of purely
agricultural books were sold to them \i. e. the farm-
ers] from a collection of about 75 volumes exhibited
at the county fairs this present summer and fall."
What further stimulus to reading and to miscellan-
eous book-buying should be credited to these literary
exhibits will never be known, but from the general
interest shown on the part of the rural public it
may be confidently reckoned as considerable.
THE PBOPEB INGBEDIENTS OF A TEA YELLING
LIBBABY must depend largely on the nature of
the communities it is designed to serve. Among
rural readers, especially feminine readers, one is
not surprised to find the borrowers following the
example of the small child that eats the frosting of
its cake first and then, surfeited with sweet, perhaps
takes little or nothing of the more substantial and
nutritious under-layer. From the "Fifth Biennial
Report of the Nebraska Public Library Commis-
sion " we learn that the book collections now visit-
ing the prairie settlements of that promising com-
monwealth have perforce been reduced to little else
than fiction. Starting originally with ten works of
fiction, ten of a more serious nature, and twenty
82
THE DIAL
[Feb. 1,
children's books, these travelling libraries have shown
so extremely little wear and tear in the non-fiction
section that gradually they have undergone the
transformation indicated above, while the eliminated
idle books have been set apart as a reserve collec-
tion from which to supply study clubs, individual
students, or other persons desiring reading matter
of a serious sort. Eighty-three counties of Nebraska
have in the last two years profited by the Commis-
sion's services in this sending out of good literature,
four hundred and forty-two requests for travelling
libraries having been responded to.
THE ORGANIZATION OF HARVABD LIBRARIES
under one administrative head has at last been
effected. In its various schools and departments the
university numbers more than thirty separate librar-
ies beside the main one in Gore Hall, and hitherto
each of these has had its own librarian who has dis-
charged his duties with no strict regard to the policy
and proceedings of the other libraries. Now, how-
ever, to provide an administrative head of the entire
system, the university authorities have created the
post of Director of University Libraries, and have
appointed as its first incumbent Professor Archibald
Gary Coolidge, of the class of '87, who has long been
a liberal giver of his time and his means to the library
of his alma mater. This coordination of university
libraries, like that which has recently been intro-
duced at Chicago University, should be of great
service to the interests of economy and efficiency.
YASNAYA POLYANA AS AN INTERNATIONAL PEACE
MEMORIAL, which is the disposition of the estate
said to be favored by the Tolstoy family, would
serve a larger purpose than if simply set apart by
Russia as a Tolstoy museum. There is no reason
why the great peace-advocate's old home should not
be preserved both as a memorial to him and as an
impressive reminder of his earnest protest against
war. A nephew of the late Count has recently ar-
rived in this country on a mission, it is rumored,
to Mr. Carnegie for the purpose of interesting that
wealthy promoter of peace in the proposed plan.
Unless Mr. Carnegie chooses to give his personal
attention to the matter, here would seem to be a
piece of work cut out for the trustees of the lately-
established Carnegie Peace Fund.
THE TARDY ACCEPTANCE OF A CARNEGIE LI-
BRARY that was generously offered to the District
of Columbia seven years ago is now gratefully
noted in the current report of the Washington Pub-
lic Library. As mentioned by us in a previous
issue, the difficulty of getting our national legisla-
tors to focus their gaze on so small a matter as a
branch library for Takoma Park has seemed for
years all but insuperable. But the impossible has
at last been accomplished, Congress has actually
consented to concern itself with so trivial a detail
as a forty-thousand dollar library building, and the
offered present to the people of the District has
been formally accepted, with the somewhat niggardly
stipulation, however, that no provision for mainten-
ance shall be made over and above ten per cent of
the total cost of the building an unwise economy,
to be sure; but we must save our pennies for the
fortifying of the Panama Canal.
COMMUNICA TIONS.
THE QUESTION OF LIBRARY RENEWALS.
(To the Editor of THE DIAL.)
The paragraph in a recent issue of THE DIAL with
reference to the renewal of books in this Library, as
discussed in our last annual report, came to my atten-
tion about the time I was leaving the city, and the matter
was pushed aside and overlooked until the present time.
Permit me to go into the question of renewals a little
more fully than it was discussed in our annual report,
bearing in mind that what I have to say does not apply
to new fiction seven-day books. We look upon this
whole matter as chiefly one of administration, for most
of the mistakes or misunderstandings with the public
which arise in the circulating department are in connec-
tion with renewals, persons thinking that books had
been renewed when they were not, and therefore
becoming subject to fine. Furthermore, renewals are
given practically to everyone who asks for them, so
that anyone who wishes to retain a book four weeks
gets it for the asking. If the Library is willing to let
him have the book four weeks (provided he asks for it)
it seems to us that it would eliminate a lot of red tape
and trouble to cut out the renewals and allow the bor-
rower to keep the book the straight four weeks if he
wished to do so, without bothering him to have the
book renewed in order to escape a fine.
Most libraries in renewing books (many of them
taking the request for renewal over the telephone)
count the renewal as a second issue, and in that way
the statistics of circulation are swollen; but I believe
that that is not the best way for a Library to increase
its circulation. To have some one sit at a telephone
desk all day taking requests for the renewal of books
and then count those requests as circulation, is going
through the motions, but without giving any real ser-
vice. I believe that the sooner our libraries cut out all
make-believe service of this kind the better it will be
for them and for their communities. I might add that
at least two well-known libraries (Newark and Pitts-
burgh) have abolished renewals, or restricted them to
fiction, to the great satisfaction of all concerned.
There are many books which it is impossible for a
busy person to get through with in two weeks, and a
fixed time limitation of that kind is in reality a limita-
tion to the real usefulness of the library. I personally
know of many such cases. In some instances it is true
that to lengthen the retention period would curtail the
general usefulness of the books ; but these instances are
comparatively very few, and the time, trouble, and dis-
satisfaction that this Library would save by abolishing
renewals would, I believe, more than enable it to pay
for the few additional duplicates that might be neces-
sary. The best place for almost every library book in
the circulation department is in the hands of some
borrower, and not on the shelves waiting for the possible
time when someone may want to use it. In every large
library there are thousands of volumes that do not circu-
late once in three years, and some not once in ten years.
1911.]
THE DIAJL
83
In short, as we see the problem in Grand Rapids, the
abolishment of renewals would make for a better and
more satisfactory service, thereby enabling the people
to get more real use out of the library than they can
get at present. It should be understood, however, that
no definite action has yet been taken in the matter; the
abolishment of renewals was simply recommended in our
last annual report. SAMUEL H. KAXCK.
Grand Rapids Public Library, January 10, 1911.
HISTORY AND MACAULAY.
(To the Editor of THE DIAL.)
That my note on " The Writing of History " should
have called forth the scholarly paper of " J. W. T." is
greatly to its credit. It is the more so, however, that
so able a pleader should have been compelled to resort
to the dexterous parry the lawyers call a plea by way
of confession and avoidance. For he admits all that is
claimed for Macaulay, but denies that the latter lacks
appreciation in the house of the doctrinaires.
Whose, then, are all the sneers I have been hearing
for wellnigh fifty years? To all seeming they came
straight from the schools of the pedants of research.
It is true, they were couched in English so clumsy as
forever to debar them from reaching posterity. Pos-
sibly his good taste has spared " J. W. T." the pain of
reading them.
This correspondent also makes the point that there
have been good writers of history since Macaulay, and
instances a number of them. I gratefully agree with
him, and wish that there were more of them. But
surely this in no way contravenes my contention that the
school of Stubbs and Freeman which had such vogue
in the last generation and still influences the present
deliberately slighted the graces of style and somehow
infused into their admirers the notion that accuracy and
bareness or slovenliness of diction were inseparable.
The argument, based on the declaration that Macaulay
was a great artist and that we must not look to see his
like in many an age, strikes me as having little bearing
on the subject. It would be absurd for everybody to
try to write like Macaulay : to use his methods and to
adopt his spirit is a very different matter; and it is all
that I contended for. Mannerism is a poor equipment
for an author of any kind.
What Professors Adams and Hodder say of the neces-
sity for thorough investigation before the work of the
true historian begins, is of course sound doctrine ; but
there certainly is no intrinsic necessity for even the most
careful and painstaking investigator to put crude
material before the public and call it history. Yet that
is what many have been doing, with but little adverse
criticism to deter them.
As for Dr. Carl Becker, he tells us frankly that
Macaulay bores him. Impossible as it is to understand
his point of view, one must surmise that this judgment
is based wholly on the attempt to read the History, and
not the historical essays. It is inconceivable that any
one should fail to find the latter delightful. As this
gentleman dislikes Latin quotations (yet rashly uses
one), I shall not quote the old adage as to tastes, but
only remark that there are also those in this generation
whom Walter Scott bores, just as there were few at the
Restoration period who could abide Shakespeare. But
one can forgive anything to a man who has so sound an
opinion in regard to doctors' theses.
CHARLES WOODWARD HUTSON.
New Orleans, La., January 17, 1911.
Cbt |Uto gooks.
TOI.STOY, ROMANCER AND REFORMER.*
An unforeseen timeliness marks the appear-
ance of Mr. Aylmer Maude's " Life of Tolstoy."
Brought to a conclusion only a few months
before the great Russian's death, and published
almost simultaneously with that closing of the
book of his life, the biography, in its two thick
volumes of fine print, presents a complete and
authoritative account of Tolstoy's life-history.
The writer's twenty-three years' residence in
Russia, and his intimate acquaintance with the
author-moralist whose works he and Mrs. Maude
have done so much to render accessible to En-
glish readers, together with Tolstoy's expressed
confidence in his biographer's scholarly equip-
ment and thorough trustworthiness, inspire a
not unreasonable confidence in the elaborate
work now offered to the British and American
public after a careful revision at the hands of
Countess Tolstoy.
The treatment of Tolstoy's life and character
naturally divides itself into two parts : the his-
tory of the romancer and the history of the
reformer ; and to each of these a volume is
devoted, although with much inevitable over-
lapping on both sides. These two personalities
of the man become more and more at war with
each other as he grows older, the moralist and
reformer finally almost displacing the creative
artist of the earlier years. But while the two
natures are felt to be mutually antagonistic,
each grievously hampering the free activity of
the other, they yet in a certain sense aid and
strengthen each other; for without his deep
moral convictions Tolstoy could not have made
his fiction so impressive and of so powerful
appeal to humanity at large, nor without his
fine mastery of literary art could he have reached
so many readers with his ethical, religious, and
social-reform writings.
How early the serious problems of life, and
even some of the abstruse questions of meta-
physics, began to interest him is revealed in
the story of his life. It even appears that when
about twelve years of age he arrived, unaided,
at a pretty clear notion of the meaning of
" solipsism," without of course knowing that
this was its name. A passage from his much
later written " Boyhood," quoted by Mr. Maude,
makes this apparent. As revealing thus early
the combined speculative, self-indulgent, and
* THE LIFE OF TOLSTOY. By Aylmer Maude. In two
volumes. Illustrated. New York : Dodd, Mead & Co.
84
[Feb. 1,
self-chastising elements in his nature the fol-
lowing extract is significant :
" It will hardly be believed what were the favorite
and most common subjects of my reflection in my boy-
hood go incompatible were they with my age and
situation ... At one time the thought occurred to me
that happiness does not depend on external causes, but
on our relation to them; and that a man accustomed
to bear suffering cannot be unhappy. To accustom
myself therefore to endurance, I would hold Tatishef's
dictionaries in my outstretched hand for five minutes
at a time, though it caused me terrible pain; or I would
go to the lumber room and flog myself on my bare back
with a cord so severely that tears started to my eyes.
At another time, suddenly remembering that death
awaits me every hour and every minute, I decided
(wondering why people had not understood this before)
that man can only be happy by enjoying the present
and not thinking of the future; and for three days,
under the influence of this thought, I abandoned my
lessons, and did nothing but lie on my bed and enjoy
myself, reading a novel and eating honey-gingerbreads,
on which I spent my last coins. . . . But no philosophic
current swayed me so much as scepticism, which at
times brought me to the verge of insanity. I imagined
that except myself no one and nothing existed in the
world, that objects are not objects but apparitions, ap-
pearing only when I pay attention to them, and disap-
pearing as soon as I cease to think of them. . . . There
were moments in which, under the influence of this fixed
idea, I reached such a stage of absurdity that I glanced
quickly round hoping to catch Nothingness by surprise
where I was not."
Very early there appear signs of his zeal for
reform, and his restless desire to make over the
world according to the ideal that, for the time
being, presented itself to him as the pattern of
perfection. In one of his many and usually
discreditable love affairs we find him actually
engaged to be married to an apparently respect-
able girl ; but in a sudden fit of moral reform
he allowed himself to assume toward her the
role which, twenty-five years later, he was to
play for the benefit of the world at large, and
reproached her with the unworthy and frivolous
nature of her interests and occupations, giving
vent to some scathing sarcasms against the
fashionable society she found so delightful, and
making himself so odious to the lively young
lady that one cannot be surprised at the dis-
continuance, not long afterward, of their inti-
macy.
Some of the hereditary influences that shaped
Tolstoy's character are traced by the author.
On his father's side, and still more on his
mother's, he came of aristocratic stock more or
less in passive opposition to the ruling powers
and sharing the humanitarian sympathies prev-
alent in the early years of the reign of Alexan-
der I. A cousin of Tolstoy's mother was one
of the Decembrists, and on the accession of
Nicholas in 1825 participated in their unsuc-
cessful attempt to establish a constitutional
government ; for which he was exiled to eastern
Siberia for thirty years and condemned to hard
labor in irons for a part of that period. From
Tolstoy's mother it was that Tolstoy the novelist
inherited his genius for romance and his remark-
able language sense. She was a woman of
education, had five languages at her command,
and possessed a remarkable gift for impromptu
fictitious narrative of the most delightful de-
scription. In the same way that afterward the
son could hold a circle of army comrades spell-
bound by the charm of his improvised tales, so
the mother would in her maidenhood draw
around her a group of companions who gladly
forsook the fascinations of the ball to hear her
tell a story in a dark room where her shyness
would be shielded by the gloom. " Her most
valuable quality," Tolstoy has related, " was
that though hot-tempered she was yet self-
restrained." Of the father, early cut off by an
attack of apoplexy, some pleasing traits are
sketched in " Childhood," from which it ap-
pears that he was most agreeably remembered
by the son as " sitting with grandmother on the
sofa, helping her to play Patience. My father,"
he adds, " was polite and tender with every one,
but to my grandmother he was always parti-
cularly tenderly submissive." Leo was the
youngest of the five children (four sons and a
daughter) born to Nicholas and Marie Tolstoy,
and he lost his mother in 1830, when he was
not much over eighteen months old, and his
father seven years later. His Aunt Tatiana
(in reality a very distant relative, but affec-
tionately called " aunty " by the orphans) was
in some sort a mother to Leo after his own
mother's death, and seems to have had great
influence over him.
Tolstoy's university days at Kazan and St.
Petersburg, his army experiences in the Caucasus
and in the Crimean War, the irregularities and
impetuosities that preceded his happy marriage
at the age of thirty-four, and his subsequent
fruitful years at Moscow and at Yasnaya Polyana
(his birthplace and the part of the family
property that fell to his share when he came of
age), are all treated with fulness of detail by
his biographer, who has made wise use of
Tolstoy's own writings, both his letters and his
published works, to illustrate his development
and indicate his dominant aims and interests.
It is not surprising to find that from the very
start Tolstoy's writing activities were hampered
in the most trying fashion by the official censor
1911.]
THE DIAL
85
of the press. In an early letter to his brother
Sergius he complains that "Childhood was
spoilt and The Raid simply ruined by the
Censor. All that was good in it has been struck
out or mutilated." With no freedom in the
literary expression of his germinating ideas and
ideals, the wonder is that Tolstoy gained so
early and so marked success as he did. The
non-Russian reader of his life will see reason
to be thankful not to owe submission to any
such despicable satellite of despotism as strove
to put out the new light that was breaking on
the world of letters in the middle of the last
century. Characteristic criticisms of his earlier
works are quoted by Mr. Maude from the
author's own lips. These comments, it will of
course be remembered, are from Tolstoy the
reformer.
"He told me that in War and Peace and Anna
Karenina his aim was simply to amuse his readers. I
am bound to accept his statement; but one has only to
read either of those books to see that through them
Tolstoy's ardent nature found vent, with all its likes
and dislikes, strivings, yearnings, hopes, and fears. I
asked Tolstoy why in What is Art f he relegates these
great novels to the realm of ' bad art '; and his answer
showed, as I expected it would, that he does not really
consider them at all bad, but condemns them merely as
being too long, and written in a way chiefly adapted to
please the leisured well-to-do classes, who have time
for reading novels in several volumes, because other
people do their rough work for them. Of War and
Peace he said, ' It is, one would think, harmless enough,
but one never knows how things will affect people,' and
he went on to mention, with regret, that one of Profes-
sor Zaharin's daughters had told him that from his
novels she had acquired a love of balls and parties;
things of which, at the time of our conversation, he
heartily disapproved."
Like all authors of repute, Tolstoy was
sought out and more or less grievously pestered
by aspiring and admiring young writers, poets,
and would-be poets, and by the idle curious
who swarm about a celebrity of any sort. To
one of these uninvited visitors, who had brought
a set of verses with him and desired the great
man's opinion of them, he delivered himself in
the following frank and characteristic fashion :
" There is nothing original here ; and besides, every-
body writes poems nowadays. There are hundreds and
hundreds of people turning them out ! And not one of
them writes a single good line. In the days of Poushkin
and LeVmontof there used to be poetry, but not now.
Verses have gone out of fashion. And what's the good
of them? You will agree that prose expresses our
thoughts much better it is easier to read and has
more sense in it. Take our conversation, for instance:
We say what we want to. But if some one tried to put
it into verse, it would come out all upside-down. Wher-
ever a definite, clear expression is wanted, it either
spoils the rhythm, or doesn't suit the style: and one has
to substitute some other word, often far from the real
meaning."
Little has here been said of Tolstoy's later
labors. With these, and with the abnormal
place in his mind occupied by the sex question,
the second volume of Mr. Maude's work chiefly
concerns itself. One cannot but be disagreeably
impressed with the strength and persistence of
Tolstoy's animal passions, and with his morbid
fondness for puzzling over the eternally insol-
uble sex problem. His biographer, in pictur-
ing him as gaining in old age a glorious victory
over his baser nature, gives him perhaps too
much credit. The low desires that we gradually
outgrow we are always too prone to regard as
triumphantly overcome.
The reason why Tolstoy himself, and why
this life of him, are so fascinatingly interesting
must be chiefly because the man so strikingly
illustrates the duality in all human nature. He
is ever at war with himself, and yet no com-
plete conquest on either side is possible or,
indeed, desirable. The study of his troubled
life helps one better to understand what is
meant by the " eternal antinomies."
PERCY F. BICKNELL.
PEXXSYL.VAXIA EV HISTORY.*
Pennsylvania has always been somewhat in
the case of the man who lost his shadow. How-
ever great or formidable it was, it did not seem
to project any effluence beyond itself ; people
did not see any Brocken spirit cast upon the
clouds. The good and sufficient reason for this
has been the distrust and depreciation of litera-
ture which has always prevailed in the Keystone
State. The Quaker blood, the Dutch tempera-
ment, the tincture of the Southern spirit a
spirit which has always seen everything in
society as Malebranche saw everything in God,
have combined to keep down any literary
outburst or output. Pennsylvania has been a
bitter stepmother to her imaginative sons ; at
best, it has regarded them as a hen does her
brood of ducklings. While New England made
idols of its writers, Pennsylvania has turned
such unprofitable children out of doors for fear
that they might impart some touch of color to
the drab of its disposition or suspend for a
single minute the maxims of Poor Richard. It
has been Sparta in act but Bosotia in thought.
PENNSYLVANIA IN AMERICAN HISTORY. By Hon.
Samuel Whitaker Penny-packer. Philadelphia : William J.
Campbell.
86
THE DIAL
[Feb. 1,
It has said to all within its borders, " Do some-
thing useful, and be honored. Invent a shovel,
or be a magistrate." It has never realized that
imagination and enthusiasm and charm pre-
vail more mightily over mankind than utility.
What is the result ? New England's influence
has been, and is, dominant from the Atlantic to
the Pacific ; the sayings and doings of a group
of not absolutely first-rate writers are treasured
all over the world. There are people in
England and Germany who really think that
America consists of Concord, Brook Farm,
Walden Pond, and Harvard University. But
Pennsylvania has depended on the Deed and
despised the Word, and the Word and the
world have left it severely alone.
No charge of disregarding the Word can be
brought against Ex-Governor Pennypacker,
whose book on " Pennsylvania in American
History " has just been published. For many
years the author has held up the historian's
torch to illuminate the greatness and virtues of
his State. He has not only had to face criti-
cism and misrepresentation from without, but
some hatred and obloquy from his own folk.
To be shot in the back by the soldiers you are
trying to urge to victory is the hardest fate
that can befall a captain.
The deeds and men of Pennsylvania have
been mighty, in very truth. Take its generals
of the Civil War, Meade, McClellan, Han-
cock, Reynolds, McCall, Humphreys, Birney,
Gibbon, Park, Naglee, Smith, Cadwallader,
Crawford, Heintzelman, Franklin, Gregg,
Geary, Pennypacker, and Hartranft. It is
hardly too much to say that this galaxy
equalled in military talents and proved effi-
ciency all that all the other Northern States
contributed to the officering of the Union
armies. Or take its three great names of the
Revolution, Franklin, Morris, and Wayne.
The success of the American cause was probably
due as much to them as to any other three who
can be named. Ex-Governor Pennypacker shows
that Morris financed the Revolution, Stephen
Girard the War of 1812, and Jay Cooke the
Civil War. Franklin was of Massachusetts
birth, but his life-work was done in Pennsyl-
vania. There are really two Franklins,
one, the great patriot, statesman, and philoso-
pher, who loomed so large in the eyes of his
contemporaries both here and in Europe ; and
the other the business man and retailer of petty
proverbs, who was nothing- in his own day, but
who has since become the Franklin of fame and
has stamped himself on the American mind.
Ex-Governor Pennypacker quotes from Henry
Adams's History of the United States this pas-
sage : "If the American Union succeeded, the
good sense, liberality, and democratic spirit of
Pennsylvania had a right to claim credit for
the result." And again : " Had New England,
New York, and Virginia been swept out of ex-
istence in 1800, democracy could have better
spared them all than have lost Pennsylvania."
Ex- Governor Pennypacker discusses such
matters as the history of Congress Hall in
Philadelphia, the Louisiana Purchase, George
Washington in Pennsylvania, Pennsylvania
and Massachusetts, German Immigration, the
Dutch Patroons of Pennsylvania, the High-
Water Mark of British Invasion, Gettsyburg,
and a number of other allied subjects. One of
the most engaging and valuable of his contri-
butions to history is a somewhat extended biog-
raphy of General Anthony Wayne. Though
one of the most popular of American heroes, as
his sobriquet " Mad Anthony " and the efflor-
escence of his name all over our map show, the
facts of Wayne's career are little known. He
fought from Canada in the North to Georgia in
the South, and in after life against the Indians
in Ohio. His most daring exploit the capture
of Stony Point remains perhaps the most bril-
liant feat of arms in our history. With four-
teen hundred men he attacked and captured a
fort on a steep hill a hundred and fifty feet
high, defended by six hundred British troops
with eight cannon. But he was practically in
everything during the Revolution the battles
of Brandywine, Germantown, Paoli, Monmouth,
Yorktown, and Savannah, and he was always
sent to the front. Washington leaned on him
more than on any other one man. His defeat of
the Indians on the Miami opened the West to
civilization. In most of his engagements dur-
ing the Revolution, Wayne was in command
of the Pennsylvania Line, an almost separate
organization of thirteen regiments, which in the
worst times formed the bulk of Washington's
army. In a similar way, during the War of
the Rebellion, Pennsylvania had a complete
division in the field. The present writer feels
a touch of personal interest in this last matter,
because his father, who was a member of the
Pennsylvania Legislature during the first three
years of the Civil War, was of some service to
Governor Curtin in passing the bill for the
formation of the Pennsylvania Reserves.
Of this same Legislature, ex-Governor Pen-
nypacker writes : " At half-past four on the
morning of April 12, 1861, the rebels opened
1911.]
THE DIAI,
87
fire upon Fort Sumter, in Charleston Harbor.
Before the sun went down that day Pennsyl-
vania had appropriated five hundred thousand
dollars with which to arm the State. This first
step in the war upon the part of the North,
quick as a flash, three days before the call by
the President for troops, followed by New York
on the 15th, and the other States later, is one
of those momentous and over-powering events
that determine the fate of nations, to be remem-
bered with the crossing of the Rubicon and the
Dinner of the Beggars of the Sea."
Rather unaccountably, ex-Governor Penny-
packer has omitted in his testimony any re-
ference to the naval glories of Pennsylvania.
Philadelphia was the nursery of the American
navy, and Barry, Bainbridge, Dale, Stewart,
Decatur, and Hull were natives or residents of
that city.
Another lack which we confess we feel is the
one glanced at near the beginning of this re-
view, a dearth of the humanizing light of let-
ters. History is an elastic word, and in the mod-
ern conception of the term includes much besides
Statesmanship and War. Ex-Governor Penny-
packer has not made the most of what Penn-
sylvania has to show in this field. If he had
given us a study of Charles Brockden Brown,
the first American romance writer, who fascin-
ated Shelley, influenced Hawthorne and Poe,
and is good reading yet on his own account ;
if he had given us some account of Thomas
Buchanan Read, some of whose graceful or fiery
lyrics will live long in our literature ; if, best of
all, he had made an analysis, as he could prob-
ably do better than anyone else, of the genius
of Charles Godfrey Leland, whose "Hans
Breitman" is one of the greatest creations of
American humor, he would, we think, have
rounded out his book and given it a wider
appeal. As it is, he has made a truthful, log-
ical, and often eloquent plea for the preemin-
ence of Pennsylvania.
CHARLES LEONARD MOORE.
THE HERO OF QUEBEC.*
Of the lives of great men of action
Napoleon, Cromwell, "Washington, Nelson, and
their kind the world never grows tired. Such
a man of action was James V\ r olfe, the appear-
ance of a volume of whose letters is, or should
be, an event of importance in the literary world.
Editor and publisher have combined to produce
*THE LIFE AXD LETTERS OF JAMES WOLFE. By
Beckles Willson. Xew York : Dodd, Mead & Co.
a substantial and attractive volume, containing
a great deal of material bearing on both the
public and private life of the hero of Quebec
which has never before appeared in print. The
book will appeal to the average uncritical reader
because of the intimate light it throws on the
character of one whose brief career was so
packed with dramatic situations and splendid
achievements. That it will appeal with equal
force to the serious student, is questionable.
Undoubtedly the book contains material of the
highest importance, not elsewhere accessible in
print ; and if the editor had carried out the
promise of his preface, his work would rank
with Doughty 's " Siege of Quebec " and Wood's
" Logs of the Conquest of Canada," filling in
fact the one remaining gap hi the literature of
the great siege. The student had every right
to expect that Mr. Willson would remember the
one essential characteristic of such work
that his transcripts should agree word for word
with the originals. Unfortunately, they do not.
Not only is the spelling and punctuation of
Wolfe's originals not followed, but whole sen-
tences are omitted, or represented by only a
word or two. It cannot be positively stated that
this criticism applies to all the letters, as a
large number of the originals are not accessible ;
but as it certainly does apply to some, there is
reason to fear that the whole work is unreliable.
Not only is the text inaccurate, but the
editor's comments are in many cases not what
one would expect from one who has made such
a close study of his subject. He refers to " Sir
Charles Saunders" in 1759, although the
admiral did not receive knighthood until 1761 ;
similarly, Pitt is spoken of as " Chatham,"
though he was not elevated to the peerage until
1766. These are but trifles, comparatively.
A much more serious error is the statement on
page 422 that " Saunders was merely to co-
operate with Wolfe, whenever that military
commander should stand in need of such ser-
vices as the navy only could give. Otherwise
he was to * cover ' Wolfe's army, and keep con-
trol of his communications." He adds that
Saunders exceeded his instructions, and gave
Wolfe " a warm and loyal support." The
King's secret instructions to Wolfe and Saunders
bear no such interpretation. On the contrary,
they make it perfectly plain that Saunders was
expected to give Wolfe " a warm and loyal
support"; that, in fact, the attack on Quebec
was to be a joint one, in which the army and
navy were to work in perfect harmony. The
King wrote :
88
THE DIAL
[Feb. 1,
" Whereas, the success of this Expedition will very
much depend upon an entire Good Understanding be-
tween Our Land and Sea Officers, We do hereby strictly
enjoin and require You, on Your part to maintain and cul-
tivate such a good Understanding and Agreement, and
to Order, that the Soldiers under Your Command shall
man the Ships, when there shall be occasion for them,
and when they can be spared from the Land Service, As
the Commander in Chief of Our Squadron is instructed,
on His Part to entertain and cultivate the same good
Understanding and Agreement and to order the Sailors
and Marines under His Command, to assist Our Land
Forces and to man the Batteries, when there shall be
occasion for them, and when they can be spared from
the Sea Service; And in order to establish the strictest
Union that may be, between You and the Commander
in Chief of Our Ships, You are hereby required to com-
municate these Instructions to Him as He is directed
to communicate those He shall receive from Us to
You."
As to the Letters themselves, one would like
to quote many passages for the sake of the new
light they throw on Wolfe's character and
motives, and the clarity of his vision as a
military commander. One or two must, how-
ever, suffice. In one of the letters to his
mother, we find this modest appreciation of his
own merits :
"The officers of the army in general are persons of
so little application to business and have been so ill
educated, that it must not surprise you to hear that a
man of common industryjis in reputation amongst them.
I reckon it a very great misfortune to this country that
I, your son, who have, I know, but a very modest capa-
city, and some degree of diligence a little above the
ordinary run, should be thought, as I generally am, one
of the best officers of my rank in the service. I am not
at all vain of the distinction. The comparison would do
a man of genius very little honour, and does not illus-
trate me, by any means; and the consequence will be
very fatal to me in the end, for as I rise in rank people
will expect some considerable performances, and I shall
be induced, in support of an ill-got reputation, to be
lavish of my life, and shall probably meet that fate
which is the ordinary effect of such conduct."
This was written in 1755, before the Roehefort
expedition. That same disastrous campaign
forms the text of one of Wolfe's letters to his
friend Rickson, in November 1757, in which
he lays down those sound principles of coopera-
tion between army and navy which he was after-
ward to illustrate so brilliantly at Quebec, and
the ignorance of which, on the part of his com-
manding officers, made the Roehefort expedi-
tion such a dismal failure. He says :
" I have found out that an Admiral should endeavor
to run into an enemy's port immediately after he ap-
pears before it; that he should anchor the transport
ships and frigates as close as he can to the land; that
he should reconnoitre and observe it as quick as pos-
sible, and lose no time in getting the troops on shore;
that previous directions should be given in respect to
landing the troops, and a proper disposition made for
the boats of all sorts, appointing leaders and fit persons
for conducting the different divisions. On the other
hand, experience shows me that, in an affair depending
upon vigour and dispatch, the Generals should settle
their plan of operations, so that no time may be lost in
idle debate and consultations when the sword should be
drawn; that pushing on smartly is the road to success,
and more particularly so in an affair of this nature;
that nothing is to be reckoned an obstacle to your under-
taking which is not found really so upon trial; that in
war something must be allowed to chance and fortune,
seeing it is in its nature hazardous, and an option of
difficulties; that the greatness of an object should come
under consideration, opposed to the impediments that
lie in the way; that the honour of one's country is to
have some weight; and that, in particular circumstances
and times, the loss of a thousand men is rather an ad-
vantage to a nation than otherwise, seeing that gallant
attempts raise its reputation and make it respectable ;
whereas the contrary appearances sink the credit of a
country, ruin the troops, and create infinite uneasiness
and discontent at home."
An interesting point arises in connection
with the fact that Durell, instead of sailing to
the St. Lawrence at the earliest possible mo-
ment, kept his ships in idleness at Halifax, and
so permitted Bougainville, with news of Pitt's
plan of campaign, and with a couple of frigates
and a score of storeships, to slip up the river to
Quebec. Mr. Willson suggests that, had
Durell done his duty, Wolfe, " instead of the
long and dreary task before him, might have
fallen on the enemy's weak point and won vic-
tory in July instead of September." The argu-
ment is not convinciug, but it suggests a curious
question : Had Quebec fallen in July, without
the sacrifice of the life of the British general,
Washington might have had to cope with the
genius of Wolfe instead of with the mediocrity
of the actual commanders. What, then, might
have been the fate of America ?
LAWRENCE J. BURPEE.
A HISTORY OF Six MILLION YEARS.*
" When the Rabbit actually took a watch out of its
waistcoat-pocket, and looked at it, and then hurried on,
Alice started to her feet, for it flashed across her mind
that she had never before seen a Rabbit with either a
waistcoat-pocket or a watch to take out of it, and, burning
with curiosity she ran across the field after it, and was
just in time to see it pop down a large rabbit-hole under
the hedge." Alice's Adventures in Wonderland.
The modern student of animal life finds him-
self somewhat in the position of Alice. The
close study of fossil mammals has revealed to
him that these animals carry time-pieces, not
exactly in their waistcoat pockets, but in their
bones and teeth. Burning with curiosity, he
*THB AGE OF MAMMALS in Europe, Asia, and North
America. By H. F. Osborn. Illustrated. New York:
The Macmillan Co.
1911.]
THE DIAL
89
pursues them in holes in the ground, whence
he has extracted in recent years many of the
wonders to be seen by anybody who will trouble
himself to visit the larger museums.
The Age of Mammals, the subject of Profes-
sor Osborn's new book, may have lasted about
six million years, more or less. Estimates vary
from less than three to over six millions, but it
is probable that the larger figure is more nearly
correct. A million years is a long time, but it
is only about five hundred times the distance
between us and the birth of Christ. During
the Age of Reptiles, when gigantic Dinosaurs
walked the earth, our humble ancestors were
slowly evolving. According to Professor Os-
born, their real beginning, as mammals, was
some fifteen million years prior to the "Age of
Mammals." All through this long period they
were small and despised, with little to suggest
their future glories. Even at the end of the
cretaceous, the dinosaurs " were in the climax
of specialization and grandeur ; they moved
amidst a stately flora of palms and sequoias
interspersed with bananas and fig trees, and a
very rich deciduous tree flora of modern south
temperate type." We do not know what blight
overtook them ; there was no world-catastrophe,
for the plants show only gradual change. Per-
haps the developing mammals, numerous and
prolific if small, made away with the food sup-
ply. If a pair of rabbits and a pair of elephants
were enclosed in the same pasture, and left to
multiply as best they could, it would only be a
matter of time for the rabbits to starve out the
elephants. However it may have been, the
great reptiles disappeared, leaving only a fauna
resembling in most respects that of to-day,
while the mammals began to increase in size
and number of kinds. From this time on they
underwent a rapid evolution, while most other
forms of life were relatively stationary ; hence
they afford unrivalled chronological data,
enabling us to determine the relative ages of
different strata very exactly, although not
knowing the actual time-period represented by
each. Finally, as we near the present age,
man appears, first of all in types so low that
they are now considered to belong to extinct
species of Homo.
Is it fair to unscientific readers to recom-
mend to them such a book as that of Professor
Osborn? The author himself says : " Although
I may not claim that any parts of this volume
are light reading, I have endeavored both to
hold the attention of those who are already
within the charmed temples of palaeontology
and to attract new votaries to its shrines. It
should, however, be clearly understood that
considerable sections of this work are purely
documentary and may be passed over rapidly
by the general reader." This admitted, he
nevertheless declares that he shares " Huxley's
confidence in addressing those who are willing
to do a little serious thinking in order to enjoy
the vast vistas of interesting truth which come
as the reward of effort." In truth, the work is
largely technical, yet not unintelligible. It
sets forth, in a manner not before attempted,
the history of that time in which the modern
mammals, and finally man, evolved ; a tremen-
dous drama of absorbing interest, only now
beginning to be well understood. It is beauti-
fully illustrated by maps and photographic
figures, and especially by Mr. Charles R.
Knight's very clever and spirited restorations
of the extinct animals. Are the cultured classes
of to-day so stupid or so lazy that they can get
nothing out of all this? Such a suggestion
would be unjust, yet are there not grounds for
a suspicion that the mass of easy reading every-
where available tends to crowd out serious forms
of literature? This is indeed a familiar com-
plaint, and perhaps there is no remedy. Never-
theless, I believe that something may be done
to stem the evil tide. Suppose that some suit-
able organization or journal were to take partic-
ular pains to pick out and enumerate the new
books which really added to human thought,
and were not too technical to be fairly intelligible
(no new body of ideas is likely to be wholly
inteJligible to anyone!) to the cultured lay
reader. Suppose then that those interested in
the movement, with or without definite organi-
zation, made it their business to get acquainted
with as many of these works as possible, to talk
about them, and have them placed in public
libraries. I can imagine such a movement
doing much to initiate more robust intellectual
habits, though it might occasionally deteriorate,
the boundary between honesty and humbug
having worn so thin.
T. D. A. COCKERELL.
StsCE writing his introductions to the various volumes
of Dickens's works that have appeared in " Everyman's
Library," Mr. G. K. Chesterton has discovered a good
deal more to say about Dickens, his times and his char-
acters. He has therefore been revising and enlarging his
introductions, and they have been collected and are to
be published in a separate volume by Messrs. E. P. Button
& Co. Mr. Chesterton has written two entirely new
chapters for this book, and it will contain some hitherto
unpublished portraits of Dickens taken by a friend.
90
THE DIAL
[Feb. 1,
THE GENIUS OF BALZAC.*
The fame of Balzac has grown enormously
in the last half-century. Of his own genera-
tion, he alone fully recognized his supremacy
as a novelist. His contemporaries preferred
the lurid fiction of Sue and Soulie to the
Comedie humaine, and even Sainte-Beuve
compared his genius to these masters of
ultra-Eomantic barbarity. Sixty years have
passed, however, since the publication of that
famous causerie, and the enemies of Balzac
have long since joined him in the grave. Death
has brought forgetf ulness, and time a truer per-
spective. The personal idiosyncrasies of the
author his vulgarity and his egotism have
dwindled into matters of literary history ; and
what survives for us is the creator of the mod-
ern novel.
It would seem that the time were ripe for an
adequate biography. Antiquarians have raked
over all the old anecdotes. Students have
spent days comparing and verifying the data of
Balzac's life. Even his note-book is soon to
be published, and we shall lack nothing of im-
portance except the last letters to Mme. Hanska.
In spite of this, however, we have no adequate
French biography. Brunetiere and Monsieur
Le Breton have kept to literary criticism, and
the Vicomte de Lovenjoul to antiquarian re-
search and bibliography.
The result of this is a second English Life of
Balzac, reflecting this recent scholarship on its
antiquarian side. It makes a very interesting
volume, and Mr. Lawton deserves the thanks
of all Anglo-Saxon readers. He has brought
together all the important facts and anecdotes,
briefly analyzed the novels, and enriched his
narrative by an admirable selection of illustra-
tions. An excellent introductory chapter fixes
the subject in its historical background, and
upon this canvas the figure of Balzac is depicted
with no glossing of realistic detail. The great
novelist was not a literary Galahad, and per-
haps this fact has contributed somewhat to the
coldness of the picture. The vivid portraits
accent this lack of warmth. " Exceedingly
sane," however, the book certainly is; for the
first time we have a study of Balzac in which
the adjective " vertiginous " is not employed !
But such excellence is not without its defects.
Admirable as a corrective to partizan enthusi-
asm, interesting enough as a collection of anec-
dotes, Mr. Lawton's delineation will fail to in-
* BALZAC. By Frederick Lawton, M.A. Illustrated.
New York : Wessels & Bissell Co.
spire the general reader. We could have wished
for a portrait less purely external. The ideal
biography will have its reservations, surely ; but
after all its criticism, it will present the per-
sonal force of the man. It will justify to us
the conception of Rodin. Mr. Lawton's Balzac,
one must confess, could hardly have written the
Comedie humaine. He is less the genius of
the letters than the vulgar little man of the
anecdotes, and many of the anecdotes present
a figure which seems to be almost wholly clay.
Honore de Balzac was, undoubtedly, a tremen-
dous egotist ; and if we can forgive that quality
in a living person, we cannot forgive the egot-
ism of those whom we have never known. We
know that Balzac's egotism was balanced by
all those qualities which go to make up personal
charm. His contemporaries loved him or
hated him ; the warmth of his genius vitalized
them all. But two generations later we can
only recapture that vital heat in his novels or
his letters, a task of greater difficulty than the
interpretation of the anecdotes. And so the
biographer is led to forget the genius in the
bourgeois gentilhomme.
We must remodel our conception of genius.
All the genius of Shakespeare did not give him
the moral repulsion of his age toward the actor's
life, or turn his exuberant manhood from
the petty crime of deer-poaching. All the
genius of Balzac did not prevent him from
engaging to write an article, and then dickering
with a nameless author to furnish him with the
product for him to sign and sell. But this does
not militate against the genius. It only com-
plicates the task of the biographer. He must
give us a synthetic picture, a picture with its
light and shade, but with the force of unity
throughout. He must interpret the man by
the genius or the genius by the man ; the only
escape from this dilemma means the reduction
of biography to pure antiquarianism. But we
need not go so far. It is his art which reveals
most clearly the subconscious part of the artist's
mind, and the qualities by which the artist lives
for us are, after all, the qualities by which he
really lived. The true biographer will find the
genius more important than the man.
This is the task which confronts the would-
be biographer of Balzac. It explains the lack
of a French biography, and it may serve to
excuse the defects of this one. The story of
Balzac's life might be made more wonderful than
any of his novels ; it seems more wonderful in
the letters to Mme. Hanska. For these letters
are a veritable journal. Egotistic but vital with
1911.]
THE DIAJL
91
energy, crude, uncorrected, spontaneous, they
give us Balzac's very self ; his personality rises
from their pages as the genie from the jar in
the Eastern tale. One feels at last the personal
force of his genius. We can almost see him at
his writing table its solid mahogany worn by
the constant friction of his arm, as for eighteen
hours a day he composed or corrected his novels,
scribbling " between two proofs " the letters to
his Russian Prlncesse lointaine. We feel the
fire of his inspiration, " work, always work,
nights of flame succeeding nights of flame, days
of meditation to days of meditation, execution
to conception, conception to execution." We
hear his exultant cry as he recounts his accom-
plishment, see the reaction and note the cost :
" To-day I have finished ' La Recherche de 1'Absolu.'
Heaven grant that the work be good and beautiful. I
cannot jndge of it; I am too weary with toil."
" This morning I rebelled against my solitude. I
wanted to roam the world, to see what the Landstrasse
was, to put my fingers into the Danube ... in short,
to do anything but write pages ; to be living instead of
turning pale over phrases ! "
This is the real Balzac, the vividness of whose
personality Mr. Lawton has missed. Nor are
such passages unique in these letters :
" Between this dolour and the distant light of love,
what are men, the world, society ! There is nothing
possible but the incessant work into which I throw my-
self work, my saviour, which will give me liberty and
return to me my wings. I quivered on reading your
reasoning: No letters, he is coming.' . . . I am seized
by periodic furies to leave all behind me, to escape, to
spring into a carriage ! Then the chains chink down ;
I see the thickness of my dungeon. If I come to you
it will be a surprise, for I can no longer make decisions
on that subject."
These are details, perhaps, that Mr. Lawton
would better have left in the words of Honore
de Balzac, instead of questioning the depth of
the novelist's love. And against the vulgarities
of Balzac's egotism he might have set another
paragraph, equally egotistic, but overlooked in
his biography :
" My life is varied only by ideas ; physically, it is
monotonous. I speak confidentially with no one but
Mme. de Berny or with you. I find that one should
communicate but little with petty minds. ... I am
vowed to great feelings and it is an odd contrast with
my apparent levity. . . . What sentiments, feelings,
I have made visible in my work is but the faint shadow
of the light that is in me ... In twelve years I have
had neither anger nor impatience; the heaven of my
heart has always been blue. Any other attitude is, to
my thinking, impotence. Strength should be a unit,
and after having for seven years measured myself with
misfortune and vanquished it, and risen, to gain literary
royalty, every night with a will more determined than
that of the night before, I have, I think, the right to
call myself strong."
This is the Balzac of Rodin. Everything about
him is colossal, even his faults. The very vir-
tues assume in him a monstrous quality ; his
industry, like his extravagance, has all the
excess of a debauch. " At this moment I am
a little drunk with work," he cries ; and, in
another place, " I have no time to live . . .
my life is a torrent." In the Romantic gener-
ation, so full of curious types and exotic tem-
peraments, he seems almost like a man of to-day.
And it is the life of to-day that he interprets,
the materialism of which one critic claims that
Balzac was the creator. He was not the creator
but the diviner of that nascent materialism, now
grown like a cancer into our modern life, just
as Musset was the interpreter of the Romantic
malady of his own age. Absolute opposites,
Musset and Balzac sum up the nineteenth cen-
tury. Musset's moral suicide typifies the shat-
tering of Romantic theories. Balzac's herculean
energy foreshadows our modern strenuosity,
affording us a spectacle probably unique in
art, the incarnation of a Napoleonic will.
LEWIS PIAGET SHANKS.
RECEXT FICTION.*
For some time past we have been hearing of a
prodigious French novel entitled " Jean-Christophe,"
the work of M. Remain Holland. The author has
not hitherto been known as a novelist, but as a critic
of music and the drama, a playwright, and a biog-
rapher of musicians. His " Jean-Christophe " has
been appearing in sections, each of them the length
of an ordinary work of fiction, and the end is not
yet, although the author is well on the way toward
having written a million words. During recent
months, our curiosity has been whetted by certain
* JEAN-CHRISTOPHE. Dawn Morning Yonth Re-
volt. By Roma in Rolland. Translated by Gilbert Caiman.
New York: Henry Holt & Co.
MRS. FITZ. By J. C. Snaith. New York : Moffat, Yard
&Co.
LADY GOOD-FOR-NOTHING. A Man's Portrait of a
Woman. By A. T. Qniller-Couch. New York : Charles
Scribner's Sons.
PEOPLE OF POSITION. By Stanley Portal Hyatt. New
York : Wessels & Bissell Co.
MAX. By Katherine Cecil Thurston. New York :
Harper & Brothers.
THE WAY DP. By M. P. Willcocks. New York : John
Lane Co.
THE SIEGE OF THE SEVEN SUITORS. By Meredith
Nicholson. Boston : Houghton Mifflin Co.
THE IMPOSTER. A Tale of Old Annapolis. By John
Reed Scott. Philadelphia : J. B. Lippincott Co.
OUT OF DROWNING VALLEY. By S. Carleton Jones.
New York : Henry Holt & Co.
DIXIE HART. By Will N. Harben. New York : Harper
& Brothers.
92
THE DIAL
[Feb. 1,
expressions of critical opinion which have seemed
to verge upon the extravagant, and, altogether, we
are glad that the work is to be placed in the hands of
English readers. We say " is to be " advisedly, for
the volume of six hundred pages now translated by
Mr. Gilbert Cannan reproduces only about one-half
of the French text already published, and we cannot
say what fraction it will prove to be of the work when
completed. It comprises the four sections called
" Dawn," "Morning," " Youth," and " Revolt," and
leaves the hero a youth of twenty, at the outset of
his real career. A few words about the author may
be of interest. He was born in 1866, a Frenchman
of unmixed descent. He got his education in Paris
and Rome, and it was in the latter city, in 1890,
that he met Malwida von Meysenbug (made the
victim of an extraordinary error in the present
translation by being called " Weysenburg"), the
friend of Kossuth, Mazzini, Herzen, Blanc, and
most of the other great mid-century idealists. This
famous woman influenced him deeply, and found his
spirit closely akin to theirs. It was at this time that
the embryo of " Jean-Christophe " took shape in his
mind, although the book was not to be actually under-
taken for many years. Meanwhile, M. Rolland was
winning his spurs as lecturer, critic, and dramatist,
and as the author of lives of Beethoven, Michel
Angelo, and Hugo Wolf. He describes in the fol-
lowing terms the motives which impelled him to
write the work now under consideration :
" I was isolated : like so many others in France, I was
stifling in a world morally inimical to me. I wanted air : I
wanted to react against an unhealthy civilization, against
ideas corrupted by a sham elite : I wanted to say to them :
1 You lie! You do not represent France! ' To do so I needed
a hero with a pure heart and unclouded vision, whose soul
should be stainless enough for him to have the right to
speak ; one whose voice should be loud enough for him to
gain a hearing. I have patiently begotten this hero. The
work was in conception for many years before I set myself
to write a word of it. Christophe only set out on his journey
when I had been able to see the end of it for him."
It takes a good deal of a book to justify so large
and ideal a conception as this, but we are inclined
to believe that the author has " made good." It is
the sort of book into which a man puts the whole of
himself, the sort of book which, once written, makes
it almost inconceivable that its author should ever
produce another. Its enormous length may cause
affright, and few will resist the temptation to skim
over the surface in a good many places. It has not
the compelling power and the closeness of texture
which hold us to the pages of such books as " Joseph
Vance" and The Old Wives' Tale," for example,
but it is a work of such deep sincerity and power
of psychological analysis that even a hurried
perusal cannot fail to leave a lasting impression.
M. Rolland's hero is a genius by temperament,
and a musician by accident. He is a native of a
little village on the Rhine, and necessarily a German,
since his character is that of a musician in the most
idealistic sense. He becomes an adopted Frenchman
by an act of revolt against the brutal militarism of
his native country, and remains a Frenchman from
the time when he finds refuge across the frontier.
There is something symbolical in this, for, as the
translator says : " The book itself breaks down the
frontier between France and Germany. If one
frontier is broken, all are broken. The truth about
anything is universal truth." We might add that it
is the peculiar province of the musician to express
universal truth, and to know no barriers of soil, or
of race, or of speech. The author says that he has
"always conceived and thought of the life of his
hero and of the book as a river." It is the flow
of the Rhine that mingles with Jean-Christophe's
earliest infant imaginings, and the thought of his
own life as a river is one that is always present
in his mind. Moreover, "the river is explored as
though it were absolutely uncharted. Nothing that
has ever been said or thought of life is accepted with-
out being brought to the test of Jean-Christophe's
own life." We do not believe that this is the
method of the greatest art whatever Tolstoyans
may think but it is M. Rolland's method, and
we must take his book upon its own terms if we
are to get from it what it has to offer. Anything
like a summary of the book, or even of the portion
now translated, is out of the question in this review.
Two hundred pages are needed for the first fifteen
years of the boy's life, and four hundred for the
next five. We are simply given the chronicle of
the countless incidents and imaginings, the countless
defeats and triumphs, of those tender years. The
boy is morbidly sensitive, with a tenfold endow-
ment of passion, of capacity for happiness or grief.
When he awakens to self-consciousness, it is in a
stolid world which does not understand him in the
least. He longs for love and sympathy, and finds only
indifference and self-interest. He makes unselfish
advances, and is rebuffed. He glows, and is chilled.
Moreover, his environment is for the most part
sordid and miserable. He is a human boy, also, and
makes missteps, but his inherent purity and idealism
save him from disaster. And he gradually works
his way out of bewilderment into something like
fulness of vision. But no words of ours can ac-
count in any adequate way for this book, which is
clearly one of the most vital and significant works
of fiction that our age has produced.
One always wonders what Mr. Snaith is going to
do next, and is sure only that it will be something
surprising. And " Mrs. Fitz " is assuredly a sur-
prising successor to " Fortune," " Araminta," and
"William Jordan, Junior." It is a blend of Mer-
edithian comedy and "Zenda" romance, being
concerned with a Princess of Illyria who marries
an English gentleman, and scandalizes the country-
side by her ways. The good people of the county
do not know her origin, and take her to be a circus
woman whom Fitzwaren has picked up somewhere.
The Illyrians wish to get her back, and to annul her
marriage, because she is next in succession to the
sovereign, and her match has been of the runaway
sort. So they first seek to kidnap her, and failing
in this, they get the King himself to visit England
1911.]
THE DIAL
93
under a transparent incognito, to plead with her in i
the interests of the dynasty. The old King is an j
engaging rascal, and has his way with the recalci-
trant princess to the extent of persuading her to re- i
turn with him. But he is assassinated soon there-
after, and thus it becomes the task of the deserted
husband and a band of loyal friends to rescue the
Princess from her Illyrian durance, and bring her
triumphantly back to the English domestic hearth.
It all makes the liveliest of stories, and combines
real characterization and delicate social satire with
the more robust melodrama of its main action.
Colonial New England in the eighteenth century
is the scene of " Lady Good-for-Xothing," which is
the latest blend of history with romance contrived
for us by Mr. Quiller-Couch. It offers a bitter
arraignment of the puritan spirit, and a strong love-
story, the two figures chiefly concerned being those
of a New England girl and a King's official. The
girl's brutal treatment at the hands of the puritan
magistrates she is publicly flogged for Sabbath-
breaking so arouses the official's indignation that
he champions her cause, and even demands to be
set beside her in the stocks. Thus begins a very
tender and beautiful romance, which is continued as
the girl grows into the woman under the new sur-
roundings provided by her rescuer, and leads to the
efflorescence of a passionate love between them.
This love is not sanctioned by the church, because
the woman has become so embittered toward religion
that she will have none of that consecration, but
only narrow souls would deny that she remains a
pure woman. Afterwards, the scene shifts to Lisbon,
where Sir Oliver grows recreant to his obligations,
and wickedly yields to the fascinations of a Portu-
guese charmer. Whereupon the Earthquake sharply
recalls him to his duty, and almost reduces him to
a death-bed repentance. But he is spared, after
all, and Ruth consents to be made his wife in the
sight of the law. This latter part of the story is
given us largely by indirection, in extracts from
imaginary letters, a sort of narrative in which the
author is particularly skilful. This is one of the
best of Mr. Quiller-Couch's many good books, and
its interest is unfailing. That interest has for its
elements a piquant humor, a deft use of historical
fact, a power of incisive characterization, and a
spiritual insight, such as few writers of fiction have
at their command.
A man of good English family, who has been an
adventurer in various parts of the globe for some
ten years, and who has signally failed to u make
good," yields to the call of home, and returns to
London. The well-to-do members of his family
look upon him as a black sheep, and their welcome
is not exactly cordial ; but they have a sense of duty
of a certain sort, and are much concerned lest the
vagrant brother do something to discredit him.
They are " People of Position," in the City and the
world of villadom. and their only standards are
those of respectability and worldly success. Now
Jimmy Grierson, who would willingly have met
them half way, is so chilled by their attitude, and
so repelled by their prim conventionality, that he
seeks metal more attractive, and soon finds it in the
charming person of Lalage Penrose, a victim of the
London streets. With her he contracts a liaison
which is delightful while it lasts, but for which the
exiguous income of a Fleet Street journalist, with
a precarious footing at best, coupled with a tendency
to drown his sorrows in the cup that inebriates, does
not provide an adequate basis. Then they are torn
apart, Lalage going into rural retirement for a
season of repentance, and Jimmy into seclusion to
become a great novelist. He is thus fairly on the
way toward social rehabilitation, and soon gets
so far as to contract an engagement with the
canon's daughter, when his past is disclosed to her
horrified ears, and the fat is all in the fire. He
now turns his back for good upon the world of smug
conventionality, hunts up Lalage in her country re-
treat, begs her forgiveness for his desertion, and
persuades her to marry him. The author of this
rather sordid and far from original story is Mr.
Stanley Portal Hyatt, whose novels have hitherto
concerned themselves with colonial life, and who
does not seem quite at home in his new environ-
ment His bitterness toward " people of position"
is such that he cannot invest them with any redeem-
ing qualities, while on the other hand he endows
his heroine (in spite of her lapses) with most of the
imaginable virtues, and makes her the chief object
of our sympathetic interest. This, of course, is an
easy thing to do if one resolutely sets about it, but
the morality of the proceeding is dubious, to say
the least.
A young woman of the Russian nobility, having
had an unfortunate matrimonial experience, and,
being in imminent danger of another, resorts to the
somewhat unusual expedient of cutting off her
beautiful hair, donning man's clothes, and fleeing
to Paris. Her name is Maxine, which she con-
veniently abbreviates to the first syllable, and thus
the last touch is given to the transformation. She
is an artist in soul, and establishes herself in a studio
at Montmartre, where she sets feverishly about
developing her new career. A warm-hearted Irish-
man whose acquaintance she has made on the
journey, is touched by her charm ( but of course all
the time thinks her a boy) and constitutes himself
her friend-in-chief . A delightful camaraderie grows
up between them, the man quite naturally unable to
account to himself for the appeal which she makes
to him. Love has its inevitable way, after the girl
has struggled in vain against it, and after the man
has learned her secret. This is the story of Mrs.
Thurston's " Max," and it is one of the tenderest
and loveliest stories that are often met with. Flushed
with the spirit of youth, and sweet with the fragrance
of sentiment, it is a pure and gracious idyl, yet not
untouched by the deeper suggestion of passion.
Other figures play their parts in the drama, and
supply effective foils for hero and heroine. And
perhaps the most exquisite touch of all is provided
94
THE DIAL
[Feb. 1,
by the use of phrases from Charpentier's "Louise "
as leading motives for the action. Nothing could
be more fitting or more beautifully conceived than
this heightening of the novelist's art by borrowings
from the sister art of music.
Miss M. P. Willcocks, in The Way Up," has
given us a strong and absorbingly interesting novel
which judiciously mingles an economic with a
domestic interest. The former is provided by
Michael Strode's experiment in industrial coopera-
tion, the latter by his marrying the wrong woman.
He first comes before us as a young man fresh from
the university, who is facing the world with a
determination to reform it, or at least some small
spot of it. This means that he turns aside from the
smooth path prepared for him by the wealthy uncle
who has provided his education, enlists in the ranks
of the workers, and aims to achieve success by his
own unaided efforts. This is rather scandalizing to
his people, who are of good social standing ; but he
proves his mettle, and establishes the cooperative
enterprise of his dreams. It is really his wife's
money which makes this outcome possible, and when
he discovers that her ideals are at the opposite pole
from his, and that she has married him with the
notion that she would bend him to her wishes, he is
found unexpectedly stubborn, and refuses to yield
an inch. Upon this, she goes her way, takes to the
stage, and becomes a popular actress. Her with-
drawal cripples the business, but he carries it on
with grim determination, and his iron will eventu-
ally accomplishes its purpose. Meanwhile, the right
woman is near him all the time, an associate in his
daily affairs, and when the wife dies, is more than
willing to become her successor. This is the dry
outline of a novel which makes anything but dry
reading. Miss Willcocks has an extraordinary
power of characterization, and has given us a group
of eight or ten very real and strongly individualized
people. Her work has, moreover, an intellectual
quality far out of the common, exhibited both in
her dialogue and her descriptive passages. The
book is one in which ideas are everywhere astir,
yet it is not made arid by any lack of human sym-
pathy. It almost seems to us to deserve the state-
ment that it carries on the sane tradition of George
Eliot's novels, and has many of that great writer's
qualities of substantial workmanship.
Written in a vein suggestive of " The New
Arabian Nights," whimsical, ingenious, and divert-
ing, "The Siege of the Seven Suitors" will be
found a source of mild enjoyment by all who find
their way to its pages. Mr. Meredith Nicholson
has written more exciting novels than this, and
novels more seriously related to life, but nothing of
surer appeal and charm. It concerns the senti-
mental history of a young woman whose eccentric
and romantic maiden aunt has devised an original
plan for fitting her niece with a husband. The
seventh man who proposes is to win her, but of
course none of the aspirants knows that a too early
declaration will seal his fate. The fun waxes fast
and furious when the possible winners are reduced
to two in number, and it becomes necessary so to
engineer their movements as to dispose of the wrong
one first. The chief agent in bringing about the
desired result is a " consultant in chimneys," who
is a guest in the country house which witnesses
all these stirring complications, and who gets the
heroine's sister Hezekiah as a consolation prize for
his disinterested activities.
Mr. John Reed Scott is a pleasant romancer,
devoid of virility and dramatic force, but skilful in
neat structural devices, vivacious, and entertaining.
"The Im poster," his latest production, is a tale of
Annapolis in colonial days (the Stamp Act period),
and has to do with the fortunes of a fair English
visitor, besieged by many suitors, and the belle of
the province. Among these suitors is an engaging
rascal who sojourns in Annapolis under a borrowed
name, and cuts a wide swath in the local society.
He must be described as a villain manque, for he
has good qualities, after all, which are permitted
to emerge in time to make of him an acceptable
husband for Miss Stirling, in the reader's estima-
tion no less than in her own. The chief excitement
of the tale is provided by a raid of pirates real
pirates, with a gentlemanly cut-throat for their
leader upon the shores of Chesapeake Bay. The
unmasking of Long Sword, and the scene in which
he makes a gallant end, are quite well done in the
manner of artificial romance.
" Out of Drowning Valley," by Mr. L. Carleton
Jones, may be described as a " rattling " good story
of a plucky adventurer who has been in Sing Sing,
a spirited girl, a resourceful villain, and a gold mine
guarded by a secretive tribe of Indians. The hero
befriends an Indian who lets him into the secret, the
girl saves his life and makes him a devoted lover,
and the villain seeks to compass the destruction of
both, being ingeniously disposed of when his vil-
lainies have reached their sum. We are kept in
suspense by being made to believe that the hero has
a wife in the East, and the heroine's discovery of this
woman's existence creates the temporary estrange-
ment without which no well-planned novel of the
present species would be complete. But the wife
turns out to be only a stepmother, and the man's
convict record only the result of his mistaken chiv-
alry in bearing the consequences of her misdeeds.
Even at that, she dies conveniently, and the truth all
comes out, whereupon the hero wins the girl, and
gets away with a reasonable amount of the gold
before the mine is sealed for good by flood and
cataclysm.
The commonwealth of Georgia has no cause to
complain of literary neglect. It has been brought
to the attention of the reading public by two men
as famous as Richard Malcolm Johnston and Joel
Chandler Harris, and its local chronicle is acceptably
continued by Mr. Will N. Harben. Mr. Harben's
homely novels might fairly be criticized for looseness
of construction and lack of depth ; but within their
unpretending limits, they offer highly satisfactory
1911.]
THE DIAL,
95
work. The humors of the Georgian country folk,
their village complications, their eccentric types,
and the daily round of their rural life, are portrayed
with sympathy and fidelity to fact in the long series
of books to which u Dixie Hart" is now added.
The plot is simple. A village store-keeper is mar-
ried to a vinegary woman whose former husband
has deserted her and is thought to have been killed
by an Oklahoma cyclone. Living near by is Dixie
Hart, a beautiful girl who is trying to release her
farm from a mortgage, and who toils in the fields
for this purpose and to support her widowed mother.
The store-keeper befriends the girl, and they are in
love with one another before they realize the fact.
It turns out, of course, that the Oklahoma cyclone
had failed to do its duty, and the return of the first
husband leaves the second one free to follow the
dictates of his heart. This is the substance of a
story whose chief interest is in incident rather than
plot. What we really enjoy are such things as the
horse-trade with its sharp practice, the outwitting
of the skinflint who holds the mortgage, the exploits
of the tombstone agent, and the practical joking of
old Wrinkle, the father-in-law. These are quite
joyous matters, and the zest with which Mr. Harben
gives his account of them arouses a corresponding
WILLIAM MORTON PAYNE.
BRIEFS ox NEW BOOKS.
In a small volume of duodecimo
Proportions, Mr. Ernest A. Savage,
librarian of the Wallasey Public Li-
braries, has told " The Story of Libraries and Book-
Collecting" (Dutton) for the " English Library
Series." After prefatory apologies for daring to fel-
low in the footsteps of Edward Edwards, whose
'* Memories of Libraries " is now out of print, ex-
pensive, and also not up-to-date, the author sketches
rapidly and in bare outline the history of ancient
libraries, of mediaeval libraries and the preservation
of the Greek and Latin classics, of early monastic
libraries and the main stream of learning in the
West, of the Renaissance and book-collecting, and
of the principal libraries of modern times, arranged
by countries. In so condensed a work there are
necessarily many things omitted that one or another
critical reader might wish to see included ; and
there are also, in so crowded a list of dates and
events, occasional minor errors. For example, in
his opening chapter Mr. Savage awards to Professor
Hilprecht all the credit of discovering the Temple
Library at Nippur, whereas Dr. John Henry Haynes,
the director of the expedition, and a veteran in the
field of Babylonian excavation, unearthed this Nip-
pur collection after pushing his explorations to a
depth of eighteen feet, when the half-dozen rooms
containing the precious tablets were unexpectedly
disclosed. To Professor Hilprecht, who was asso-
ciated with him. and whose scholarly labors are not
to be undervalued, due honor must be paid, but
not to the exclusion of Dr. Haynes's name. Mr.
Savage's ranking of the Boston Public Library
building as second in magnificence, in this country,
to that which shelters the Library of Congress will
soon require correction when the New York palace
of literature in Forty-second Street is completed.
His reference to the Philadelphia Library's ' branch
at Ridgeway" is based on a misconception, Ridge-
way being a personal, not a geographical designa-
tion, and the said branch being situated almost in
the heart of the city. It looks a little strange to
see our famous giver of library buildings referred
to as "Dr." Carnegie. As supplementary matter to
this useful compendium there are added a few pages
of " brief notices of book-collectors and librarians,"
a list of " principal works consulted for this book,"
and an index. As a sort of vade mecum for busy
librarians the little book is sure of a welcome.
omemo - Alfred Saunders Walford
of a popular better known to novel-readers as " L.
,tor V -writer. ft Walford," which being amplified
stands for Lucy Bethia (Colquhoun) Walford
has seen so much of the world, both literary and
non-literary, in the course of the forty or more years
during which she has been producing her score and
a half of popular works of fiction, as to enable her
to add to her goodly list of books a volume of
entertaining reminiscences of places and persons, of
more or less noteworthy happenings and conversa-
tions, to which she has given the title, " Recollections
of a Scottish Novelist" (Longmans). Born in 1845,
she early acquired a liking for printer's ink, and
has never lost the appetite. Indeed, the flatter-
ing reception of her first book, "Mr. Smith,"
which brought her, besides considerable English
money and English fame, a check for twenty pounds
and a gratifying letter from an honest American
pirate, was enough to confirm her in her addiction
to authorship. Even royalty itself, in the person
of Queen Victoria, paid homage to the new lit-
erary light, and we are told that as long as she
lived she never failed to read each successive novel
by the author of "Mr. Smith." More noteworthy
still, a contribution to the " St. James Gazette "
from Coventry Patmore coupled the names of
Thomas Hardy and L. B. Walford as two living
writers <; whose work of this kind [i. e. the picturing
of the times in which they lived] can scarcely
be surpassed," and as worthy to be named in the
same breath with Scott and Fielding and Goldsmith.
What prouder triumph could a young writer wish
for? Mrs. Waif ord's early life in Edinburgh brought
her into familiar contact with such personages as
Professor Blackie, Dean Ramsay, Dr. John Brown,
Sir William Fraser, and Sir Noel Paton. Neither
the subject-matter nor the literary skill are lacking
to her to write acceptably, even though somewhat
desultorily and superficially, of her more memor-
able experiences. Portraits and other pictorial
matter contribute to the book's inviting aspect
96
THE DIAL
[Feb. 1,
An inspection of Mr. John Headley's
excellent work entitled " Tramps in
Dark Mongolia" (Scribner) shows
that most of the actual wanderings of its author
were really within the confines of China proper ; and
thus the title of the book is slightly misleading.
Nevertheless, we have an interesting account of a
country which is destined to attract more and more
attention from the world. This is the age of the
railway, and both China and Russia are eager to
develop the resources of this great country. When
the day comes, on Mongolia's plains and in her
valleys, that one locomotive will do the work of five
thousand camels, the resources of this vast region of
over a million square miles will be brought into
the world's market. The general note of the book
is that of an earnest missionary, who wants the
people enlightened, lifted up, and inspired with
enthusiasms as great as those of earlier days, when
some mysterious propulsion sent the Mongol in his
ships as far as Japan and on horseback as far as
western Russia. Mr. Headley's hope is that the
same vigor and enthusiasm will be set to working
out moral and peaceful problems that will make
Mongolia a garden, rather than the semi-desert it
is to-day. His book has many pages and chapters
of interest ; he is no merely curious traveller, but
is well informed as to the history of the country and
people, so that he tells us what has happened at
various places, and correlates the landscape with the
events that once influenced half the world. A
student of art and architecture, he interprets the
symbols of Buddhism as they are sculptured in this
land, which is peculiarly the garden of Buddha.
Whether among the grass-lands, with the people at
the fairs, in the shadow of the pagodas, in the
brigand countries, or at the Lama temples, he is at
home, and tells his story well. He makes friends
with the abbots and monks, and incidentally shows
us how very much alike are the many varieties of
human nature, East and West. He stirs our optim-
istic impulses to hope that when the Mongols find
equal opportunities with the rest of the world, in
the fields of transportation, science, and mingling
of the ideas and inventions of many races and ages,
they will rise to their opportunity.
Nine posthumous pieces, mostly pub-
Addresses of a > jj , i PTT
social reformer. " c addresses, trom the pen of Henry
Demarest Lloyd, are gathered into
a handy, clearly-printed volume under the general
title, " Mazzini and Other Essays " (Putnam). In
addition to "Mazzini: Prophet of Action" the
book contains chapters on William Morris, with
whom the author was privileged to spend a memor-
able day, on Emerson's wit and humor, on Sir
Harry Vane, on certain ancient Dutch notions, on
free speech and the right of assemblage, the scholar
in practical affairs, the question whether personal
development is the best social policy, and an im-
aginative sketch, after the order of " Looking Back-
ward," in which a new and a far better Chicago
(of a century hence) is delightfully described. The
old city, deliberately burned down in 1971, on the
centennial anniversary of the historic " great fire,"
and ploughed up, disinfected, and " sown with
aromatic plants for many years before it was sweet
again," gave place to " a great park, and in it arose
universities, theatres, libraries, meeting-halls, colos-
seums for sports and public festivals, and temples
of every religion professed by the millions living
around. Room was made for all with equal willing-
ness in the spirit of the ancient Emerson, that all
the religions were one wine in different colored
glasses." Of Emerson himself, whose name recurs
with frequency in Mr. Lloyd's pages, he says in the
chapter devoted especially to him that he was a wit
and a humorist, even though too little recognized as
such. Quotations from his pen are given in proof
of the assertion, and form interesting illustrations
of his Yankee shrewdness and talent for terse and
telling phrases, but can hardly make us think of
him as conspicuously a humorist or preeminently a
wit. In all these papers of Mr. Lloyd's the earnest-
ness and moral purpose of an ardent and idealistic
nature eloquently speak.
Asia Minor is a quarry for startling
^Shly people, archaeological discoveries. All the
great nations of antiquity marched
through its mountain passes and fought on its plains.
One of the mightiest of these, and at the same time
the least known, was that still mysterious people
called the Hittites. Dr. John Garstang's " Land of
the Hittites " (Dutton) is a vade mecum on the sub-
ject. The author made a trip of exploration through
the territory once occupied by that warlike and ag-
gressive nation, and in this volume has presented
a survey of the whole subject. His discussion of
tke geographical boundaries of the Hittite sway is
intensely interesting, covering as it did nearly the
whole of Asia Minor, and extending eastward into
Armenia and southward into Syria. He gives a
moving picture of the peoples who down to the
Seljuk Turks occupied successively Asia Minor.
The monuments of the Hittites now in full view of
the explorer are very fully shown in superb half-
tones. They were photographed in all parts of the
ancient Hittite realm, and reveal how thoroughly
that territory was covered by them. An elaborate
discussion is given to the northern capital of the
nation, at the site of the modern Boghaz-Keui, de-
fended at one time by a tremendous acropolis,
ramparts, and other fortifications. The author sets
forth very vividly the splendor of their palaces and
walled cities, their sculptures and their massive re-
liefs. His ninety splendid illustrations give us a
hint of the advancement made in civilization and
culture by those hardy peoples of the northern
mountains and plains, at a period ranging from
about 3000 B. c. down to the eighth century B. c.
But their real history will not be known until
scholars can translate, not guess at the meaning of,
the many inscriptions which we now possess.
1911.]
THE DIAL
97
Mr. Joseph H. Longford's " Story of
A n outline of Qld J apan ( Longmans) is intended
Japanese history. , J i_ i_
for lay readers who have not the
time or the inclination to study Japanese history
through native sources or through more scholarly
and original treatises by foreign students. The
writer's long residence in Japan, his travels and
sojourns in all parts of the Empire, and his acquaint-
ance with the native language and literature render
his presentation of Japanese history much more
than a mere abridgment of earlier productions ; but
he frankly acknowledges the secondary and popular
nature of his work as compared with that of
Chamberlain, Satow, and Aston, and readers of
Griffis will find little that is new in the present
volume. The chapters on mythology and the semi-
mythical periods of history appear to lack the sym-
pathy and insight of corresponding chapters in
Griffis. From the beginnings of true history to the
persecution of the Christians the writer gives so
little attention to the life of the masses, to social
customs, to literature and art, that the Japanese
people are lost to view amid the constant wars of
feudal lords. The reader can but vaguely guess at
the progress of civilization. Fortunately, however,
many incidents and episodes of history are related
in detail which have been for centuries the classic
themes of literature and art. The latter chapters of
the book surpass theearlierin insight and enthusiasm.
Great personalities of the later centuries are clearly
portrayed. The horrible persecutions of the Christians
are related in detail, and plentiful quotations from
contemporary accounts render this chapter vivid.
The author's attitude toward the Portuguese mis-
sionaries is generous, and his condemnation of the
Dutch merchants unsparing ; it is to be questioned
whether in either case he shows discrimination. Six
appendices add greatly to the value of the volume.
Affording, as it does, in a clear and readable style,
an outline of Japanese history, and showing the
roofs of present dominant race traits deeply planted
in the soil of the ancient past, the book is to be
welcomed as an addition to popular literature on the
Orient.
Biographical Entertainment of his readers appears
studies in to have been Mr. Bram Stoker's
imposture, ^f o jjj ect m writing his " Famous
Impostors " (Sturgis & Walton), for he announces
in his Preface that the author, ' ; whose largest ex-
perience has lain in the field of fiction, has aimed
at dealing with his material as with the material
for a novel, except that all the facts given are real
and authentic " in his opinion, at least. The
book is unquestionably of a character to interest
the majority of readers, treating as it does of a con-
siderable number of noted impostors of various kinds,
such as pretenders to royalty, practitioners of magic,
clairvoyants, so-called witches and wizards, women
playing the role of men, the authors of various
hoaxes, the famous Tichborne Claimant, and others.
Of course that popular favorite, Cagliostro, is made
to perform a few of his celebrated tricks for the
reader's entertainment, nor is any hint conveyed
that he was not as genuine a trickster as the best of
them. No echo from Mr. W. R. H. Trowbridge's
recent attempt to prove him an honest man is heard
in Mr. Stoker's account of him. Perhaps it is too
soon to expect it. The concluding chapter of the
book is the longest and shows the most study and
original research. It is a serious, an unexpectedly
serious, examination of the legend of the so-called
Bisley Boy, the person substituted, if the tradition
be true, for the infant Elizabeth when that princess
had suddenly died of a fever at Bisley, and her
nurse, in an agony of fear, was momentarily expect-
ing King Henry to pay his little daughter a visit.
That Mr. Stoker, almost against his will, was led
to take a great interest in this astonishing legend,
speaks at least in favor of its plausibility. Though
it was obviously necessary to omit from his book a
great many famous impostors, the author might,
with timeliness, have added a chapter on notorious
frauds in the field of geographical exploration. The
book is handsomely printed, and has some well-
chosen portraits. _
A new ^S^ has a 5611 in th e Ori-
The builder*
ofeariv ent. The long-disputed and hotly-
Babvionia. contested question as to the real
originators of the civilization of Babylonia is prac-
tically settled. Mr. Leonard W. King's recent vol-
ume entitled " A History of Sumer and Akkad "
(Stokes) forms the latest and most complete discus-
sion of the problem. Being an expert Assyriologist,
Mr. King has utilized with rare skill the curious
and complicated cuneiform inscriptions that have
been excavated in Babylonia during the last twenty
years. He has marshalled the evidence in a master-
ful fashion to show when the so-called Sumerians
came into Babylonia, what they captured, what
city-states they organized and ruled, what
religion they possessed, and what culture they
developed and contributed to their successors, the
Babylonians and Assyrians. On the evidence of
the original documents themselves, the Sumerians
came into Babylonia not earlier than 3400 B.C.,
and assumed sway over the Semites then occupying
it For thirteen hundred years, or until 2100 B.C.,
they developed, expanded, and attained a degree
of culture that, for bold originality and vigorous
growth, has no peer in the Orient. Their successors
in Babylonia, at the founding and unification of the
great monarchy, were little more than imitators of
the unique Sumerians. The language and the art
of these non-Semites is beautifully illustrated in
this very convincing and timely volume.
Impression, of The title of ***' C - Reginald Enock's
American travel new volume, " Farthest West : Life
bv a Briton. and Travel in the United States"
(Appleton), is a trifle misleading, for the author's
starting point is on British shores, and his entertain-
ing book deals with travel not in the States of the
Pacific Coast alone but rather throughout our entire
country. It has, however, a strong western flavor,
98
THE DIAL
[Feb. 1,
for the writer is evidently at home in the mining
regions of California. He is an observant traveller,
but his book is not lumbered up with guide-book
minutiae. It is rather an assessment of values,
scenic, geographic, economic, industrial, social, and
political of things American as they penetrate
the comprehension of our typically conservative
brother from across the seas. Mr. Enock even at-
tempts an analysis of American humor ! He seems,
however, to have lived long enough in America to
have become tainted by our national vice of exag-
geration in his portrayal of some of our failures and
shortcomings, though on the whole his criticisms will
appeal to the candid reader as just and often gener-
ous, and however scathing they are always interest-
ing and worth reading. Like most books of such
a general nature, this offers some minor examples
of misinformation. One hardly expects to observe
the " white tower-buildings of New York," as one
approaches the Statue of Liberty from Sandy Hook,
" in the haze of the New England shore." The state-
ment that the Great Lake region has never been
invaded by yellow fever in Winter (sic), and that
malaria is found only in its denser swamps, hardly
conveys a correct idea of the sanitary condition of
that region.
A naval ^ s a tr ^ ute ^ ^ a ^ respect and
officer of the admiration, Mrs. Rebecca Paulding
olden time. Meade's " Life of Hiram Paulding,
Rear- Admiral, U.S.N." (Baker & Taylor Co.)
makes a graceful appearance, and also sets forth
clearly and interestingly the gallant services ren-
dered to his country by this officer of our old-time
wooden-built and wind-propelled navy. Those whose
memories go back to the Civil War will remember
Paulding as Commandant of the New York Navy
Yard, where his untiring exertions effected, among
much else, the timely equipment of the "Monitor,"
then called the " Ericsson," so as to make possible
its memorable engagement with the " Merrimac."
Mrs. Meade's book is well illustrated and contains
frequent extracts from contemporary letters and
journals. In short, it handsomely meets the ex-
pectations aroused by the prefatory statement that
it is "an attempt, on the part of his children, to
tell to those who care to hear it the story of one of
our public men, a chivalrous hero of the old days,
' sans peur et sans reproche,' whose official life is
interwoven with his country's history, whose home
life was a rarely beautiful one, and whose example
is worthy of imitation."
BRIEFER MENTION.
The series of brief lives of great Americans known
as " The Beacon Biographies " (Small, Maynard & Co.)
has recently been enlarged by two new volumes, one on
Benjamin Franklin by Mr. Lindsay Swift and one on
George Washington by Mr. Worthington Chauncey
Ford. The plan of the series, - - to give a general sum-
mary of the life, character, and influence of the subject,
is well carried out in both volumes.
Dr. Charles W. Super has edited, and Mr. C. W.
Bardeen has published, a translation of three treatises
by Plutarch on education " The Education of Boys,"
" How a Young Man Should Hear Lectures on Poetry,"
and " The Right Way to Hear." All of which matter,
with the accompanying introduction and notes, makes
up a volume called " Plutarch on Education," which is
highly instructive, and much sounder in doctrine than
nine-tenths of the current pedagogical output.
We do not know how many students of Portuguese
are to be found in American colleges, but such as there
are will be glad to have as good an elementary text-
book as is now provided by Dr. John C. Branner in his
" Brief Grammar of the Portuguese Language." This
book is formed upon the best twentieth century models,
and has a few extracts for reading, besides the neces-
sary vocabularies. It is published by Messrs. Henry
Holt & Co., as are also the following texts: "Spanish
Composition," by Dr. J. P. Wickersham-Crawf ord ;
Ibafiez's " La Barraca," edited by Mr. Hayward
Keniston; " Handbook of German Idioms," by Mr. M.
B. Lambert; and " Le Bourgeois Gentilhomme," edited
by M. M. Le*vi.
Messrs. Ginn & Co. add to their " Standard English
Classics " three new volumes : " A Midsummer-Night's
Dream," edited by Henry N. Hudson; Lodge's " Rosa-
lynde," edited by Dr. Edward C. Baldwin; and
Macaulay's " Essays on Clive and Hastings," edited by
Dr. Charles R. Gaston. The same publishers send us
an " Introduction to the Study of the Divine Comedy,''
by Signor Francesco Flamini, translated by Mr. Freeman
M. Josselyn. The author seeks to guide wanderers lost
in " the wild wood of arbitrary interpretations " and to
provide him with " an organic and simple system of
general interpretation." Aristotle and Aquinas, he as-
sures us, are the philosophers who supply the proper
clue to Dante's thought.
Two interesting art monographs are found in the
special Autumn and Winter numbers of " The Interna-
tional Studio," published by the John Lane Co. The
first volume, edited by Mr. Charles Holme and entitled
" Peasant Art in Sweden, Lapland, and Iceland," offers
illuminating proofs of the fact that Sweden " is some-
thing more than the dwelling-place of bears ... a
place where culture was slow to strike root, and where
its development was retarded by an unpromising soil
and intellectual night-frosts." Iceland and Lapland
are treated more briefly, but the six hundred full-page
illustrations, in color and half-tone, of the peasant cot-
tages, furniture, wood-carving, metal work, jewelry,
tapestries, etc., give an adequate idea of the art de-
velopment of all three countries. The second volume,
profusely illustrated, and provided with an introductory
essay by Mr. Malcolm C. Salaman, is devoted to a
study of old English mezzotints. The lives and works
of such artists as Prince Rupert, Abraham Blooteling,
John Simon, Van Bleeck, Richard Houston, Valentine
Green, John Dean, John Raphael Smith whose cop-
per plates gave such ideal expression to the charm of
Romney's art and many others, are treated in detail;
while in conclusion Mr. Salaman prophesies that " now
after a long interval of inanition, the beautiful art of
mezzotint, in the hands of that legitimate heir of the
great engravers, Mr. Frank Short and his school,
promises to develop a capacity for original pictorial
expression unimagined by the old reproductive mezzo-
tinters."
1911.]
THE DIAL,
99
NOTES.
" The Woman Who Could," a new four-act play by
Mr. Howard V. Sutherland, will be issued at an early
date by Desmond Fitz Gerald, Ine.
Mrs. Humphry Ward is said to be writing a " Robert
Elsmere " up to date. In the new version she will give
her view of the present religious situation as contrasted
with that depicted in " Robert Elsmere."
Mr. Owen Johnson, author of " The Varmint " and
other Lawrenceville stories, has already . made con-
siderable progress upon the second " Varmint " book,
which will probably be entitled "The Varmint at
Yale."
Mr. F. Frankfort Moore, who has done much delight-
ful work in the field of eighteenth century life and
letters, has recently completed a Life of Goldsmith,
which Messrs. E. P. Dutton & Co. will issue in this
country.
A biography of Victorien Sardou, by Mr. Jerome A.
Hart, is announced for early publication. Mr. Hart
has made use of unpublished material dealing with the
various controversies in which Sardou was continually
engaged.
A translation of " Don Quijote," omitting the short
stories and " some of the poor poetry," has been made
by Mr. Robinson Smith, and is published in an un-
adorned but dignified volume of seven hundred pages
by Messrs. E. P. Dutton & Co.
The first of a noteworthy series of articles by Mr.
William Winter, on " Shakspere on the Stage " opens
the February " Century." It describes the individual
conceptions of the more notable actors who have inter-
preted the character of Hamlet.
"The South Atlantic Quarterly " has recently suf-
fered the destruction by fire of its subscription list.
Subscribers who will send their names and addresses
to the editors at Durham, N.C., will receive the Janu-
ary issue, and will also confer a favor on the business
manager of the periodical.
A new novel by the Englishwoman who writes under
the name of " S. G. Tallentyre " is soon to be published
in this country by Messrs. Moffat, Yard & Co. with
the title, " Bassett: A Village Chronicle." Many of the
London critics have hailed the book as a worthy mod-
ern successor to "Cranford."
Versions of " The Great Illusion," which has just
been published in America, are appearing also in En-
gland, France, Germany, Denmark, Norway, Spain,
Finland, Holland, Italy, Japan, and Sweden. The
author of the volume, Mr. Norman Angell, has written
to a Chicago newspaper to avow his American origin.
A new volume of " Letters of Edward Lear " is
promised for early publication. The coming volume
covers the latter portion of Lear's life, and the corre-
spondence is said to be marked by an under-current of
seriousness, though there is no lack of the humor and
paradox in which the author of the " Book of Nonsense "
always delighted.
Among the immediately forthcoming publications of
Messrs. G. P. Putnam's Sous are " The Ashes of a
God," by Mr. F. W. Bain; "Love and Marriage," by
the Swedish writer, Ellen Key; "Behind the Screens:
An English Woman's Impressions of Japan," by Evelyn
Adams; "William the Silent," by Miss Ruth Putnam,
in the " Heroes of the Nations " series ; and " Neglected
Factors in Evolution," by Mr. Henry M. Bernard.
" When Half-gods Go " is the title of a new novel by
Mrs. Helen R. Martin, author of " Tillie : A Mennonite
Maid," " The Crossways," etc., which will be published
by The Century Co. this month. The same firm also
announces a new novel by Miss Mary Dillon, remem-
bered for her A Rose of Old St. Louis " and " In Old
Bellaire."
The English Poet Laureate, Mr. Alfred Austin, who
will be Seventy- six next May, has written his reminis-
cences, and the work will be published in two volumes
by Messrs. Macmillan during the present season. Mr.
Austin practised as a barrister for a few years, but it
is probable that his recollections will be mainly occupied
with his career as journalist and man of letters.
The well-known handbook called " Familiar Trees
and their Leaves," by Mr. F. Schuyler Mathews, will
appear presently in a new and much enlarged edition.
The text has been revised throughout, and a supple-
ment has been added containing information about
many trees which were not discussed in the earlier
editions, and also new data about our familiar trees
which has come to light since the book was written.
Mr. Ford Madox Hueffer, who, in spite of the many
books to his credit, is still under forty, will soon issue
a volume of reminiscences. Mr. Hueffer is a grandson
of Ford Madox Brown, and during his youth he saw a
great deal of the chief figures in the pre-Raphaelite
movement. His recollections give us glimpses of the
Rossettis, William Morris, Swinburne, and others who
played a leading part in the development of nineteenth-
century art and literature.
Although "The Broad Highway," which Messrs.
Little, Brown, & Co. publish this month in an Amer-
ican edition, is, so far as the public is concerned, Mr.
Jeffery Farnol's first book, he has been writing fiction
for some eight or nine years past. His brilliant romance
of eighteenth-century England was written over three
years ago, and occupied two years in the writing, dur-
ing part of which time Mr. Farnol was employed in
scene-painting for the Astor Theatre in New York. He
was born thirty years ago in Birmingham, England, but
has lived nearly all his life in Kent. Another story of
Mr. Faruol's that is to be published shortly is called
"The Money-Moon"; it was written before "The
Broad Highway," and, as its title sufficiently suggests,
is of a much lighter character. He is at present work-
ing on a new romance dealing again with the days of
the Prince Regent, and hopes to have it ready for pub-
lication in the autumn.
TOPICS IN I/EADING PERIODICALS.
February. 1911.
Acting in the Lyric Drama. Mary Garden. Century.
Adams County, A Lesson from. Albert Shaw. Rev. of Revs.
American Painting. Francis Lamont Pierce. World To-day.
American Society in 1787. Mrs. John Van Vorst. Lippincott.
American Spirit, The. Arthur C. Benson. Atlantic.
American, The First. Ellsworth Huntingdon. Harper.
Archaeology. Oric Bates. Atlantic.
Arctic Prairies, The IV. Ernest Thompson Seton. Scribner.
Art, The New, in Paris. Marius de Zayas. Forum.
Art, The Teaching of. John La Farge. Scribner.
Balloon-Operating in the Civil War. T.S.Lowe. Rev.ofRevt.
Baltimore. Harrison Rhodes. Harper.
Bass, Robert Perkins. Isaac F. Marcosson. Munsey.
Bohemia, A Corner of. William H. Rideing. Bookman.
Book Advertising, Modern. Algernon Tassin. Bookman.
Boy Scouting, Aim and Purpose of. F. A. Crosby. World To-day
Brandeis, Louis D. Ernest Poole. American.
100
THE DIAJL
[Feb. 1,
Burns, Robert, and Jean Armour. Lyndon Orr. Munsey.
Camphor: An Industry Revolutionized. R.K.Duncan. Harper.
Carnegie Peace Fund, The. Paul S. Reinsch. No. American.
Child Discipline. Elise Morris Underbill. Munsey.
Chili's Nitrate of Soda Industry. N. O. Winter. World To-day-
China Awake and at Work. Clarence Poe. Review of Reviews
Church Statesmanship, Need of. Newman Smyth. No. Amer-
Cities, Congestion in. Edward H. Brush. Review of Reviews.
City Garden, Wild Life in a. Herbert R. Sass. Atlantic.
Clark, Champ, of Missouri. Judson C. Welliver. Munsev.
Corcoran Biennial Exhibition. Leila Mechlin. Int. Studio.
Court Presentation. F. Cunliffe-Owen. Munsev.
Craftsmen, National Society of. J. W. Fosdick. Int. Studio.
Criminal, Coddling the. Charles C. Nott, Jr. Atlantic.
Democratic Opportunity, The. Thomas Nelson Page. No. Amer.
Destitution in Great Britain. Martyn Johnson. World To-day.
Detmold, E. J., The Drawings of. T. Martin Wood. Int. Studio.
Disraeli. Benjamin, The Life of . Price Collier. No. American.
Experiences, My V. Booker T. Washington. World's Work.
Express Monopoly, The Great. Albert W. Atwood. American.
Generation, The Rising. Cornelia A. P. Comer. Atlantic.
German Railway Policy. Elmer Roberts. Scribner.
Government's Money, Wasting the. H. B. Fuller. World's Work.
Hallam, Arthur Henry. Francis B. Thwing. North American.
Homer, Winslow. Arthur Hoeber. World's Work.
Hospital Angel, The. Louise E. Dew. World To-day.
House, Reapportionment of the. Frederic A. Ogg. Rev . of Revs.
Howe, Julia Ward, as a Writer. Jeanne Roberts. Rev. of Revs.
Human Effort, Conservation of. William Dana Orcutt. Harper.
Humperdinck's New Opera. Montrose J. Moses. Rev. of Revs.
Immigrant, The, and the Farm. Nan Mashek. World To-day.
India. The Gateway to. Price Collier. Scribner.
Jameson, Alexander, Paintings of. J. B. Manson. Int. Studio.
Japanese Temples and their Treasures. J. Harada. Int. Studio.
Journalism as a Career. Charles M. Harger. Int. Studio.
Lamar, Justice Joseph R. James H. Blount. Rev. of Revs.
Lee and the Confederate Government. G. Bradford, Jr. Atlantic.
Lee, General, as I Knew Him. A. R. H. Hanson. Harper.
Life beyond Life. Beulah B. Ainram. Atlantic.
Lincoln in Myth and in Fact. Dorothy Teillard. World's Work.
Lincoln, Side-Lights on. Jesse Weik, and others. Century.
Lincoln, The Poetry of. James R. Perry. North American.
Liquor Traffic, Voting down the. F. C. Iglehart. Rev. of Revs.
Literary History. Brander Matthews. North American.
Luther, Martin, and his Work III. A. C. McGiffert. Century.
" Macleod, Fiona," Mystery of. Richard Le Gallienne. Forum.
Manchuria, America in. Frederick McConnick. Century.
Meredith in French Eyes. George Middleton. Bookman.
Moving-Picture Show, The. Asa Steele. World's Work.
Napoleonana.Phelps Collection of. Mary Ricker. World To-day.
New York Harbor. Walter Prichard Eaton. Scribner.
Orkney Islands, The. Maude Radford Warren. Harper.
Panama Canal, Fortification of the. H. A. Austin, forum.
Patent Office, Stories of the. Catharine Cavanagh. Bookman.
Pension Carnival, The V. William B. Hale. World's Work.
Phillips, David Graham. Calvin Winter. Bookman.
Polygamy, Mormon Revival of. Burton J. Hendrick. McClure.
Post-Office, The. Don C. Seitz. World's Work.
Potash Industry, The. Arthur B. Reeves. Review of Reviews.
Princeton's Proposed Graduate College. A. F. West. Century.
Problem of 1911, The. William Allen White. American.
Property-Tax, The. Albert Jay Nock. American.
Public Service Corporation Bond. J. S. Gregory. Munsey.
Railroads and Politics, Divorce of. Isaac F. Marcosson. Munsey.
Railway Problems and Rates. F. A. Delano. World To-day.
Reed, Thomas Brackett. Henry Cabot Lodge. Century.
Reporter, The Case of the. Hugo Miinsterberg. McClure.
School Teacher, Choosing a. William McAndrew. World's Work.
" Scientific Management." Arthur W. Page. World's Work.
Sculpture, Recent. W. Reynolds-Stephens. Int. Studio.
Secretary of State. Meaning of. Frederick McCormick.No.Amer.
Shakspere on the Stage I. William Winter. Century .
Sierra, My First Summer in the II. John Muir. Atlantic.
Sierras, Conquering the. Benjamin Brooks. Scribner.
Taft, An Appeal to. Wayne MacVeagh. North American.
Tolstoy, The Religion of . Louise Collier Willcox. No. Amer.
Tolstoy, The Message of. Archibald Henderson. Forum.
Trusts, German and British. Gilbert H. Montague. Atlantic.
United States Army, The. H. L. Clotworthy. World's Work.
University, The, and Amer. Humour. Brian Hooker. Bookman-
Watson. William, The Poetry of. Harold Williams. Atlantic.
Wild Animals, Critical Moments with. Ellin Velvin. McClure.
Woman in Profile. Marion Cox. Forum,
Women and Wealth. J. Laurence Laughlin. Scribner.
Women Laundresses. Sue Clark and Edith Wyatt. McClure.
Woodbury, Charles H. Arthur Hoeber. International Studio.
Y. M. C. A., Development of the. E. A. Halsey. World To-day.
LIST OF NEW BOOKS.
[The following list, containing 90 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
Two Russian Reformers : Ivan Turgenev and Leo Tolstoy.
By J. A. T. Lloyd. Illustrated, large 8vo, 334 pages. John
Lane Co. $3.50 net.
Margaret Fuller and Goethe : The Development of a Re-
markable Personality. By Frederick Augustus Braun.
12mo, 271 pages. Henry Holt & Co. $1.35 net.
William Blake. By G. K. Chesterton. Illustrated, 16mo, 210
pages. "Popular Library of Art." E. P. Dutton & Co.
75 cts. net.
William Morris. By J. W. Mackail. 8vo, 29 pages. Long-
mans, Green, & Co. Paper, 30 cts. net.
HISTORY.
A History of the United States and its People, from
their Earliest Records to the Present Time. By Elroy
McKendree A very. Volume VII., illustrated in color, etc.,
8vo, 452 pages. Cleveland: Burrows Brothers Co.
Essays in American History: Dedicated to Frederick
Jackson Turner. 8vo, 293 pages. Henry Holt & Co. $1.50 net
Historical and Political Essays. By William Edward
Hartpole Lecky. New edition; 12mo, 296 pages. Long-
mans, Green, & Co. $1.60 net.
GENERAL, LITERATURE.
Famous Speeches. Edited by Herbert Paul. Large 8vo, 456
pages. Little, Brown, & Co. $3. net.
Blake's Version of the Book of Job : A Study. By Joseph
H. Wicksteed. Illustrated in photogravure, 8vo, 168 pages.
E. P. Dutton & Co. $2. net.
NEW EDITIONS OF STANDARD LITERATURE.
Miscellaneous Prose. By George Meredith. Memorial
Edition; with photogravure frontispiece, 8vo, 213 pages.
Charles Scribner's Sons. (Sold only in sets by subscrip-
tion.)
Oxford Library of Prose and Poetry. New volumes:
Shelley's Prometheus Bound, and Other Poems; Poems of
Clough, edited by H. S. Milford. Each 12mo. Oxford Uni-
versity Press.
The Complete Works of William Shakespeare. With
introductions by Algernon Charles Swinburne and Edward
Dowden. Volumes I., II., and III. With frontispiece por-
traits, 16mo. "World's Classics." Oxford University
Press.
Poems by the Way. By William Morris. 16mo, 236 pages.
"Longmans' Pocket Library." Longmans, Green, & Co.
75 cts. net.
The Poems of Sir Philip Sidney. Edited, with introduc-
tion, by John Drinkwater. 16mo, 320 pages. " The Muses
Library." E. P. Dutton & Co. 50 cts.
Oxford Moment Series. New volumes: Tennyson's In
Memoriam; John Brown's Rab and his Friends; Words-
worth's Poems. With portraits in color, 32mo. Oxford
University Press.
BOOKS OF VERSE.
The Moonlight Sonata, and Other Verses. By M. A. B.
Evans. 12mo, 172 pages. G. P. Putnam's Sons. $1.25 net.
JEneas, and Other Verses and Versions, By D. A. Slater.
12mo, 59 pages. Oxford University Press. Paper.
A Book of Light Verse. Edited by R. M. Leonard. With
frontispiece, 12mo, 448 pages. Oxford University Press.
75 cts. net ; also on Oxford India paper, $1.75 net.
A Son of Cain. By James A. Mackereth. 12mo, 145 pages.
Longmans, Green, & Co. $1.25 net.
Baldur the Beautiful. By Grace Denio Litchfield. 16mo,
72 pages. G. P. Putnam Sons. $1. net.
Asphodel. By Mary J. Serrano, 16mo, 63 pages. Knicker-
bocker Press.
The Poems of Annie Hawthorne (Eliza Ann Horton).
Edited by E. Jay Hanford. With portrait, 8vo, 219 pages.
Grafton Press.
The Death of Maid McCrea. By O. C. Auringer. I2mo, 66
pages. Richard G. Badger.
Adventures. By Fanny Hodges Newman. 8vo, 75 pages
Chula Vista, Cal. : Denrich Press. $1.
Winnowings of the Wind. By Walter Flavins McCaleb.
12mo, 76 pages. Privately printed.
1911.]
THE DIAL
101
The Angrel of Death. By Johan Olof WalUn ; translated by
Clement B. Shaw. Illustrated. 8vo, 39 pages. Chicago:
Engberg-Holmberg Publishing Co.
FICTION.
Howards End. By E. M. Forster. 12mo. 422 pages. O. P.
Putnam's Sons. $1.35 net.
A Cossack Lover. By Martha Gilbert Dickinson Bianchi.
12mo, 363 pages. Duffield & Co. $1.30 net.
Master and Maid. By Mrs. L. Allen Barker. 12mo, 315 pages.
Charles Scribner's Sons. $1.25 net.
Patsy. By. H. de Vere Stacpoole. 12mo, 342 pages. Dnffield
& Co. $1.20 net.
The Trail of '98: A Northand Romance. By Robert W. Service.
Illustrated, I2mo. 514 pages. Dodd, Mead & Co. $1.30 net.
One Way Out: A Middle-Class New-Englander Emigrates to
America. By William Carleton. 12mo, 303 pages. Small,
Maynard & Co. $1.20 net.
Tillers of the Soil. By J. . Patterson. I2mo. 364 pages.
Duffield A Co. $1.30 net.
The Phantom of the Opera. By Gaston Leroux. Illlustrated
in color, 12mo, 357 pages. Bobbs-Merrill Co. $1.25 net.
The White Peacock. By D. H. Laurence. I2mo, 496 pages.
Duffield & Co. $1.30 net.
To the Highest Bidder. By Florence Morse Kingsley. Illus-
trated. 12mo, 302 pages. Dodd. Mead & Co. $1.20 net.
The Lever. By William Dana Orcutt. Illustrated, 12mo,
319 pages. Harper & Brothers. $1.50.
Sir George's Objection. By Mrs. W. K. Clifford. 12mo, 395
pages. Duffield & Co. $1.20 net.
My Lady of Arcs. By John Brandane. With frontispiece in
color, 12mo, 313 pages. Duffield & Co. $1.20 net.
Colonel Todhunter of Missouri. By Ripley D. Saunders.
Illustrated. 12mo, 327 pages. Bobbs-Merrill Co. $1.50.
Maradick at Forty: A Transition. Ry Hugh Walpole. 12mo,
304 pages. Duffield & Co. $1.20 net.
Barker's: A Chronicle. By E. H. Lacon Watson. 12mo, 343
pages. London: John Murray.
Young Life. By Jessie Leckie Herbertson. I2mo, 304 pages.
Duffield & Co. $1.20 net.
When Cattle Kingdom FelL By J. R. Stafford. 12mo, 374
pages. B. W. Dodge & Co. $1.25 net.
The Romance of a Monk. By Alrx King. I2mo. 299 pages.
New York : The Metropolitan Press. $1.20 net.
The Feet of the Years. By John Calson Hyde. 12mo, 298
pages. New York: The Metropolitan Press. $1.25 net.
Faith-Hope: Child of the Slams. By D. R. C. Svo, 300
pages. New York : G. O. Tubly.
TRAVEL AND DESCRIPTION.
An Eastern Voyage : A Journal of Travels through the Brit-
ish Empire, in the East, and Japan. By Count Fritz von
Hochberg. In 2 volumes, illustrated in color, etc., large
Svo. E. P. Dutton & Co. $10. net.
The Cradle of the Deep : An Account of a Voyage to the
West Indies. By Sir Frederick Treves. Illustrated in color,
etc.. Svo, 378 pages. E. P. Dutton & Co. $2.50 net.
Winter Wanderings : An Account of Travels in Abyssinia,
Samoa, Java. Japan, and Other Interesting Countries. By
A. Per Lee Pease. Illustrated, 12mo, 386 pages. Cochrane
Publishing Co. $1.50 net.
Across Three Oceans : A Woman's Tour of the World. By
Annie Louise Miller. Svo, 192 pages. Lincoln, Nebraska :
State Journal Co.
PUBLIC AFFAIRS.
The Great Illusion: A Study of the Relation of Military
Power in Nations to their Economic and Social Advantage.
By Norman Angell. Svo, 388 pages. G. P. Putnam's Sons.
$1.50 net.
The Modern Criminal Science Series. First volumes:
Modern Theories of Criminality, by C. Bernald de Quiros,
$4. net: Criminal Psychology, by Hans Gross, $5. net.
Each large Svo. Little. Brown, & Co.
Thirty-Five Years in the Divorce Court. By Henry Edwin
Fenn. Illustrated, large Svo, 309 pages. Little, Brown, &
Co. $3.50 net.
Industrial Accidents and their Compensation. By Gil-
bert Lewis Campbell. 16mo, 105 pages. "Hart, Schaffner
and Marx Prize Essays in Economics." Houghton Mifflin
Co. $1. net.
A Short History of Women's Rights from the Days of
Augustus to the Present Time. By Eugene A. Hecker.
12mo. 292 pages. G. P. Putnam's Sons. $1.50 net.
Income Taxation : Methods and Results in Various Countries.
By Kossuth Kent Kennan. Large Svo, 345 pages. Milwaukee.
Wis.: Burdick & Allen.
Defrauding the Government. By William H. Theobald.
With portrait, 12mo, 508 pages. New York : Myrtle Publish-
ing Co.
From Freedom to Despotism: A Rational Prediction and
Forewarning. By Charles M. Hollingsworth. 12mo, 238
pages. Washington. D. C. Privately printed. $1.50 net.
, *" PHILOSOPHY.
Philosophical Essays. By Bert rand Russell. Svo, 185 pages.
Longmans, Green, & Co. $2. net.
Individualism: Four Lectures on the Significance of Con-
sciousness for Social Relations. By Warner Fite. Svo,
301 pages. Longmans, Green, & Co. $1.80 net.
RELIGION.
The Prayer before the Passion ; or, Our Lord's Intercession
for his People. By Rev. James 8. Stone. 12mo, 263 pages.
Longmans, Green. & Co. $1.50 net.
The Messages of the Poets: The Books of Job and
Canticles, and Some Minor Poems in the Old Testament.
By Nathaniel Schmidt. I6mo. 415 pages. " Messages of
the Bible." Charles Scribner's Sons. $1.25 net.
EDUCATION.
Huxley and Education: Address at the Opening of the Col-
lege Year, Columbia University, 1910. By Henry Fairfield
Osborn. I6mo. 45 pages. Charles Scribner's Sons.
German Style: An Introduction to the Study of German Prose.
By Ludwig Lewisohn. 12mo. 215 pages. Henry Holt & Co.
Wider Use of the School Plant. By Clarence Arthur Perry ;
with introduction by Luther Halsey Gnlick. Illustrated,
Svo, 423 pages. Charities Publication Committee. $1.25 net.
A Guide for Laboratory and Field Studies in Botany. By
William Gould. Second edition; Svo. Philadelphia: P.
Blakiston's Son & Co. Paper.
Longman's Historical Illustrations of England in the
Middle Ages. Drawn and described by T. C. Barfield.
Portofolios V. and VI., large Svo. Longmans, Green, &, Co.
Each 90 cts. net.
Plutarch on Education. By Charles William Super. 16mo,
192 pages. Syracuse, N.Y. : C. W. Bardeen.
Beitrage zur Byzantinlschen Kulturgeschichte. By Rev.
J. Milton Vance. Svo. 82 pages. Jena: Universitatsbnch-
druckerei G. Neuenhahn.
Textiles for Commercial, Industrial, Evening, and Domestic
Arts Schools. By William H. Dooley. Illustrated, I2mo,
221 pages. D. C. Heath & Co.
Industrial Studies: United States. By Nellie B. Allen.
12mo. 334 pages. Ginn & Co. 65 cts. net.
MISCELLANEOUS.
The Pianoforte and its Music. By Henry Edward Krehbiel.
Illustrated, 12mo, 314 pages. " The Music Lover's Library."
Charles Scribner's Sons. $1.25 net.
The Photography of Moving: Objects and Hand-Camera
Work for Advanced Workers. By Adolphe Abrahams. Illus-
trated, 12mo. 153 pages. E. P. Dutton & Co. 60 cts. net.
Around the Clock with the Rounder. Recklessly Recorded
by Lewis Allen. Illustrated in color, 12mo. John W. Luce
&Co. 75 cts.
SPECIALIST IN
Railroad, Canal, and Financial Literature
Large stock of books and pamphlets on these subjects.
DIXIE BOOK SHOP, 41 Liberty St, New York
Catalogue of Americana
Sent Free on Application
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102
THE DIAL
[Feb. 1,
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"RUNNING STORY o/SOCIALISM"
"AX able review and forecast of what President Taft hag called ' the
-*- next great issue before the American people ' is N'ewton Mann's
'IMPORT AND OUTLOOK OF SOCIALISM, 1 from the press of the
James H. West Company, Publishers, of Boston.
In this work the author sketches rapidly the rise and interna-
tional course of Socialism, beginning with the Utopian Communism of
the early nineteenth century, and reaching now to a stage and view-
point from which social transformation of the world appears dimly on
the horizon of possibilities.
" There is little of the earlier method of Socialistic propaganda!*
in Mr. Mann's book, which is probably the beat and fairest presenta-
tion of the claims of the proletariat that has been made in print by an
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THE DIAL
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>TpHE STRATFORD TOWN SHAKESPEARE, ranking with the finest of editions de
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established, under the direction of Mr. A. H. Bullen, to do honor to Shakespeare's
memory by printing a worthy edition of his works in his native town. It is the only
complete edition of Shakespeare's Works ever printed and published in his native
town, and so will have for all time an interest and distinction placing it entirely apart
from any other existing or future edition of Shakespeare.
The
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The set comprises ten royal octavo volumes. One thousand numbered sets, on English hand-
made paper, have been printed, of which two hundred and fifty are for America. Each vol-
ume contains a photogravure frontispiece, eight being portraits of Shakespeare, one of Richard
Burbage, the chief actor of Shakespeare's time, and one of the Earl of Southampton, Shake-
speare's patron, to whom his Sonnets are supposed to have been dedicated. The type is the
original Old Face type cut by William Caslon in the early part of the eighteenth century.
For the text is used the size known as " English," the songs, etc., being printed in small
pica. The lines are numbered at the side. An English hand-made paper, with Shakespeare's
crest and coat-of-arms for a water-mark, has been specially manufactured for this edition.
The edition has been carefully produced under the supervision of Mr. A. H. Bullen, whose
scholarly researches in the field of Elizabethan Literature have peculiarly qualified him for the
task. A unique feature is the elimination of the great mass of notes which usually clog the
pages of our great classic and impede the reader. Instead, the last volume contains new and
original essays which supply in a comprehensive and readable form all the information that the
student or private reader requires for the proper appreciation of the great dramatist. These
essays are as follows : A Memoir of Shakespeare, by Henry Davey, F. G. S.; Ben Jonson's
Views on Shakespeare's Art, by J. J. Jusserand; On the Influence of the Audience, by
Robert Bridges, M.A.; The Religion of Shakespeare, by Rev. H. C. Beeching, M.A.; The
Stage of the Globe, by E. K. Chambers; The Portraits of Shakespeare, by M. H. Spielmann;
The Sonnets, by Rev. H. C. Beeching ; Notes on the Text, by A. H. Bullen.
The BOOKMAN (London): "The most beautiful and most desirable of all the library edi-
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opinion that it justifies its right to bear the imprint of Stratford-on-Avon."
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twelve inches in height, and shows up with delightful clearness against the ample margin; and
the whole is excellently bound, while it bears signs of being able to stand wear better than
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THE DIAL
[Feb. 16,
THE FINEST EDITION OF SHAKESPEARE
NOW OFFERED ON UNPRECEDENTED TERMS
STRATFORD TOWN SHAKESPEARE, ranking with the finest of editions de
luxe, was printed at the Shakespeare Head Press at Stratford, which was especially
established, under the direction of Mr. A. H. Bullen, to do honor to Shakespeare's
memory by printing a worthy edition of his works in his native town. It is the only
complete edition of Shakespeare's Works ever printed and published in his native
town, and so will have for all time an interest and distinction placing it entirely apart
from any other existing or future edition of Shakespeare.
The
Format
Editorial
Features
Press
Opinions
The set comprises ten royal octavo volumes. One thousand numbered sets, on English hand-
made paper, have been printed, of which two hundred and fifty are for America. Each vol-
ume contains a photogravure frontispiece, eight being portraits of Shakespeare, one of Richard
Burbage, the chief actor of Shakespeare's time, and one of the Earl of Southampton, Shake-
speare's patron, to whom his Sonnets are supposed to have been dedicated. The type is the
original Old Face type cut by William Caslon in the early part of the eighteenth century.
For the text is used the size known as " English," the songs, etc., being printed in small
pica. The lines are numbered at the side. An English hand-made paper, with Shakespeare's
crest and coat-of-arms for a water-mark, has been specially manufactured for this edition.
The edition has been carefully produced under the supervision of Mr. A. H. Bullen, whose
scholarly researches in the field of Elizabethan Literature have peculiarly qualified him for the
task. A unique feature is the elimination of the great mass of notes which usually clog the
pages of our great classic and impede the reader. Instead, the last volume contains new and
original essays which supply in a comprehensive and readable form all the information that the
student or private reader requires for the proper appreciation of the great dramatist. These
essays are as follows : A Memoir of Shakespeare, by Henry Davey, F. G. S.; Ben Jonson's
Views on Shakespeare's Art, by J. J. Jusserand; On the Influence of the Audience, by
Robert Bridges, M.A.; The Religion of Shakespeare, by Rev. H. C. Beeching, M.A.; The
Stage of the Globe, by E. K. Chambers; The Portraits of Shakespeare, by M. H. Spielmann;
The Sonnets, by Rev. H. C. Beeching ; Notes on the Text, by A. H. Bullen.
The BOOKMAN (London): " The most beautiful and most desirable of all the library edi-
tions of the works of Shakespeare. We can pay it no higher compliment than to express out
opinion that it justifies its right to bear the imprint of Stratford-on-Avon."
The ATHEN^UM : " The type is of luxurious size, set up on a page between eleven and
twelve inches in height, and shows up with delightful clearness against the ample margin; and
the whole is excellently bound, while it bears signs of being able to stand wear better than
some elaborate editions of good repute."
Of the Stratford Town Shakespeare 250 sets only were printed for American
subscribers, the published price being $75. net. Through a fortunate purchase
we are able to offer a very limited number of sets at $36., payable in twelve
monthly instalments of $3. each. To ensure securing a set of this splendid
edition on these unprecedented terms, an immediate application should be made.
'BROWNE'S "BOOKSTORE, 203 Michigan Blvd., CHICAGO
1911.]
THE DIAL
ill
" The Novel of a Decade " London Graphic
The Broad Highway
By JEFFERY FARNOL
The remarkable success of this romance in England will undoubtedly
be duplicated in this country for a fourth large American Edition was
required in advance of publication. No novel calculated to give so
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A Splendid Tribute
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a new novel, but something new in novels, and as good as it is new."
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(LE SAGE) and Lavengro (BORROW) . . . DUMAS himself :was no fonder of
a 'scrap* than Mr. Farnol."
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sermon in the FIELDING manner ; and he treats us to a succession of country tav-
erns, a la SMOLLETT."
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THE GOLDEN WEB
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An engrossing mystery story. Fully illustrated.
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The season's sprightliest romance. Illustrated
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A novel of Tennessee life. Illustrated in color.
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By E. Phillips Oppenheim
A real love story, this time. Frontispiece in
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A WOMAN WITH A PURPOSE
By Anna Chapin Ray
A story of married life. Frontispiece. $1.25 net.
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PUBLISHERS
BOSTON
112
THE DIAL
[Feb. 16, 1911.
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Second printing of the nenv, greatly
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enlarged edition
Novelists ' '
The American Commonwealth
Essays on the Russian Novelists
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ever worthy of the description given it by The
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Evening Post "a, political and social survey of
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incomparable excellence."
Two 8vo vols. $6.00 net, carriage extra.
The Siege of Boston
A new and interesting volume in the series "Stories
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from American History."
Cloth, illus., $1.50 net; by mail $1.62.
By HERBERT CROLY
"The most profound and illuminating study of our
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By the author of "The Heart of the Ancient Wood,"
There is a peculiar interest by the way in reading
" The Kindred of the Wild," etc.
the keen analyses from this American point of view.
Illustrated, cloth. $1.50.
just when the Englishman's classic survey has been
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Cloth, 8vo. $2.00 net; by mail $2. lit.
JACK LONDON'S new book
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By the author of " Burning Daylight," "The Call of
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By SCOTT NEARING, Wharton School. Univer-
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Entered as Second-Class Matter October 8, 1892, at the Post Office at
Chicago, Illinois, under Act of March 3, 1879.
No. 592.
FEBRUARY 16, 1911.
Vol. L.
COXTEXTS.
MISGUIDED POETS
PAGE
. 113
CASUAL COMMENT 115
The duties of the New Theatre. Insect book-lovers.
A forced interpretation of Lincoln. The death
of Elizabeth Stuart Phelps Ward. A polygrapher
extraordinary. The prospective sale of the Huth
library. The special librarian's qualifications.
The public library as a profitable investment. The
haunting associations of a word. Sir Francis Gal-
ton. The centenary of the Academia della Crusca.
Richard Wagner's forthcoming autobiography.
John Lockwood Kipling.
COMMUNICATIONS 118
Mr. Shaw's Attitude toward Shakespeare. Mar-
garet Vance.
The Pleasures of Serious Reading. Anne Warner.
The " Thirteen Original Situations " and " Eleven
Ancestral Witticisms." Daniel Edwards Kennedy.
AN EARLY VICTORIAN ROMANCER. Clark S.
Northup 119
THE ANCIENTS ILLUMINATED. Grant Showerman 121
LYRIC IRELAND. Louis James Block 122
THE LATEST STUDY OF MOLIERE IN ENG-
LISH. F. C. L. van Steenderen 125
AN IMPRESSIONIST IN SPAIN. George G. Brownell 127
VEGETARIAN BIOLOGY. Raymond Pearl ... 128
BRIEFS ON NEW BOOKS . 129
A near view of a great inventor at his work.
Tnrgenev and Tolstoy compared and contrasted.
A handbook on Japan. Reminiscences of a noted
prima donna. An English magistrate in Northern
China. The makers of California. Mr. Lang and
the Homeric controversy. Reminiscences of Lin-
coln by his law-partner. Amusing foolery in small
fragments.
NOTES
132
MISGUIDED POETS.
LIST OF NEW BOOKS .133
The* amiable gentleman who organized the
Congresses of the Columbian Exposition, and
who presided over their sessions, included among
his duties that of opening the proceedings of
each new Congress with an introductory address.
Being a gentleman of much learning and versa-
tility, his opening remarks were usually appro-
priate and felicitous. But on one occasion he
went distinctly wrong. When the Congress of
Authors convened for the first time, he felt that
the gathering called for an unusual effort, and
his friends were a little aghast when they de-
tected a semblance of rhythm in what he was
saying, and soon found their suspicions con-
firmed by the discovery that they were listening
to an address in blank verse. No mere prose
would serve for such an occasion and audience
as this, and the presiding officer was not the
man to shirk an obvious obligation. So the
assembled authors were addressed (fortunately
at no great length) in what was supposed to be
their own tongue, and endured the ordeal with
a degree of well-bred composure that effectively
concealed their real feelings. " Gute Leute
aber schlechte Musikanten " was Goethe's de-
scription of the class of people to which the
speaker belonged ; misguided poets we have
thought to call them, although there is an
element of question-begging in the phrase.
The number of people who think that they
can write poetry if they wish, and with easy
assurance " toss off " a pedestrian effusion (often
ornamented with bad rhymes) when some occa-
sion seems to call for it, is a large one ; and the
number is unduly swollen by the easy-going
character of the average American company,
ready to bestow equal applause upon thought
and inanity, and to weigh the intention rather
than the performance, provided only the inten-
tion be to flatter or to please. The sort of com-
position in spurious verse to which we refer is
alarmingly prevalent at banquets, and in
women's clubs, and upon ceremonial occasions
generally, when the whole proceedings are of
a nature to induce a condition of hebetude in
those present, and when the critical faculty is
by tacit consent held in abeyance. The victims
of the misguided poet are apt to have dulled
senses at such times, the result of too much
eating and drinking, possibly, or of the toxins
114
THE DIAL
[Feb. 16,
developed in the system by too many statistics or
too much oratory. There are things for which
even a bad poem will offer a kind of relief,
and the relief is too frequently forthcoming.
It sometimes happens that the ready versifier
occupies a position, or possesses an influence,
that makes the raising of objections, or the
indulgence in anything but warm expressions
of simulated delight, a delicate if not a danger-
ous matter. We think of Nero and Richelieu
and the German Emperor as historical examples.
An instance at once modern and American is
supplied by the circular letter of remonstrance
that was recently sent from Panama to the
Committee on Appropriations of the House of
Representatives at Washington. It seems that
the Governor of the Canal Zone is one of those
persons who indulge in poetical propensities at
the expense of their entourage, and his per-
formances have become more than sensitive
souls can bear, especially in a tropical climate.
" It is not," says the letter, " that we who are
helping to dig the canal have any objection to
real poetry. But Governor Thatcher's poetry
has corns on every foot, despite which he feels
it his duty to board incoming steamships and
read a rhymed address to the most distinguished
visitor on board. He did this in the case of
the late President Montt of Chile. Something
should be done at once by those in authority
at Washington." The accompanying exhibit
enables us to share in the disturbed sensibilities
of the remonstrants.
" Who are loyal, strong, and brave ?
The Chileans, sir !
Who are masters of the wave ?
The Chileans, sir!
Who laugh at danger and the grave ?
Who gladly die their land to save ?
Who rule where mighty waters lave ?
The Chileans, sir ! "
It must be admitted that here is a grievance.
The immediate victim of this assault may have
escaped unscathed because of his blissful ignor-
ance of the English language, but our heart
goes out to the unfortunate Americans who
were compelled to stand by and listen. This
Macedonian cry closes with an appeal that k ' all
in authority read these effusions, understand
our position, appreciate our difficulties, and
give us relief. We do not ask for the Governor's
removal. He is a well-meaning man, although
misguided. But we do demand that he stick to
prose, keep out of the moonlight, and not inflict
verses on his helpless subordinates."
History has a way of repeating itself, and
the disclosure of the conditions above described
recalls a similar instance which we have long
cherished. There was once a schoolmaster in
Dundee whose poetic offerings upon public
affairs were of such a nature as to evoke a
vigorous protest. His verses have not, to our
knowledge, been preserved, but they were bad
enough to occasion the following entry, dated
1745, in the town archives :
" The Council authorize the Theasaurer to give to Mr.
Lawder, one of the Masters of the Latine School of this
Burrow, Two Guineas for his pains and Charges in
making some poyms upon the Town of Dundie, which
are now hung up in the Town House; but at same
time intimate to him not to make any more of those
poyms without the Magistrates' approbation."
This seems to cover the case very completely, and
to afford a precedent for our own official action.
May it not be suggested that this judgment, in
the absence of any statutory provision fitting
the case, should be considered a part of the
common law, and applied for the relief of the
oppressed Panamanians? Our self-appointed
Poets Laureate, wherever they may raise their
voices under the a3gis of political station, should
be gently but firmly taken in hand by some
kind of authority.
In the class of misguided poets we must
include many for whose activities the public
shares the responsibility, not merely by reason
of its excess of good nature, but by reason of its
uncritical approval of productions that belong
upon the rubbish-heap. We have been speaking
only of effusions that are taken seriously by
none save their authors, of " freak" poetry that
reveals to the least discriminating readers its
own halting gait and manifest absurdity. But
there is a great deal of bad verse that owes its
existence to the applause of people who are
ignorant of the very meaning of the word
" poetry," but whose ears are tickled by any
kind of a jingle, and whose feelings are stimu-
lated by any kind of mushy sentimentality.
There is no more important task for the mis-
sionary work of criticism than that of laboring
with those strata of the uneducated in which
brummagem is thought to be precious metal,
and the counterfeit coin passes undetected.
For bad poetry of the sort that finds warm ad-
mirers has always existed, and always will ; the
task of Mrs. Partington with her broom was not
more discouraging than is that of the preacher
of the gospel of pure literature in this unregen-
erate world. But the task must not be shirked,
despite its hopelessness, and here and there the
rescue of a soul from the mire of vulgar im-
agery and false sentiment will be accomplished,
giving the worker an ample sense of reward.
1911.]
THE DIAL
115
CASUAL COMMENT.
THE DUTIES OF THE NEW THEATRE were the
subject of caustic comment by Sir Henry Arthur
Jones, in a lecture recently delivered at Columbia
University. The English playwright, inspired by
the presence in the audience of ten of the founders
of the enterprise, spoke somewhat at length on the
unescapable responsibility resting upon the great
playhouse of " fostering a school of American
drama," of " bringing about an alliance between lit-
erature and the drama in America." Performances
of classic plays, revivals of interesting works of the
last generation, the encouragement, by occasional
presentation, of plays of literary and artistic merit,
but without the power to capture immediate popular
attention, these are all objects subsidiary to the
first great one, which alone can justify an institution
with the national scope of the New Theatre. And
it is a grave question where the worthy plays are to
come from, and why the New Theatre, more than
any purely commercial enterprise, may expect to
bring them forth. This criticism is especially in-
teresting in view of the theatre's recent production of
"The Piper," surely an example of the sort of play
that the lecturer had in mind. The American pro-
duction is to the honor of the New Theatre; although,
as Mrs. Marks, who still writes as Josephine Preston
Peabody, laughingly said in an interview, they
were n't "dreadfully keen " to have it until after its
English success. " There had been plenty of time
after it was published in book form and before
the English prize-winner was announced, for any
enthusiasm, if it was really felt, to be manifested on
this side, and none was apparent." Mrs. Marks, in
the course of rehearsals, found the American actor's
inability to catch the rhythm of poetry very " har-
rowing "; and she shares the opinion of many New
York critics that the Piper's part has not been wisely
cast, though she speaks most appreciatively of the
wonderful artistry displayed by Miss Matthison in
the role.
INSECT BOOK-LOVERS, including paste-eaters,
binding-devourers, and paper-gluttons (divided into
those that prefer wood-pulp, those that feast on
other vegetable fibres, and those that hunger after
mineral fillers), are far more numerous than is com-
monly believed. The insects destructive of bindings
alone may be subdivided into those whose taste is
for morocco, those that delight in vellum, those
whose preference leans toward calfskin, those with
a plebeian fondness for the plain wood that covers
some volumes, and so on. Mr. William R. Reinick,
custodian of public documents at the Free Library
of Philadelphia, has been for several years hot on
the track of these illiterate devotees of literature,
and has not only published a highly informing and
useful treatise on " Insects Destructive to Books "
(in " The American Journal of Pharmacy " for
December, 1910, and reprinted in separate form),
but hopes to give out before long some later and
fuller information on the same subject. As to
methods of destroying these pests, he says in con-
cluding his treatise : *' Cleanliness in the handling
of papers, books, and documents will be of more
value than all the poisons combined. Let common-
sense prevail, make sanitary rules in the home and
in the Dublic library an enforced rule, and it will
lessen and arrest the rapid growth of the little in->
sects which feed upon our silent friends of so much
value to us, besides eliminating the possibilities of
contagious diseases." Rather startling, if true, is
the statement that " more books and papers are de-
stroyed by small forms of life in one year than by
fire and water combined." On the whole, it seems
safe to say of the oft-mentioned but seldom-seen
book-worm, that its name is legion, and its variety
innumerable. But, fortunately, we of northern lati-
tudes are comparatively immune from its ravages.
A FORCED INTERPRETATION OF LINCOLN, the
writer and speaker of dignified and sonorous Eng-
lish, is contributed to " The North American Re-
view " for February by Mr James Raymond Perry,
who has convinced himself, and wishes to convince
his readers, that Lincoln's prose is in reality poetry
in disguise. To this end, he cuts up into lines,
arbitrarily enough many times, a number of pas-
sages from Lincoln's writings, presenting them thus
in a certain Walt Whitman dress which does bear
some visible resemblance to poetry. The Gettys-
burg address indeed rises to the dignity and im-
pressiveness of an elegiac poem, but not even this
eloquent utterance admits of being divided into lines
metrically faultless, or even approximately faultless.
And when the attempt is made, as Mr. Perry cour-
ageously makes it, to versify the " First Inaugural,"
the result is, to say the least, not convincing. Who,
without a pet theory to prove, would ever discern
much of real poetry in the opening of that address?
"I take the official oath to-day with no mental
reservation, and with no purpose to construe the
Constitution or laws by any hypercritical rules.
And while I do not choose now to specify particular
acts of Congress as proper to be enforced, I do
suggest that it will be much safer for all, both in
official and private stations, to conform to and abide
by all those acts which stand unrepealed, than to
violate any of them, trusting to find impunity in
having them held to be unconstitutional." Let the
reader try to cut this into verse-lengths, and then
see how nearly, or how distantly, his division agrees
with Mr. Perry's. If Lincoln was a poet, then every
writer of good rhythmical prose and all good
prose is rhythmical is likewise a poet
THE DEATH OF ELIZABETH STUART PHELPS
WARD, on the 29th of January, came unexpectedly,
her illness having been but a short one. Ever since
the age of thirteen she had been writing for publica-
tion, and her earliest book, "The Gates Ajar," which
appeared in 1868, when she was but twenty-four
years old, immediately won for her a host of read-
116
THE DIAL
[Feb. 16,
ers, their numbers rather increasing than diminish-
ing as she followed up this remarkable success with
novels not always so strikingly original, but always
inspired with intensity of conviction and loftiness
of moral purpose. "The list of her books is a long
one, and need not here be given even in part.
Hardly a year passed, during her productive period,
that did not see a new book, sometimes more than
one, from her pen ; and they always maintained the
same high ethical and religious level, impressing
their lessons indeed with some straining of incident,
some undue shrillness in the note struck, and some-
thing that was occasionally out of drawing in the
characters delineated. But this daughter of the
gifted Andover professor of " sacred rhetoric " was
always true to her New England traditions, and
her work is not unworthy of comparison with the
best of the good old New England school to which
she properly belonged. Her biography of her father,
Austin Phelps, teacher at the Andover Theological
Seminary, and for ten years the executive head of
that institution, should not be overlooked in any
review of her writings ; nor should her fame as
novelist wholly obscure her talent as a writer of
verse. Her death at the comparatively early age of
sixty-six will cause deep and lasting regret to the
many who found solace and cheer in her books.
A POLTGRAPHER EXTRAORDINARY, who IS a Very
Roosevelt or William II. for mingled versatility,
impetuosity, impatience of opposition, and sublime
self-assurance, now makes a bid for the world's
attention in books that have been translated from
their original French into English, German, Span-
ish, Italian, Danish, Russian, Hungarian, and even
Esperanto. Dr. Gustave Le Bon, whose latest book
is entitled "La Psychologie Politique et la Defense
Sociale," has written also on so many other subjects
that it would be easier to name the branches of
learning left untouched by him than to enumerate
those with which he has concerned himself. If one
is to believe his friends and admirers, he possesses
a sort of intuitive knowledge of all science. His
u Evolution of Matter " is hailed by one reviewer
as the most startling pronouncement in science since
Newton's " Principia," and his " Psychology of
Education " is declared by another to have already
influenced a large part of the educational world.
We used to take justifiable pride in the scope of
Professor Shaler's studies and writings ; he could
apparently with equal ease compose an epic poem
and write a textbook on geology ; but if all the
things we hear of Dr. Le Bon are true, Shaler's
readiness as an encyclopaedic writer was not worthy
of comparison with this extraordinary Frenchman's.
THE PROSPECTIVE SALE OF THE HUTH LIBRARY,
one of the last of the famous collections of books got
together by English bibliophiles, will disperse some
literary treasures of unequaled value. Alfred Henry
Huth, of Fosbury Manor near Hungerford, succeeded
in 1878 to the ownership of the splendid library
that his father, Henry Huth, had spent a quarter of
a century or more and one hundred and twenty
thousand pounds in forming. The death of the son
last year seems to have left the library practically
without an owner, or at least without one interested
in preserving intact this rare collection, and the
executors of the estate are about to place the library
in the hands of Messrs. Sotheby for auction sale.
Among the treasures of the collection are several
fifteenth-century Bibles, notably the Mazarin for
which Henry Huth paid nearly three thousand
pounds, and the Faust and Schoffer which cost him
considerably less, but is hardly less interesting to
the book-lover. A good number of Caxtons, in-
cluding " The Game and Playe of Chesse " and the
" Speculum Vitae Christi," and the four Shakespeare
folios, with some of the rarest quartos, are named,
as well as many other first or early editions of Eng-
lish classics. The joy in the bosom of collectors
at the release of all these treasures, many of which
will be scrambled for at fabulous prices, and the
inevitable bitterness in the heart of unsuccessful
bidders, are matters passing the power of pen to
deal with adequately.
THE SPECIAL LIBRARIAN'S QUALIFICATIONS, or,
in other words, the equipment necessary for the
management of a special library, must always in-
clude a good general knowledge of library science
built upon a broad basis of general education. The
24th annual report of the New York State Library
School closes with some remarks on " Training for
Special Library Work," and maintains that "the
ideal combination is a technical training in some
branch or related branches, a broad general educa-
tion, and library training or experience." The
special library is coming into more and more promi-
nence in the business and industrial world, and in
the arts and sciences, thus affording new openings
for our library school graduates. In regard to these
newly created positions, which are sure to become
more numerous as time passes, the writer already
quoted says : " Though opportunities in special
libraries (other than in cataloguing or clerical posi-
tions) seem better at present for men than for
women, there is a growing demand for both men
and women of suitable personality, education, and
training. From its practical character and its direct
contact with men and industries, the special library
should be a particularly attractive field for the
young man of scientific or professional training to
whom the bookish side of his profession appeals
more strongly than its field work or its office
routine." ...
THE PUBLIC LIBRARY AS A PROFITABLE INVEST-
MENT was the subject of a recent notable address
from Mr. Hiller C. Wellman, librarian of the
Springfield (Mass.) City Library, before the local
Publicity Club. A surprising array of facts was
placed before the audience to prove the money
value of the library to the community ; not that this
is its chief value, but, as the speaker took occasion
1911.]
THE DIAL
117
to explain, " it is just because the primary purpose
of a library is not commercial that I suspect we are
apt to overlook the actual cash dividends which a
library yields. The library of to-day studies the
industrial life of the community and endeavors to
supply the books that will aid every trade and
every calling that exist in the city. It is eager to
meet every demand, but it goes further : it en-
deavors to create the demand. It advertises ; it
uses every legitimate means of making its resources
known. As advertising men, you may be interested
to know that at least three per cent of the library's
expenditure is used directly or indirectly to further
this sort of advertising. The result has been an
increase in the extent and variety and scope of the
services rendered that few people have any idea of."
To refer to a single one of these profitable activities,
by furnishing the numerous foreigners of its com-
munity with elementary text-books from which to
acquire a knowledge of their adopted language, the
Springfield library has helped many of them to
secure and retain paying positions, besides helping
to make them good English-speaking citizens.
THE HAUNTING ASSOCIATIONS OF A WORD will
never be explained by any analysis of its sound-
elements or any tracing of its etymology. Mr. F. M.
Wells writes in the London " Book Monthly " on
u Why Some English Sounds are a Delight to the
Ear," adducing a number of words that have especial
charm or significance to him and quoting aptly an
unnamed critic's commendation of Pater, Stevenson,
and Laf adio Hearn as producing literature " in which
form and matter are essentially one . . . besides ful-
ness, beauty and melody of sound. Words are so used
as to summon to the mind a deeper, a more psychic or,
if you will, spiritual feeling than the primary thought
which the language superficially conveys." Every
man can instance words that from his early child-
hood have possessed for him unaccountable power
and beauty. To the present writer the word " fairy "
was one of the earliest of these magic words. Another
word, which turned out to be no word at all, had
acquired a peculiar and satisfying significance
until, on first hearing it pronounced after having
only a literary acquaintance with it, the delightful
illusion was shattered. The word was "misled,"
which had been conceived of as the past tense of a
present " misle " (pronounced mi-zel). To " misle "
a person had seemed the most perfect form of
humbuggery conceivable ; and how much poorer the
language seemed when it was learned that no such
word existed !
SIB FRANCIS GALTON, whose recreations, accord-
ing to " Who's Who," were " sunshine, quiet, and
good, wholesome food," lived by their aid to the ripe
old age of eighty-nine years less one month. His
" Memories of My Life," which came out two years
ago, reminded a too forgetful world that before
achieving fame as an anthropologist (as a writer on
heredity, as inventor of finger-print identification,
and as a pioneer in the science of eugenics) he had
already, sixty years ago, done notable things in
African exploration (as chronicled in his " Narra-
tive of an Explorer in Tropical South Africa " and
" The Art of Travel ") and in the science of meteor-
ology (see his "Meteographica, or Methods of Map-
ping the Weather "). But it will be for his " Hered-
itary Genius," his " Inquiries into Human Faculty,"
and his " Natural Inheritance," that he will be best
remembered. As a skilful manipulator of statistics
and as a deducer from them of daring and original
conclusions, he won the admiring attention of readers
far beyond the limits of his own country. He de-
monstrated in his own person the wisdom of choos-
ing one's ancestors with care.
THE CENTENARY OF THE ACADEMIA BELLA
CRUSCA was celebrated at Florence last month, and
the occasion was made memorable by the announce-
ment that work will at once be resumed on the
great Italian dictionary long ago undertaken by the
Academy but apparently languishing for want of
that government aid which is now promised. The
famous society is to be reorganized, says the report
from Florence, and one hundred thousand francs is
to be appropriated for its use. Now let the sister
academy in Paris bestir itself and give the world a
complete, authoritative, and up-to-date dictionary of
the French language. This is the age of great
enterprises in the department of reference works;
witness the ponderous Oxford Dictionary and the
wonderful Cambridge " Encyclopaedia Britannica,"
as well as the "English Literature" and the "Mod-
ern History " bearing the latter university's name.
RICHARD WAGNER'S FORTHCOMING AUTOBIOG-
RAPHY, which is promised for May publication,
was written in the years 186873 and runs to nearly
twelve hundred pages of manuscript. Clearer light
on an interesting and variously interpreted as well
as variously misrepresented character is to be ex-
pected from this notable contribution to autobiog-
raphical literature. The reason why this light is so
tardily shed may be gathered from the following
extract from the musician's own preface: "The
contents of these volumes were taken down from
my dictation, in the course of several years, by my
friend and wife, who desired that the story of my
life should be written by myself. The value of this
autobiography is based on its plain truth. . . . My
statements are, therefore, accompanied by exact
names and figures, and consequently publication is
not possible until some time after my death, if my
descendants still care to undertake it."
JOHN LOCKWOOD KIPLING, notable as architec-
tural sculptor, artist, art-teacher, author, and illustra-
tor of his more famous son's works, died in London
January 29. The relations between the father and son
were almost those of comradeship in their interests
and occupations. Mr. Rudyard Kipling has warmly
acknowledged his indebtedness to his father.
118
THE DIAL
[Feb. 16,
" Everything I am and everything I hope to be,"
are his reported words, " I owe to my father. He
taught me the way to see things and how to know
things, and I have never departed from his teach-
ings. I am only satisfied when my work meets
with his approval." The father's memory is per-
petuated, in a veiled form, in several of the char-
acters of the son's books ; but with all these claims
to remembrance he will probably be best remem-
bered (as doubtless be himself would wish to be)
simply as Rudyard Kipling's father.
COMMUNICA TIONS.
MR. SHAW'S ATTITUDE TOWARD SHAKESPEARE.
(To the Editor of THE DIAL.)
Are you not rather inconsistent in printing, in the
same issue (that of Jan. 16), an account of the Irish
playwright John Synge, with a reference to his getting
his dialogue through " a chink in the floor of the old
Wicklow house where I was staying, that let me hear
what was being said by the servant-girls in the kitchen,"
and a paragraph about Mr. Shaw's " Dark Lady," which
assumes Mr. Shaw's purpose in showing Shakespeare as
likewise a " snapper-up of other men's good sayings "
to have been, plainly, " a desire to make Shakespeare
ridiculous " ?
I have taken time to get a copy of " The Red Book "
for the purposes of careful perusal of Mr. Shaw's latest
ebulition; and I am inclined to think that at least a
part of his object is to show a very warm appreciation
of the particular sort of genius that he is willing to
grant the god of the English stage; namely, not the
furnishing of a great philosophy or of a working theory
of life, but the getting real life down on paper in an
intensely interesting and wonderfully lyrical fashion. In
one of the criticisms entitled " Poor Shakespeare ! " in
the first volume of the " Dramatic Opinions," Mr. Shaw
insists upon the over-mastering music of the early plays:
" it is the score and not the libretto that keeps the work
alive and fresh, and this is why only musical critics
should be allowed to meddle with Shakespeare
especially early Shakespeare." A re-reading of that
and other essays in the same series will serve to remind
one that Mr. Shaw has never once shown " a desire to
make Shakespeare ridiculous;" his attitude in the matter
has been quite obscured, for most of us, by an amusing
and daring epigram about Shaw and Shakespeare.
Therefore, if there is humor in Mr. Shaw's having
written "The Dark Lady" to assist the projected
Memorial Theatre, we should call it a humor of Mr.
Shaw's own particular brand, which is as far removed
as possible from the " horse-play " that your rash
paragrapher finds in his latest published work. Mr.
Shaw has spoken so often and so clearly about Shake-
speare that he is probably tired of the subject; but we
wish he might be induced to clear up the present dis-
cussion with one of his inimitably cogent " rejoinders."
Chicago, Feb. 8, 1911. MARGARET VANCE.
THE PLEASURES OF SERIOUS READING.
(To the Editor of THE DIAL.)
I want to commend the views expressed by Mr.
Cockerell in the last paragraph of his review entitled
Six Million Years," in THE DIAL of Feb. 1. There
is not a tenth part enough good reading done, and,
furthermore, not one person in twenty-five who calls
himself or herself a " great reader " has any idea of
how vastly his or her life would be improved in every
way if the level of reading were raised. The con-
tinual newspaper and magazine reader of to-day bears
the same relation to life that a Cook's tourist does to
travel. If you cannot do better, why, do the best you
can, of course; but if you can choose between a smat-
tering and a study, or between an express trip or a
single long heaven-and-health-giving tramp, do try the
little-tried once and you will never hesitate again.
There are planes of readers, as there are ranking
classes; but we cannot always choose our class, and we
can always choose our reading. As one who has just
finished John Morley's Life of Cobden and Fuller's
Life of Cecil Rhodes, as one who is wandering in the
footsteps of Scott and Dickens through the pages of
Christian Tearle's " An American in England " and is
learning both sides of the greatest modern problem by
contrasting chapters from Mallock and Sidney Webb,
I do feel qualified to speak for the fascination of good
reading. The infallible test of a book is the same as of
that treasure referred to in the Bible, to modernize
the rust and the moth, let me say that a really " good
book " leaves the reader consciously ahead in life. There
are few " good books " which do not give those who
absorb them a newer and higher view out over a bigger
and better world. ANNE WARNER.
St. Paul, Minn., Feb. 6, 1911.
THE " THIRTEEN ORIGINAL SITUATIONS "
AND ''ELEVEN ANCESTRAL WITTICISMS."
(To the Editor of THE DIAL.)
Being interested in Professor Felix E. Schilling's
reference to " the thirteen original stage situations " and
" the eleven ancestral witticisms," as quoted by you in
your issue of January 16, 1 wrote to Professor Schelling
asking if he would tell me just what these situations and
witticisms were. He replies that the expressions were
figures of speech, and were not intended to be taken
literally. Regarding the "eleven ancestral witticisms,"
he says that the expression " has reference to a clever
saying of Miss Agnes Repplier some years ago. She
was speaking on the subject of wit, and said that a
learned friend of hers had informed her that all current
jokes might be reduced to 'eleven ancestral witticisms.'
She also told us that she remarked, upon hearing this,
that she was surprised there were so many." It seems
to me that her "learned friend" might better have
traced the sources of current humor to " the seven
original jokes," that being the usual expression as I
have heard it, and one of long standing.
In this connection 1 should say that I once wrote to
Mark Twain for information about the " seven original
jokes." Perhaps he saw m the question a contemplated
thievery of his secret; for I only received a formal
note from his secretary saying in effect that he did not
know of them but had often heard of them.
Professor Schelling's reference to the "thirteen orig-
inal situations " is explained by him as having arisen
in his mind " from some of the statements of books on
dramatic technique which referred dramatic situations
to a small number of possibilities."
Possibly some reader of THE DIAL may be able to
shed more definite light on the source and meaning of
these expressions. DANIEL EDWARDS KENNEDY.
Chestnut Hill, Mass., Feb. 7, 1911.
1911.]
THE DIAL
119
CI*
Ax EARLY VICTORIAN ROMAXCER.*
In his sketch of William Harrison Ainsworth
in " The Dictionary of National Biography,"
Mr. Axon observes : " No biography of Ains-
worth has appeared or is likely to be published."
The improbable, however, frequently comes to
pass ; and as for biographers, no man, good or
bad, who attains to any prominence is free
from the possibility of undergoing their curious
microscopic researches. A popular author like
Ainsworth, whose pen was busy for sixty years,
and who was a familiar figure in London lit-
erary and journalistic circles for a quarter of a
century, was, it seems to us, not so unlikely to
find his biographer though there could now
be no chance that a Boswell would appear.
Mr. Ellis 's biography is one of which any
man might be proud to be the subject if not
the author. It fills two handsome volumes,
aggregating over nine hundred pages, and in-
cluding fifty-six illustrations, four of which are
photogravures. There is a genealogical chapter,
a bibliography, and an index which alone fills
seventy-four pages and should satisfy the de-
mands of the most exacting critic. The story
of A ins worth's life is well planned and well
told. Some deviations from a strictly chrono-
logical order seem to be justified. The author
shows commendable restraint and taste in not
dwelling on the strictly private life of Ains-
worth, with which the public need not concern
itself ; indeed, he almost forgets, it would seem,
to mention Ainsworth's second marriage, merely
referring to it several years after it took place.
His admiration for Ainsworth is great indeed,
some will call it excessive. He is not wholly
blind, however, to Ainsworth's defects of char-
acter. Of literary criticism the book contains
perhaps too little. Mr. Ellis makes no attempt
to compare Ainsworth with other writers of
romance or to estimate his achievement. He
does to some extent compare Ainsworth's books
one with another. Although " The Tower of
London " has been the most popular of Ains-
worth's stories, Mr. Ellis believes " The Lan-
cashire Witches " to be his best. In dealing
with the principal stories, the biographer de-
votes considerable attention to the local scenery,
the underlying basis of historical fact, and the
artist's illustrations. Interesting light is thus
* WILLIAM HAKRISON Ams WORTH AND HIS FRIENDS.
By S. M. Ellis. In two volumes. Illustrated. New York :
John Lane Company.
thrown on Cruikshank, who drew the illustra-
tions for ten of Ainsworth's romances, and on
the methods of working together adopted by
author and illustrator. In claiming to be
the " originator " of " The Tower of London,"
Cruikshank is seen in an unfavorable light ;
probably he was the victim of a hallucination.
In the treatment of " Jack Sheppard " the
ethics of the desperado romance receive due con-
sideration, and the inconsistency of Thackeray
in condemning Ainsworth for writing a story
" infinitely more immoral than any thing Fielding
ever wrote " and praising Cruikshank for ' ' really
creating the tale " is pointed out with telling
effect. As a matter of fact, Ainsworth, in
being censured by a part of the British public
for writing " Jack Sheppard," became a kind of
scapegoat ; other " offenders " should have been
included. Mr. Ellis puts it thus :
" If it is inherently immoral to take a criminal for
literary purposes and make him picturesque and inter-
esting, then the greatest writers will have to stand in
the same pillory as the author of Jack Sheppard. The
principal characters of Shakespeare's tragedies of
Hamlet, of Macbeth, of Othello are but murderers;
Falstaff is a robber and worse. Scott must answer for
Rob Roy; Fielding for Jonathan Wild; Gay for The
Beggar's Opera; Schiller for The Robbers; Hood for
his magnificent Eugene Aram; Dumas for his Celebrated
Crimes and so on through Literature of all times and
countries."
It may be added that if immorality was actually
promoted by " Jack Sheppard " and the plays
to which it gave rise, it is a nice question as to
what share of the guilt certainly a not incon-
siderable one belongs to the latter.
In the course of an extremely busy life
Ainsworth found time for several Continental
journeys. Of the journey to Italy in 1830 he
kept a full record, from which about thirty
pages of extracts are reproduced by Mr. Ellis.
This diary is full of youthful enthusiasm and
shows Ainsworth's power of description to
advantage. His narrative of the ascent of
Vesuvius, for example, though too long to
quote here, is extremely vivid. Here is an
impression of Venice :
" After visiting other churches and palaces, we saw
the Palazzo Foscari not that it is a show house, but
merely because I felt some interest in the house itself.*
It was shocking to see the deplorable state in which it
is. It is an immense mansion, and must have been
fitted up with great magnificence. The lower room is
turned into a workshop for masons; and the Grand
Hall on the first floor is hung with faded tapestry, in
depressing contrast beneath the proud portraits of the
Doges, Senators, and Cardinals of this once lofty and
* In 1821-2 Ainsworth had published parts of a tragedy
entitled " Venice, or The Fall of the Foscaris."
120
THE DIAL
[Feb. 16,
illustrious, but ever unfortunate line. It is in itself an
emblem of Venice, of which the shell alone remains.
All the spirit is fled, and the inhabitants who dwell here
are no more the Venetians of old.
" After dinner we rowed out to the Islands, and on
our way enjoyed one of the most superb sunsets it has
ever been my good fortune to witness. It was more
than beautiful; the sky and sea were stained with
crimson, orange, gold, and blue all uniting and blend-
ing with an infinity of shades more exquisite than the
hues of a rainbow. The effect of this extraordinary
relief to the spires of Venice and its picturesque outline
of houses was quite wonderful. Some smoke, which was
issuing from one of the islands, was tinged au couleur
de rose. As the light faded away, the whole mass of
the city was thrown into dark relief against the horizon
and presented a picture something like a great trans-
parency."
In the article already referred to, Mr. Axon
also remarks that Ainsworth's correspondence,
when examined after his death, was found " to
have but little biographical or literary import-
ance." The large selection printed by Mr.
Ellis does not wholly negative this view ; yet
several letters are of much interest from a lit-
erary point of view, and all are written in a
fresh, true, natural style. We quote his de-
scription of Browning, written to John Macrone
in July, 1836 :
"I had yesterday, as I anticipated, the pleasure of
making your new Poet's acquaintance, and from what
I saw of him and from what I heard and saw I
am induced to form a very high opinion of him. He
is full of genius. In appearance he might pass for a
son of Paganini, and Maclise and I must hide our
diminished heads before his super-abundant black locks
while even your whiskers, improved as they are by
the salt water, are insignificant compared with his lion-
like ruff. But this is absurd and as absurdity is the
farthest thing removed from Mr. Browning, I ought
not to connect anything of the kind with him. Sordello
complete, he is to write a Tragedy for Macready and
I feel quite sure that he has great dramatic genius."
We do not know whether Ains worth under-
stood " Sordello " or not ; but it is pleasant to
note that he recognized Browning's genius and
urged Macrone to publish " Sordello "; the
latter apparently would have done so in 1837
had not death prevented.
Many other great Victorians figure promin-
ently in Mr. Ellis's pages ; the list of Ains-
worth's literary friends was a long one. Thus
we find Charles Lamb writing in 1823 about
William Warner's " Syrinx " :
" I have read Warner with great pleasure. What
an elaborate piece of alliteration and antithesis ! W hy,
it must have been a labour far above the most difficult
versification. There is a fine simile or picture of Semi-
ramis arming to repel a siege."
Ainsworth and Charles Dickens were close
friends for many years ; " Boz " was a frequent
guest of Ainsworth at Kensal Manor House, and
the two planned in 1838 to collaborate in a work
which should " illustrate ancient and modern
London in a Pickwick form," but the plan came
to nothing. Thackeray likewise was intimate
with Ainsworth ; he was very fond of Ains-
worth's three little daughters, and often used to
walk out to Kensal on Sunday and accompany
the Ainsworths to evening service at Willesden
Church. Wordsworth was also a visitor at
Kensal Manor. There is no record of Ains-
worth's opinion of Wordsworth ; but an amus-
ing letter from Mrs. Hughes to Mrs. Sou they
is quoted in which she intimates very distinctly
that for her, as well as for Fanny Burney, the
Laureate idol had more than feet of clay.
Canon Barham, of u Ingoldsby Legends '' fame,
took great interest in Ainsworth's work, and
Ainsworth often visited Barham at his house
in Amen Corner. Here also figure Sergeant
Talfourd, Douglas Jerrold, G. P. R. James,
Lockhart, Sir Theodore Martin, Captain
Marryat, Horace Smith, Daniel Maclise, and
many other important Englishmen of the forties
and fifties. But the friend whose name recurs
oftenest was James Crossley, of Manchester,
who became president of the Chetham Society
and who was one of the most bookish of men,
amassing a library of over a hundred thousand
volumes. His was a peculiarly devoted friend-
ship, extending to almost seventy years, and
Ainsworth fully recognized its value.
But we must take leave of this interesting
book. There is about Ainsworth's life a pathos
which strikes the reader somewhat forcibly as
he finishes this biography. Here was a man
who, though he once spoke of himself as " the
idlest of the race of authors," lived to produce
forty romances and was at one time the editor
of three prominent magazines. Yet so fleeting
is literary fame that in his advanced years, in
order to maintain his family, he was compelled
to keep on writing long after he had spent him-
self, and that he died in reduced circumstances
and comparative obscurity. It is customary, of
course, to say that Ainsworth was careless in
his writing, and that if he had taken more pains
he would have achieved a more lasting reputa-
tion. But it will not do to say that Ainsworth
was careless (cf. Ellis i. 413); and although
somebody has found a few dangling participles
in his works, that does not account for his pass-
ing from the field of popularity. It is owing
in large measure to the coming in of new fash-
ions in literature and of new writers with no
1911.]
THE DIAL,
121
more genius than Ainsworth possessed and with
perhaps not so many admirable qualities as are
exhibited in his character and his best works.
For this much can be said for Ainsworth :
that he was far from being the least of those
numerous " imitators " "who followed in the wake
of Scott ; that he had great powers in descrip-
tion and the combination of historical facts with
thrilling imaginative scenes which are essentially
not untrue to life ; that his stories are never
tainted by immoral suggestion, and never in
reality make the worse appear the better ; that
the influence of his work on readers and writers
alike has on the whole been good. By no means
a great man, Ainsworth at least earned a humble
place among the romancers of his day, and is cer-
tainly worthy of the sympathetic and creditable
biography which Mr. Ellis has produced.
CLARK S. NORTHUP.
THE AXCIEXTS ILI/UMIXATED.*
The minute and laborious scholarship of
the past century is at last bearing fruit that is
within the reach of the ordinary public. The
ancient Roman world is coming really to be
understood. To books on Roman social condi-
tions, such as those of Inge, Dill, Pellison, and
Warde Fowler ; to the archaeologically flavored
works of Thomas, Boissier, and Mau-Kelsey;
to text-books on Roman life and Roman monu-
ments, like those of Johnston and Platner and
Carter-Huelsen ; and to works of historical
fiction, like Mrs. Elizabeth Champney's " Ro-
mance of Rome'" and Mrs. Anne C. E. Allinson's
brilliant essay-stories in " The Atlantic." to
these are now added "The Influence of Wealth
in Imperial Rome," by the well-known author of
" A Friend of Caesar," " A Victor of Salamis,"
etc.; and " Life in the Roman World of Nero and
St. Paul," by Professor Tucker of the University
of Melbourne, whose popularization entitled
" Life in Ancient Athens " appeared four years
ago.
Both these books are frank attempts to stim-
ulate interest in Roman antiquity in those who
may not have had the privilege of special study
in ancient history and the classical literatures.
"Political Corruption and High Finance," "The
Accumulation and Expenditure of Wealth,"
*THE INFLUENCE OF WEALTH IN IMPERIAL ROME. By
William Stearns Davis, Professor of Ancient History in the
University of Minnesota. New York : The Macmillan Co.
LIFE IN THE ROMAN WORLD OF NERO AND ST. PAUL.
By T. G. Tucker, Professor of Classical Philology in the
University of Melbourne. New York : The Macmillan Co.
" Private Munificence," " Marriage, Divorce,
Childlessness," "Why the Roman Empire Fell,"
such are some of the topics on which Professor
Davis writes, with a range so wide that his book
is almost deservingof the title of " Roman Life."
In his attractive chapter on " The Business
Panic of 33 A.D." he begins by delivering the
" stunning blow between the eyes " recognized
in these days as the sine qua non in the publish-
ing industry, and the reader is filled with lively
anticipation of travelling the hedonistic, if not
the royal, road to learning.
Professor Davis's succeeding chapters do not
quite fulfil the promise of the first. They are
so closely packed with masses of data, and
court so little the graces of presentation, as to
savor somewhat of lecture-notes and the card-
catalogue ; the proof is carelessly read ; there
are occasional gaucheries which mar the other-
wise nervous and rapidly-moving style ; and
there are inaccuracies in statement of fact.
One might find fault, too, with the use in the
same paragraph of evidence from Horace and
Jerome, or from Ammianus and Pliny. To
treat as a unity the diversities of a period
embracing three or four centuries, or of the
lands of an empire extending from Spain to
Syria and from England to Egypt, may indeed
find its excuse in the homogeneity of Roman
civilization ; but, after all, when we think of a
historian doing the like for Great Britain or
the United States, we begin to realize the possi-
bilities of such license. And again, the book
contains too much detail for the lay reader, and
too little apparatus for the scholar. On the
whole, Professor Davis would have better ful-
filled his declared purpose of conveying to the
average reader a realizing sense of " the realm
of the great god Lucre " if he had presented
his points of view in a series of essays, making
sparing use of representative facts from the great
mass at hand ; or if he had utilized again the
historical novel, a vehicle which he has shown
himself so competent to employ. The lighter
form of conveyance would at the same time have
conciliated a larger audience and made stronger
impression on the individual.
We hasten to add that Professor Davis's
work has pronounced virtues, and will be found
highly serviceable. It has a wide range, is pre-
sented in orderly and effective manner, and
really illuminates ; and it is the only book in
the language that covers the ground in this
manner. Those who wish to rehabilitate in
imagination a great period in the history of the
great people whose civilization lies so broadly
122
[Feb. 16,
and deeply at the foundations of our modern
life will place this work upon their shelves.
Professor Tucker's " Life in the Roman
World of Nero and St. Paul" is composed
upon a different plan. Its purpose is to pre-
sent a picture of the universal life of the period.
It is not only avowedly popular, but really so.
Its author makes most judicious selection of
material, omitting all that is superfluous, and
yet sets before his readers an abundance of in-
formation. He refrains, in a manner quite
heroic for a professor of the classics, from the
use of Latin quotations and expressions ; he is
chary even of proper names, and displays no
slight degree of ingenuity in avoiding them.
" Broadway " for Via Lata, " backbone " for
spina, " many-cornered " for polygonal, " an
old grandfather, the forerunner of the modern
pantaloon," " a cunning sharper," " a garrul-
ous glutton with a fat face (known as Chops)"
and " an amorous Simple Simon " for Pappus,
Maccus, Bucco, and Dossennus of the Atellana,
these are a few examples of the humane Pro-
fessor's dread of frightening the reader with
technicalities and foreign phraseology, a dread
which is to be regretted only so far as it seems
responsible for the almost total absence of illus-
trative passages from Latin literature even in
translation.
Professor Tucker's language is natural,
straightforward, and easy, and is occasionally
beautified by quiet literary ornament. His
lucidity of style is equalled by the lucidity of
his arrangement ; the first eight chapters, on the
Empire and its administration, the character
of the Capital and its Emperor, etc., introduce
the main body of the book. Nine chapters which
describe the house and the private life of its
inhabitants, and the concluding six chapters,
on the army, religion, study, philosophy, art,
and burial, sum up certain of the larger phases
of existence in an age which for fulness has
rarely been paralleled. Sometimes, as in " The
Social Day of a Roman Aristocrat," the chap-
ters are semi-narrative. Everywhere the author
displays the natural teacher's bent by so paral-
leling ancient with present-day conditions as to
make antiquity rise before his audience in flesh
and blood. A hundred and twenty-five illus-
trations, including maps and plans, contribute
to the usefulness of the work, though their
elegance is not always worthy of the text.
In spite of the popular nature of Professor
Tucker's book, it never lacks thorough dignity,
and is throughout a work of sound scholarship.
The student of Roman literature and history
will find its sane and sensible presentations at
the same time entertaining and helpful.
One of the impressions carried away from the
reading of these two books is that of the ex-
ceeding modernness of antiquity. We seem to
stand on familiar ground especially in Professor
Davis's account of the crimes and follies of the
ambitious rich. We are told of the anti-treat
law of A.D. 67, of a block system of controlling
votes, of the centralization of wealth, of union
labor and strikes, of pall-bearers who stood for
the " closed shop " in their business, and of
" graft " in a thousand forms. A big estate
supports 4117 slaves, 3600 yoke of oxen, and
257,000 other animals, and has funds amount-
ing to $3,000,000. Hadrian says of the Alex-
andrians that " their only god is money "; and
we are assured that Caesar would have sub-
scribed to Walpole's alleged assertion that " all
men have their price." Altogether, Professor
Davis's book might almost be entitled " Muck-
raking in Roman Antiquity." Despite his care
to paint in the lights as well as the shadows, the
nature of his subject leads him inevitably to
present facts of such character as to strengthen
belief in the adage that the love of money is the
root of all evil. It leaves us no happier. Let
the newspapers and the muckraking magazines
and book publishers look to it : in spite of the
purification they are working, too much setting
forth of one kind of truth is making us a nation
of pessimists. We are put in mind by it all of
the ancient historian who says that the time has
come "when we can endure neither our vices
nor their remedies."
Professor Tucker's book, by reason of the
universal sweep of his subject, leaves vis with a
truer and more encouraging picture of Roman
society. It should be read for the sake of a
background and corrective for special works
like Professor Davis's, whose fault of producing
distorted impressions is inherent rather than due
to the author. GRANT SHOWERMAN.
LYRIC IRELAND.*
Whether Mr. Redfern Mason, in his " Song
Lore of Ireland," has written the story of
Erin's chief contribution to the world's music,
or whether he has given us a moving picture of
the island's many yet lessening disasters, are
questions, to each of which, it seems to us,
can be made an affirmative or negative reply.
* THE SONG LORE OF IRELAND. Erin's Story in Music
and Verse. By Redfern Mason. New York : Wessels &
Bissell Co.
1911.]
THE DIAL
123
Indeed, Mr. Mason calls his book alternately
a History of Irish Songs or a History of the
Irish People. We shall, however, deal here
in the main with the music^and only second-
arily with the people. Mr. Mason, although
not a native son of Erin, is an ardent partisan,
and his narrative glows with a sympathy to
which the reader readily responds, and burns
with an indignation that kindles the corre-
sponding emotion as it is intended to do. The
unfortunate country of which he treats has
sent forth a series of songs which represent her
every mood and display her every characteristic
her light-hearted gaiety, her love of family
and kindred, her religious enthusiasms, her
hatred of wrong, her devotion to the abused
and long-suffering fatherland.
Ireland has always been the lyrist among
nations. Her principal instrument has been
the harp, and from time immemorial she has
poured forth her full heart in song. The record
goes back to a period long before the Christian
era, and the claims which are made for her
priority in many forms of musical invention
and construction are curious and edifying.
Unhappily, however, the power of musical de-
velopment and the vigor of continuous and sys-
tematic production do not seem to have been
hers. Richey, in his " Short History of the
Irish People," makes the following statement:
" As to Celtic music, the separate airs handed
down from remote antiquity are unequalled in
variety, tenderness, and expression ; but Irish
music has never risen beyond an air ; operas,
oratorios and concerted pieces have been pro-
duced by people of inferior sympathies but
greater industry." That is to say, Irish music
is of the naive and primitive type ; it has never
entered upon the phase of elaborate exploitation
of its resources, nor upon the yet higher stage
of full expression of man's conscious and deeper
experiences.
Mr. Mason says, perhaps with pardonable
enthusiasm :
" Irish song is the expression of Celtic genius in music
and verse, in every-day life and history. . . . Gerald
Barry, the Welsh monk and historian, hater of the Irish
though he was, declares that Erin's harpers surpass all
others. That was in the twelfth century. Ireland's
musical skill had won her fame long ages before that,
however; when the wife of Pepin of France wanted
choristers for her new abbey of Nivelle, it was not to
Italy, to Germany, or to England, that she sent, but to
Ireland. That was in the seventh century. In Eliza-
bethan days the songs of Ireland won praise even from
her enemy and traducer, Edmund Spenser. Shake-
spearian enigmas, long insoluble, become plain in the
light of the poet's acquaintance with Celtic lore. Bacon
of Vernlam declared that of all instruments the Irish
harp had the sweetest note and the most prolonged.
Irish airs found their way into the virginal books of
Tudor and Jacobean days. Byrde and Purcell wrote
variations on Irish tunes. As in peace, so it was in
war. England's battles have been fought and won to
Irish music. The United States won its freedom to the
strains of < All the Way to Galway,' known all over the
world aS 'Yankee Doodle,' and while the English
marched out of Yorktown, the pipes squealed the tune
of ' The World Turned Upside Down.' Beethoven,
Mendelssohn, and Berlioz all confess the beauty of
Irish melody."
The structure of these songs is, of necessity,
simple, as is the case with the folk-song every-
where. They are a combination of words and
music which came together into the world at
one birth. They are written in primitive keys,
which signify their far-off origin. They have
been handed down from father to son, from
mother to daughter ; and they have that variety
of versions which such a descent brings with it
perforce. These songs have no known authors ;
they belong to the whole people, and the tribe,
or district, or kingdom, or even nation, is their
creator. This is true of the old and original
Gaelic songs ; when the Anglicization of Ireland
began and progressed to its inevitable conclu-
sion, the individual composer appeared and
made songs for the men and women about him ;
but then the individual composer was possessed
of the national feeling and predisposition, and
he followed the model of the ancient and per-
vasive popular song.
A primitive classification of these songs, as
found in an old Gaelic battle-story, divides them
into the Soontree, or sleepy music, lullabies,
which Mr. Mason declares to be the most beauti-
ful in the world ; the Goltree,or the music of sad-
ness, including the keens and laments; the
Gauntee, or mirthful music, jigs and reels which
were danced under the trees or in the halls of
the chiefs and castellans. This does not exhaust
the characterization of Irish music. There are
hymns belonging to both religions, Pagan and
.Christian ; battle- odes, songs accompanying the
daily work, agricultural and other ; mystical
songs full of the fairy lore which fills the island
from sea to sea.
The musician of Ireland was not necessarily
the poet ; the bard and the minstrel fulfilled"
distinct functions. The former occupied an
important place in the household of the chief or
king in the tribal and communistic organization
which persisted to so late a period in Ireland ;
he was part of the reigning pageantry, he was
the chronicler of the dynasty's great achieve-
ments, he was a counsellor, he received an
124
[Feb. 16,
elaborate education. The music usually came
from another hand, although the bard often
was musician as well. The bards and minstrels
continued in Ireland down into the eighteenth
century, and the songs of one of the last of
them, Carolan, received the commendation of
Beethoven.
The Irish bard, however, in the main took
only short flights of song ; he was capable of
the lyric ecstasy, but he had not the construc-
tive ability nor the power of consecutive labor
which bring forth the epic. The three great
cycles of Irish adventure and achievement the
triumph of the mythological Tuatha de Danann
over the Fomorians, the heroic tales of Deirdre
and of Queen Meve of Connaught, the Red
Branch Series, and the more simple and human
narratives of Finn MacCool and his son Ossian,
come down to us in prose versions like the sagas
of Iceland. Some Irish poet is yet to appear
and do for these separate legends what Tennyson
did for the Arthurian cycle ; he will weave them
into the national epic of Ireland.
The number of the songs now to be found in
collections, which have been made with great
care, is very large. Mr. Mason gives in his book
about forty ; and this is only a small fraction
of extant and authenticated pieces. Among
them are specimens of the various compositions
which have always solicited the Irish muse.
" The Last Rose of Summer " appears in its
original form, somewhat sophisticated by Moore,
and not to its advantage. The famous " Coulin "
occurs first in its prime simplicity, then as sung
in another part of the country, and then as
embroidered by the harpers ambitious for
instrumental effects. We find a Plough Song,
a Smith Song, a Spinning Song, several jigs,
reels, laments, the Cry of the Banshee, " The
White Cockade," " All the Way to Galway,"
and a stirring march. Mr. Mason carries his
history through the Gaelic period, the Danish
and Norman invasions, the Tudor tyranny, the
Cromwell persecution, the Jacobite illusion,
and into the morning redness of to-day. In
spite of everything, the Irishman has main-
tained himself, has always expressed himself in
lyric outbursts of joy or indignation, and has
never abandoned the hope which has been always
on the eve of success and fulfilment. Mr.
Mason inspires his critic with a measure of his
unquenchable ardor.
Mr. Grattan Flood, in his exhaustive " His-
tory of Irish Music," quotes the following state-
ment from Sir Hubert Parry: "Irish Folk
Music is probably the most human, most varied,
most poetical in the world, and is particularly
rich in tunes which imply considerable sym-
pathetic sensitiveness." Mr. Douglas Hyde, in
his " Early Gaelic Literature," makes a strong
plea for the study of the bardic writings and
the accompanying music, on account of its
antiquity and its representation of primitive
social conditions ; and we have all heard what
Matthew Arnold had to say on the same subject.
Through the labors of O'Curry and Petrie, and
a later band of scholars, the light of scientific
research has been cast upon the dark places
and the story has been successfully unfolded.
Throughout Gaelic times, Ireland, in spite of
fearfully untoward conditions, continued pro-
ductive in literature and music ; when English
superseded the ancient tongue, she illustrated
her vicissitudes with history and poetry and
oratory and song, and at the present hour she
has a band of patriots who are also writers,
and who have given her what she has hitherto
lacked a real dramatic literature. The melo-
dies of Moore were a notable achievement; the
old songs were again presented to the world,
and furnished with new words which in most
cases married the fitting verse to the expectant
song ; and the later poets and musicians have
added to the credit and honor of the country.
The book of Mr. Mason deserves only praise ;
he has done very well a work by no means easy.
He has the gift of clear and picturesque nar-
rative ; he is a musician of learning and under-
standing; he knows his subject, and has pre-
sented it in attractive guise ; he has not been the
antiquarian only, but everywhere has brought
the human interest into the foreground : if he
is evidently a partisan, he can perhaps be for-
given when one follows the events as he discloses
them. The book is a credit to the publishers,
and it should certainly be attractive to the gen-
eral reader as well as to the lover of music.
Louis JAMES BLOCK.
Mr. HERBERT W. PAUL is the editor of a volume of
" Famous Speeches " by British statesmen, from Crom-
well to Gladstone. The volume has a general introduc-
tion, and a special introductory note is provided for
each of the selections. Sixteen names are represented,
besides that of Lincoln, who is the one exception to the
rule which confines the contents to British examples.
Messrs. Little, Brown, & Co. are the publishers of this
work. A different sort of volume is the " American
Oratory of To-day," which Professor Edwin Du Bois
Shorter has edited, and which comes to us from the
South- West Publishing Co. Here we have only ex-
tracts, and the writers represented (to the number of
nearly two hundred) are living, save for a few who
have very recently died.
1911.]
THE DIAL
125
THE LATEST STUDY or MOLIERE ix
ENGLISH.*
In a prefatory note, the author of the latest
of the encouraging number of recent Moliere
studies in English,f sets forth his plan and his
point of view. He purposes to present, first,
" the facts of MoliSre's life, stripped of all the
legends which compass it about ; second, to
trace his development as a dramatist, making
it plain how cautiously he advanced in his art
and how slowly he reached the full expansion
of his power ; and third, to show his intimate
relation to the time in which he lived, the glit-
tering beginning of the reign of Louis XIV."
Professor Matthews calls his book a biography,
and has " endeavored always to centre attention
on Moliere himself."
Of the three avenues by which Professor
Matthews has approached his subject, he has
evidently been attracted most by the middle
one, i.e., Moliere's development as a dramatist.
In discussing this development he has wisely
kept the plays in their chronological order,
thereby avoiding confusion and impressing the
reader with the continuity and the homogeneity
of the great Frenchman's growth as a dramatic
power. Indeed, this part of the plan has been
so well conceived and so cleverly executed,
especially as regards the lighter plays and the
bearing of the unusually intelligent theatre-
going Parisian public upon the length and
breadth of Moliere's career as a playwright,
that one may reasonably be inclined to regret
that the author has not confined himself to the
discussion of this development. But the book
is intended as a biography. It is not a history
of Moliere's dramatic career, but a biography
of Moliere himself which the author has " sought
to establish solidly on the admitted facts," using
no " legends " and refraining from borrowing
hints or drawing inferences from such pam-
phlets as " Elomire Hypocondre " and " La
Fameuse Comedienne." The intention clearly
has been dictated by scholarly integrity.
It is not, however, a critic's province to dis-
cuss an author's intentions ; rather is it his
* MOLIERE. His LIFE AITD HIS WORKS. By Brander
Matthews, Professor of Dramatic Literature in Columbia
University. Illustrated. New York : Charles Scribner's Sons.
f Beginning with Henry M. Trollope's " Life of Moliere,"
London, 1905, we have had : Karl Mantzius's *" Moliere and
his Times'" (translated from the Danish), London and New
York, 1905 ; Marzials's Moliere in the Miniature Series of
Great Writers, 1905: H. C. Chatfield-Taylors "Moliere, a
Biography,'' New York, 1906; A. R. Waller's ''The Plays
of Moliere," 6 vols.. London, 1902-08 ; and Curtis Hidden
Page's Moliere, in the French Classics for English Readers
Series, two volumes, New York. 1908.
function to discover how thoroughly they have
been carried out, and to state his findings as
impartially as may be. It seems to me, in the
first place, that Professor Matthews has scarcely
distinguished between biography and history.
Montesquieu's distinction is still valid. He
said that biography studies the peculiarities of
individual character, and history the general
aspects of the society in which these peculiar-
ities appeared. The general aspects of French
society contemporaneous with the great humor-
ist are placed before us with fine integrity ; the
author's characterization of Louis XIV. as mon-
arch and as man is done in masterly manner,
although the courtly background of the lighter
plays is scarcely more than sketched in ; but
what of Moliere the man ? Do we not miss that
coloring, that vivifying power which is so essen-
tial in the process of presenting the subject of
a biography as a living human being ?
The modern view of history is hostile to the
anecdote, but biography cannot well get along
without it. What if it be not true that the
king invited the actor to sit at meat with him ?
what if it be not proved that Bellocq the poet
offered to help him make the king's bed ? These
" legends " are truer than many a fact may be,
because they are generic and stand for a long
series of facts which it would be futile to es-
tablish, and of which the significance is that
Moliere, being an actor, was a social outcast
with whom courtiers would not associate. This
fact being either established or corroborated
by these legends, it follows that Moliere must
often have been deeply offended, and, being
human, must sometimes have reacted, especially
when opportunity offered during the building
of a comedy. But it is exactly this biographical
point of view that Professor Matthews eschews.
He separates the man from the playwright,
on the ground that the construction of plays is
the most objective of the arts. He neglects
the man, he does not make him live before us
in his characteristics ; the man merely estab-
lishes the Illustre Theatre, fails, goes to the
country, comes back to Paris, and dies on
schedule time. But the playwright we see at
i work very clearly ; and if the scope of the book
had been limited to that of a history of Molidre's
dramatic career, it would have found an empty
niche waiting for it.
Molidre created the era of modern comedy.
Was a new era ever created objectively, in cold
blood? Is not Moliere's deep melancholy alter-
j nating with rollicking fun proof enough of his
i abiding subjectivity? Your objective man or
126
THE DIAL
[Feb. 16,
woman is wont to have a cheerful or grave, but
an equable temper, and creates no new eras. I
venture to doubt whether an equable temper
was ever humoristic also: the millennium is
not yet. If Professor Matthews had stooped
to the legend of the Due de la Feuillade who
rubbed Moliere's nose against the buttons of
his coat till it bled, or to the legend of his
quarrels with Armande Bejart, the reader would
not have received an altogether incorrect im-
pression of the dynamics of Moliere's sensitive-
ness. Brunetire points out how the ascendency
of women in the seventeenth century, which is
at the root of its contrast with the sixteenth,
hampered Moliere's growth and accounts for
his not being greater than he is. Considering
his penetrating genius and the excellent educa-
tion he had had, he must have known that this
ascendency was a fact. Besides, he was a
naturalist, i.e., he insisted on seeing things
as they are. But society in his day insisted
on warping nature into artificiality and con-
vention, with their corollaries of "humbug and
pretense." As Professor Matthews points out,
MolieYe hated these. Would mere academic dis-
like, or the requirements of the ticket-office, or
a laudable desire to write a good play, nerve a
human being to such attacks upon women as
we find "Les Precieuses Kidicules" and the
" Femmes Savantes " to be ? or to such an
attack upon woman-dominated society as is
" Le Misanthrope"? No; indignation, hate,
underlie these. Is hate not a very subjective
passion, and is it not always caused by personal
incidents and conditions which the hater finds
unbearable? The "legends" tell what these
incidents were or might be. Molidre reacted,
fought back ; it is not possible that a man of
his high seriousness had that lukewarm pleasant
thing, " a message," which the author twice
asserts he had. It had not yet been invented.
Again, Molire lived at a time when the clergy
were an all-pervading power, which as far as
he and those he loved were concerned was
exerted to keep him and them in a position of
ignominious contempt, and who, unless he ab-
jured his great life, would even make his death
an occasion for insult. And yet is there only
objective criticism in "Tartuffe"? Moliere
had a grumpy, grasping father, and he himself
delighted in generous expenditure for his wife
and his friends. And yet is it mere coincidence
that his comedy fathers are all grumpy and
grasping towards their children ? Moliere lost
his mother in boyhood, there are practically
no mothers in his comedies ; and what a carica-
ture Madame Pernelle is ! yet was this owing
to the fact that there was no " old woman " in
his company? Indeed, I make bold to surmise
that in suppressing the " legends " and in basing
his biography only on " the admitted facts,"
Professor Matthews has merely invented a new
method of expressing Ms opinion.
The sort of reader to whom this biography is
addressed cannot fail to discover that Professor
Matthews has not always succeeded in keeping
his foothold firmly on the admitted facts. A
quotation will illustrate the author's procedure
in this matter. He says, page 49 : " These were
the . . . performers Moliere in his boyhood had
seen in the open street, at the fair of Saint-
Germain, and perhaps also in the playhouse
itself (if it was a fact that he was taken to the
theatre by his grandfather)." On page 27 we
are told that "it is likely that she Madeleine
Bejart had hoped to become a countess," and
on page 179 that "it is possible that this with-
drawal of ' Don Juan ' was made a condition for
the ultimate approval of ' Tartuffe.' " These and
many other similar facts are not yet admitted,
as the author duly indicates ; but that they
have been used shows how difficult it is to
carry out the programme he lays down in
the preface. More serious is a slip like that
on page 22, where the author states that the
Illustre Theatre was housed in a tennis court
" owned by a man named Metayer." But this
court was the Mestayers' (joint or share-
renters') court. There was, of course, no man
named Metayer. The business was transacted
by Noel Gallois, the tennis master,* who signed
the lease, the rent being 1900 livres a year.
On page 83 the author makes Louis Bejart die
just after the first performance of the Etourdi,
which on page 33 he puts at 1653, although
Grimarest's date has been discarded by Lefranc
(1906) and others for that of La Grange, who
mentions 1655. But in the immense labor of
building a book of this kind one is fortunate in
escaping with the very few errors of this sort
that the book contains.
I hope that a word or two concerning the
English of the work may not be considered im-
proper. When anyone takes pleasure in a thing,
he is made to " joy in " it. When he has cause
for an angry protest, that protest becomes " ex-
acerbated." And Moliere " bodies forth " his
interpretation of life. At the same time, to
expose becomes "to show up," to address "to
hold forth," to resign " to drop out," to exhibit
*See " Le Molieriste," 1885-86, p. 123; or Aug. Vitu,
" Le Jeu de Paume des Me'tayers," Lemerre, 1883.
1911.]
THE DIAL
127
" to show off." On page 97, poor Moliere is
made to " work against time," and to be " ready
to the minute." It is a question whether or no
Madame de Rambouillet was herself only " half
an Italian," or whether " the immediate appeal
of the playwright is to the eyes of the spectators
and to the ears of the auditors in the playhouse
itself." It is agreed that Moliere was a realist ;
but why he should as such not brood over the
darker aspects of humanity, which the conjunc-
tion "however much" (page 91) would seem to
deny him the right to do, the author does not ex-
plain. At the end of the book no one except acol-
lege student would have a legitimate excuse for
not knowing that Moliere had been nourished on
Rabelais and Montaigne, that he had a hearty
detestation for humbug of all sorts, that he was
a humorist, that he had had thorough instruc-
tion in philosophy, or that in the Italian plays
the acting occurred in the neutral ground be-
tween the houses. These repetitions, and a
little padding here and there, might easily have
been avoided.
"When all is said and done, there remains the
very praisworthy effort of which this book is a
token. That professors of modern literatures
should begin more and more to join urbanity
with scholarship, and even to address the general
reader now and then, is a hopeful sign, hope-
ful also for American scholarship itself. Pro-
fessor Matthews is a modern pioneer in this
respect, and on that ground alone deserves the
most cordial recognition, the more so because
he has had the courage to do this at a time when
philological erudition of an almost physical type
has been the surest road to a reputation for
soundness. ., _. T
F. C. L. VAN STEENDEREN.
AX IMPRESSIOXIST IX SPAIX.*
Mr. C. Bogue Luffmann's " Quiet Days in
Spain " is most appropriately named. Mr.
Luffmann, already known as the author of " A
Vagabond in Spain," confesses here to feeling
a world weariness and to seeking a rest cure
among the quiet hills of Spain. He shuns the
towns, browses contentedly about the country,
visiting forty-two of the forty-nine provinces
during the nine months of his stay. At first
he is conscious of the guilt of idleness, and feels
that he must be off and busy ; but he restrains
* QUTKT DAYS IK SPAIN . By C. Bogne Luffmann. New
York : E. P. Button & Co.
himself, and as he reclines upon a hillside look-
ing over Cordova he thus communes aloud :
" Shall I not dare to lie at ease upon the grass, to be
warmed by the sun, to smell the odours of clean earth
and pungent weed; may I not read my history here,
and for a time rest unconcerned? What need I to
care about news and the business of the world ? Here
is enough, for I can dream, and ponder over the past."
In order to gain a knowledge of conditions
of life and the nature of certain rural industries,
Mr. Luffmann spends the winter upon a vine-
yard of thirteen hundred acres situated in the
highland between Malaga and Granada, while
he passes the summer in what remains of an old
Bernardine monastery on the Vega of Malaga.
In these out-of-the-way spots he gathers much
curious information about domestic -customs,
which he gives us in a discursive and gossipy
manner none the less agreeable when the dis-
connected observations are apropos of nothing.
Many of these sketches of Spanish life are
vividly and accurately drawn.
Together with all this, however, there is no
lack of soulful passages. Mr. Luffmann every-
where seeks an impression. This he cannot
always secure, and in plain old Santiago he is
obliged to confess : " I can say no more than
that I have seen Santiago, for I had no fine feel-
ings there, and where one does not feel one does
not live." He fares somewhat better elsewhere.
At Covadonga, for example, he is impressed as
follows :
" I leapt the torrents and drank from dripping stones
and calm, arrested pools. I tired, I rested, gathered
strength, and must needs go on. Hills were below and
above me, and valleys near and far. . . .
" I fought with the bumble-bees for the honey within
the throats of the large purple flowers of the wild nettle.
I gathered nosegays and sniffed and chewed them as a
child, and child-like threw them away. Where the
ground was sure, I chased little blue and brown butter-
flies, but without reason, for taking me for a Franciscan
they settled on my hands. I drank more and more
water, for the air lightened with every step, and there
came that longing we have in mountain heights to be
washed and pure. I rolled up my sleeves and let my
arms sink to their elbows in an icy pool held by the
ooze on the mountain-side. Then I lay on a mossy slab
and felt it would be better if I lay beneath, in the con-
viction that there I should be undisturbed forever. But
freshening, a supple ash-plant waved in my face, and
all the hard years slipped away. I made me a whistle
with a high plaintive note like that of a wounded bird;
so I took a thicker piece with a lip which almost filled
my mouth; this had a full, challenging sort of sound
and stimulated me to a quick march up the mountain.
I climbed, I blew, and I laughed at my childishness
and pride in small things. Then I came into the pres-
ence of the great, for I arrived at the summit of what
proved to be the highest peak for miles around. It
was no great height, four thousand feet or so; but all
in sight of it was mine ! to the east, mountains and
128
THE DIAL
[Feb. 16,
mist; to the north and the south, mountains and mist;
and towards the west, the light of the setting sun. Far
below lay wonderful valleys, castles, trees, and fields,
and the shrine of Covadonga; around me swept buoyant
and sustaining air, which said to my soul, Rejoice,
thou art free ! ' So I sat me down on this crown of
the world ; and, looking round to see nothing I feared,
there, with the rude pipe of my making, I blew out
the song of my heart ! "
We appreciate Mr. Luffmann's exaltation,
and are glad to know that he was happy ; but
we are sorry that he could not see the indelicacy
of printing such intimate heart-throbbings in a
book and selling them for money. Reduced
one-half, the work would be increased in value.
GEORGE G. BROWNELL.
VEGETARIAN BIOLOGY.*
It is a pleasant duty devolving upon the
writer to record in these columns from time to
time the passing of a biological " paradoxer,"
one who thinks on a different plane from the
rest of mankind, and as a result of this intel-
lectual isolation and independence is able to
solve the deepest problems of nature and life
with a deftness and circumstance that can but
compel the admiration of ordinary mortals.
Each of these " paradoxing " individuals has
his own particular brand of metaphysical eye-
water, which when properly applied enables us
to see not only how stupid we have previously
been, but also how really simple an affair the
universe is if only one's vision has the pre-
scribed angle and acuteness. A worthy successor
to the spiral philosopher and the vociferously
immoral Italian who felt it his duty to point
the way to the " unenlightables " is to be found
in Mr. Hermann Reinheimer, the author of a
book entitled " Survival and Reproduction."
With the customary caution of its kind, the
book starts off in a perfectly orthodox, if some-
what obscure, fashion. For quite thirty pages
the reader is led along through the mazes of
a metaphysical discussion of evolution, with
nothing in particular to excite his interest or
arouse his suspicions, unless the very prosiness
and orthodoxy of it has that effect. Then, no
longer to be restrained, the cat pops suddenly
out of the bag, in this wise : " It also follows
that animals, instead of wasting time and energy
in fighting and depredation, or in the search
for ' hosts ' for parasitic indulgences, might by
furthering the interests of a bountiful vegeta-
* SURVIVAL AND REPRODUCTION. A New Biological Out-
look. By Hermann Reinheimer. London : J. M. Watkins.
tion almost indefinitely multiply their means of
sustenance while at the same time justifying
and ennobling their existence." This brilliant
and profound thought strikes the keynote of
the book. The author, like all good paradoxers,
takes himself and his vegetarian philosophy
most seriously, but this is a difficult thing for
anyone else to accomplish. Try as one will to
be properly respectful and serious about so
weighty a matter, there creeps into his mind
the notion of a large and hungry lion " justify-
ing and ennobling his existence " by cultivat-
ing, with the immortal Sairey, a taste for
" cowcumbers."
In Part II. of the book the author relates
his peculiar ideas respecting nutrition to the
different modes of reproduction observed in
the organic world. The general upshot of the
discussion is that : " Throughout we found it
confirmed that the occurrence of antithetic
developments is due to dysteleological function,
i.e., physiological transgression." This may
not be a particularly illuminating conclusion as
it stands, but interpreted it is to be understood
to mean that one should be a vegetarian. A
really enormous mass of facts and speculations
culled from recent and classical biological lit-
erature is by truly Procrustean methods worked
into the book. The breadth of the author's
reading, and the zeal and diligence which have
gone into the preparation of the volume are
remarkable, and would, in a better cause, be
worthy of all praise. But after all the marshal-
ling of the heavy artillery of technical scientific
data and hypotheses is over, the case reminds
one of Eugene Field's "Militiaman":
" He revels in scenes of blood and gore,
Where the terrible bomb is hurled;
He slaughters the foe and calls for more,
And he wears his mustache curled."
RAYMOND PEARL.
A VOLUME of " Essays in American History," pub-
lished by Messrs. Henry Holt & Co., is dedicated to
Professor Frederick Jackson Turner upon the occasion
of his presidency of the American Historical Associa-
tion. The volume is the work of ten men, all of whom
were once numbered among Professor Turner's students
at the University of Wisconsin, and has been written
and collected "out of the love and respect of the
authors for the scholar and friend to whom it is dedi-
cated." The writers of these essays (one of them a
woman) all occupy at present chairs in American col-
leges from Wellesley to Oregon, and from Wisconsin
to Tulane, thus extending over the whole country the
stimulating ideals and methods of the man who supplied
them with inspiration. The volume exhibits high
qualities of scholarship, and embodies the results of
several important original investigations.
1911.]
THE DIAL
129
BRIEFS ON XEW BOOKS.
A near view of A two-volume work, extending to
a great inventor nearly a thousand pages, has been
at hi* work. prepared by Mr. Frank Lewis Dyer
and Mr. Thomas Commerford Martin on " Edison,
his Life and Inventions " (Harper). Mr. Dyer is
connected as general counsel with the Edison Lab-
oratory, and Mr. Martin was at one time president
of the American Institute of Electrical Engineers.
Well qualified for the task which they undertook,
they have been ably assisted in its execution by
" many loyal associates," as their preface explains,
and have had the express sanction and the personal
aid of the inventor himself and his wife. In fact,
Mr. Edison's Imprimatur is prefixed to the work,
and it may safely be received as an authoritative,
even though not, while its subject still lives, as the
" definitive " or final biography which its authors
say they have designed it to be. At any rate, it is
much fuller and, especially to scientists, more satis-
factory than Mr. Francis Arthur Jones's similar
work of three years ago. The history of the prin-
cipal Edison inventions is set forth with a thorough
understanding of technicalities, but in language
not beyond the ordinary reader's comprehension.
Naturally it is the inventor rather than the man
that is the chief object of the writers' study and
portrayal, though the touch of human nature is by
no means wanting to their pages. One notable
chapter, the last one in the book, is devoted to
" The Social Side of Edison," and characteristic
actions and utterances of his thickly sprinkle all
the preceding chapters. What he has to say on the
educational need of the hour is worth quoting, in
part, as rather amusingly characteristic. " What
we need," he declares, ''are men capable of doing
work. I wouldn't give a penny for the ordinary
college graduate, except those from the institutes of
technology. Those coming up from the ranks are
a darned sight better than the others. They are n't
filled up with Latin philosophy, and the rest of that
ninny stuff. ... In three or four centuries, when
the country is settled, and commercialism is dimin-
ished, there will be time for the literary men. At
present we want engineers, industrial men, good
business-like managers, and railroad men." An
appendix contains, among other interesting details,
a good description, with drawings, of the new
Edison storage battery ; also a 28-page list of
domestic patents taken out by the inventor, and a
summary enumeration of his 1239 foreign patents.
A full index concludes the work, and numerous
illustrations, including portraits of Mr. Edison iu
a variety of attitudes (not poses), are scattered
through the volumes. Those who dislike ''Latin
philosophy and the rest of that ninny stuff" will
heartily enjoy this faithful account of one who,
though not a Latin philosopher, is something of an
American philosopher, in his way, as well as a
marvellously gifted inventor.
ana ** J. A. T. Lloyd's Two Russian
Toittov compared Reformers : Ivan Turgenev, Leo
and contracted. Tolstoy " (Lane) might just as well
and perhaps better have been called " Two Russian
Romancers," since it is rather more a study of their
literary art than of their aims and methods in the
way of reform. But any faithful interpretation of
the two men, especially of Turgenev. must present
them first and foremost as great writers, winning a
hearing through the consummate mastery of their
art far more than by the substance of their doctrines.
How greatly the artist predominated over the re-
former in the older man shows itself in his dying
message to his " good and dear friend," with whom
he was by temperament in perpetual discord, the
recluse of Yasnaya Polyana. " I write to you before
everything else," he says, "to tell you how happy
I have been to be your contemporary, and to ex-
press to you my last and immediate prayer. My
friend, return to literature ! Reflect that this gift
has come to you from the Source of all things."
Contrasting the genius of the two authors, Mr.
Lloyd points out, in apt phrase, that " if Tnrgenev
may be described as a gourmet of life, Tolstoy may
be described as a gourmand. Turgenev communi-
cates the aroma of a half-forgotten scene ; Tolstoy
lives it over again, reproducing the actual physical
delight or pain that he had experienced in it."
The book, divided into two unequal parts, discusses
Tnrgenev in the first two-thirds of its 330 pages,
and Tolstoy in the remaining third, following each
author through a chronological survey of his works.
From the title one might reasonably expect a rather
more definite and detailed statement of the partic-
ular reforms for which these two men stand, in the
author's opinion ; and he might perhaps instructively
have shown a stronger causal connection between
early excesses, especially in Tolstoy's case, and
later disgusts and weariness and inclinations toward
asceticism. It is, however, a carefully studied and
richly suggestive piece of work that the author has
given us, and like Mr. Maude's notable biography
of Tolstoy it has an especial and unforeseen timeli-
ness. Portraits and Russian scenes fittingly illus-
trate the book, which has also chronological outlines
of the two men's lives and lists of their principal
works.
" The Japanese Empire and its
on Java" Economic Condition " (imported by
Scribner) is a translation from the
French of M. Joseph D'Autremer, lecturer at the
School of Oriental Languages, Paris. The vol-
ume appears to have been intended to serve as a
handbook of exact information about Japan its
geography, topography, geology, race origins, gov-
ernment, commerce, and art. Unfortunately the
information given under these various heads is
uneven in value ; the material in the several chap-
ters is ill-arranged ; there are statements likely to
mislead ; the author dogmatizes without giving evi-
dence of profound investigation ; and the English
130
THE DIAL
[Feb. 16,
translation reflects discredit upon the publishers.
As typical specimens of the author's unsupported
generalities the two following statements may be
cited: "But from 660 B.C. . . . these different races
have been replaced Iby numerous Malay peoples."
"In spite of this shadow of Parliamentarianism
[sic], it is clear that the political condition of Japan
resembles in no respect what we call constitutional
government." The chapters on art are an almost
hopeless confusion of details ill-arranged and state-
ments not carefully weighed. Useful sketches of the
various art industries read like undigested material
taken from note-books. Seven pages are devoted to
lacquer ; whereas cloisonne* is dismissed in the fol-
lowing two sentences : " This latter never attained
in Japan the solid quality of Chinese cloisonne*,
though it had greater elegance. At the present day
Tokyo and Yokohama manufacture a great quantity
of cloisonne* for exportation [sic] but little of it can
be kept without deterioration." In regard to the
beautiful Kutani and Satsuma wares the reader
not otherwise instructed would carry away the im-
pression that nothing is being done in these wares
save to manufacture a great quantity of tawdry im-
itations. No doubt it is true that Japanese ceramic
art reached its zenith between 1750 and 1830 (see
Chamberlain : " Things Japanese ") ; yet many ex-
quisite pieces of Satsuma, Kutani, and cloisonne
ware are still made to-day. As to the English of the
book, one can excuse and even relish a slightly
foreign flavor in translation, but there is no excuse
for bad paragraphing and slipshod or unintelligible
sentences. We are told that of the 19,000 foreign-
ers in Japan, " 13,000 are Chinese and the others
Asiatic." Of Kioto we are informed that "for
more than a thousand years it has been [instead of
was~\ the residence of the Emperors." The follow-
ing is an example of careless sentence-structure:
" A piece of boehmeria cloth is taken, which is cut
according to the size of the article to be covered
[with lacquer], care being taken to apply it in such
a way that there is no fold, and covered with shesime
urushi, so that it may be glued and secured in that
condition." The treatment of Japan's industries
and finances, in the last one hundred pages of the
book, shows the writer at his best; the discussion
is full, and appears to be based upon the latest and
most trustworthy statistics, studied by one familiar
with this phase of the general subject of his volume.
Reminiscences The newly-published Reminiscences
of a noted of Clara Novello open the gates into
prima donna. & world of charm and romance . She
was born in England in 1818, and died in Rome
in 1908. She was one of the great singers of her
time, brought up in the English traditions, especially
noted for her renderings of Handel, and conspicuous
for success in the elaborate music of the Italian opera
in the resplendent days of Donizetti and Rossini.
The latter illustrious master of the florid school
was the close friend and adviser of the singer, as-
sisted her in her early studies, and stood by her
side at every turn in her career, when aid or en-
couragement appeared desirable. She was a devotee
of the Italian method and style ; she witnessed the
struggles and triumphs of Wagner's extraordinary
career ; but to the last she held out against the
fascination and significance of the rising music
drama. Thus she says in a section of her volume
dated Fermo, Italy, 1886 : " My sisters, Mrs. Cow-
den Clarke and Sabilla, left Genoa at the end of
June for Switzerland, and later Bayreuth, to receive
there a three days dose of Wagner's 'Parsifal,'
etc., as a substitute for music. I don 't envy them ;
Louis of Bavaria's end shows what sort of a mad-
man it was who proclaimed Wagner a musician
also the effects of Wagner." In the same connection
we have the following : " So that very clever old
Liszt is dead! You know what Rossini was found
doing with his ' Pater Noster,' which was upside
down on his pianoforte desk? To inquiries, Why
so ? he replied, ' I 've been trying till now to make
something of it right side up in vain, so I'm now
going to try this way.' " Clara Novello belonged
to a notable family of artists and musicians. Her
father, Vincent Novello, was a gifted organist and
one of the founders of the London Philharmonic
Society. At the Novello home in London assembled
the choice spirits of the age in art and literature.
Shelley and Leigh Hunt and Lamb belong to her
youthful days in her father's home, and Lamb has
encircled her name with the lambent play of his
wit and fancy. On the continent she was brought
into association with the great of her period. She
married an Italian nobleman, who stood high in
the councils of his nation. They were both ardent
upholders of the new order, and the leaders of
United Italy were their friends. The world of
music and the sister arts, of royalty, and of progress
during the nineteenth century, passes before us in
these womanly and sympathetic pages. There is
included in the volume a memoir of the singer by
Mr. Arthur D. Coleridge. Her high character, her
disinterested devotion to her art, her deep appre-
ciation of the important movements of thought and
politics of her time (all but the Wagner innovations)
shine through the book, to which the publishers
(Longmans) have given a dignity of form appro-
priate to the contents.
magittrate in have held as a leasehold the port and
Northern China, territory of Weihaiwei, on the Shan-
tung peninsula, in North China. Up to the present
time the settlement has been of little value save as
a station for the China Squadron on its summer
manoeuvres ; and eminent authorities still differ as
to the political, strategic, and commercial possibili-
ties of the place. But one very good result of the
British occupation has just appeared, for it has per-
mitted a well-trained and sympathetic English mag-
istrate to gather material for a helpful study of a
tiny part of the great Chinese Empire. Mr. R. F.
Johnston, in his "Lion and Dragon in Northern
1911.]
THE DIAL
131
China " ( Button), is more concerned with the dragon
than with the lion. In his position as magistrate,
corresponding to a " father-and-mother " official of
the Chinese administration, he has had exceptional
opportunities to know the people entrusted to his
charge, and on his experiences and studies he has
based a very interesting and at the same time
scholarly book. The people, their customs and
observances, their laws and institutions, their re-
ligions and superstitions, are described with such
sympathy for the native point of view that the im-
pression is left with the reader that the Chinese
residents of Weihaiwei have been very happily
favored in their magistrate. The author thus con-
cludes his discussion of present conditions : " It is
difficult to say whether China stands at present in
greater danger from her own over-enthusiastic re-
volutionary reformers or from her well-meaning but
somewhat ignorant foreign friends who are pressing
her to accept Western civilization with all its poli-
tical and social machinery and its entire religious
and ethical equipment. If ever a State required skil-
ful guidance and wise statesmanship, China needs
them now : but wise statesmanship will not consist
in tearing up all the old moral and religious sanc-
tions that have been rooted in the hearts of the
Chinese people through all the ages of their wonder-
ful history." Some sixty well-chosen illustrations,
a map of Weihaiwei, and a good index add to the
usefulness of the volume.
The history of California has been
? 8"-ounded by a halo of romance and
adventure, from the days of the dar-
ing exploits of Drake and the devoted labors of the
Franciscan priest, Junipero Serro, to those pioneers
of " 40 " who braved the dangers of the Horn, the
Isthmus, or the plains and sierras, in their eager rush
to the land of gold. Indeed, there is even a savor
of romance in the calculated narration of the exploits
of the wizards of horticulture and of irrigation in the
far West in the present day. The most striking
incidents in the history of this land of great moun-
tains, rugged coasts, appalling deserts, and giant
forests are narrated in Mr. George Wharton James's
account of the " Heroes of California " (Little, Brown
& Co.). The author has selected for treatment some
forty names famous in the annals of Californian
exploration, settlement, and development, trap-
pers, explorers, soldiers, pony-express riders, rail-
road builders, inventors, scientists, judges, writers.
Many of these names are of national or international
repute : Kit Carson. Bishop Taylor, Clarence King,
John Wesley, P. Powell, John Muir. Helen Hunt
Jackson, H. H. Bancroft, Luther Burbank, Henry
George, and Edward Markham. Heroism is justly
interpreted by the author with latitude to include
not only deeds of daring in times of danger, or amid
the fastnesses of mountain and desert ; but likewise
the achievements in other fields of endeavor, re-
ligious, economic, industrial, scientific, and civic. He
might well have included some mention of the seer
who dreamed and wrought out during years of effort
the foundations of higher education in California
upon which its great State University has been
built, Samuel W. Wiley. And it is strange that
a book on this subject should omit the name of John
C. Fremont. A considerable number of well-selected
illustrations adorn this entertaining volume.
Mr. Lang and In the perpetual running fight about
the Homeric Homer, Mr. Andrew Lang has been
controversy- f or 8O me years a most prominent
champion. In his latest return to the fray, "The
World of Homer " (Longmans), he lays about him in
a very joyous and triumphant mood. His foemen
are all those who hold, in some form or other, that
"the Iliad is a mosaic produced by a long series of
Ionian additions to an Achaean ' kernel.' " Against
them he maintains that the Iliad is, in the main,
the work of a single poet, as is shown by the unity
of thought, temper, character and ethos " ; that it is
" a work of one brief period, because it bears all the
notes of one age, and is absolutely free from the
most marked traits of religion, rites, society, and
superstition that characterise the preceding ^Egean.
and the later ' Dipylon,' Ionian, Archaic, and his-
toric periods in Greek life and art." Homer is an
Achaean poet, composing for Achaean auditors at
a time when "the glow of ^gean (late Minoan,
Mycenean) culture still flushed the sky." In support
of his contention he writes nearly three hundred
pages under such captions as " The Homeric World
in War," " Homer and Ionia" " Bronze and Iron,"
" Burial and the Future Life," and " The Great
Discrepancies." It goes without saying that the lit-
erary touch is light and the argumentation serious.
The present reviewer has long been in accord with
Mr. Lang's principal views, while differing from
him about many details ; but from friend and foe
alike the book deserves attention. At the same time
it is not to be recommended to any reader who
takes little real interest in the protracted controver-
sies about the Homeric poem. The volume is well
illustrated, well printed, and substantially bound.
Reminiscence, of approaches Mr. Joseph Fort
Lincoln bv M* Newton s volume on "Lincoln and
law-partner. Herndon " (The Torch Press) with
caution, and something of suspicion, as probably
an unnecessary book in an over- worked field ; but
before long it takes hold of the reader, and he is
glad to read it to the end. It is based on a series
of letters written by Mr. Herndon to Theodore
Parker, whom Herndon worshipped as his own
inspirer in religion and his ideal of an orator and a
teacher. These letters are very vivid, and describe
political conditions in Illinois from 1854 to 1859
in a wav to bring them before us as almost nothing
else does. Naturally, the letters are full of Lincoln,
whose law-partner Herndon was. Mr. Newton has
grouped his comment about Lincoln in such a way
that the book is reAly a political biography of him
132
THE DIAL
[Feb. 16,
for the period named, and a very satisfying one.
The work gives us the personality of Lincoln more
clearly than most of the formal biographers are able
to give it. Interesting also is the acquaintance that
we get with Herndon, as in seeing Lincoln through
his eyes we come to know Herndon himself ; and in
spite of the slighting judgments of the biographers,
we find him a man well worth knowing, and worthy
to be the partner and intimate friend of Lincoln.
The book is excellent in its mechanical form, as well
as attractive in its contents.
A freakish fancy is given a free
Amusing foolery . -* o i_ i >
in small rein in Mr. Stephen Leacock s
fragments. "Literary Lapses" (Lane), a col-
lection of half a hundred amusing trifles, evidently
written with rapid pen and well adapted to even
more rapid reading. A few of the titles of these
mirthful sketches will indicate the nature of them
all, " How to Live to be 200," " How to Avoid
Getting Married," " Men Who have Shaved Me,"
" Hints to Travellers," " Society Chit-Chat," " On
Collecting Things," "Borrowing a Match," "A
Lesson in Fiction." Here is the author's sage
advice to those tormented with fears of disease-
germs and noxious bacilli: "If you see a bacilli,
walk right up to it, and look it in the eye. If one
flies into your room, strike at it with your hat or
with a towel. Hit it as hard as you can between
the neck and the thorax. It will soon get sick of
that." One of the writer's most daring strokes is
the creation of a Sherlock Holmes in the person of
a Chinese laundry-man, who minutely describes
the character and traces the history of a customer
from an inspection of his weekly linen but proves
in the end to be totally and ludicrously in error in
his deductions. The book is full of smiles to those
who approach it in a suitable frame of mind and
not with too severe a determination to preserve their
centre of gravity.
NOTES.
A new novel by Mr. Owen Wister, his first since
" Lady Baltimore " appeared five years ago, is a wel-
come Spring announcement of the Macmillan Co.
Mr. Robert Hichens's psychical story, " The Dweller
on the Threshold," will be issued in book form by the
Century Co. upon the conclusion of its serial publication.
What is said to be the first adequate history of pub-
lishing and bookselling, from earliest times to the
present, is promised by Messrs. Little, Brown, & Co. in
Mr. Frank A. Mumby's "The Romance of Bookselling."
A " Standard Handbook of Music," from the com-
petent pen of Mr. George P. Upton, is announced by
Messrs. A. C. McClurg & Co. The volume will cover
all phases of the subject in brief yet comprehensive
manner.
A volume on " The Newer Spiritualism " by the
late Frank Podmore is announced for publication this
month by Messrs. Henry Holt & Co. The same firm
will also issue immediately Dr. fVernon L. Kellogg's
" The Animals and Man," a study of the relations
(biologic, economic, and hygienic) of the lower animals
to man.
Mr. Henry Bryan Binns, the author of well-known
biographies of Lincoln and Whitman, has written a
drama entitled " The Adventure," which is to be pro-
duced in London at an early date. It will be published
in book form this month by Mr. B. W. Huebsch.
A volume of " Narratives of Early Carolina," edited
by Mr. A. S. Snmlley, Jr., will be added this Spring to
the series of " Original Narratives of Early American
History," published by Messrs. Charles Scribner's Sons.
The book will include some fifteen of the most impor-
tant early first-hand accounts of the beginnings of
settlement in the Carolinas.
" Criminal Man according to the Classification of
Cesare Lombroso," as summarized by his daughter,
Gina Lombroso Ferrero, is announced by Messrs. Put-
nam. The book has been in preparation for some time.
Before his death Professor Lombroso wrote for it a
preface, giving a brief description of the origin and
development of criminal anthropology.
In addition to Sir Sidney Colvin's definitive edition
of Robert Louis Stevenson's correspondence which
will contain a hundred and fifty new letters to be
issued in May, we are to have a collection of Stevenson's
essays that have not hitherto appeared in book form,
except in the expensive " Edinburgh " and " Pentland "
editions. The title of the volume is " Lay Morals, and
Other Papers," and among the contents are " The
Pentland Rising," "Father Damien," " The Young Chev-
alier," "The Great North Road," and " Heathercat."
In controlling copyrights of many of the best-known
American writers, the Houghton Mifflin Co. are in a
position of unusual advantage for preparing a superior
set of school readers. This advantage they now intend
to utilize, as evidenced by their announcement of the
early publication of " The Riverside Readers." The
editors of the series are Mr. James H. Van Sickle,
Superintendent of Schools in Baltimore, Miss Wilhel-
mina Seegmiller, Director of Art in the Indianapolis
Public Schools, and Miss Frances Jenkins, Supervisor
of Elementary Grades in Decatur, Illinois.
The Letters and Journals of Charles Eliot Norton,
a biographical record edited by his daughter, Miss
Sara Norton, and Mr. M. A. De Wolfe Howe, is an-
nounced as in preparation for publication (it is hoped
in 1912) by Messrs. Houghton Mifflin Co. This work,
which will comprise two volumes, may confidently be
expected to be one of the most important biographical
publications of recent years. Professor Norton's long
and rich life and his close friendships with the foremost
men of letters of the nineteenth century in both England
and America promise that the work will be one of rare
interest.
The Oxford University Press will celebrate the Ter-
centenary of the Authorized Version of the Holy Bible
by issuing shortly a photographic reproduction of the
Black Letter edition of 1611. Mr. Alfred W. Pollard
will contribute a bibliographical introduction of upwards
of fifty pages. The Press also announces a cheaper
reprint in Roman type, page for page, of the editio
princeps, similar to that published by the Oxford Uni-
versity Press in 1833, the extraordinary accuracy of
which, Mr. Pollard says, has been everywhere acknowl-
edged. This volume will also contain Mr. Pollard's
introduction.
1911.]
THE DIAL
133
IJST or XEW BOOKS.
[The following list, containing 60 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
The Life of Oliver Goldsmith. By Frank Frankfort Moore.
Illustrated in photogravure, etc., large 8vo, 492 pages. E. P.
Dntton & Co. $3.50 net.
The Fate of Henry of Navarre. By John Bloundelle-Burton.
Illustrated in photogravure, etc., large 8vo, 350 pages. John
Lane Co. $4. net.
The Liif e of Friedrlch Nietzsche. By Daniel Halevy ; trans-
lated by J. M. Hone; with introduction by T. M. Kettle.
With portrait, large 8vo, 368 pages. Macmillan Co. $2.50 net.
Cecil Rhodes : His Private Life. By his private secretary,
Philip Jourdan. Illustrated, large 8vo, 293 pages John Lane
Co. $2.50 net.
The Household of the Lafayettes. By Edith Sichel. With
photogravure portrait, large 8vo, 354 pages. E. P. Dutton &
Co. $2. net.
A Senator of the Fifties : David C. Broderick of California.
By Jeremiah Lynch. With portrait, 12mo, 246 pages. San
Francisco: A. M. Robertson. $1.50.
HISTORY.
The Interpretation of History. By Max Nordau; trans-
lated by M. A. Hamilton. 8vo, 419 pages. Moffat, Yard &
Co. $2. net.
The Political Development of Japan, 1867-1909. By George
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142 THE DIAL, [March 1,
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THE DIAL
143
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THE DIAL
[March 1, 1911.
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THE DIAL
Semi* fHontijlg Journal of Hitcrarjj Criticism, discussion, ant Information.
Entered as Second-Class Matter October 8, 1892, at the Post Office at
Chicago, Illinois, under Act of March 3, 1879.
No. 593.
MARCH 1, 1911.
Vol. L.
CONTEXTS.
PAGE
. 145
STAGE CHILDREN
CASUAL COMMENT 147
The lure of an uncrowded calling. A delightful bit
of autobiographical audacity. Quantity and quality
in play-writing. Emerson's undemonstrative gener-
osity. Literary favorites of the blind. Carlyle on
some of his contemporaries. Culture in Maukato.
Humor in government documents. Why there is
yet no American literature. A belated genius. A
poet laureate's autobiography. The Huth bequest
to the British Museum. The "Spectator's" bicen-
tenary. A French epic of heroic proportions.
THE MODERN NOVEL AND ITS PUBLIC. (Special
Correspondence.) E. H. Lacon Watson .... 150
COMMUNICATIONS 152
The Thirty-six Original Dramatic Situations.
F. H. Rodder and David Lloyd.
The Cosmography of Plato and of Dante. William
Fairfteld Warren.
Misguided Poets and the Public Library. Louis I.
Bredvold.
Another Mourner of " Mizzeled." Lelia M. Richards.
The Newly-Discovered "Byron MS.'' Samuel A.
Tannenbaum.
A PUBLISHER OF THE OLD SCHOOL. Percy F.
Bicknell 154
ENGLISH LITERATURE IN .SHAKESPEARE'S
LIFETIME. James W. Tupper 156
THE STEPHENS PRISON DIARY. W. H. Johnson 158
THE EARLIEST LORDS OF THE OCEAN. Josiah
Renick Smith 159
THE MEMOIRS OF HEINE. James Toft Hatfield . 160
RECENT POETRY. William Morton Payne . . . 162
Phillpotts's Wild Fruit. Scott's The Voice of the
Ancient. Flecker's Thirty-six Poems. Verses by
" V." Mackereth's A Son of Cain. Scollard's
Chords of the Zither. Ford's Songs and Sonnets.
Taylor's Lavender and Other Verse. Robinson's
The Town down the River. Robertson's Beauty's
Lady, and Other Verses. Mrs. Whitney's Herbs
and Apples. Mrs. Crew's -Egean Echoes, and Other
Verses. Mrs. Garrison's The Earth Cry, and Other
Poems. Miss Porter's Lips of Music. Miss Hall's
Cactus and Pine.
BRIEFS ON NEW BOOKS 168
Progress of the French Republic. The evolution
of styles in architecture. Rural essays and other
disquisitions. Through the Hare in Heine's foot-
prints. "The American Commonwealth" twenty-
two years after. Across the Isle of Erin in a canoe.
Municipal administration in America.
NOTES 170
TOPICS IN MARCH PERIODICALS 171
LIST OF NEW BOOKS . . 171
STAGE CHILDREN.
A great deal of mischief is done in the world
by well-intentioned people who strike blindly
at the abuses that excite them to indignation.
They nearly always let the heart get the better
of the head, and in their eagerness to do away
with a particular evil, pay small heed to the
collateral effects of the remedies which they
seek to apply. Even roast pig may come too
high when it costs the destruction of a house,
and the wrong done by zealous reformers in
other directions than that in which their own
goal is set often outweighs the good they ac-
complish. It is a pretty serious thing to invade
the domain of personal liberty in the cause of
any reform, and the reasons for so doing must
be overwhelming to justify the reformer's aim.
It is easier to use " blanket " measures and
" dragnet " precautions than it is to study an
evil closely and devise the exact cure it needs,
but it always means undeserved and wanton
injury to some of the persons affected.
A good illustration of what we are saying
may be found in the laws made by certain
states for the purpose of keeping children off
the stage. Now we hold that child labor is
one of the greatest of present-day social evils,
and we do not believe that the rights of parents
are unduly invaded when they are required to
keep their children at school. It is a clear
case of organized society intervening to protect
the rights of the young against the denial of
those rights by their unscrupulous elders.
Laws regulating child labor, by which we mean
prohibiting it in many cases, are in our opinion
wise laws and in no need of defence. But when
it comes to a law forbidding children to take
part in theatrical performances, a law so drastic
as to make it practically impossible for a child,
no matter how carefully its interests may be
safeguarded, to appear upon the stage at all,
we think that there is something to be said
upon the other side. Certainly a strong case
for the opposition is made in " The Stage Chil-
dren of America," a pamphlet which comes
from the National Alliance for the Protection of
Stage Children. The members of this organi-
zation are men and women of the highest char-
acter, many of whom have no connection with
the stage, and no one could fairly charge them
146
THE DIAL
[March 1,
with other than disinterested motives, in making
their protest against such prohibitive laws as
have just been mentioned. If the sponsors for
this document have any bias, it is on the side of
the children rather than of the theatre.
The substance of their argument is that stage
children have a truly enviable lot in comparison
with children employed in most other places,
and the substance of their plea is that a rational
law would regulate the conditions under which
the child actor should work, but would not
prohibit all such work by one sweeping enact-
ment. The statute now in force in New York
is recommended as a model, and is urged for
adoption in all the other states. It prohibits
absolutely the employment of any child under
sixteen as an acrobat or gymnast, in any im-
moral exhibition, and in any practice dangerous
or injurious "to the life, limb, health, or morals
of the child." It also prohibits the appearance
of children as singers, dancers, performers
upon musical instruments, or actors in theatri-
cal exhibitions, but qualifies this prohibition by
permitting them to be thus employed if the
consent of the local authorities be obtained, and
no objection be made by the local organization
devoted to the welfare of children. A law
framed upon these lines would seem to provide
every reasonable safeguard, and would clearly
be more rational than a law which places
trapeze tricks and Shakespearean fairies under
the same ban.
As the pamphlet now under consideration
says, " child labor legislation should not only
be directed toward protecting but also toward
better equipping the child, and no legislation
can serve either truly to protect or benefit a
child, where such legislation denies to it any
opportunity to develop its talents, or where the
child is forbidden education or training in any
art for which it displays special aptitude, or, as
is often the case, actual genius." The stage is,
after all, a profession, and one of those that
contribute most to civilization. Not many are
fit to enter it, but those who are endowed by
nature with the necessary qualifications must be
discovered at an early age, and their special
education begun. The testimony offered upon
this point is convincing. Nearly all the men
and women who have won distinction as actors
have begun their training in their tender years,
and are agreed in claiming that this has been an
essential factor in their success. John Drew
says : " My own mother was a child actress and
commended me to the stage, and I in turn have
commended my daughter to it. I am convinced
now that it is of absolute importance to the
child genius that it should have every oppor-
tunity in its pre-self-conscious period to learn
the art of the stage." And Mr. Forbes-
Robertson, speaking of the effort to keep chil-
dren off the stage, says that " later the oppor-
tunity may never come to the child, and it is
robbing the drama of a possible genius, with
the hope of making an excellent mechanic."
On the other hand, Mr. Sothern has recently
made the following confession : " Every day of
my life I feel the lack of very early stage
training. It would have been invaluable to me,
for I was a peculiarly timid, self-conscious boy,
and that training would have spared me then
and advanced me now." Such testimony as this,
which might easily be multiplied indefinitely,
is worth more than any amount of doctrinaire
abstract argument.
When we think, moreover, of the normal
conditions of child labor in almost all other
occupations, even when the law exercises its
humane control, and contrast them with the
conditions under which the child of the stage
does his work, we see that the theatre is about
the last workshop in the world to provide ob-
jects for our pity. In this light, the special
efforts put forth to protect these children sug-
gest the sort of benevolence that establishes
homes for cats and dogs while suffering hu-
manity is left to fend for itself. The stage
child, as compared with the factory child, has
comparatively little work to do, and even that
is of a distinctly educational character. The
stage child may have late hours (which is, we
admit, a serious consideration), but on the
other hand, the closest attention is paid to its
comfort in the matters of food, clothing, and
bodily care. It is usually under the direct
supervision of parents or relatives, and is given
education of the ordinary school sort in addition
to the special education that is provided by its
professional task. We are by no means to be
taken as advocating the stage life for children,
but we believe that it should not be denied to
the right kind of children under the right con-
ditions, and that whatever laws are made upon
the subject should not raise barriers beyond
which no child may be permitted to pass.
The drama, as a whole, simply cannot dis-
pense with child characters, and for these
neither midgets nor grown-ups dressed as juven-
iles can provide satisfactory substitutes. Cer-
tain types of stage children we might readily
spare, the child, for example, whose opportune
introduction saves its parents from divorce, or
1911.]
THE DIAL
147
the child who rescues the drunken father from
the bar-room and restores him to the weeping
wife. But even mawkish sentiment has its
rights upon the stage, which we would not deny,
although ourselves carefully avoiding the exhib-
ition. We are now, however, urging the claims
of such dramatic art as is exemplified in the
creations of Shakespeare's fancy "The Tem-
pest " and " A Midsummer Night's Dream "
such as we find in " Peter Pan " and " The
Piper " and " The Blue Bird." These plays
must have child actors if they are to be prop-
erly performed. To forbid children to take
part in them (always under suitable restric-
tions) is to wrong the children themselves, to
wrong the dramatist, who is justified in pro-
testing against so arbitrary a limitation upon his
art, and to wrong the public, which has a right
to insist upon seeing such masterpieces, ancient
and modern, as those we have mentioned. On
the whole, then, we approve of the contention
made by the organization which has issued
" The Stage Children of America," and are
glad to say so in our State of Illinois, which is
one of the chief sufferers under misguided
legislation affecting this, as well as many other
educational interests.
CASUAL COMMENT.
THE LUBE OF AN UNCROWDED CALLING, a calling
rich in intellectual satisfactions and not requiring
special abilities of a rare nature, should find many
easy victims in these times when most professions
are already congested and are yearly receiving an
influx of poorly- equipped would-be practitioners, as
the Carnegie Foundation investigators are making
plain to the world. A brief pamphlet entitled
" Librarianship an Uncrowded Calling," issued by
the New York State Library School, and made up
of papers prepared at various times and for various
purposes by noted library workers, sets forth in
glowing colors some of the altruistic delights of the
profession, and describes in general outline the
requisite qualifications and ordinary duties of the
modern librarian. In especially appealing accents
does Miss Elva L. Bascom, known as Editor of the
" A. L. A. Booklist," address the college woman and
invite her to enter upon library work, the personal
qualities necessary for which are briefly defined.
" The two most important," she says, " are effici-
ency and enthusiasm. To these should be added,
for the ideal library worker, accuracy, order, ex-
ecutive ability, initiative, and a good personality.
An ' efficient ' librarian must have a good general
education and a thorough library training, plus the
ability to think clearly and quickly, to judge fairly,
to work effectively : perhaps there are other qualities
that should be included under this most comprehen-
sive word, but these are the ones that come first to
my mind. Enthusiasm needs no comment or
would not if librarians in this country were not
justifiably proud of what they call 'library spirit.'
I despair of defining just what it implies perhaps
enthusiasm coupled with optimism, tempered with
experience, and strengthened by a fine sense of the
privilege of service. . . . The work is distinctly
that of social service, and the qualities that will
bring the worker into closest contact with the peo-
ple are those that are most desirable, next to those
that make for a good foundation in education and
special training." Perhaps, after this enumeration
of qualities that must conjoin, in due proportion, to
make the "efficient" librarian, our foregoing re-
ference to librarianship as a calling " not requiring
special abilities of a rare nature " will tend to elicit
protest. ...
A DELIGHTFUL BIT OF AUTOBIOGRAPHICAL AU-
DACITY was offered to a not sufficiently appreciative
public some years ago in Mr. Arnold Bennett's
anonymous book entitled "The Truth about an
Author." Since he has come into his own with the
deserved success of "The Old Wives' Tale," "Helen
with the Higb Hand," " Clayhanger," and other
products of his lively imagination and literary skill,
the little-known essay in self-revelation has been
eagerly turned to for information concerning the
brilliant and versatile author. Among other items
of interest gathered from its ingenuous pages, it is
noted that the boy Arnold was early attracted to
literature ; wrote verses, in the form of a hymn, at
eleven ; entered the field of prose romance with a
story written for his teacher ; forsook literature for
art, and indulged in paint for a protracted period,
rarely opening a book, and remaining ignorant of
Scott, Dickens, Thackeray, George Eliot, and other
classic authors, until manhood, not even " David
Copperfield" being known to him until he was
thirty. But one author, not exactly a classic, he did
devour in his adolescence, and that was " Ouida." It
was she, he confesses, who gave him " that taste for
liaisons under pink lampshades which I shall always
have, but which, owing to a Puritanical upbringing,
I shall never be able to satisfy." The account of his
steady and rather rapid rise in the London world of
letters, where he seems to have turned his hand to
almost every sort of honorable and decently-paid
literary work, of his later migration to the quiet of
the country, and (but this is not in the book ) of his
latest move to the French capital, where his indus-
try appears to continue unabated, cannot but interest
the large number who desire his writings as the hart
panteth after the water-brooks.
QUANTITY AND QUALITY IN PLAY-WRITING, as
in other departments of literature, are often in-
versely proportional to each other, but not always.
That very successful dramatist, Sir Arthur Pinero,
is credited with the recent assertion that one play
148
THE DIAL
[March 1,
a year is enough for any man, and another popular
playwright is warned by his friends that he is writ-
ing too rapidly when he announces four plays as his
season's product. This invites a backward glance at
the great dramatists of the past. Surely there were
giants of productivity in those days. ^Eschylus is
believed to have written between seventy-two and
ninety tragedies, more than half of which were
first-prize-winners, though only seven have survived.
Sophocles, with the same number of extant plays,
is said to have produced one hundred and twenty-
three, or even one hundred and thirty. Euripides
is credited with a total of one hundred and twenty,
of which eighteen have come down to us. Aristo-
phanes, known to us by his eleven extant comedies,
is thought to have written nearly four times that num-
ber. Plautus had as many as one hundred and thirty
comedies ascribed to him (though on doubtful
authority), and twenty have survived, more or less
complete. Shakespeare in twenty years wrote some
thirty-five plays without beginning to apply himself
strenuously or exclusively to authorship. His Span-
ish contemporary, Lope de Vega, is held to have
written the incredible number of fifteen hundred
(some say eighteen hundred) regular dramas, besides
several hundred autos or religious pieces and en-
tremeses or interludes. Calderon has the credit of
about one hundred and twenty plays. Goldoni left
nearly one hundred and fifty comedies to attest
the varying excellence of his workmanship. Tom
Taylor wrote or adapted more than one hundred
pieces for the stage, and other recent prolific play-
wrights are the younger Dumas, Boucicault, BjOrn-
son, and Clyde Fitch. That some or all of these
might have written better if they had written less
is of course possible, but the fact remains that the
greatest dramatists of the past have as a rule not
stinted themselves in their output. A noteworthy
contrasting instance in the present is the author of
"Chantecler."
EMERSON'S UNDEMONSTRATIVE GENEROSITY to
those less fortunate than he in the matter of tangi-
ble returns for literary work, was as fine as it was
little known. In a privately-printed volume, " Rec-
ords of a Lifelong Friendship," just put forth by
Dr. Horace Howard Furness and composed of the
correspondence from 1837 to 1877 of Emerson and
his schoolmate, the editor's father, the late Dr.
William Henry Furness, there appears a character-
istic instance of this generosity. Ellery Channing
had been proposed by his friend Emerson as a con-
tributor to " The Gift," an elegant annual of the
period, published by Carey & Hart of Philadelphia,
and edited by Dr. Furness. Emerson himself had
been asked to contribute, and he searched his port-
folios, " but without a clear and satisfactory result,"
as he writes to Furness. "Here, however," he
adds, " are some verses from my friend C. new
virgin poems. If you like his poetry half as well
as I do, you will think me honorably represented
by such a proxy. But I do not mean to decline a
personal appearance in such good company, and if
you will give me as long a day as last year, namely,
to 15 March, I will send you some prose or verse,
the best that I can, by that day. The bargain
shall be the same as last year, that whatever fee
Mr. Carey judges suitable to Channing's and mine
united, shall be forwarded to Channing as the price
of his alone." This recalls the same benefactor's
goodness to Alcott, of which one among many not
too well-known instances may here be given. At a
conversazione held for Alcott's benefit at Emerson's
house the sum of thirty dollars was collected and
handed to the beneficiary. " I dare say," was his
daughter Louisa's shrewd comment, " Mr. Emerson
gave twenty dollars himself."
LITERARY FAVORITES OF THE BLIND might by
some be thought to be limited chiefly to works of a
contemplative, introspective character, treating of
that inner life with which the sightless are perforce
so familiar. What, one might ask, have they to do
with light and color, with visible shapes and out-
lines, with stir and movement, as noted by the sense
of seeing? And yet the blind, even those born
blind, habitually use the vocabulary of their more
fortunate neighbors, and the verb " to see " is by no
means excluded from their phraseology. Thus it
results that their taste in books is rather for the ob-
jective, the pages that glow with color and are alive
with action, than for the intensely subjective. The
works circulated among the blind of New York State
by the State Library at Albany form an instructive list
in this regard. From the current report of Director
Wyer we learn that Mark Twain's " Tom Sawyer "
is the best-read book of the lot ; Mrs. Wiggin's
" Rebecca " stories are almost equally popular ;
Mr. Owen Wister's " The Virginian " is a prime
favorite ; and so is Mrs. GaskelPs " Cranford," as
might not have been expected. The very last on
the list of twenty-one is "David Copperfield,"
which is far outdistanced by certain works of the
non-fiction class. In the list of periodicals printed
for the blind, it is to be noted with regret that no
fewer than four styles of typography are used,
New York point, American Braille, English Braille,
and Moon, while a fifth, line letter, is used in
many of their books. Why could not the blind,
sufficiently handicapped already, have been spared
this Babel of tongues in their reading ?
CARLYLE ON SOME OF HIS CONTEMPORARIES is
interestingly reported in the February issue of "The
English Review " by Mr. Frank Harris, who had
a number of intimate interviews with the Chelsea
celebrity near the close of the latter 's life. All the
world knows how slightingly Carlyle was wont to
speak of Darwin's theory of evolution. Conse-
quently it is a satisfaction for the Darwin-admirer
to find his scornful critic according him some credit
after all. " I saw in him then qualities I had hardly
done justice to before," he says in recounting a
chance interview, "a patient clear-mindedness,
1911.]
THE DIAL
149
fairness, too, and above all, an allegiance to facts,
just as facts, which was most pathetic to me ; it was
so instinctive, determined, even desperate, a sort of
belief in its way, an English belief, that the facts
mast lead you right if you only followed them hon-
estly, a poor groping blind faith all that seems
possible to us in these days of flatulent unbelief
and piggish unconcern for everything except swill
and straw." But a little later he breaks out : " The
theory, man ! the theory is as old as the everlasting
hills." (Impatient contempt in his voice as he spoke.)
" There's nothing in it nothing; it leads no whither
all sound and noise signifying naething, naething."
Asked to name the greatest of all the great men he
had met in his long lifetime, he replied at once:
" Emerson ! Emerson by far, and the noblest ";
and he nodded his head, adds Mr. Harris, and re-
peated the name with a sort of reminiscent emotion.
CULTURE IN MANKATO is high and still rising,
as any one may convince himself by consulting the
latest annual report of the Mankato Free Public
Library. "Mankatonians have as good taste as
the proverbial Bostonians," asserts, with justifiable
pride, the Mankato librarian ; " and we have proven
by experience that our patrons will read good liter-
ature when good literature is put within their reach ;
when books of real merit rather than books of an
ephemeral nature are placed to catch the eye of
everyone approaching the desk fiction that is
sound and wholesome, and non-fiction to appeal to
the student, the professional man, the artisan, the
tradesman ; to the mother, the society woman, the
housemaid, the child ; books to refine the mind and
elevate the taste ; nor does this bar out light read-
ing reading for the tired mother requiring recrea-
tion, for the sentimental miss in high school or fac-
tory, reading for the man or woman getting his or her
first introduction to literature." Another paragraph
that catches the eye states that " the library takes a
part in all campaigns : tuberculosis, the commission
plan of government, good roads, food-inspection,
politics, etc., thereby standing for the practical as
well as the cultural.'' As evidence of the sober and
substantial quality of Mankato culture, let it be noted
that under the regime of the present librarian the
circulation of non-fiction has been raised since 1905
from twenty-four to forty-five per cent of the total
circulation, " and the fiction called for is a much
better grade now than formerly." This, we infer,
has been effected in no small part by the judicious ex-
posure of the best books of the day and of the ages.
HUMOR ix GOVERNMENT DOCUMENTS, those for-
midable and rapidly-accumulating volumes that con-
stitute one of the unsolved problems of librarianship,
is not often looked for and is still more seldom found.
A bill introduced Feb. 14, though not ostensibly as
a comic valentine, in the Massachusetts House of
Representatives, has more of this rare legislative
humor than is often embodied in such proposed
enactments. The bill is one of those many proposals
to tax bachelors which never get beyond the initial
stage ; and of course it makes the customary disposal
of the prospective revenue in favor of the unmar-
ried women, whose spinsterhood is a standing re-
proach to celibate men. But it further specifies that
said spinsters must be " deserving " and must be
"those who have passed, or are believed to have
passed, the marriageable age." What woman with
the smallest remnant of woman-nature in her make-
up would ever submit to being classed among the
unmarriageables ? Another curious clause exempts
from taxation the bachelor who can prove " that he
is not of good moral character, or that he is otherwise
unfit for matrimony." The amount of the yearly
mulct (five dollars) is not sufficient to inspire any
vehement desire to prove one's moral worthlessness,
or one's undesirability as a husband in other respects.
But there is no likelihood that these gems of humor
will be preserved in statute form. The more will-
ingly, therefore, do we here rescue them from
oblivion. ...
WHY THERE IS YET NO AMERICAN LITERATURE
is explained by Mr. Arthur Christopher Benson in
the February "Atlantic Monthly." Writing in
his customary frank and agreeable style on "The
American Spirit," he pleasantly though firmly
refuses to grant that we have anything worthy of
being called a literature of our own, and adds the
usual and the obvious explanation that we are still
too young and too busy with our material develop-
ment. But, he adds, "one of the most hopeful
signs of promise is the rich, racy, vigorous knack
of conversational expression Americans possess."
And this, he opines, '' may be the seed of a great
literature, because it is the sign that thought is
taking its own shape and crystallizing itself, even
though it be in bizarre forms." In this connection
it is an interesting fact, not noted by Mr. Benson,
that some of our raciest so-called Americanisms are
nothing but survivals of old idioms that have died
out in the home of their origin. Thus the crystal-
lization referred to by him took place, in part at
least, ages ago in his own country.
...
A BELATED GENIUS, a man or woman who has
arrived at maturity or even passed beyond it with
no suspicion of extraordinary latent powers, now
and then comes into public notice and serves to
remind the inconspicuous plodder that there may
yet be fame or fortune, or both, awaiting him in
some fold of the mantle that muffles the mysterious
future. The late Owen Kildare, author of " Mamie
Rose," " The Good of the Wicked," " The Wisdom
of the Simple," and "My Old Bailiwick," as also
of the unsuccessful dramatization of the first-named
book, which made its appearance at Wallack's
Theatre as "The Regeneration," could neither read
nor write at thirty years of age. The romantic
story of his rescue from illiteracy and vagabondage
by a school-teacher of New York's lower East Side,
150
THE DIAL
[March 1,
where he was born of an Irish father and a French
mother, and where he grew up in hap-hazard fashion,
contains many curious details. The final accumu-
lation of troubles and misfortunes, after he had so
surprisingly made his literary mark, forms a sad
sequel to this hopeful beginning of better things.
A POET LAUREATE'S AUTOBIOGRAPHY, a thing
not so common in our literature as buttercugs in
June, is promised soon. Mr. Alfred Austin has
written his reminiscences, and the house of Mac-
millan is to publish them, as we hear from London.
The graceful prose of the present poet laureate has
probably won him more readers than his verse
or at least than that particular portion of his verse
which has come from him by virtue of his high
office. It is remarkable, by the way, how little he
has impressed himself upon the world's attention as
Poet Laureate of England. Probably there are
hundreds of cultured and well-informed persons in
this country who would be at a loss if asked sud-
denly to name Tennyson's successor. Only a few
weeks ago there appeared in a Boston paper of high
standing an editorial reference to Mr. William
Watson as poet laureate. And why this delay in
knighting Mr. Austin ? Even English newspapers
occasionally refer to him as Sir Alfred Austin, as if
a laureate must by reason of his office have a right
to a title. Let us hope that when honors are dis-
tributed at the coming coronation he will be re-
membered that is, if he cares for that sort of
thing.
THE HUTH BEQUEST TO THE BRITISH MUSEUM
forms an important clause in that part of Mr. Huth's
will which relates to the famous library soon to be
dispersed ( unless a sufficient offer is made for it as
a whole) and already referred to by us. The be-
quest is made in these terms : " If at any time it
should be found necessary to sell the collection,
before such sale the authorities of the British
Museum are to have the first selection of a gift of
fifty items therefrom, which shall be marked by
them and always known as the Huth Bequest. In
making this selection the authorities shall not be
allowed to take a second or more perfect copy of
an item already in the National Collection, unless
they shall exchange such item for the one already in
their possession, the exchange of any item being
counted as one of the fifty for their selection." The
half-hundred choicest items in a private library
estimated as now worth a quarter of a million pounds
will form a collection of no little value, in terms
of dollars and cents, and of exceeding interest to
book-lovers.
THE " SPECTATOR'S " BICENTENARY ought not to
pass unnoted. Two hundred years ago to-day
(March 1) appeared the first number of what was
destined to be the most famous periodical of its kind ;
and though it ran for less than two years from
March 1, 1711 to Dec. 6, 1712 it nevertheless,
as has been said of it, " fixed new standards of man-
ners, morals, and taste, whose influence lasted many
years." Even now it is read, not only as prescribed
reading in school and college, but for the pure
pleasure of its graceful and correct style, its old-
fashioned allusions and quotations, and the agreeable
picture it affords of a bygone age. Of the essays
which formed its contents, Addison wrote two hun-
dred and seventy-four, and Steele two hundred and
forty. Its early extinction was due to the imposi-
tion of a government tax on periodicals a half-
penny, or some such trifling amount, which was
enough to make the difference between profit and
loss to the publishers of Addison's venture.
A FRENCH EPIC OF HEROIC PROPORTIONS follows
close on the heels of M. Romain Holland's indeter-
minate serial, "Jean Christophe," which has now
attained its tenth volume. The very name of the
poem in question, "L'Epope"e de la Grande Nation,"
is a guaranty of good measure ; and though at present
only the first part, covering the period from May 5 r
1789, to May 5, 1821, has appeared in print, we
are assured that the entire work will extend to more
than twenty-five thousand lines two-thirds longer
than the " Iliad," and nearly thrice the length of
" Paradise Lost." The author, one Abel des Trois-
Arches, began this great national epic of his forty-
two years ago, so that it may be considered his life-
work. In the face of this robust performance will
any man now dare to assert that poetry is on the
decline ?
THE MODERN NOVEL AND ITS
PUBLIC.
(Special Correspondence of THE DIAL.)
London, Feb. 18, 1911.
When there is nothing of great importance hap-
pening, from the journalistic point of view, our
enterprising press has the pleasant habit now and
again of starting a discussion and inviting corre-
spondence on the subject from interested readers.
With a little judicious fostering, and a certain num-
ber of letters written in the office to indicate the
best methods of treating the topic, these arguments
sometimes reach truly formidable proportions, es-
pecially if they deal with a religious or moral sub-
ject. With literature, the general public is justly
supposed to be less concerned ; and it is rare to find
a paper "opening its columns " (as the phrase runs)
to any discussion about the making of books. But
a few months ago the unexpected happened : the
" Westminster Gazette " did actually invite the
opinions of its readers on the momentous question
of the Length of Modern Novels ; and, curiously
enough, this departure from the old tradition met
with considerable success. For some weeks the
novelists of England entrusted their opinions on this
fascinating topic to the correspondence columns of
our premier evening paper, commonly at a length
1911.]
THE DIAL
151
inversely proportioned to the importance of the
writer. The diversity of opinion registered was re-
markable ; until at last one sensible man propounded
the theory that a novel, like a pair of trousers, should
be cut to the measure of the material it was meant
to contain. The correspondence closed shortly
afterwards.
Generally speaking, the public prefers a good
long novel to a good short one, as is only natural.
The more the buyer gets for his money, assuming
the quality to be equal, the better he is pleased.
But it is also true that the modern reader does not
want his attention taken off the main theme by any
irrelevant matter. I do not think the ordinary
consumer of novels to-day spends much time in read-
ing the old masters. Most houses in London that
have any library at all no doubt possess editions of
Scott, Thackeray, and Dickens ; but they are rarely
taken down from the shelves. If " Quentin Dur-
ward," or " Vanity Fair," or " Martin Chuzzlewit "
were offered to the London trade to-day as new
books by unknown authors I am confident they
would be refused, not because of their mere length
but because their authors had not learned the art of
excluding matter not germane to the story. Scott's
prefatory and introductory remarks alone would
often fill as many pages as a modern novelist re-
quires for his whole book. Thackeray, they would
say, was always introducing long apostrophic reflec-
tions on things in general. Dickens invented so
many subsidiary characters and side-issues that he
was forced, as it were, to strike a balance-sheet at
the end of the book, telling his anxious readers in a
few words what had become of all the secondary
personages who had flitted across his pages. I dare
not imagine what the modern publisher would say
of his other habit of interpolating whole stories, such
as " The Stroller's Tale " in the third chapter of
" The Pickwick Papers."
The fact is that, so far as construction goes, the
technique of the novel has been improved out of all
recognition during the last thirty years. A great
number of very poor novels are published year by
year ; but, bad as they are, they do not generally err
in the direction of technique. The plot may be thin,
the characters wooden, the writing undistinguished
or even ungrammatical ; but the author has gener-
ally the merit of keeping the story well in view from
start to finish. He has discovered that the one thing
he must not do is to allow the reader's attention to
wander. It is far more likely to wander than it
was in the old days ; and this is not entirely due to
inferiority in the artist of the twentieth century,
it is due rather to the rise of a new and half-educated
public, who have been fed on papers like " Answers "
and " Tit-bits " the babies' food of the young
reader. It remains to be seen whether this public
will ever be educated up to anything better ; but
at present they are incapable of absorbing any para-
graph of more than five or six lines in length. They
require a series of shocks to keep them awake, and
consequently the modern novelist has learned the
imprudence of indulging in prolixity. The page of
a new novel must not even present a physical appear-
ance of solidity ; if a publisher sees the proofs come
from the printer with more than ten inches of un-
broken matter he is quite capable (as has happened
more than once in my own case) of breaking up the
paragraphs himself. Only a few of the old guard,
such as Mr. Henry James, are permitted some lati-
tude in this respect probably because they were
found to be incorrigible.
It is easy to theorize about the production of
books, but it is still extraordinarily difficult to predict
with any approach to accuracy how the public will
receive any given specimen. Yet one can generally
tell what sort of reception it will meet with from the
reviewers. Some years ago this would have been
sufficient; there was a time when a few enthusiastic
acclamations in the more important papers sent a
new book gaily forward on the road to success. In
these days the criticisms of the press seem to have
lost their effect upon readers ; the reviewers may
praise until they have exhausted every adjective in
their vocabulary, yet the buyers will refuse to come
in. Sometimes I am almost inclined to think that
a chorus of commendation damps the ardor of
the public ; they suspect all sorts of things an
organized attempt to boom the work of a personal
friend, or perhaps even bribery. They have lost
their child-like faith in the infallibility of the critic
that our forefathers possessed. It is a curious and
instructive fact that the most popular writers of the
present day in the world of fiction Hall Caine,
Marie Corelli, and the author who is probably sell-
ing more sixpenny editions than anyone else just now,
Charles Garvice are the three novelists for whom
the reviewers never have a good word to say. The
people are not only uneducated, then, but obstinate;
they hear the voice of their master, but deliberately
stuff their ears with cotton-wool ; they do not wish
to learn. And the critic can only sigh and point
out for their own satisfaction that in all branches
of art the public has ever admired, with a curious
consistency, the worst that is put before it.
What does sell a novel? The irresponsible
chatter of women at afternoon tea, say some of my
friends. I think it a fact that women have a great
deal to say in the matter. They read far more
novels than the men ; they take their reading more
seriously ; and are more likely to discuss their
favorites afterwards. Thus some of the literary
agents now lay it down as a cardinal rule that, in
a successful story, the feminine interest should be
dominant. Women, they argue, like to read about
themselves, and especially to learn how they should
behave in moments of emotional stress. There is
thus a formula for the construction of the " big
seller," if anyone could ever work to a formula, and
if the literary agents are correct. Personally, I
fear that the great secret eludes analysis. Like
many so-called games of chance, the art of success-
ful novel-writing is a matter of fortune, with a re-
servation in favor of the better player. The good
152
THE DIAL
[March 1,
man will commonly achieve a modest independence
in time, if he goes on trying. For the rest, it is
well for him not to be too much concerned with the
commercial side of his work.
The artist, we used to say, is seldom a good man
of business. The reproach, or encomium (for it
will bear either interpretation), is probably as true
now as then, but the artist of to-day has a host of
helpers anxious to take the business side of his
profession off his shoulders. Some half-dozen lit-
erary agents of repute have followed the lead given
them by Mr. A. P. Watt, the doyen of the profes-
sion ; and it is now the exception for an author of
any popularity to conduct negotiations personally
for the sale of his work. And in addition to the
agents, there is also the Society of Authors that
eminently useful institution founded by the late
Sir Walter Besant for the protection of the writer
against his natural foes, the editor and the publisher.
With these two forces working on his side, I cannot
help thinking that the balance of power has now
shifted. The writer who has anything worth selling
is so well protected that no year passes without one
or more publishers going through the bankruptcy
court or retiring unostentatiously from business.
The days are gone by when he could recoup himself
for a series of losses by an occasional bargain. In
order to keep himself afloat he is compelled to seek
every possible means of adding to his slender profits ;
and no sooner does he discover a new avenue to
wealth than the Society erects a toll-bar across the
highway and demands additional royalities for its
fortunate clients. The committee has its collective
eye now upon the use that some publishers are
making of cheap books as advertising media. The
printing of publishers' lists at the end of a book has
been the custom for ages, though even here there
may be a doubt as to the strict legality of the pro-
cess. But when the publisher of a cheap shilling or
sixpenny novel proceeds to pad out the book with
advertisements of pills and soap and face-powders
and safety razors, not only on the covers and end
pages but sometimes interleaved with the body of
the story, it is felt that he is seriously interfering
with the Dignity of Letters. And no man, says
the Society of Authors, shall dare to interfere with
that dignity without paying heavily for the privilege.
The February number of " The Author," the
official organ of the Society, has dealt with this topic.
I foresee a very pretty quarrel. The publishers
will no doubt point to the magazines in justification
of their action. If you can advertise in a collection
of stories by various hands, why should you not do
the same in a single story published at the same
price? For my own part, I am divided in my
sympathies : I am anxious that the novelist should
make a decent living, but this steady procession
of publishers wending their way to the court of
bankruptcy is not without its serious side. A cer-
tain amount of healthy competition is good for all
trades, and I do not want to see the publishers of
London reduced to a few big houses. But certainly
an author has a right to grumble when he sees his
most impassioned love-scene faced with a page in
praise of corsets, cosmetics, and specifics for the
reduction of obesity. E H LACON WATSON.
COMMUNICA TIONS.
THE THIRTY-SIX ORIGINAL DRAMATIC
SITUATIONS.
(To the Editor of THE DIAL.)
The inquiry of your correspondent respecting the
number of possible dramatic situations will probably
call out numerous answers. It was Goethe who, in his
Conversations with Eckermann, under date of February
14, 1830, attributed to Gozzi the statement that there
could be but thirty-six " tragic situations," and added
that Schiller thought that there were more but could
never find as many. There is a little book by Georges
Polti, entitled " Les trente-six situations dramatiques,"
published in Paris in 1895 by " Le Mercure de France,"
which undertakes to set forth in detail these situations
as they occur in ancient and modern drama.
F. H. HODDER.
Lawrence, Kans., Feb. 18, 1911.
(To the Editor of THE DIAL.)
As Professor Schelling has started Mr. Kennedy in
quest of the original dramatic situations, it may be inter-
esting to recall that Polti says that Goethe said that
Gozzi said there could be only thirty-six, and that this set
Schiller off, who took much pains to find more but could
not even find so many. Apparently the results were not
formulated. The omission was too much for Georges
Polti. In the fulness of time, in 1895, he published in
Paris his " Thirty-six Dramatic Situations," wherein
with a thoroughness all Teutonic he digested the con-
tent not of drama simply but of literature and history.
To set down the brief headings under which each group
is analyzed by its numerous subdivisions does scant
justice, of course, to his ingenuity and skill. They run
as follows:
1, Supplication; 2, The Savior; 3, Vengeance pur-
suing crime; 4, To avenge kinsman upon kinsman; 5,
The Fugitive hunted; 6, Disaster; 7, A Prey; 8, Re-
volt; 9, Daring effort; 10, Carrying off; 11, The
riddle; 12, To obtain; 13, Hatred of kinsmen; 14,
Rivalry of kinsmen or friends; 15, Murderous adulterer;
16, Madness; 17, Fatal imprudence; 18, Involuntary
crime of love; 19, To kill a kinsman before recognition;
20, To sacrifice to the ideal; 21, To sacrifice for kins-
men; 22, To sacrifice all to passion; 23, To be obliged
to sacrifice one's kinsmen; 24, Rivalry of unequals; 25,
Adultery; 26, Crimes of love; 27, To learn the dis-
honor of one who is loved; 28, Loves obstructed; 29,
To love an enemy; 30, Ambition; 31, Struggle against
God; 32, Mistaken jealousy; 33, Judicial error; 34,
Remorse; 35, Recovery; 36, To lose one's kinsmen.
The search for the indivisible elements out of which
the interaction of impulse and circumstance produces
its myriad compounds must be a pastime of scholars
born without a taste for chess. Some new result
emerges periodically to start an epidemic among the
laity. One tendency seems worth noting: the number
of elements, against analogy, is diminishing. It is no
answer to say that the whole affair is one of classifica-
tion; as well say that chess is a mere matter of check-
mate, or that " Les trente-sept sous de M. Montaudoin "
1911.]
THE DIAL,
153
is a mere matter of arithmetic. Has anyone proposed
a reduction to thirteen fundamental types ? Or has the
" thirteen original " been assimilated from our familiar
"thirteen original colonies"? Or is there some con-
fusion here with Professor Baker's dozen? Heretofore
I have been immune from the disease, but this new-
fangled Microbe Thirteen has found a foothold in my
curiosity. Mr. Kennedy, it is a comfort to know, is in
a worse state; for he has been suffering, apparently
during some years of time, from the " seven original
jokes " as well. Should it not be the seven cardinal
jokes? And shouldn't the perennial attempt toward
such enumerations as these be recognized as one of the
seven? DAVID LLOYD.
New York City, Feb. 17, 1911.
THE COSMOGRAPHY OF PLATO AND OF DANTE.
(To the Editor of THE DIAL.)
In Professor John A. Stewart's " Myths of Plato,"
page 102, the author speaks of the "strange coinci-
dence " that in Dante's Inferno, " which is so largely
modelled on the Sixth Book of the JSneid," there
should re-appear the Phaedo " description of Tartarus
as bored right through the earth," a conception
" unique in Greek mythology and in no way counten-
anced by Vergil." It certainly is a parallelism well
worthy of notice ; and the Professor drops many another
remark in the work which the student of Dante will
find illuminating. The Dantean conception of hell,
however, and the Dantean conception of its origin, have
another parallel which seems to me still more striking.
It is found in a sacred book of the Parsees, " The
Bundahish," and as I have never seen it referred to as
a parallel, I take the liberty of calling attention to it
here. Dante, as every reader will remember, pictures
Lucifer as having " by the force of his fall bored a
passage down to the centre of the earth" (Stewart,
p. 106). The Bundahish gives the same picture, say-
ing : " The centre of the earth was pierced and entered
by him," i.e., the Evil Spirit. Again, Dante represents
Lucifer as remaining in the lowest hell thus formed at
the precise centre of the earth. Similar is the repre-
sentation of the Bnndahish, which says : " Hell is in
the middle of the earth; there where the Evil Spirit
pierced the earth and rushed in upon it." Again, despite
the fact that he was describing the fallen angel as pos-
sessed of wings and legs, Dante calls him " the abhorred
worm which boreth through the world " In like man-
ner, in the Appendix to the Bundahish, Ahriman is
described as coming on " through the middle of the
earth, as a snake, all-leaping comes out of a hole; and
he stayed within the whole earth. The passage whereon
he came is his own, the way to hell, through which the
demons make the wicked run." (West's translation in
"Sacred Books of the East," Vol. V., 17, 19, 161).
Could Dante have known anything of the Bundahish,
or of any writer who drew upon the Persian teaching ?
WILLIAM FAIRFIELD WARREN.
Boston University, Feb. IS, 1911.
MISGUIDED POETS AND THE PUBLIC LIBRARY.
(To the Editor of THE DIAL.)
Apropos of your editorial on " Misguided Poets,"
permit me to call attention to a nuisance in our public
libraries, especially to be found on the shelves devoted
to the poets. Every loiterer among the stacks must he
familiar with those slender volumes with a binding of
peculiar style (a connoisseur can always know them by
their bindings) with the words written inside " Don-
ated by the Author." They are not entirely useless, as
they furnish an endless supply of amusement. One
gentleman of the tribe appended his biography to his
volume, and in one sentence has so crystallized the folly
of them *11 that it ought to be considered their classic
expression: "I have donated copies of my ' Cudmore's
Prophecy of the Twentieth Century ' to libraries in the
United States, Canada, Mexico, Central and South
America, Europe, Asia, Australia, New Zealand, and
Tasmania."
The particular kind of provincialism of which these
authors and donators are guilty is, it seems to me, a
gross ignorance of the organization of publishing and
marketing of books, and of the habits of the reading
public. And besides the wholesome fun which they
naturally call forth, perhaps an acquaintance with them
leads one to a more conscious gratitude that we have
great publishing houses with reputations and policies,
who give to books the prestige without which their
careers would indeed be precarious.
Louis I. BREDVOLD.
Bristol, So. Dak., Feb. 17, 1911.
ANOTHER MOURNER OF "MIZZELED."
(To the Editor of THE DIAL.)
Your editorial note in the issue of Feb. 16, on the
haunting associations of words, struck a most sym-
pathetic chord in my heart. It is gratifying to find
someone else who has been " mizzeled " as to the pro-
nunciation of "misled," and who shares my grief at
having our vocabulary robbed of a word so pregnant
with meaning as " mizzeled," and given in its place a
word so poor, cold, and undescriptive as " misled."
You are the third person I know of who feels that way
about it. I remember when I was about thirteen years
old, hearing my father, who for many years occupied
a seat on the bench of the Civil Court in New Orleans,
tell of a brilliant young Creole lawyer using in his
argument the word " mizzeled," to the complete mys-
tification of the court. He afterwards asked the young
lawyer to spell the word for him, and thereupon en-
lightened him as to its real pronunciatiation. But I
feel sure the young man was not so much mortified at
his mistake as pained at his irreparable loss. Perhaps,
however, in a better world where language is what it
should be, our dear departed "mizzeled" will come
into its own. LELIA M. RICHARDS.
New York City, Feb. 20, 1911.
THE NEWLY-DISCOVERED " BYRON MS."
(To the Editor of THE DIAL.)
I have before me as I write a facsimile of the
Byron MS." to the discovery of which you refer in
your issue of February 1, and I have no hesitation in
assuring you and your readers that this newly-found
MS. is not in Byron's autograph. I have reached this
conclusion after a careful study of the facsimile pub-
lished in " The Pall Mall Gazette " and after a careful
examination of facsimiles of Byron's handwriting at
various periods in his life. The public ought to be
informed, I believe, that the MS. now owned by Mr.
Sawyer is, at the most, only a contemporary transcript
of the original. SAMUEL A. TANNENBAUM.
New York City, Feb. 18, 1911.
154
THE DIAL
[March 1,
00ks.
A PUBLISHER OF THE OLD SCHOOL,.*
An enthusiastic lover of literature and, in an
inconspicuous way in early life, an author him-
self, Alexander Macmillan lived to become the
cause of authorship in others to a degree rarely
attained by publishers. The writers, one day
to be famous, whose genius he and his brother
Daniel recognized and encouraged, and whose
books they published, form a long and notable
list. And yet he was without early advantages
in education, being the son of a poor Scotch
farmer with a large family, and being left
fatherless at the age of five and forced to shift
for himself when he was not more than fifteen
or sixteen.
He was born at Irvine, in Ayrshire, Oct. 3,
1818. The schools of the town gave him his
education, and there he himself became "head-
master of Scott's School" at the surprisingly
tender age of sixteen. The succeeding few years
are mostly a blank in our knowledge of his
interests and occupations, but with his going to
London in 1839 to join his older brother Daniel
in the bookselling business the memorable period
of his active and fruitful life begins. But some
mention should be made of his youthful adven-
ture as a sailor before the mast in a voyage to
America in 1836, undertaken apparently in a
fit of boyish unrest and seldom referred to by
him in after life. In 1843 the brothers removed
from London to Cambridge, and soon after-
ward became publishers as well as booksellers,
their first venture being " The Philosophy of
Training," a short educational treatise by a
Glasgow schoolmaster. Their acquaintance
with Cambridge men and their keen interest
in the literature of the day naturally led to
their entering upon business as well as friendly
relations with a number of the young writers
about them. Books on education seemed at
first to make the strongest appeal to them, but
it was not long before they became interested
in furthering the fortunes of such authors as
Kingsley, Maurice, Trench, Thomas Hughes,
and many others with what the shrewd Scotch
brothers saw to be a promising future before
them. The establishment of a London house
or branch became a necessity with the rapid and
unexpected success of their publishing business,
* LIFE AND LETTERS OF ALEXANDER MACMILLAN. By
Charles L. Graves. With portraits. New York : The Mac-
millan Co.
but before this had been accomplished the elder
partner, Daniel, died, and the entire burden
of the enterprise was imposed on Alexander's
shoulders. In 1858 the London branch was
opened, and in five years it grew to such im-
portance as to necessitate its proprietor's re-
moval to London, which thereafter remained
the headquarters of the business.
The records of Macmillan's life at Cam-
bridge, and especially his connection with the
Cambridge Working Men's College, show him
to have been a man of large heart and generous
impulses, of deep moral purpose, and of remark-
able influence upon young men. Indeed, he
seems to have been sought out as adviser and
confidant by men of all ages. His soundness
of judgment, his sincerity, his breadth of view,
and his freedom from all selfish interest, secured
for him an enviable position in the university
circle and in the larger world about him. The
regard cherished for him by many of the noted
men of his time may be gathered from the wide
correspondence drawn upon by Mr. Charles L.
Graves in his " Life and Letters of Alexander
Macmillan," which comes from the publishing
house founded by the two brothers more than
sixty years ago. One of the Cambridge friends
of the younger brother has contributed his rem-
iniscences of Alexander Macmillan. A short
extract will be here not out of place, before we
follow him to London and to the more engross-
ing cares of his increasing business.
" I only knew of his work in connection with the
Cambridge Working Men's College from what he told
me himself and hearsay from others, but it was he who
really supplied the driving power which started and
kept going its whole machinery. There were many
distinguished men on the teaching staff of the institu-
tion besides himself, among them Harvey Goodwin,
J. B. Lightfoot, F. J. A. Hort, and J. B. Mayor, whose
names overshadowed that of the secretary and lecturer
Alexander Macmillan, but none of them, in Maurice's
phrase, ' got hold of the working men ' if that were
the true description of those who attended the classes
in anything like the same degree."
With the establishment of the London house
came the serious consideration of the project
for starting a magazine. Thomas Hughes had
been the first to advise this step, at the time
when his " Tom Brown's School Days " was
about to be published. Its author much wished
to have the story come out as a serial, and would
have had its publishers found a magazine for the
purpose. Finally, in 1859, the start was made,
with David Masson as editor; and Macmillan's
activity in securing the best of contributors for
its pages very early assured its success. His
son George writes of this period :
1911.]
THE DIAL
155
"For the next five years [from 1858] it was my
father's regular habit to spend each Thursday night
in London, and to keep open house that evening in
Henrietta Street for any one who liked to come and
take part in a modest meal, followed by free and
easy discussion of literary and other matters. These
' Tobacco Parliaments ' were a very important feature
in the development of the publishing business, espe-
cially after the foundation of Macmillan's Magazine in
November, 1859."
The autographs inscribed on the bevelled edge
of the round table at which the "parliament"
sat include those of Tennyson, Herbert Spencer,
Maurice, Hughes, Huxley, Masson, J. M. Lud-
low, Franklin Lushington, G. S. Venables,
F. T. Palgrave, Llewellyn Davies, William
Allingham, Coventry Patmore, and Alfred
Ainger.
Macmillan was by nature an able captain of
industry, and he always had the loyal support
of his company of fellow-workers. He knew
how to delegate authority, but he could also
carry in his head an infinity of details and
thought no part of the necessary routine of his
business beneath him. The pains that he took
with the reading and judging of submitted
manuscripts was incredible, and his flair for
the desirable thing to publish was of the keen-
est. It is, however, a matter of record that
Mr. Barrie's " Auld Licht Idylls" was rejected
by this passionate lover of everything Scottish,
though his biographer seeks to account for so
inexplicable a blunder by conjecturing that the
manuscript must have been sent in and passed
upon when the head of the house was absent.
This inference is rendered the more probable
by reason of his practice of writing long and
critical though sympathetic and friendly letters
to accompany the return of any meritorious but
unaccepted offering ; and no such letter to Mr.
Barrie seems to have been discovered. An
interesting letter to Mr. Thomas Hardy, dated
1868 and filling more than three pages of close
print, is reproduced by Mr. Graves. It ex-
plains, convincingly and kindly, the publisher's
reason for rejecting " The Poor Man and the
Lady," and the author appears never to have
questioned the justice of the verdict, as the
story remained unpublished, being withheld
even after George Meredith had passed upon it
favorably. The course of self-education that
had qualified Alexander Macmillan to be his
own professional " reader " is thus referred to
by Canon Ainger :
" He had mastered the leading English prose classics,
and they formed for him a secret standard and criterion
of excellence which saved him in a remarkable way
from false admirations, or from being deceived by that
specious mediocrity which is perpetually appearing in
fresh shapes above the horizon. A life-long enthusiasm
for the best novels was at the root of his highest suc-
cess as a publisher."
In illustration of his discriminating taste in
novels, let us quote from a letter written by
him to James T. Fields in 1861. It touches
sympathetically also on our struggle, then in
progress, to preserve the Union and free the
slave ; but that is apart from its main theme.
" I wish much that Mr. Holmes would do a story
which should be entirely one of natural manner and
character, and have nothing of the wild or weird about
it. The power of character-painting that is exhibited
in the book is very high and very fine. The discrimina-
tion and sharpness of his delineation are not to be sur-
passed. The least interesting character is Elsie herself,
and this only because it is conceived under circum-
stances which are very partially true to fact and far
from interesting if it were at least to modern and
Christian times. The idea of the old Greek unavoid-
able fate having its consummation through all sorts of
pain and crime in spite of sorrow and repentance, has
a kind of grandeur about it, but that a human being
should take to poisoning because her mother saw a
serpent has something at once painful and paltry about
it. Buckle's view of whale blubber and starch being
the extremes of man's moral and physical nature has a
kind of interest as you can make your choice but how
am I to prevent my wife from seeing a snake if she
lives in a snake land ? "
Six years after this letter to Fields the writer
was welcomed in the hospitable home of the
Boston publisher, on the occasion of an Amer-
ican visit that brought with it a variety of
agreeable experiences. Even at that time the
number and wealth of our colleges and univer-
sities struck him with astonishment. " Within
the last six years," he observes, " more endow-
ments have been made than have been made
in England for the last two hundred." And
further: "You go nowhere where princely
munificence, bestowed by plain citizens, does
not meet you." Gratifying also is the following
in reference to the general prevalence of cour-
tesy and refinement:
" One expected to find culture and refinement at a
place like Boston, where Longfellow who is the sweet-
est and brightest of men Lowell, Holmes, Wendell
Phillips, Emerson and the like live. But one finds
almost as good everywhere. ... I met farmers in the
prairies who had read and understood Carlyle, Mill,
Buckle, Ruskin, Lecky, and authors of that class."
It was in this visit that Macmillan became im-
pressed with the possibilities of extending his
business to America, as was not long afterward
done with signal success ; but he could not fail to
note that " the high tariff is a terrible drawback."
Not unnaturally, in the course of his dealings
with all sorts of authors, sound-minded and the
reverse, he came in contact with the advocates of
156
THE DIAL
[March 1,
the Baconian theory of Shakespeare. Mr. Graves
speaks, in this connection, of " the redoubtable
Mrs. Pott's Baconian hypothesis," forgetful ap-
parently of the honor, or dishonor, due to our own
Delia Bacon, whose lunacy antedates Mrs. Pott's
by nearly twenty years. As the publisher of the
famous " Cambridge Shakespeare,',' Macmillan
was very naturally approached by Mrs. Pott in
the interest of her an ti- Shakespeare ideas, and
he frankly and fully replied to her in a courteous
letter beginning : " I am afraid your enterprise
is hopeless. Bacon assuredly is not the author
of Shakespeare's plays, and assuredly Shake-
speare wrote them himself. I know the Essays
well, and all Shakespeare well. They are the
products of our greatest intellectual and moral
age. It is impossible but that they should
have much in common." A later patient letter
to this persistent woman contains the following
striking passage :
" The question about Shakespeare's education is one
requiring more space than I can give it. But I don't
think we quite realise how rapidly a man like Shake-
speare might assimilate new words and forms of life.
I have known I know at present a man who travel-
ling through a street or town with a number of
fairly intelligent men and women will learn twenty
times as much as any of them with even less apparent
observation. Do you know the story of Houdiu, the
conjurer, how in passing a shop window with hundreds
of objects in it he could with a glance give an inven-
tory of it?"
How different this from Mr. Shaw's conception
(in "The Dark Lady of the Sonnets") of a
Shakespeare who, notebook in hand, painfully
collects such scraps of useful material as fall in
his way, chiefly from other men's lips !
Macmillan's official connection with Oxford
as publisher to the University, and the honorary
M.A. conferred upon him when that connection
ceased, were matters in which he took pride.
A letter from Mr. John Morley congratulating
his friend on becoming " a brother M.A. of my
ancient and honourable University" concludes
thus :
" No honour was ever better deserved, as I have often
said. It is really a most pleasant bit of recognition for
good service, and I know that you will be gratified by
it. My only doubt is whether you ought not to have
been made a Doctor of Divinity, but they do n't know
you so well as I do."
Mr. Graves's life of the younger of the
brother publishers forms a fit companion to
Thomas Hughes's memoir of the elder, and is
in fact a much more elaborate and, in general
interest, more valuable work. Alexander Mac-
millan's was a character worthy of a full-length
portrait, and his biographer has done him justice.
The many letters and other interesting reminders
of the noted writers of the day which the book
contains make it a notable contribution to liter-
ary history. To supplement the graphic strokes
of the biographer's pen, the photographer and
the artist have been called upon to show us
clearly what manner of man, in his outward
person, this enterprising and cultured Scotch
publisher really was. p ERCy R BlCRNELL>
ENGLISH LITERATURE IN SHAKESPEARE'S
LIFETIME.*
There is probably no one in this country
better fitted for writing a history of English
literature in the time of Shakespeare than Pro-
fessor Schelling, whose work in the Elizabethan
drama and the Elizabethan lyric, the two pre-
eminent forms of expression in this age, is uni-
versally authoritative. As in his ' 'Elizabethan
Drama," the book before us " departs in method
from the customary arrangement of material by
way of annals. It has neither listed authors
in the order of their birth, nor books in the
chronology of their publication ; but it has
sought to view the subject in large by the'
recognition of a succession of literary move-
ments, and varieties in poetry, drama, and prose,
at times identified with a great name, at others
grouped merely because of subject-matter or
likeness in origin or purpose." Naturally, it
is about the author whose name appears in the
title that a considerable portion of the book is
centered. Thus, the first chapter, which is fit-
tingly headed " The Literature of Fact," and
as such introduces the Elizabethan period by
an account of contemporary works on history
and adventure, opens up the source-books of
Shakespeare's chronicle history plays. Follow-
ing this come two chapters on "The Literature
of the Coterie" and "The New Cultivated
Prose," which prepare the way for Shakespeare's
sonnets on the one hand and his early dramatic
work on the other. The eight chapters on the
drama, in which is compressed Professor Schel-
ling's larger treatment, and with an eye single
to the dramatic type rather than to the dra-
matist, are grouped about the greatest poet
of the age. The dominance of Shakespeare's
genius is, of course, felt in the lyric, and even
in the prose work of the period we are aware of
his presence. The range of treatment is, there-
fore, not so arbitrarily limited as it might at
first strike the casual reader.
* ENGLISH LITERATURE DURING THE LIFETIME OF
SHAKESPEARE. By Felix E. Schelling, Professor in the Uni-
versity of Pennsylvania. New York : Henry Holt & Co.
1911.]
THE DIAL
157
While it is true that a history of literature,
no matter how limited the period considered,
must be primarily concerned with details of
historical fact, sources, influences, and the like,
it is important that it should not neglect the
more vital appeal of literature that which,
after all, is worthy of historical treatment.
Extensive appreciation in such a work as the
one before us is necessarily impossible ; but it
is easily apparent that the author has carried
over into his pages his own fervid enthusiasm
for the literature of this period. The book is
not crowded with quotations, and those that do
appear are admirably illustrative and are not
stale from frequent use. Thus, the splendid
stanzas on Belphosbe, in the second book of the
" Faery Queen," furnish the text for the follow-
ing eloquent appreciation :
" Of such art we feel that it is loving and leisurely;
its very progress is like that of the shuttle in the loom,
now forward now back. Neither weaver nor poet can
be conceived as hurried, or as otherwise than content
to add, hour after hour and thread after thread, the
beautiful colors that grow insensibly into a pattern, ever
recurrent and conventional, but ever holding, as with a
soft compulsion, our approval and affection."
The vexed question of the sonnet Professor
Schelling treats with his usual sanity. Whether
we agree with him or not in his belief that
"'Astrophel and Stella' had its inspiration in
a passion sufficiently real to take on a genu-
inely tragic tone to one of the ardent nature of
Sidney," we are glad that he does not lead us off
into unprofitable discussions which generally end
where they had begun. Granted poetic genius,
however, it hardly seems necessary to demand
an actual passion as a sine qua non of genuine
love poetry ; and it again seems unlikely that
Sidney would dedicate to his wife sonnets cele-
brating his passion for another woman, or that
both his wife and his sister would regard with
enthusiasm any such expression of his love.
Especially sensible is Professor Schelling's dis-
cussion of the Shakespearean sonnets. He does
not seek to identify positively the " Mr. W. H."
except that he refuses to regard him as William
Herbert, Earl of Pembroke. He clears the
whole question of useless argument, and in a
single paragraph presents the story of the
sonnets, which, as he says, " is neither difficult
nor involved." As to the dark lady, he is
content and so should we be with the wise
comment that " the court of Elizabeth was
fuller [of sirens] than was ever the ^gean ; and
for my part I should be sorry to have the mask
of anonymity torn from the face of that immor-
tal shadow." A]1 of which is in remarkable
contrast to the pronouncements of the author of
" The Man Shakespeare."
The chapters on the Drama naturally begin
and end in Shakespeare. The court as well as
the popular drama leads up to his consummate
accomplishment, for these embody in whole or
in part the three influences which formed the
drama, those of the classical drama and of
the popular vernacular farce, and that of Italy
and the spirit of romance. The plays of Shake-
speare are each considered briefly and with
reference chiefly to their literary qualities.
Questions of structure and characterization are
only touched upon ; more would not be possible
in a volume of this character. The summaries
and general criticisms at the close of the
chapters are appreciative and scholarly. The
theory that Shakespeare in his latest plays, the
romances, was seriously affected by the new
Fletcherian tragi-comedy, " and that this influ-
ence worked to the detriment of Shakespeare's
art, destroying especially the long lines of his
characterization and reducing his art to the
measure of the man he imitated," is disposed of
by the vigorous protest against the "discovery"
that " Shakespeare was prematurely old and
decaying in his genius at forty-five, careless in
his art, and content to leave his throne to sit on
the footstools of his younger contemporaries."
The protest is too strong. For it is impossible
to maintain, in the face of the numerous resem-
blances adduced by Professor Thorndike in the
authoritative monograph on the subject, that
Shakespeare's and Fletcher's dramatic romances
were wholly independent of each other. Either
Fletcher set a model for Shakespeare, or vice
versa. Professor Schelling prefers to group
these last plays of Shakespeare's with others like
" Troilus and Cressida," " Timon of Athens,"
and " Pericles," which do not belong to any
special category of history, tragedy, or comedy,
and to scout the idea that he could have imitated
or adopted the dramatic ideas of a younger con-
temporary. But Shakespeare about this time and
later was collaborating with Fletcher in " Henry
VIII." and " The Two Noble Kinsmen," and in
these plays the tone is Fletcherian rather than
Shakespearean. Shakespeare never hesitated
to adopt a dramatic fashion, and it was wholly
consistent with his past conduct that he should
try his hand at what he saw was popular with
the London audiences. The fact remains that
the late romances are not so great as the trag-
edies, and it makes very little difference in our
judgment of the intrinsic worth of these plays
whether we say their lower rating is due to
158
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[March 1,
Shakespeare's imitation of a younger contem-
porary or not. They are not less good when
viewed as under the influence of Fletcher than
when regarded as Shakespeare's original crea-
tion. No one says that they are not superior to
Fletcher's romances, or that the elder dramatist
failed to improve upon the work of the younger.
We might almost as well blame Shakespeare
for adopting the revenge idea in "Hamlet"
from Kyd's play on the same subject as criticize
him for transforming the idea in the Fletcherian
romances into the wonder of " The Tempest."
Professor Schelling's work on the Lyric we
already know, and his chapters in this volume
are marked by the same discrimination and
appreciation that have made his two lyrical
anthologies familiar to scholars everywhere.
Particularly good is his treatment of Donne,
both as a corrective of a prevalent error about
his relation to the so-called "metaphysical
school," and as a just estimate of the salient
qualities of his poetry. By his illumination of
what had hitherto appeared commonplace, he
deserves Jonson's eulogy, that he was " the
first poet in the world in some things." " The
golden summer " of the lyric of Herrick and his
compeers we are shut out from by the limits of
this volume ; but this lyric, which is more artistic
and less spontaneous than the Shakespearean,
may be omitted without causing too sharp a
break in our survey of the poetic development
of this period. In this and in other provinces
of literary expression, the book preserves a
proper unity of treatment.
JAMES W. TUPPER.
THE STEPHENS PRISON DIARY.*
If the term "human document" were not
taking a well-earned furlough, it might be
applied with peculiar fitness to the diary before
us, penned by Alexander H. Stephens, Vice-
President of the Southern Confederacy, during
his imprisonment at Fort Warren, in Boston
Harbor, from May until October, 1865. There
is no side of Stephens's nature which does not
find expression, and the reader feels in every
paragraph the impression of absolute sincerity.
From the historical standpoint, the volume is of
great value for the light which it throws upon
* RECOLLECTIONS OF ALEXANDER H. STEPHENS. His
Diary, kept when a Prisoner at Fort Warren, Boston Har-
bor, 1865 ; giving Incidents and Reflections of his Prison
Life, and some Letters and Reminiscences. Edited, with a
Biographical Study, by Myrta Lockett Avary. New York :
Doubleday, Page & Co.
the attitude of a large class of men who were
ardent lovers of the Union and strongly opposed
to the policy of secession, but whose political
training made it inevitable that when once the
die was cast they should go with their States
and throw their energies into the cause of the
Confederacy. In ability and character, Stephens
stood easily at the head of this class of Southern
statesmen ; and the motives and principles
underlying his course are fully outlined in this
Diary, especially in his copy of a long communi-
cation to President Andrew Johnson, accom-
panying a request for amnesty, under the special
provisions of the Proclamation of Amnesty and
Pardon issued on the 29th of May, 1865.
As a man of highly cultivated tastes,
Stephens's prison days were largely devoted to
reading ; and we confess to a somewhat deeper
interest in the books recorded than in the much
talked about "pig-skin library " of a later date.
Prescott's "Ferdinand and Isabella" and " Con-
quest of Mexico" were purchased out of the
little stock of gold coin brought with him, and
carefully read, as various comments and appli-
cations to current problems prove. The high
state of culture and liberty to which Aragon
had risen under an effectually decentralized
system of government especially attracted his
attention. A volume of the philosophical writ-
ings of Cicero led to a comparison of the moral
tone of the Roman with that of Paley, whose
title to a place in the senior year of every
college curriculum was never questioned in
Stephens's time. The comparison is strongly
in favor of Cicero. Bacon's Essays on the whole
disappointed him, though he thought highly of
the one on " Friendship," which in his opinion
" embodies in a nutshell more true philosophy
than all else I have seen upon this subject."
Later, after a re-reading of Cicero's " De Ami-
citia," he says : " This book is an almost fault-
less production. Still, I believe Bacon's essay
says more. But Bacon by no means supersedes
Cicero. Bacon tears up the foundations of the
philosophy, blasts the works from the quarries ;
Cicero polishes these rough materials for use
and ornament. Every young man should study
Bacon on this subject ; then he should study
Cicero." Aristotle on Economics pleased him,
but the " Politics " he considered of little value.
Particularly, Aristotle's failure to consider
slaves as entitled to any standing as an element
of society is criticised. Matthew Arnold's
" Essays in Criticism " was presented to him,
and he read the chapters on Spinoza and Marcus
Aurelius, but with little sympathy. " I have not
1911.]
THE DIAL
159
been able to satisfy myself as to this critic's
general object. It seems to me that it is not
good, that his spirit is evil, that he conceals
himself as well as he can and attempts to incul-
cate his own views through the teachings of
others." A volume of F. W. Robertson's ser-
mons was presented to him and read with high
appreciation, as were certain volumes of Sweden-
borg, in spite of his dissent in many particulars,
and his conviction that Swedenborg was some-
what unbalanced in mind. Many hours were
given to study of various books of the Bible,
and many of his comments thereon are surpris-
ingly " liberal " for a strongly religious Southern
man of that period. The inclusion of the Song
of Solomon with the other books of the Bible he
could not comprehend. He raises no question
as to Solomon's authorship of the book, but fails
entirely to find in it any evidence of allegorical
intent. " It seems only such love-songs as
Solomon may be supposed to have indulged
himself in writing." To interpret it as refer-
ring to Christ or the Christian Church seemed
to him " not much short of impious." Burns
and Coleridge were read occasionally. Tenny-
son had never appealed to him until the effec-
tive oral interpretation of a lady visitor revealed
the beauty of Ms verse.
In poor health, and troubled in mind over
the failure of the authorities at Washington to
pay any attention to his request for amnesty
or parole, unable to get into communication
with his family and friends at home, Stephens's
prison days were gloomy enough, and without
the company of his books he would probably
have broken under the strain. Until the last
few weeks of his imprisonment, his confinement
was close, his quarters uncomfortable, and his
food palatable only because he gave up the
allotted rations altogether and supplied his
table from other sources at his own expense.
On July 26 he records : " Had a sort of row
with bedbugs. Examined my bed to-day and
found several." On August 2, " Had another
row with bedbugs ; discovered a good many,
though small. To none did I give quarter."
August 11, " Got through with the biggest row
I have yet had with bedbugs." And a week
later, when commenting on the failure of a
mouse which he had been feeding to come into
sight, he adds : " It may see from its hiding-
place what I do with the chinches, and draw
conclusions which prompt it to keep out of my
power. I have often felt sorry for what I have
to do to these blood-suckers. Most willingly
would I turn them loose and let them go away
if they would go and stay, but this they will
not do."
There are many personal comments in these
pages which one would gladly quote if there
were room. The most severe judgment of all,
though thoroughly kindly in spirit, is that
passed upon Jefferson Davis. His opinion of
the abilities of Grant was very high, and the
comparative failure of Grant in the Presidency
must have come as a great surprise to him.
As most of the really level-headed leaders of
the South, he came to have a very high regard
for Lincoln. Greeley also shares in his admira-
tion, though his dissent from Greeley's political
principles led him to oppose the union of the
Democrats with the Liberal Republicans in
1872. There is no word of ill-tempered criticism
for anybody. No kindlier and juster heart ever
beat than that of Alexander H. Stephens.
W. H. JOHNSON.
THE EARLIEST LORDS OF THE OCEAX.*
Ever since Newton and Wood delighted the
western world with their discoveries of the
ruined glories of the Mausoleum and the temple
of Ephesian Artemis, the progress of Greek
archaeology has been almost uninterrupted ;
and its claims to the rank of an orderly and
definite science are now universally recognized.
Its splendid chapters have been written by
Schliemann and Dorpfeld, at Hios, Mycenae,
and Tiryns ; by the Germans at Olympia, the
French at Delphi, and the British and Ameri-
cans wherever they could get a chance to put
in their spades ; and the annual reports of these
various schools of classical study contain most
comf orting assurance that new and substantial
additions are yearly being made to our knowl-
edge of the past.
That a rich, if somewhat barbaric, civilization
could be identified and confidently assigned to
pre-Homeric times, is now generally accepted.
"Mycenaean " was the name not altogether
a satisfactory one given it ; and its dates
were approximately placed at 15001000 B.C.
With this as our furthest reach backward into
the prehistoric past of Hellenic or pre-Hellenic
races, we were perforce content until the end
of the nineteenth century; but since the year
1900 the extensive excavations carried on by
Dr. Arthur Evans at Cnossus in Crete, together
with other excavations at various Cretan sites,
*THE SEA KINGS OF CRETE. By Rev. James Baikie.
Illustrated. New York : The Macmillan Co.
160
THE DIAL
[March 1,
have combined to make it evident that this
ancient " hundred-citied " island was for cen-
turies the home of a brilliant civilization, which
antedates the Mycenaean age as much as the
latter does the time of historic Greece. In honor
of the most famous traditional Cretan worthy,
this civilization has been called " Minoan," and
Dr. Evans has proposed a chronological table
dividing its life into three periods, known as
Early, Middle, and Late Minoan ; each period
being subdivided into three divisions designated
by Roman numerals. The whole stretch of
time thus occupied ranges through two millen-
nia, from 3000 B.C. to 1000 B.C.
A number of publications have described
and sought to appraise the results of these
Cretan excavations. Dr. Evans himself has
published full reports on his discoveries ; and
books by Ronald M. Burrows (" The Dis-
coveries in Crete "), A. Mosso (" Palaces of
Crete and their Builders "), and Harriet Boyd
Hawes (" Gournia, Vasiliki, and other Prehis-
toric Sites "), have served to maintain the public
interest and increase the public knowledge.
The latest work dealing with this subject is
the Rev. James Baikie's " The Sea Kings of
Crete," a handsome volume, well-printed and
illustrated. The author writes with keen but
tempered enthusiasm of the "finds " at Cnossus,
Phsestus, and Hagia Triada, and what they
seem to show. That the Minoan dynasties were
sea-lords of the 2Egean and eastern Mediter-
ranean, he regards as fully established ; and the
significant fact that the great palace structures
were not fortified, as were those at Mycenae and
Tiryns, only strengthens the conclusion that
here we have to do with a power that depended
on the " wooden walls " of its fleet for both
aggression and defence.
Sooner or later, of course, this floating bul-
wark would fail ; and to some such crisis as
this a sudden dash by pirates, or a concerted
invasion by rivals who managed to out-sail and
out-fight the Cretan fleet we are to refer the
great catastrophe which destroyed the palace at
Cnossus at the end of the period called Middle
Minoan II. (about 1850 B.C.). On the ruins of
this first palace a second seems to have arisen,
which in turn met its destruction at the close of
the Late Minoan II. period (circa 1400 B.C.).
The temptation to construct history out of
legend with the assistance of archaeological dis-
coveries is always great : Schliemann, as is well
known, yielded to it, and was sure that he had
found the corpora ipsa of the Agamemnon and
Clytemnestra mentioned by Homer and the
Greek tragic writers. Something of this con-
fidence confronts us in the pages of Mr. Baikie's
book, as where he contends for a historic
background to the terrible story of the human
tribute paid by Athens to Minos of Crete, and
of the slaying of the Minotaur by the Attic
hero Theseus. His support for this position is
derived largely from the frequency of bull-
combats and the suggestion of bull-headed
divinities on the various works of art found
during the progress of the excavations.
More conservative and acceptable is one of
the concluding paragraphs of the book :
" No one now dreams of hesitating to accept the
statements of Herodotus and Thucydides as to the
great sea-empire of Crete. Whoever the Minos to
whom they allude may have been whether he was
actually a single great historical monarch who brought
the glory of the Kingdom to its culmination, or whether
the name was the title of a race of kings, is a matter of
small moment. In either case the sea-power of Minoan
Crete was a reality which endured, not for one reign,
but for many reigns; and it is practically certain that,
during a long period of history, the whole sea-borne
trade of Europe, Asia, and Africa was in the hands of
these, the earliest lords of the ocean."
The relations of Crete with Greece, the
Cyclades, and Egypt, are discussed and illus-
trated by parallelisms in pottery, sculpture, and
metal-working ; and about thirty excellent half-
tone plates show the principal architectural and
artistic results of the various excavations. The
book is written in an intelligent and entertain-
ing style, which, added to the fascination of the
subject, makes it as readable as any romance.
JOSIAH RENICK SMITH.
THE MEMOIRS or HEESTE.*
" Heinrich Heine's Memoirs," in two beauti-
ful thin, though comprehensive, volumes, doubt-
less give the best opportunity of meeting the
poet face to face that has yet been offered in
English. The title is confusing, for the term
Memoiren was preempted by Heine's small
autobiographicaJ fragment first printed in 1884.
It was the idea of Karpeles to publish (in 1888)
an extended cento of fragments of Heine's let-
ters, verse, and prose, arranged in chronological
order, under the more admissible title, " Auto-
biographic." In the main the difficult English
translations are spirited and idiomatic, and the
metrical form of the lyrics is preserved, even
though rhymes like "daughter: about her,"
* HEINRICH HEINE'S MEMOIRS. Edited by Gustav
Karpeles. English translation by Gilbert Cannan. In two
volumes. New York : John Lane Company.
1911.]
THE DIAL
161
" undoing: ruin," go to the verge of what may
be permitted. It is necessary to add that the
badness of the work in many other respects
goes far beyond this limit.
Karpeles' plan, for which the translator is
not responsible, is a horror to the professional
scholar, and to the philologist an abomination.
Without guidance of notes, a " harmony " is
forced by methods more violent than those em-
ployed by the most perverse theological zeal.
Karpeles' lack of method has made a sorry
mess of it, enhanced (let it be stated without
rancor) by a more than British indifference to
minute accuracy on the part of the translator.
Chapters, divisions, and titles are purely arbit-
rary. It seems impossible that any editor could
omit the lyric " Ein Jiingling liebt ein M'dd-
chen" the very epitome of the most telling ex-
perience of Heine's life, or " A us alien Mdrchen
winkt es," that sublimated quintessence of the
cruel conflict between romanticism and reality.
The poet's saucy irrelevancies, his daring wit,
even his word-plays, vulgarities, and blasphemies,
are so much a part of himself that a Heine,
with these completely purged away, would be
no Heine at all. Omissions are often posited
where none occur, while again and again sep-
arate letters and lyrics are macerated into one
undifferentiated substance, poems are mutilated
with no indication, sentences torn limb from
limb and grafted one upon another in a way
that belittles Mr. Edison's most heroic tales
of operative surgery. Often a new paragraph
is placed so as to be related only to the im-
mediately preceding text, whereas it applies, in
fact, to a section that has vanished without a
trace. Because of its allusion to the " Trag-
edies " (published 1823), Karpeles may be
excused for including under the documents of
1823 a letter written on June 7, 1826, but the
bare-faced change of the date to "June 7, 1823 "
is intolerable. Equally unpardonable is the
crass stupidity shown in translation, and by no
means limited to proper names. Liibtheen ap-
pears as "Liibthern," Bovden as "Booden,"
Harburg as " Hamburg," Adolf Milliner is
leveled to " Miiller," the great surgeon Dief-
fenbach comes off with " Dreffenbach," while
the famous lexicographer Adelung suffers a
sea-change from a living person into " the bur-
den of the aristocracy." Other examples of
Mr. Cannan's art of translation are : biderbe,
" solemnly "; Oratorium, " exhortation "; be-
wegliche Figur, " mobile face "; ebenfalls,
" ever ''; geheimnisvolle Wonne, " sweet glee."
Klagende Flamme, in the well-known stanzas
in Deutschland, certainly does not mean " flame
of mourning," and so the long series sounds
every note from the irritating inaccuracy of
Er war von alien Menschen derjenige, den ich
am meisten auf dieser Erde geliebt, "Of all
men he was the most beloved on this earth," to
the inestimable climax of the repeated rendering
of Heine's title Die Bdder von Lucca as " The
Bathers of Lucca." Into this fair book are
also set such gems of English as " This could
however anyhow not suffice to-day," and "almost
by one half to destroy these notes."
But none of these ineptitudes, nor even the
disconcerting sum of them all, can offset the
perennial allurement of Heine's baffling and
elusive personality. Perhaps more than any
other, he is the vibrant sensorium of an acutely
susceptible consciousness which makes the mod-
ern man of culture the recipient of a myriad of
aesthetic impressions undiscovered in simpler
ages. He caught quick glimpses of new truths,
of shifted relations. He may, indeed, be consid-
ered the first man of the future, and his life was
rendered wretched chiefly by its rupture with
the past. For pleasure or pain, all impressions
reacted upon him from contrary poles : he thrilled
to the majestic symbolism of the Catholic church,
yet Christianity had never a more keen oppo-
nent. He was awed by the mysterious sainthood
of woman, and detested her as a cold-blooded
serpent ; he was the soul of chivalry, while
destitute of an elementary sense of honor ; his
insatiable appetency for supreme culture proved
not incompatible with a cynical vulgarity. No
artist has more masterfully exploited the sim-
plest poetical materials, even though we admit
that his confession of a unique debt to Wilhelm
Miiller is just. Goethe rested in serene and
severe Hellenism, whereas Heine went forward,
and his soul is still marching on, to modernism.
The fascinating life-panorama of this intensely
sentient being is unrolled upon these handsome
pages, and every line tingles with interest to
the modern combatant.
The poetry of the future will hardly derive
its spirit from the bemusing opiates of oriental
or Celtic romanticism ; the sweet deceptions of
the past will yield place to the clear actualities
of scientific doctrine, and to the task of recon-
ciling man to his own existence. Modern poetry
will rest upon realism, not the discarded type
which dwells upon the abnormal and the revolt-
ing, but that which fixes its calm vision upon the
dignities of life, and renders them more acces-
sible to men. It will choose as its chief subject-
matter not merely " things as they are " but to
162
THE DIAL
[March 1,
quote a valued human document not yet fully
superseded " whatsoever things are true, what-
soever things are honest, whatsoever things
are just, whatsoever things are pure, whatsoever
things are lovely, whatsoever things are of good
report." JAMES TAFT HATFIELD.
RECENT POETRY.*
The fact that Mr. Eden Phillpotts is of the kin of
Mr. Thomas Hardy has been noted by all readers of
the two men's novels. It is evidenced anew by the
volume of poems, entitled " Wild Fruit," that the
former writer has now published. The title is well-
chosen, for the poems have a wilding flavor that sets
them far apart from the garden products of most
versifiers. In this, they are suggestive of Mr.
Hardy's verses, as well as in their unconventional
phrasing and their ironic tang. There is a fine
sardonic humor in this song of " The Owl and the
Epitaph " :
" The moon shone in the midnight sky
As an old brown owl went gliding by.
He lighted upon a churchyard tree,
And shouted aloud right eerily
' Hoity-hoo-hoo,
Toity-too-too,
Hullabaloo !
The graves are many, the mice are few.'
" Beneath his perch there stood a stone
Where a young, dead woman lay alone.
The owl conned over her epitaph,
Then, blinking his eyes, he began to laugh
4 Hoity-hoo-hoo,
Toity-too-too,
Hullabaloo!
This was a fine damsel that once I knew.
* WILD FRUIT. By Eden Phillpotts. New York .-John
Lane Company.
THE VOICE OF THE ANCIENT. By Cyril Scott. London :
J. M. Watkins.
THIRTY-SIX POEMS. By James Elroy Flecker. London:
The Adelphi Press, Ltd.
VERSES. ByV. Oxford: B. H. Blackwell.
A SON OF CAIN. By James A. Mackereth. New York:
Longmans, Green, & Co.
CHORDS OF THE ZITHER. By Clinton Scollard. Clinton,
N. Y. : George William Browning.
SONGS AND SONNETS. By Webster Ford. Chicago :
' The Rooks Press.
LAVENDER AND OTHER VERSE. By Edward Robeson
Taylor. San Francisco : Paul Elder & Co.
THE TOWN DOWN THE RIVER. A Book of Poems.
By Edwin Arlington Robinson. New York : Charles Scrib-
ner's Sons.
BEAUTY'S LADY, AND OTHER VERSES. By Donald
Robertson, Actor. Chicago : Ralph Fletcher Seymour Co.
HERBS AND APPLES. By Helen Hay Whitney. New
York : John Lane Company.
AEGEAN ECHOES, AND OTHER VERSES. By Helen Coale
Crew. Boston : The Poet Lore Co.
THE EARTH CRY, AND OTHER POEMS. By Theodosia
Garrison. New York : Mitchell Kennerley.
LIPS OF Music. By Charlotte Porter. New York :
Thomas Y. Crowell & Co.
CACTUS AND PINE. Songs of the Southwest. By Sharlot
M. Hall. Boston : Sherman, French & Co.
44 ' " Here lies the dust of Mercy Ann,
The faithful wife of Jonathan Cann.
Such virtue could not inhabit clay,
So Heaven hath plucked the flower away."
Hoity-hoo-hoo,
Toity-too-too,
Hullabaloo !
But, gentlemen all, the tale is n't true.
" ' Dear Mercy Ann, the lovely elf,
Was another night-bird, like myself.
Look in the woods by the manor gate :
You'll find a cot in a ruinous state.
Hoity-hoo-hoo,
Toity-too-too,
Hullabaloo !
Her gravestone should really be writ anew.
" 4 " Here lies the dust of Mercy Ann,
The faithful mistress of young Squire Mann.
She gave him five years of joy and bliss,
And now she's a flower in the realms of Dis."
Hoity-hoo-hoo,
Toity-too-too,
Hullabaloo !
There's a mouse on her grave ! ' And down he flew."
As an example of a sincere and purely serious
lyric we may quote " The Kisses " :
44 Your gentle kiss fell light upon my lips
As when a hovering Vanessa sips
One instant and away.
Oh, blessed touch ! How little then I guessed
What seeds of aching grief and wild unrest
Were sowed that summer day.
" But now the secret garden of my heart
Can scarcely hold them ; every throbbing part
Blooms with a mad desire.
Oh, precious woman of the misty eyen,
Would to dear God that futile kiss of mine
Had planted such a fire.
" Yours carried life and flying seed of flame
Until the very letters of your name
Chime out a glorious song.
Mine found no fruitful resting-place to'dwell,
But humbly sank to that sad haunt of hell
Where sterile kisses throng."
We must find space also for one of the fine sonnets
of this poet, and there is no fitter example than this
heartfelt tribute to the memory of Swinburne, a
brother-poet :
" Children and lovers and the cloud-robed sea
Shall mourn him first ; and then the mother-land,
Weeping in silence by his empty hand
And fallen sword, that flashed for Liberty.
Song-bringer of a glad new minstrelsy,
He came and found joy sleeping and swift fanned
Old pagan fires, then snatched an altar brand
And wrote, ' The fearless only shall be free ! '
Oh, by the flame that made thine heart a home,
By the wild surges of thy silver song,
Seer before the sunrise, may there come
Spirits of dawn to light this aching wrong
Called Earth ! Thou saw'st them in the f oreglow'roam ;
But we still wait and watch, still thirst and long."
This is a tempting volume to quote from, and we do
not find it an easy one to lay aside. It reveals a
poetical faculty, the plenitude of which we had
hardly suspected from the stray pieces by Mr.
Phillpotts that had hitherto come to our attention.
Perhaps we shall gradually come to think of him,
1911.]
THE DIAL
163
in the end, as we are gradually coming to think of
Mr. Hardy as an artificer of more durable things
in verse than in prose.
Mr. Cyril Scott, in " The Voice of the Ancient,"
sings such strains as these :
" I lie in lenitive shades of cedar boughs,
Replenishing richly my soul in Elysian fragrancy,
Watching my dreams lullabying in roseate vagrancy,
To zephyrs, that kiss with neetareous moisture my brows."
The poem is styled " Supra Celestia," and is much
too supercelestial for comprehension by the common
mind. Sometimes, however, Mr. Scott's thought
is more nearly accessible, as in " The Awakening,"
with its imaginings concerning the experiences of
the soul that has just passed through the gateway
of death :
" Awake the soul is lifted from her conch of roses,
Of myriad buds to earth unknown,
Of colours more alive than ever earth discloses,
Far richer, purer, paler, more full-blown.
" No sweetness can expound terrestial joy is sadness,
All sleeping only wakes to strife ;
But here each thought and sense unites in perfect
gladness,
And man perceives that life was never Life.
" Now was the gentlest moment time had ever moulded,
Now as the soul unveiled her eyes,
To find herself in countless virgin arms enfolded,
Back from her sojourn in the vale of sighs."
Mr. James Elroy. Flecker is the author of
" Thirty-six Poems," the first of them being these
wistful lines " To a Poet a Thousand Years Hence ":
" I who am dead a thousand years,
And wrote this sweet archaic song,
Send you my words for messengers
The way I shall not pass along.
" I care not if you bridge the seas,
Or ride secure the cruel sky,
Or build consummate palaces
Of metal or of masonry.
" But have you wine and music still,
And statues and a bright-eyed love,
And foolish thoughts of good and ill,
And prayers to them who sit above?
" How shall we conquer ? Like a wind
That falls at eve our fancies blow,
And old Ma*>nides the blind
Said it three thousand years ago.
" O friend unseen, unborn, unknown,
Student of our sweet English tongue,
Read out my words at night, alone ;
I was a poet, I was young.
" Since I can never see your face,
And never shake you by the hand,
I send my soul through time and space
To greet you. You will understand."
This is so encouraging an opening that it has
tempted us to read the volume from beginning to
end, and we have found each one of the remaining
thirty-five poems marked by simple sincerity and
something like distinction of phrasing. Death is a
favorite theme with Mr. Flecker, but it does not
leave him merely moody ; rather does it move him
to concrete and often striking imaginative expres-
sion. This is noteworthy in such poems as " The
Town without a Market," " Felo de Se," and "No
Coward's Song." An example brief enough for re
production is " Tenebris Interlucentem ":
" A linnet who had lost her way
Sang on a blackened bough in Hell,
Till all the ghosts remembered well
The trees, the wind, the golden day.
* At last they knew that they had died
When they heard music in that land,
And someone there stole forth a hand
To draw a brother to his side."
In quite a different vein is the spirited " War Song
of the Saracens," of which these are the closing
verses :
" A mart of destruction we made at Jalula where men
were afraid,
For death was a difficult trade, and the sword was a
broker of doom ;
And the spear was a desert physician who cured not a
few of ambition,
And drave not a few to perdition, with medicine bitter
and strong :
And the shield was a grief to the fool, and as bright as a
desolate pool,
And as straight as the rock of Stamboul when their
cavalry thundered along;
For the coward was drowned with the brave when oui
battle sheered up like a wave,
And the dead to the desert we gave, and the glory to God
in our song."
" The Masque of the Magi " and the two miracles,
" Joseph and Mary " and " A Miracle of Bethle-
hem," are very simple things, but they have just the
touch of na'ivetS needed in such imitative exercises.
With these poems must be grouped the story of
"Mary Magdalen." Why, asks the poet of the
penitent, " didst thou renounce thy scented pride ? "
" She trembled, and her eyes grew dim :
' For love of Him, for love of Him/ "
The contents of this unpretending volume are
indeed treasure-trove.
The author of " Verses by V " knows how to put
his thoughts in a striking way, as these lines upon
" Albert Diirer " may witness :
" Had earth no flowers, and were no women fair
In many-gabled Nuremberg, the day
Whei. Durer's touch made ugliness seem rare,
And gnarled strength worthier than lithe limbs at play?
Were his eyes blinded, when in beauty lay
All dreaming Italy, in whose blue air
He saw the southern faces, Art's despair,
And saw the antique statues, Time's display ?
Yet on those eyes how many a May had risen !
How oft had they beheld the beech unsheathing
Her tassel-tufts, and from their winter prison
Seen break the wood-flower and the wild-rose wreathing!
Or had his vision of the Heaven so dazed him,
That earthly loveliness no more amazed him?"
The author can also be vigorous as well as striking,
as his " Bismarck " poem attests :
" The earth runs lighter in her daily round :
Bismarck is dead !
Call him high names, and fill the streets with sound !
And o'er his head
Carve bronze and marble in a likeness grim !
We laugh secure, for Earth has done with him.
164
THE DIAL
[March 1,
"0 Germany! land of music! Whom
Men deemed of yore
Land of high dreams, the loveliness of home,
Proud, peaceful poor.
Who learned by haunted rivers tender moods,
And thoughts unworldly in enchanted woods !
" Arise ! arise ! shake off the accursed spell !
Forget the craft
From Hell inspired and now returned to Hell !
Once more let waft
The breath of Heaven on thy distempered brow !
Germany ! Sister ! Europe calls thee now ! "
When the author writes without those staccato
effects, he achieves such simple distinction as the
stanzas in "A Great Soul" exemplify:
" Brother, methinks if I could see
The soul within your breast,
'Twould bear the likeness of a tree
Upon a lonely crest,
Where all the winds of heaven are free,
And never all at rest.
" It standeth, as the mountain stands,
Unshaken, steadfast, strong ;
It looketh down on all the lands ;
ltd shade lies deep and long ;
And all the soft-winged heavenly bands
Fill it with sweetest song.
" Yet never hath it peace ; for, lo,
No time is quite so still
But that some little wind doth blow
Some leaflet to its will.
And yet it groweth and shall grow
An ensign on the hill."
Vs utterance is inclined to he a little thick, just
escaping the quality of the purely lyric note, but he
is frequently happy in his graver measures. This
may be illustrated by quoting one of the briefer
sections of his long poem in the " In Memoriam "
stanza, entitled To the Unknown God " :
" Awake, awake, and break the dream,
man ! and think of God no more
As what in man ye might adore,
The saintly walk, the moral scheme !
" If strife ye see in all around,
Seek Him in war no less than peace ;
If death and sorrow never cease,
The grave too must be holy ground 1 .
" Aye, I would even dare avow,
Where man sees only human sin,
That God himself may be therein
Fulfilled oh, past our thinking how ! "
The poem called " A Son of Cain," which sup-
plies the name for Mr. Mackereth's volume, is not
discovered until we reach the closing pages, al-
though its merits entitle it to a place in the fore-
front of the collection. It turns out to be a grim
and powerful ballad on the model of " The Ancient
Mariner."
" I cursed her for her trickery wrought
In hell and devil-crowned ;
I tracked her foulsome, plotting thought
From bound to bitter bound
And cursed. He entered, and we fought
We fought with little sound. . . .
" O'er Windal moor the day w^B sped.
A fell-sheep 'gan to bleat.
I saw that all the west was red ;
Grey-still the village street.
There was a tumult in my head ;
A silence at my feet.
" I saw a fly beat on the pane.
I saw a wreath of smoke
Curl blue 'gainst evening cliffs, and gain
The sky : no passion broke
The calm of nature, that in pain
Stared, stared and never spoke.
" God, it was so very still.
The very thought was heard
Moving about the brain ; the will
Bent numbed ; the cold blood stirred
Like memory after death : so still.
Loud in that vivid void of ill
A playful kitten purred."
This ballad is clearly the work of a poet, as is also,
in another mood, the long reflective ode on " The
Gods That Pass and Die Not," of which we quote
the closing section :
" The gods depart, but thou, Earth, art young,
And constant to the Source of Now and Then ;
To That which was and is thy psalm is sung,
Mother of men.
And all thy days are patient, and thy power
Abideth though the beauteous gods depart,
Mother, who still dost cherish at thy heart
Thy child the thinker and the thoughtless flower,
Mankind fails not ; winds laugh, and woodlands blow
Still, hope immortal fans abiding mirth ;
Only the beckoning gods, far-summoned, go,
And pass with poignant splendour from the earth.''
Another fine poem of this type is the " Ode on the
Passing of Autumn." Altogether Mr. Mackereth's
volume will well reward him who ventures into its
pages.
Mr. Edwin Arlington Robinson, the author of
" The Town down the River " is a parsimonious
poet, but when he gives us dole of his riches, we
know that the coin is no counterfeit. He is a
reticent poet, but a few of his words will outweigh
the fluent utterance of the more voluble. Witness
these lines about Lincoln :
" For he, to whom we had applied
Our shopman's test of age and worth,
Was elemental when he died,
As he was ancient at his birth ;
The saddest among kings of earth,
Bowed with a galling crown, this man
Met rancor with a cryptic mirth,
Laconic and Olympian.
" The love, the grandeur, and the fame
Are bounded by the world alone ;
The calm, the smouldering, and the flame
Of awful patience were his own :
With him they are forever flown
Past all our fond self-shadowings,
Wherewith we cumber the Unknown
As with inept, Icarian wings."
Witness also these words of Napoleon, half-delirious
upon his death-bed at St. Helena :
" What ruinous tavern-shine
Is this that lights me far from worlds and wars
And women that were mine ?
1911.]
THE DIAL
165
Where do I say it is
That Time has made my bed ?
What lowering outland hostelry is this
For me the stars have disinherited ?
An island, I have said :
A peak, where fiery dreams and far desires
Are rained on, like old fires :
A vermin region by the stars abhorred,
Where falls the flaming word
By which I consecrate with nnsuccess
An acreage of God's forgetfulness,
Left here above the foam and long ago
Made right for my duress ;
Where soon the sea.
My foaming and long-elamoriiig enemy,
Will have within the cryptic, old embrace
Of her triumphant arms a memory."
Mr. Robinson's attitude toward life in its conven-
tional manifestations is bitter or contemptuous, his
expression almost acrid, and yet his vision is trans-
figured with gleams of idealism. The City of God
may be as yet unbuilded, but somewhere possibly
in this land of ours its foundations are being laid.
Even so godless a spot as Broadway may prove to
be its site.
" When in from Delos came the gold
That held the dream of Pericles,
When first Athenian ears were told
The tumult of Euripides,
When men met Aristophanes,
Who fledged them with immortal quills
Here, where the time knew none of these,
There were some islands and some hills.
" When Rome went ravening to see
The sons of mothers end their days,
When Flaccus bade Leuconoe
To banish her Chaldean ways,
When first the pearled, alembic phrase
Of Maro into music ran
Here there was neither blame nor praise
For Rome, or for the Mantnan.
' When Avon, like a faery floor
Lay freighted, for the eyes of One,
With galleons laden long before
By moonlit wharves in Avalon
Here, where the white lights have begun
To seethe a way for something fair,
No prophet knew, from what was done,
That there was triumph in the air.''
We may not chide for his too infrequent stage en-
trances the poet who has grave and measured dis-
course like this. There is hardly another American
singer now left us who has equal right to say
" Mon verre n'est pas grand, mais je bois dans mon verre,"
and whose thought has such quintessential purity of
distillation.
Mr. Clinton Scollard has heard the call of the
East once more, as he tells us in so many words :
" I chafed at the gyves that bound under the western star,
When over the welter of waves a clear voice called from
afar.
And I said ' I will seek once more the Nile and the nen-
uphar.'
" So I strode to the long, low quays, and boarded a deep-
decked bark
And we plowed through the phosphor seas by the beacons
of day and dark
Till we raised the Gate of the East with the sweep of its
harbor arc.''
The result of this outing is a volume of thirty lyrics,
" Chords of the Zither," the product of happy mus-
ings under distant skies. We think particularly
well of '^ Stars over Egypt " :
" We are the orbs eternal,
Lighting the outer void.
Blossoms forever vernal,
Aster and asteroid ;
Isis and Osiris
And Ammoii, what are they '?
They are as marsh fire is ;
We are for aye and a day !
" The Scrape um solemn,
The Sphinx with brooding lid.
Capital and column
Pylon and pyramid,
Memnon's silenced singing
Under the dawning ray
They are as swallows winging;
We are for aye and a day !
" When ne'er a Pharos flaming
Brightens the whelmed earth,
When man shall have done with naming
The creatures of mortal birth.
When all the creeds have crumbled
As crumbles the potter's clay,
We shall abide nnhumbled;
We are for aye and a day ! "
Mr. Scollard's little books of song come to us with
tolerable frequency, and they are always welcome ;
even more welcome than most of them is this col-
lection, based upon an old inspiration renewed.
The collection of " Songs and Sonnets " by Mr.
Webster Ford may be illustrated by the pair of
roundels entitled " Separated " :
" I walked afield with your sweet soul
(If heaven past joy could yield)
And sought again the wooded knoll ;
I walked afield.
No longing ever yet was healed
By autumn's sunny dole,
Nor eyes by a remembrance sealed.
You seemed within the aureole
Half seen and half concealed,
That o'er the aching distance stole ;
I walked afield.
Your woman's soul, its tender grief,
Like autumn winds which toll
Sweet odors from this flowering fief,
Your woman's soul
Comes back, like music, to console
With red bloom and gold leaf,
Love's restless nncontrol.
For hearts that burn, a rapture brief
That finds nor bourn nor goal
Save in dream days and gathered sheaf ;
Your woman's soul."
The plaintive strain of Mr. Ford's decorous but
deeply-felt verse is very moving, and his graceful
measures have a charm that is genuine and com-
pelling.
166
THE DIAL
[March 1,
Dr. Edward Robeson Taylor is ene of our best
sonnetteers a fact which we have had previous
occasion to point out and his work is both rich
in thought and wide in imaginative sweep. From
among the sonnets which make up the greater part
of his " Lavender and Other Verse," the following
particularly fine example may be chosen, its subject
being Captain Amundsen's ship "GjOa," now the
property of San Francisco, and preserved in Golden
Gate Park :
" At last I rest in peace where nevermore
The waves shall whip my stout-resisting side ;
Ignobly rest, and swell with bitter pride
As casual eyes all lightly scan me o'er
Me, that have dared the Arctic's awful shore,
And with the bold Norwegian as my guide
Sailed the dread Pass to other keels denied
Where we shall dwell with Fame forevermore
Ah, it is pleasant here with birds and trees,
With laughter-loving children, and the sea's
Keen winds that romp upon my orphaned deck ;
Yet, mid this fatal peace at times I yearn
To face again the dangers of a wreck ;
To see once more the great Aurora burn."
Many of Dr. Taylor's sonnets are occasional, and
few men have as happy a gift for paying this sort
of tribute to a person or a celebration ; others are of
an abstract or philosophical cast. One group gives
the poet's impressions of certain paintings by Mr.
Keith ; another is concerned with literary person-
alities, from Landor to Charles Warren Stoddard.
We are also given, in the closing section of the
volume, further examples of Dr. Taylor's quality
as a translator from the French, these pieces
including Chantecler's " Hymn to the Sun," Hugo's
" Ce qu'on entend sur la Montagne," and some of
the best things of Be*ranger, Musset, and Leconte
de Lisle.
We have long known Mr. Donald Robertson as
one of the most accomplished and intellectual of
our actors, sympathetic in the interpretation of the
poetry of others, but we had not known him as a
poet on his own account until " Beauty's Lady and
Other Verses " came into our hands. How gen-
uine is his gift may be evidenced by this Rossettian
sonnet :
" When dusk has spread his tent where Day had been
And Nature's altar lamps are trimmed anew,
When from the folded wings of Strife, the dew
Of tears repentant wipes the dust of Sin,
In such an hour, shall she come calmly in
And lay her lips on mine and kiss me ? Through
That kiss shall I not wholly know the true
Beatitude of Love, life prays to win ?
Then all the tangled cords of troubled Care
Shall fall from off my soul set free through her,
Together we shall breathe the open air
Of Truth, I too like her its worshipper ;
Ah, God ! must this not be ? but with quick breath
Sharp on my mouth instead the kiss of Death ? "
The greater number of Mr. Robertson's poems are
in the sonnet-form, of which he displays consider-
able mastery. As an example of what he can do in
lighter measures, we quote this simple " Song":
" Across the rainbow bridge of dreams
My Lady went a-maying,
And left me on the hither side
Among the graves of hopes that died,
And wild desires still baying
The moon of borrowed pleasures' gleams.
" Across the crystal stream of tears,
My Lady's voice is ringing,
And through the dark aisles of my mind
An echo answers, like a blind
Canary sadly singing
Remembrance of the sunlit years."
Mrs. Whitney's vivid and pregnant verses may be
illustrated by these two stanzas in "The Unburied":
" In the wood the dead trees stand,
Dead and living, hand to hand,
Being Winter, who can tell
Which is sick, and which is well ?
Standing upright, day by day
Sullenly their hearts decay
Till a wise wind lays them low,
Prostrate, empty, then we know.
" So thro' forests of the street,
Men stand dead upon their feet,
Corpses without epitaph ;
God withholds his wind of wrath,
So we greet them, and they smile,
Dead and doomed a weary while,
Only sometimes thro' their eyes
We can see the worm that plies."
In this new volume, called "Herbs and Apples,"
the author again proves herself a true poet, of the
sort that we could ill spare, although we could
spare without a pang the figures which here serve
as illustrations.
" ^Egean Echoes and Other Verses " is a collec-
tion of refined and thoughtful poems by Mrs.
Helen Coale Crew. As the title indicates, Mrs.
Crew's inspiration has been drawn chiefly from a
study of the classics, and, rightly considered, the
production of such a small volume as this constitutes
a more convincing defence of classical studies than
many stout volumes of prosy argument. For here
is concrete evidence that the spirit of Hellas still
exists as a shaping and vitalizing power in the
modern world. "By their fruits ye shall know
them " is, after all, the most trustworthy of peda-
gogical tests. We quote a part of the poem called
" Sappho to Phaon":
" Beloved, wait not for the sun to set,
But come thou while his level glances fill
The green world with a flood of mystic light ;
And only Hesperus of all the stars,
Dares hang a lamp within the golden glow.
Slow wanes the day, slow slips the ebbing tide
Upon the shingly reaches of the shore ;
And all my heart is drawing thine to me.
Nay, come at noontide, when the shimmering heat
Wilts all the tender blossoms on their stems ;
And under willows, in the grateful shade,
Pan and his happy brood dream happily.
High in the air the hawk hangs motionless ;
The dragonfly above the placid pool
Spreads filmy wings upon the quiet air.
The bee sleeps in the bosom of the rose,
But I await thy coining eagerly."
1911.]
THE DIAL,
167
The ideals of the sensuous and the austere are
strikingly contrasted in "The Penitent":
" Leofric, monk, bends him above his books.
In the Scriptorium ; flushed his eager face,
Gleaming his eye, the while his pen doth trace
In clearest script the lines whereon he looks.
With beating heart, upon the vellum there
He copies from an ancient, musty tome
A burning page vivid with pagan Rome
Catullus, singing to his Lesbia fair.
Vivamus, Lesbia mea, atqne amemns !
Da mi basia mille. deinde centum,
Dein mille altera, dein secunda centum ! '
'* Leofric, monk, kneeleth in silent prayer
Upon the cold stones of the chapel floor
Before the altar ; mutely he doth adore
The pallid Christ hanging before him there.
Deep lie the shadows on his sunken cheek ;
Heavy the sins upon his low-bowed head ;
Worn are the beads whereon his prayers are said ;
Trembling his lips with words his soul would speak.
' Rex tremendae majestatis
Qui salvandos salvas gratis,
Sal va me, f ons pictatis ! ' "
One more selection this time an exquisite per-
sonal tribute shall be given. " Thou " is the
simple title of the three stanzas :
" Lord God would write an epic, and the world,
New-moulded from the void, rolled into space,
And with heaven's glittering myriads took its place.
Sapphired with oceans and with sands empearled.
" Lord God would write an elegy. Swift grew
Great Babylon and Memphis, Athens, Rome ;
Only to perish under dust and loam
Of centuries, 'neath heaven's relentless blue.
Then the Lord God, not wholly satisfied.
Where the dawn glowed and trembled, dipped his pen
And wrote a lyric. Ah ! and then and then
Thou grave and tender, smiling, starry-eyed!"
Mrs. Garrison's new volume, "The Earth Cry.
and Other Poems," exhibits much refinement of
thought and subtlety of emotional coloring, but
does not reveal a very distinctive individuality. Its
best things are apt to remind us of better things by
other poets, as " The Annunciation " does :
" God whispered and a silence fell ; the world
Poised one expectant moment like a soul
Who sees at Heaven's threshold the unfurled
White wings of cherubim, the sea impearled,
And pauses, dazed, to comprehend the whole ;
Only across all space God's whisper came
And burned about her heart like some white flame.
" Then suddenly a bird's note thrilled the peace.
And earth again jarred noisily to life,
With a great murmur as of many seas.
But Mary sat with hands clasped on her knees,
And lifted eyes with all amazement rife,
And in her heart the rapture of the Spring
Upon its first sweet day of blossoming."
Neat little magazine pieces of the better class, deal-
ing with familiar themes and symbols, these poems
charm for the moment, but hardly impress them-
selves upon the memory.
Something similar must be said of the u Lips of
Music," by Miss Charlotte Porter, and " Earth's
Artists " shall be taken to illustrate the judgment
" A Painter Autumn is, whose brush
Shows earth's hot heart in each cool rush,
Each bush flames underfoot, each tree
A tossing torch flares high and free,
Eaph plant would all a flower be.
" A Sculptor Winter is his hand
With icy chisel carves the land ;
He bares earth's pureness to the light,
His keen strokes shape with rigor right
The sudden goddess, hushed and white.
' Earth listens : her Musician, Spring,
Afar, and timid, thrills his string :
The goddess melts, a girl descends ;
Those stars her eyes, on his she bends,
And deathless hope his luting lends.
But when the girl a woman turns,
Within her soul all music burns ;
Her Poet, Summer, sings the word
Her spirit had but inly heard,
And life to know Life's joy is stirred."
Miss Porter has studied in the best schools of taste,
as her textual work in editing the master-poets
makes sufficiently evident, and she is entitled to
have her own fling. Her pieces are mostly lyrical,
and we do not mean it as dispraise when we say
that she seems to have mastered the rhetoric of the
lyric rather than to have caught the secret of its
magic. Many of her songs have, indeed, been
written for a musical setting.
" The Desert Queen," which means the giant
cactus of the southwestern desert, suggests to Miss
Sharlot M. Hall the following stanzas :
" I was Zenobia in the olden time
And ruled the desert from Palmyra's walls ;
I flung my challenge to imperial Rome
So far that still across the years it calls
In proud defiance but my halls are dust ;
The jackal suns him at the temple door ;
The wind-blown sands hide street and corridor
And heap the palace floor.
" Forgotten is Aurelian and his might ;
Above his grave the beggar children smile ;
And I, who swayed the East in other days,
Am mistress now of many a Western mile ;
Crowned with a coronal of snowy flowers,
And armed and guarded with a thousand spears,
I dream while dim mirages recreate
In shimmering light the splendor of past years. v
This is as typical a short piece as we can find in
Miss Hall's " Cactus and Pine," but it represents
her inadequately, for her real quality is to be sought
in the swinging rhythms of her long poems. In
her work the Southwest finds a voice its legends,
its romantic history, its natural beauty, and its free
outdoor life. She has a large and vivid imagina-
tion, which she nevertheless does not permit to lose
itself in abstractions, and her blend of realism with
song offers a refreshing contrast to the work of the
magazine poets who spin their verse from their
inner consciousness.
WILLIAM MORTON PAYXE.
168
THE DIAL
[March 1,
BRIEFS ON NEW BOOKS.
An impressive record of a people s
Progress of i . i T> t-
the French achievement is given by Professor
Republic. j . Bracq in ''France under the
Republic " (Scribner). The book is the most per-
tinent answer to the familiar question whether or
not the Third Republic is stable, or is to share the
fate of its short-lived predecessors ; for what chance
have pretenders with a population which every year
is finding new expressions of its industrial, intellect-
ual, and moral energy ? Such a record accounts
for the increasing weakness of the monarchist groups.
The financial strength of France is always a surprise
to the uninitiated who have listened to so many tales
of returning travellers about the degeneracy of the
French. Professor Bracq notes that the gold re-
serve of the Bank of France has risen in thirty
years from 604,000,000 francs to 3,052,000,000.
A quiet but significant display of this financial
power calmed the warlike inclinations of the Ger-
mans at the time of the Morocco affair. Its source
is industry, commerce, and thrift; and so with
the increase of the gold reserve goes the fact that
the clearing-house transactions in Paris have mul-
tiplied thirteen fold. If these were all the signs of
progress, one might infer that the bourgeoisie of the
Republic had been acting on the advice which Louis
Philippe is said to have given to the bourgeois of
1830, "Enrich yourselves." Professor Bracq shows
the other side in his chapters on " Education in the
New Life," " Social Reform," and kindred topics.
His enlightening chapter on " Religious Doubt-
Religion" encourages the conclusion that although
there is a large number of " intellectuals" who are
entirely out of sympathy with the Church and with
Christianity, the prospects of both Catholicism and
Protestantism were never brighter. The separation
of Church and State has simplified the situation.
The last third of the volume is devoted to the religious
crisis, including the controversy over the Church
schools, the religious orders, and the Law of Separa-
tion. Upon such matters exact and impartial state-
ments are difficult to make. The author seems to
be taking refuge in verbal distinctions when he says,
apropos of the Revolution and Church property,
" The charges about confiscation of property, as a
whole, are untrue." An equally questionable state-
ment denies any reference in the Concordat to the
payment of salaries as a compensation for the loss
of property. There is also a tendency apparent in
the discussion to ignore the difference between the
Concordat and the Organic Articles. But these are
historical matters, and Professor Bracq's opinions
upon them do not mar the otherwise fair tone of his
treatment of his subject.
The evolution Somewhat misleading as to title is
of styles in the book called " How to Know
architecture. Architecture" (Harper), by Mr.
Frank E. Wallis, A. A. I. A.; although a sub-title,
" The Human Elements in the Evolution of Styles,"
describes its contents more accurately. The pub-
lishers' advertisement asserts that " after you have
read this book you can, on looking at a building,
say to what style and what period it belongs"; and
the author himself says toward the close, " A little
further study will differentiate for you the English
revival, and the Italian revival, the Philadelphian
Georgian and the Georgian of Boston or of Annap-
olis." But we cannot grant that either of these
assertions is justified. Beginners (to whom the
book is evidently addressed) have not sufficient data
for such differentiations, nor has the author pro-
vided them. He is not exact enough ; his definitions
are too few, and those he gives are not always ac-
curate entasis, for instance, is defined as the
tapering of a Greek column. By its failure to
offer sufficient and accurate technical explanation,
it falls far below such a book as Stratham's "Archi-
tecture for General Readers," in which the psychol-
ogy of architecture is interwoven with a working
knowledge of construction and general details. But
as a study of the Evolution of Styles it is readable
and suggestive. The underlying principle (or the
"axiom," as it is called by the author) is this:
" Architectural style development follows trade
under the inspiration of political and religious
conflict and progress, and to know architecture is
to know the fundamental human or national ideal-
ism." This development is traced through four
principal periods : Pagan, Christian, Intellectual.
Modern, the latter including the " industrial
feudalism " of America to-day. Architecture is
provided with a new and unique opening in the
" interesting partnership between the industrial
overlord and his retainers. The overlord requires
libraries, institutions of learning, banks, and palaces,
and we have them. On the other hand, we have a
domestic architecture of the highest degree of ex-
cellence, a new expression which is not only com-
fortable and fit but beautiful and supremely con-
vincing." The author has brought together a large
amount of material, and has treated it in a suggestive
though not always entirely relevant way. There are
one hundred and seventeen illustrations ; the page
decorations for the subject-divisions and the initials
for the chapter-beginnings, both designed by the
author, are appropriate as well as beautiful.
Mr. R. L. Gales, a keen-eyed observer
Rural essays J
and other with a good memory and a lively sense
disquisitions. O f humor, has been among the north-
of-England folk taking notes, which he prints under
the title, "Studies in Arcady, and Other Essays
from a Country Parsonage" (Herbert & Daniel,
London). The writer's cloth excites expectation of
grace and learning in his wit and humor ; nor is
expectation disappointed. The mellowness of ma-
ture years, also, and the charity that comes with a
considerable knowledge of the world, speak in his
pages. An American reader cannot but marvel at
the stunted intelligence and narrow outlook of the
average rural dweller in England, as depicted in
1911.]
THE
169
Mr. Gales's pages. In the matter of figures, five
hundred would seem to be the highest number even
dimly conceivable by his simple-minded parishioners,
and their notions of geography are so ludicrously
vague that we have one person referring to Rome
as "in Paris," and another speaking of Manchester
as in the south of England. Pathetic, too, as well
as amusing is their eager but unintelligent interest
in the lives of "the quality." This hunger for a
more abounding life they seek to feed with such
sensational reports from the great world as are sup-
plied by the Sunday newspapers, for which the au-
thor has an unexpected good word to say. " After
all," he feels compelled to admit, "they are the
Greek tragedies, the Strauss operas, of the poor.
Here for them is the ' pity and terror,' the sense of
destiny and awfulness, which an intellectual elite
finds in antique choruses. Some of the Greek plays
are almost insupportably dreadful, the mythological
stories are in themselves, as a matter of fact, often
repulsive and grotesque, but there is always a re-
deeming sense of largeness, and this the poor find
amid the horrors of the Sunday newspaper." It may
well be that these plodding rustics are mentally too
heavy and dull to be either much hurt or much
helped by anything they might read. In addition
to these Arcadian studies from real life, the book
contains a number of chapters on " Folk-Lore and
Tradition," and on " Speech and Language," while a
final half-dozen are grouped together as " Discussions
and Digressions." Of books as well as human nature
the author shows himself to be a diligent student.
Through the ^ r ' Henry James Forman's "In the
Harz in Heine's Footprints of Heine" (Houghton)
footprint*. fa an ingratiating, if slight, perform-
ance, deriving native charm from being written on
the spot by one who has absorbed some of the real
spirit of the Harzreise. With the convenient help
of the railway, which was not available to his pre-
decessor, and omitting (unfortunately) the ascent
of the Ilsenstein, the author repeated most of the
memorable foot-tour of 1824. Although not notable
in style, the book gives back the free and generous
joy of the open road : " I drank in the balmy pine-
laden air : it was a kind of spiritual second wind "
and the breezy book itself may well serve a similar
tonic purpose to overwrought and distracted readers.
The author is susceptible in various directions, and
falls in with more liberal spoils in the way of living
folk-lore and delicately-attuned German ladies than
most pedestrians in those parts are like to en-
counter. So generous is he in sharing these prizes,
that they have a suggestion of premeditated and not
altogether pertinent embellishment. The pungent
Harz-atmosphere scarcely needs this conscious spic-
ing. The legend of the partridges (p. 78) reads
like a retelling of Die Kraniche des Ibykus, a
myth-making popular redaction of Schiller's poetry
for which there are convincing parallels. The spell-
ing wavers between English and German usage,
with occasional forms that belong nowhere. "A
man bearing the pastoral name of Blumenbach "
is a tame designation for the immortal founder of
the science of anthropology, and is no sort of a pre-
paration at all for the crushing shock caused by the
startling apparition of Walther von der Vogelweide
" emerging from a gabled house humming a tune of
the Meistersinger." The full-page illustrations by
Mr. Walter King Stone are most satisfactory impres-
sions of the region, and reflect not a little of its per-
ennial charm. _
" The American The new edition just published of
Commonwealth" -., -u , A /-,
twentv-two ^ T " Bryce 8 "American (Common-
year* after. wealth " (Macmillan) is the third
re-issue of this memorable work since its first ap-
pearance in 1888, and is so considerably revised
and enlarged as to constitute almost a new work,
though the ground-plan remains much the same and
certain chapters have called for but little modifica-
tion. In the two hundred additional pages of the
present edition are contained four new chapters of
importance, one on our transmarine possessions,
another on the vast influx of immigrants from cen-
tral and southern Europe, still another on the more
recent aspects of the negro question in the South,
and, finally, a consideration of the notable develop-
ment in late years of American universities. In
the subsidiary matter prefixed and appended there
are some omissions and some additions. The con-
stitution of California has been reduced to a one-
page extract, and the constitution of Oklahoma has
been added, to the extent of twenty-three pages of
fine print. The handy table of " Area, Population,
and Dates of Admission of the States" has been
omitted, as has also " The Federal System of En-
glish Universities," doubtless to avoid swelling the
volumes to unmanageable size. The author's hopes
for our future have by no means given place to
despair since he first essayed, with optimistic pen,
to portray our public institutions and our social life.
" It was with some anxiety," he confesses, " that I
entered on this revision, fearing lest the hopeful
spirit with which my observations of American
institutions from 1870 to 1894 had inspired me
might be damped by a close examination of their
more recent phases. But all I have seen and heard
during the last few years makes me more hopeful
for the future of popular government. The forces
working for good seem stronger to-day than they
have been for the last three generations." This
work from the hand of a foreigner becomes, in its
enlarged form, more emphatically than ever the
most noteworthy treatise on our political and social
system. _
A -ott the f " An English-
itieofErin man in Ireland: Impressions of a
in a canoe. Journey in a Canoe by River, Lough,
and Canal" (Dutton), by Mr. R. A. Scott- James,
strikes the note of this opening season as follows :
" There comes a time early in the spring when the
decrepitude of years or the precocity of youth is
wont to fall from you. On that real first day of
170
THE DIAL
[March 1,
the year you suffer reincarnation, and feel that your
opportunity in life, as the lay preachers express it,
hegins again: that you have another chance to he
the superman, your dislike for whom has always
been tempered by a reserve of envy." Yielding to
the vernal impulse, the author, with a congenial
companion, secured a canoe, studied well the map
of Ireland and the course of the river Shannon,
with its connecting water-ways, and then proceeded
to tour the island, from Belfast on the northeast to
Limerick on the southwest, in the manner indicated
in the title. Descriptions and reflections and bits
of dialogue diversify the chronicle of this leisurely
journey. Of the typical Irishman the writer ob-
serves : " Perfectly he fulfils the maxim ' Take not
thought for the morrow '; and because he does not
take thought he is poor, but in his poverty he is
provided with more that the heart needs, with more
that makes for happiness, than we with all our prac-
tical but inhuman industrialism can achieve." A
map and illustrations from photographs help the
reader to a more vivid participation in this pleasant
Irish jaunt. .
Municipal ^ . Mr / Delos . F ' Wilcox's Great
administration Cities in America " (Macmillan) we
in America. have a very instructive and readable
account of certain aspects of municipal administra-
tion in six of our largest urban communities. The
author has already rendered valuable service in pre-
vious discussions, and this study goes more deeply
into the essence of the struggle between the repre-
sentatives of individual interest and public welfare.
The criticism of abuses is not cynical but distinctly
patriotic, the message of those who believe the
American people need only the light of truth to call
forth earnest effort and sane action. No citizen can
read this work without setting his teeth for a new
attack on mercenary control of the colossal ma-
chinery of city government. The facts are brought
up to date, and the reader can connect the daily news
with the story of the development of the institutions
which thus far represent the sorriest defects of uni-
versal suffrage.
NOTES.
Sir A. Conan Doyle is about to publish with Messrs.
Smith, Elder & Co. of London, a volume of poems,
entitled " Songs of the Road."
New novels by Messrs. John Galsworthy, Maurice
Hewlett, Frank H. Spearman, A. T. Quiller-Couch, and
E. W. Hornung are promised for Spring issue by
Messrs. Scribner's Sons.
The Autobiography of Richard Wagner, to the
forthcoming publication of which extended mention was
made in our last issue, will be issued in this country by
Messrs. Dodd, Mead & Co.
An enlarged and revised edition of Mr. William
Winter's charming sketches of travel in England, " Gray
Days and Gold," is promised for Spring publication by
Messrs. Moffat, Yard & Co.
An English translation of Gustav Frenssen's novel,
" Klaus Hinrich Baas," will be issued within a few
weeks by the Macmillan Co. It is a tale of strenuous
commercial life in Germany of to-day.
The United States Minister to Denmark, Mr. Maurice
F. Egan, is preparing a series of lectures on " Hymnody,"
which will be delivered at the John Hopkins University
this year, and subsequently published in book form.
Mr. Eden Phillpotts's forthcoming novel, " Demeter's
Daughter " depicts the war of different natures, and the
single-handed struggle of a strong and noble woman to
lift and reclaim her family. The scene is again Dart-
moor.
" The Obvious Orient," by Dr. Albert Bushnell Hart
of Harvard, is announced by the Appletons for issue
next month. Dr. Hart travelled around the world with
his family a year or two ago, taking the Pacific Coast
and Alaska on the way.
Mr. George B. Utley, librarian of the Public Library
of Jacksonville, Fla., has been chosen as the new
secretary of the American Library Association, with
headquarters at Chicago. Mr. Utley's resignation as
librarian at Jacksonville took effect last week.
The forthcoming definitive edition of Stevenson's
letters, upon which Mr. Sidney Colvin has been at work
for some time past, will be issued in this country by
Messrs. Charles Scribner's Sons. The edition will com-
prise four volumes, and will include about one hundred
and fifty new letters.
"The Agonists: A Trilogy of God and Man," by
Mr. Maurice Hewlett, will be published in the early
Summer. In presenting the stories of Minos, King of
Crete, Ariadne in Naxos, and the Death of Hippolytus,
the author seeks to express "the fallacy in the ancient
conceptions of God-kind and mankind, and in the
ancient views of their relationships."
Three volumes of considerable literary interest soon
to be issued by Messrs. A. C. McClurg & Co. are the
following : " Men, Women, and Books " by Miss
Betham-Ed wards; " Friederick Nietzsche : The Diony-
sian Spirit of the Age," by Mr. A. R. Orage; and a
second series of " The Humbler Poets," an anthology of
newspaper verse, edited by Wallace and Frances Rice.
" The Washington Square Classics," a series of stand-
ard books for young people, is soon to be launched by
Messrs. George W. Jacobs & Co. Each volume will
be set in large type, and will contain eight or more
full-page colored illustrations. The first titles to be
published will be Stevenson's " Treasure Island,"
Hawthorne's " Wonder Book and Tanglewood Tales,"
and Miss Sewell's " Black Beauty."
Mrs. Alice Morse Earle, known to all American
readers through her graceful writings on colonial and
gardening subjects, died at her son's home in Hemp-
stead, Long Island, February 16. She was born in
Worcester, Mass., in 1853. Among her best-known
books are the following: " Sundials and Roses of Yes-
terday," "The Sabbath in Puritan New England,"
" China Collecting in America," "Customs and Fashions
in Old New England," " Life of Margaret Winthrop,"
" Diary of a Boston Schoolgirl," " Historic New York,"
" Old-Time Gardens," and " Two Centuries of Costume
in America." Mrs. Earle was for several years a
frequent and valued contributor to THE DIAL, but
persistent illness during the last years of her life made
this and all other literary work impossible.
1911.]
THE DIAL
171
TOPICS IK LEADING PERIODICALS.
March. 1911.
Alma-Tadema's Hall of Panels. Rudolph de Cordova. Scribner.
American. The Provincial. Meredith Nicholson. Atlantic.
Anti-Clericalism in France. Kenneth Bell. Forum.
Architectural League of New York. H. W. Frohne. Int. Studio.
Argentina, Progressive. James Davenport Whelpley. Century.
Boys and the Theatre. Frederick Winsor. Atlantic.
Campaign Management. Emily Newell Blair. Outlook.
Capital in America. John Moody and George Turner. McClure.
Carcassonne. George Allan England. Century.
Census. The Thirteenth. Katherine Cavanagb. Bookman.
China. Christianity in. Edward A. Ross. Century.
Class-Consciousness. Vida D. Scndder. Atlantic.
Crawford, Earl Stetson. A. Lenalie. International Studio.
Crime, Outdoor Treatment of. H. R. Cooley. Outlook.
Decoration. A New Motive in. Harrison 8. Morris. Century.
Etchers, The Chicago Society of. Maude Oliver. Int. Studio.
Express Monopoly, The Great. Albert W. Atwood. A merican.
Faith. Scientific. John Burroughs. Outlook.
Fashion. The Glass of. Edward Fuller. Bookman.
German Book Arts, The. William Allen. Bookman.
Get-Rich-Quick Game. The. C. M. Keys. World'* Work.
Gifted, The Should They Marry? Minna T. Antrim. Lippincott.
Gilder, Richard Watson. Maria Lansdale. Century.
Harrison, Mrs. Burton, Recollections of I. Scribner.
Himalayas, A Quest in the. Mary B. Beebe. Harper.
Human Conservation. Experiments in. R. W. Bruere. Harper.
India, Religion and Caste in. Price Collier. Scribner.
Japanese Basket Work. Oliver Wheatley. International Studio.
Labor Union. The Case against. Washington Gladden. Outlook.
La Farge An Appreciation. F. J. Mather. Jr. World'* Work.
Letters and their Writers, Some. Ellen Terry. McClure.
Liberty, A Definition of. Isaac L. Rice. Forum.
Lincoln, Abraham, Recollections of. Hamilton Busbey. Forum.
Living, Regulating the Cost of. H. J. Howland. Outlook.
Lowell, John. The Legacy of. H. Addington Bruce. Outlook.
Luther, Martin, and his Work. Arthur C. McGiffert. Century.
McAdoo and the Subway. Burton J. Hendrick. McClure.
Miniature Painters, Society of. Alice Searle. Int. Studio.
Nationalism and the Judiciary. Theodore Roosevelt. Outlook.
New York's New Library. David Gray. Harper.
Ocean's Floor, Exploring the. Sir John Murray. Harper.
Parrots, In Praise of. Franklin James. Atlantic.
Peat-Bog, The Story of the. Jacob A. Riis. Outlook.
Pension Carnival, The VI. William B. Hale. World 1 * Work.
Photography Exhibition, National. W. D. MacColl. Int. Studio.
Portuguese of Provincetown, The. Mary Heaton Vorse. Outlook.
Property tax. Effect of the. Albert Jay Nock. American.
Prudery. The Price of. Caleb Williams Saleeby. Forum.
Recreation through the Senses. P. W. Goldsbury. Atlantic.
Rich, A Word to the. Henry L. Higginson. Atlantic.
Riley. James Whitcomb. Hewitt H. Howland. Bookman.
Scenic Novel, The. Ellis Parker Butler. Atlantic.
Scientific Management, Principles of. F. W. Taylor. American.
Shaw, Bernard : The Realizer of Ideals. Temple Scott. Forum.
Sierra. My First Summer in the. John Muir. Atlantic.
Slave Plantation, The, in Retrospect. W. M. Daniels. Atlantic.
Slums, Down to the. Henry Oyen. World 1 * Work.
Steel Workers, The Strain on the. John A. Fitch. American.
Taylor, Frederick W. Ray Stannard Baker. A merican.
Translations of Classics, Famous. Calvin Winter. Bookman.
Trees, Living, A Museum of. F. L. Bullard. World'* Work.
Trusts, German Good-Will toward. Elmer Roberts. Scribner.
Two-Party Politics, A Criticism of. J. N. Lamed. Atlantic.
United States Army. The II. H. L. Clotworthy. World 1 * Work.
Virginia in Fiction. Louise Collier Willcox. Bookman.
Wagner Memoirs, The Real. Albert Banselow. Bookman.
Washington in a Revolutionary Crisis. W. C. Ford. Century.
Washington's Sense of Humor, Wayne Whipple. Century.
World Peace, The Dawn of. Hamilton Holt. JTor/d' Work.
Znni, The Little World of. Charles F. Saunders. Outlook.
IJST OF XEW BOOKS.
[The following list, containing 84 titles, includes books
received by THE DIAL since its last issue.]
BIOGRAPHY AND REMINISCENCES.
The Growth of Napoleon: A Study in Environment. By
Norwood Young. Illustrated, large 8vo, 468 pages. Dnffield
& Co. $3.75 net.
Lady John Russell: A Memoir. Edited by Desmond Mac-
Carthy and Agatha Russell. Illustrated in color, etc., large
8vo, 325 pages. John Lane Co. $3.50 net.
The Lighter Side of My Official Life. By Sir Robert
Anderson. With photogravure frontispiece, 8vo, 295 pages.
George H. Doran Co.
David Rlcardo : A Centenary Estimate. By Jacob H. Hol-
lander. 8vo, 137 pages. " Johns Hopkins University Studies
in Historical and Political Science." Baltimore: Johns
Hopkine Press. Paper.
GENERAL LITERATURE.
French Men, Women, and Books: A Series of Nine
teenth-Century Studies. By Miss Betham-Ed wards. Illus-
trated, large 8 vo, 250 pages. A. C. McClnrg & Co. $2 .50 net.
Meredith's Allegory: The Shaving: of Shag-pat. Inter-
preted by James McKechnie. 12mo, 246 pages. George H.
Doran Co.
Edgrehill Essays. By Adrian Hoffman Joline. Large Svo,
226 pages. Richard G. Badger. $2. net.
Repetition and Parallelism in Tennyson. By Emile
Lauvriere. 16mo, 107 pages. Oxford University Press. Paper.
NEW EDITIONS OF STANDARD LITERATURE.
The Complete Poems of Emily Bronte. Edited by Clement
Shorter ; with introduction by W. Robertson Nicoll. Large
Svo, 331 pages. George H. Doran Co.
The Works of George Meredith. Memorial Edition. Vol-
umes XXIII., XXIV.. and XXV.: Poems. Illustrated in
photogravure, etc., Svo. Charles Scribner's Sons. (Sold
only in sets by subscription.)
Two on a Tower. By Thomas Hardy. New thin-paper edi-
tion; with photogravure frontispiece, 16mo, 333 pages.
Harper & Brothers. Cloth. $1 .25 ; leather, $1 .25 net.
Everyman's Library. New volumes : Crime and Punishment,
by Fedor Dostoieffsky, with introduction by Laurence
Irving; The Pilgrim Fathers. Each 16mo. E. P. Dutton &
Co. Per volume, 35 cts. net.
BOOKS OF VERSE.
Dream and Drama. By Robinson Smith. I6mo, 25 pages.
Hartford, Conn.: G. F. Warfield & Co.
The Rnbaiyat of Omar Khayyam. Translated from the
original Persian by Isaac Dooman. 16mo, 77 pages.
Richard G. Badger. $1. net.
FICTION.
The Chasm. By George Cram Cook. 12mo, 379 pages. Fred-
erick A. Stokes Co. $1.25 net.
The Canon In Residence. By Victor L. Whitechurch. 12mo.
247 pages. Baker & Taylor Co. $1.20 net.
A Woman with a Purpose. By Anna Chapin Ray. With
frontispiece in color, 12mo. 338 pages. Little, Brown, & Co.
$1.25 net.
The Married Miss Worth. By Louise Closser Hale. I2mo.
279 pages. John Lane Co. $1.20 net.
How Leslie Loved. By Anne Warner. Illustrated in color.
12mo. 292 pages. Little, Brown, & Co. $1.25 net.
Princess Katherine. By Katherine Tynan. I2mo. 331 pages.
Dnffield & Co. $1.20 net.
Alise of Astra, By H. B. Marriott Watson. With frontis-
piece. 12mo, 312 pages. Little, Brown, A Co. $1.50.
The Prodigal Judge. By Vaughan Kester. Illustrated, Svo,
448 pages. Bobbs-Merrill Co. $1.50.
The Vow. By Paul Trent. With frontispiece in color, 12mo,
341 pages. Frederick A. Stokes Co. $1.25 net.
The Young Idea : A Comedy of Environment. By Frank A.
Swinnerton. 12mo, 308 pages. Duffield & Co. $1.10 net.
The Man With the Scar. By Warren and Alice Fones. With
frontispiece, 12 mo. 244 pages. Richard G. Badger. $1.50.
The Makings of a Girl. By Emma E. Meguire. 12mo. 190
pages. Richard G. Badger. $1. net.
RELIGION AND THEOLOGY.
Essays in Modern Theology and Related Subjects. By
Charles Augustus Briggs. Large Svo, 347 pages. Charles
Scribner's Sons. $2.50 net.
The Christ Myth. By Arthur Drews ; translated by C. Delisle
Burns. Third edition, revised and enlarged ; Svo. 303 pages.
Open Court Publishing Co. $2.25 net.
The Country Church and the Rural Problem: The
Carew Lectures at Hartford Theological Seminary, 1909.
By Kenyon L. Butterfield. 12mo, 153 pages. University of
Chicago Press. $1. net.
172
THE DIAL
[March 1,
Modern Thought and Traditional Faith. By George
Preston Mains. 8vo, 279 pages. Eaton & Mains. $1.50 net.
Thoughts on Ultimate Problems : A Series of Short
Studies on Theological and Metaphysical Subjects. By
W. Frankland. Fourth and enlarged edition; 16mo, 101
pages. London : David Nutt. Paper.
Commentary on the Bible according: to Matthew. By
A. T. Robertson. I6mo, 294 pages. " The Bible for Home
and School." Macmillan Co. 60 cts. net.
PUBLIC AFFAIRS.
Land Problems and National Welfare. By Christopher
Turner; with introduction by the Bight Hon. Viscount
Milner. Large 8vo, 343 pages. John Lane Co. $2.50 net.
War or Peace : A Present Day Duty and a Future Hope. By
Hiram M. Chittenden. 12mo, 273 pages. A. C. McClurg&
Co. $1. net.
The Kan-Made World of Our Androcentric Culture. By
Charlotte Perkins Oilman. 12mo, 260 pages. Charlton Co.
$1. net.
NATURE AND OUT-DOOR LIFE.
The Adventures of James Capen Adams, Mountaineer
and Grizzly Bear Hunter of California. By Theodore H.
Hittell. New edition ; illustrated, 12mo, 373 pages. Charles
Scribner's Sons. $1.50 net.
The Fine Art of Fishing. By Samuel G. Camp. Illustrated,
16mo, 177 pages. Outing Publishing Co. $1. net.
The Life of a Foxhound. By John Mills. Illustrated in
color, etc., 8vo, George H. Doran Co.
Cone-Bearing: Trees of the California Mountains. By
J. Smeaton Chase. Illustrated, 16mo, 95 pages. A. C.
McClurg & Co. 75 cts. net.
BOOKS FOB THE YOUNG.
A Guide to English History for Young Readers. By Henry
William Elson. Illustrated, 12mo, 298 pages. " The Guide
Series." Baker & Taylor Co. $1.25 net.
I Wonder: Essays for the Young People. By the writer of
" Confessio Medici." 8vo, 109 pages. Macmillan Co. $1.25 net.
Truths : Talks with a Boy concerning Himself. By E. B.
Lowry. 16mo, 95 pages. Chicago : Forbes & Co. 50 cts. net.
Entertainments for All the Year. By Clara J. Denton.
iGmo, 220 pages. Penn Publishing Co. Paper 80 cts. net.
EDUCATION.
A Cyclopedia of Education. Edited by Paul Monroe. Vol-
ume I., 654 pages. Macmillan Co. $5. net.
The Chief Elizabethan Dramatists, including Shakespeare :
Selected Plays. Edited by William Allan Neilson. With
frontispiece, 8vo, 878 pages. " Chief Poets Series." Hough-
ton Mifflin Co. $2.75 net.
Fundamentals in Education, Art, and Civics : Essays and
Addresses. By George Lansing Raymond. 12mo, 350 pages.
Funk & Wagnalls Co. $1.40 net.
Elements of Zoology to Accompany the Field and Laboratory
Study of Animals. By Charles Benedict Davenport. Illus-
trated in color, etc., 12mo, 503 pages. Macmillan Co. $1.25 net.
The Classic Myths in English Literature and in Art. By
Charles Mills Gayley. Illustrated, 8vo, 597 pages. Ginn &
Co. $1.60 net.
The Teaching of Agriculture in the High School. By
Garland Armor Bricker; with introduction by Dr. W. C.
Bagley. 12mo, 202 pages. Macmillan Co. $1. net.
A Latin Grammar. By Harry Edwin Burton. 12mo, 337 pages-
Silver, Burdett & Co. 90 cts. net.
Sudermann's Fran Sorge. Edited by Eugene Leser and
Carl Osthaus. With portrait, 16mo. 252 pages. D. C.
Heath & Co.
Oxford German Texts. New volumes: Agnes Bernauer, by
Friedrich Hebbel ; Iwav der Schreckliche, by Hans Hoff-
mann. 16mo. Oxford University Press. Per vol. ,60 cts. net.
Cooper's the Deerslayer. Edited by M. F. Lansing. Illus-
trated, 16mo, 378 pages. Ginn & Co. 65 cts. net.
Holt's German Texts. New volumes: Meissner's Das
Marchen von Heute ; Loening-Arndt's Deutsche Wirtschaf t .
16mo. Henry Holt & Co.
Las Mejores Poesias Liricas de La Lengua Castellana. By
Don Elfas C. Hills and Don Silvano G. Morley. 12mo,
224 pages. Henry Holt & Co.
The Quest of the Four-Leafed Clover: A Story of Arabia.
By Walter Taylor Field. 16mo, 209 pages. Ginn & Co.
40 cts. net.
Deutsche Gedichte. By Camillo von Klenze. With frontis-
piece. 16mo, 332 pages. Henry Holt & Co.
The Half Dollar Music Series. New volumes: Favorite
Songs; Favorite Duets for 'Cello and Piano. Each 8vo.
Oliver Ditson Co. Per volume, 50 cts.
Standard English Classics. New volumes: Macaulay's
Essays on Clive and Hastings ; Lodge's Rosalynde ; Shake-
speare's Midsummer-Night's Dream; Parkman's Oregon
Trail; Dickens's David Copperfleld. Each 16mo. Ginn &
Co. Per volume, 35 cts. net.
Physical Training in and out of School. By William Torrey
Harris. 16mo, 35 pages. Syracuse, N. Y. : C. W. Bardeen.
Paper.
La Jeune Siberienne. By Xavier de Maistre ; edited by C.
Fontaine. 16mo, 121 pages. D. C. Heath & Co. 30 cts. net.
Practical Guide to German Pronunciation.. By Edward
Albert Grossmann. 16mo, 49 pages. New York : J. J. Little
& Ives Co.
Italian Grammar. By Nazareno Orlandi. 8vo, 371 pages.
Siena: Tip. Sociale.
Heat. By J. Gordon Ogden. Illustrated, 16mo, 119 pages.
Chicago : Popular Mechanics Co.
Merrill's English Texts. New volumes : Macbeth ; As You
Like It. Each with portrait, 16mo. Charles E. Merrill Co.
Per volume, 25 cts. net.
BOOKS OF REFERENCE.
The American Year Book: A Record of Events and Progress,
1910. Edited by S. N. D. North. 12mo. 867 pages. D.
Appleton & Co. $3.50 net.
Who's Who, 1911: An Annual Biographical Dictionary.
Sixty-third issue ; 12mo, 2245 pages. Macmillan Co. $2.50net.
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By A. C. McGIFFERT, Ph.D., D.D., Professor of Church History in the
Union Theological Seminary, New York.
A new volume in the important series of hand-books, "Studies in Theology,"
which aims to bring all the resources of modern learning to the interpretation of
the Scriptures, and to place within the reach of all who are interested the broad
conclusions arrived at by men of distinction in the world of Christian scholarship
on the great problems of Faith and Destiny. ^. ^
12 mo. Cloth. 75 cents net. /^jj^Mi^
CHARLES SCR/BNER'S SONS FIFTH AVENUE, NEW YORK
180 THE DIAL, [March 16,
NEW YORK r'HTPAHO SAN FRANCISCO
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A. C. McCLURG & CO.'S
Announcements-Spring, 1911
Love Under Fire. By Randall Parrish, author of " My Lady of the South," " Keith of the Border," etc .
With 5 full-color illustrations by Alonzo Kimball. Crown 8 vo. $1.35 net.
In the course of his wooing the gallant Northerner, Lieutenant Galesworth, has his hands full, and
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Love Besieged. By Charles E. Pearce, author of " The Bungalow Under the Lake," etc. With 5 full-
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Robert Louis Stevenson in California. By Katharine D. Osbourne. With numerous illustrations.
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Mrs. Osbourne has written an account of the famous writer's sojourn in California, reproducing many
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From Rough Rider to President. Translated by Prof. Frederick von Riethdorf from the German of
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1911.] THE DIAL 181
A. Q McClurg & Co.'s Spring Announcements
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My Friend Will. Two books by Chas. F. Lummis. Small 18mo. Illustrated.
The Gold Fish of Gran Chimu. Each 75 cents net.
The latter
The first named is a chapter of human experience which carries a message to all in affliction or adversity,
atter is a new edition of one of Mr. Lummis's classics.
182
THE DIAL
[March 16,
Robert Hichens New Novel
"Che Dweller on
the Threshold
By the author of
"The Garden of Allah,"
" Bella Donna," etc.
Robert Hichens 9 s
THE DWELLER
ON THE
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A magical novel which has drawn on
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"IS NOT THE GREATEST WRITER
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12 mo, 273 pages.
Price, $1.00 net, postage 10 cents
WHEN
HALF-GODS GO
By Helen R. Martin
A brilliant and heart-stirring chronicle of a
wife's struggle to hold her husband's love
and loyalty played out to the only pos-
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12mo, 154 pages
Price, $1.00 net, postage 7 cents
MOLLY
MAKE-BELIEVE
By Eleanor Hallowell Abbott
Not a book of letters, but the plot turns, in
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letters whimsical, merry, sympathetic,
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"THOSE LOVE LETTERS; YOU'VE
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Pictures
Price, $1.00 net, postage 8 cents
COMING IN APRIL
MISS LIVINGSTON'S COMPANION
A dramatic and picturesque story of old New York, by Mary C. Dillon.
THE CENTURY CO.
UNION SQUARE
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1911.]
THE DIAL
183
MOFFAT, YARD
4. COMPANY
BOOKS OF REAL IMPORTANCE
MOFFAT, YARD
& COMPAAY
THE WORLD OF LIFE
\
A Manifestation of Creative Power, Directive Mind, and Ultimate Purpose
By ALFRED RUSSEL WALLACE, O.M., F.R.S., D.C.L.
8vo. $3.00 net. By mail, $330.
" The impressive importance of the book," writes William Roseoe Thayer, of Harvard, " lies in the author's
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THE INTERPRETATION OF HISTORY
By MAX NORDAU 8vo. $2.00 net. By mail, $2.18.
CONTENTS
I. History and the Writing of History. V. Society and the Individual.
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BASSET, A Village Chronicle
By S. G. TALLENTYRE
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12mo. $1.25 net. By mail, $1.37.
A novel of exquisite quality, told in brilliant pictures.
Scene, rural England.
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GRAY DAYS AND GOLD
BY WILLIAM WINTER
Uniform wilh " Shakespeare's England." Large 8vo. Elaborately illustrated.
This is much more than the celebrated book of many editions under
rewritten and largely new.
Boxed, $3.00 net. By mail, $3.30.
this title. It is almost wholly
I. Southampton. X.
II. Salisbury ; Stonehenge. XI.
III. Haunts of Moore. XII.
IV. Bath and Bristol. XIU.
V. The Faithful City. XIV.
VI. Lichfield ; Dr. Johnson. XV.
VH. Bosworth ; King Richard. XVI.
Vm. Old York. XVII.
IX. Stratford Gleanings.
CONTENTS
The Childs Fountain.
The Shakespeare Church.
Rambles in Arden.
On the Avon.
Hereford; Tintern Abbey.
Tennyson.
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Nottingham ; Newstead.
XVIII. Byron.
XIX. Hucknall-Torkard Church
XX. Haunts of Wordsworth.
XXI. Gray and Arnold.
XXII. Through Surrey and Kent.
XXIII. A French Vignette.
XXIV. London to Edinburgh.
XXV. Memorials.
MOFFAT, YARD & COMPANY
NEW YORK CITY
184
THE DIAL
[March 16,
RECENT PUBLICATIONS OF
D. APPLETON & COMPANY
29-35 West Thirty-second Street, New York City
DIAZ: MASTER OF MEXICO
By JAMES CREELMAN
Illustrated from Portraits, Photographs, Paintings, etc. 8vo, cloth, $2.00 net.
This timely volume is more than a biography of the remarkable Mexican President. Besides relating the chief events
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opportunities for gathering material and his book contains a large amount of new and illuminating data.
EGYPT: ANCIENT SITES AND MODERN SCENES
By G. MASPERO
Profusely illustrated. 8vo, cloth, gilt top. $6.00 special net.
" A delightful book about Egypt which every traveller on the Nile should read. The author takes his readers up the river
from the delta to Assuan. He tells what he sees on the way ; sometimes only the modern scene, sometimes a story of
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cannot go there in person in most attractive form." New York Sun.
FAMILIAR TREES AND THEIR LEAVES
By F. SCHUYLER MATHEWS
Newlv revised and enlarged. 12 pictures in color and about 220 Drawings from Nature bv the Author. Large 12mo.
Cloth, $1.75 net.
This manual has been brought up to date by a thorough and systematic revision. A supplement has been added contain-
ing information about many trees which were not discussed in the earlier editions. The result is that the book, which
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THE PRINCIPLES OF INDUSTRIAL MANAGEMENT
By JOHN CHRISTIE DUNCAN, Ph.D.
12mo, cloth, $2.00 net.
The object of this book is to present a scientific treatise on the business management of corporations. It furnishes more
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RAILROAD TRAFFIC AND RATES
By EMORY R. JOHNSON and GROVER G. HUEBNER
Elaborately illustrated with Maps, Charts, Diagrams, and forms. 8vo, cloth, 2 volumes, $5.00 net.
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in transportation questions.
THE PREVENTION OF INFECTIOUS DISEASES
By ALVAH H. DOTY, M.D.
With complete index. 12mo, cloth, $2.50 net.
The splendid work which Dr. Doty, as Health Officer of the Port of New York, has been doing for years in saving New York
from the spread of infectious diseases gives his book special importance. He deals with the subject from the practical
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they may be prevented.
THE AMERICAN YEAR BOOK FOR 1910
A Record of Events and Progress
887 Pages. Completely indexed. Small 8vo. red cloth, $3.50 net.
The American Year Book records the happenings during the year in every department of human activity, with especial
stress on American affairs. It is not to be confused with the ordinary newspaper almanacs. It covers progress in the
fields of science, history, literature, art, sociology, politics, commerce, etc., and has in addition concise national and inter-
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the aim of the editors to reach the highest point of authority and accuracy. All the departments have been handled by
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absolutely reliable.
1911.]
THE DIAL
185
NEW BOOKS OF GENERAL INTEREST
You may find JUST THE BOOK you want for a friend, for a customer, for your library,
whether public or private, or even for yourself, by CONSULTING THIS PAGE.
IMPORTANT FICTION
George Barr McCutcheon's
WHAT'S-HIS-NAME
One of the brightest, truest, most touching, and
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Full-page illustrations in color by HARRISON
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William Hamilton Os home's
THE CATSPAW
A remarkable detective story by the clever law-
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Rina Ramsay's
THE WAY OF A WOMAN
How the adventurous, romantic, astonishingly
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Louis Joseph Vance's
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Louis Joseph Vance is the man who knows how
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A thrilling tale of the Klondike by an author
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ESSAYS AND BELLES LETTRES
Gilbert K. Chesterton's
ALARMS AND DISCURSIONS
This brilliant writer's latest book. " What's Wrong
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outside of fiction last Fall. 12mo. $1.50 net.
TRAVEL
Esther Singleton's
HOW TO VISIT THE
GREAT PICTURE GALLERIES
Contains just the information the average tourist
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$2.00 net ; limp leather $2.50 special net.
W. H. Koebel's
ARGENTINA, PAST AND PRESENT
A very sane, interesting, and illuminating book
about our lusty young neighbor to the southward.
Illustrated. Large Svo. $4.00 net.
E. Temple Thurston's
THE PATCHWORK PAPERS
There conld be no more characteristicallyf resh, sim-
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MISCELLANEOUS
Dr. Frederic Taber Cooper's
THE CRAFTSMANSHIP OF WRITING
An extremely practical, sensible, well-thought-out
guide to young authors and would-be authors.
12mo. $1.20 net.
THE
Waldemar Kaempffert's
NEW ART OF FLYING
Bound to be popular, for it 's the latest, clearest,
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Many illustrations. Svo. $1.50 net.
DODD, MEAD & COMPANY Publishers New York City
186 THE DIAL [March 16,
SCIENCE PHILOSOPHY RELIGION
OPEN COURT PUBLISHING COMPANY
NEW BOOKS
THE CHRIST MYTH BY ARTHUR DREWS, Professor of Philosophy at Karlruhe.
Pp. 304. Cloth. $2.25 net.
An Essay in Christian Mythology along lines similar to " Pagan Christs" " Christianity and Mythology."
The author's conclusion is that Jesus was not a historical figure but the suffering God of a Jewish sect.
TRUTH ON TRIAL: An Exposition of the nature of Truth, preceded by a critique
of Pragmatism. By PAUL CARUS, Ph.D. Pp.144. Cloth. $1.00. Paper, 50 cents.
The Open Court Publishing Co. have brought out the following books, by two famous scientists, at a great expenditure
of money and labor, giving the reader a clear and simple, but thorough, understanding of the subjects.
By HUGO DE VRIES
of To.J ay .
THE MUTATION THEORY
Experiments and Observations on the Origin of Species in the Vegetable Kingdom. (.2 vols.) Bibliography and
Index. Price $4.00 per vol. net. 582 pp. 114 illustrations. Six colored plates (lithographs).
Dr. John M. Coulter of the University of Chicago, says in the flotanical Gazette : " The Open Court Publishing Com-
pany is to be congratulated for their real contribution to the advancement of knowledge in assuming the responsibility
of publishing an English translation of Hugo De Vries's great work entitled, ' The Mutation Theory.' "
INTRACELLULAR PANGENESIS
An investigation of the physiology of heredity, especially the facts of variation and of atavism. 300 pp. Cloth. $3.00.
" The most important contribution to science by the greatest living botanist." New York 8un.
"Any ne_w book by Hugo de Vries is bound to be read with interest, not only because of the part which the author has
played in giving us the mutation theory, but also because it may help to settle some other more doubtful points in that
theory. In 1868 Darwin himself wrote to J. D. Hooker: ' I feel sure if Pangenesis is now still-born, it will, thank God ! at
some future time reappear, begotten by some other father and christened by some other name.' Had Charles Darwin
lived, he would have seen how successfully Hugo de Vries revealed the great truth contained in his well-abused Hypothesis
of Pangenesis. Although it can never be absolutely demonstrated as true, the formulation of the hypothesis of intra-
cellular pangenesis marks the beginning of the greatest and most important forward step made in the study of the origin
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resulted in permanently removing the entire question of organic evolution from the realm of ineffective speculation and
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ism of matter in the living state " Scientific A merican.
" Though it attracted little attention at the time of its appearance, an honorable place in the history of our science
must be accorded to the" paper published by De Vries (1889) under the title Intracellular Pangenesis. This essay is remark-
able as a clear foreshadowing of that conception of unit-characters which was destined to play so large a part in the
development of genetics." An extract from Mendel's " Principles of Heredity," by Bateson,
SPECIES AND VARIETIES: Their Origin by Mutation
Second Edition, thoroughly Corrected and Revised, with Portraits. Price, postpaid, $5.00 net. xxiii.+ 830 pages.
8vo, cloth, gilt top. A readable recital of the facts and details which furnish the basis for the mutation theory of the
origin of species.
PLANT BREEDING
Comments on the Experiments of Nilson and Burbank. A scientific book in simple language. Of special value to
every botanist, horticulturist, and farmer. Pp. xv. +360. Illustrated with 114 beautiful half-tone plates from nature.
Cloth. Price, $1.50 net. Mailed, $1.70.
By PROFESSOR ERNST MACH
"Science is the economy of thought.' 1 (Science of Mechanics, p. 481.)
JUST PUBLISHED
THE HISTORY AND THE ROOT OF THE PRINCIPLES OF
CONSERVATION OF ENERGY Translated by Philip E. B. Jourdain. Cloth. $1.25 net.
THE SCIENCE OF MECHANICS A Critical and Historical Account of Its Development.
Illustrated. $2.00 net. " A useful supplement to the ordinary text-book." The Physical Review.
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CONTRIBUTIONS TO THE ANALYSIS OF THE SENSATIONS
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SPACE AND GEOMETRY IN THE LIGHT OF PHYSIOLOGICAL PSYCHOLOGICAL
AND PHYSICAL INQUIRY
Translated by T. J. McCormack. Cloth, gilt top. $1.00 net. " Any reader who possesses a slight knowledge of
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THE OPEN COURT PUBLISHING COMPANY
Publishers and Importers of Standard Works of Science
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Send for complete illustrated catalogue. 378-388 WABASH AVENUE, CHICAGO
1911.]
TELE DIAL
187
Announcing Lippincott's
New Spring Books
The Capitals of China
By WILLIAM EDGAR GEIL
Author of" The Great Wall of Chin*."
With one hundred illustrations and 12 maps.
Large 8vo. Cloth, $5.00 net. Ready in April.
From Memory's Shrine
By CARMAN SYLVA (Queen of RoumaniaJ
A remarkable book of Her Majesty's
reminiscences.
With photogravure frontispiece and other illus-
trations. Cloth. $2.50 net. Ready in March.
A Short History of the United States Navy
By CAPTAIN GEORGE R. CLARK. U. S. N., and OTHERS
With 16 full-page illustrations and many pictures in the text. Cloth, $3.00 net. Ready in April-
An Unknown People in an
Unknown Land
By W. BARBROOKE GRUBB
With 60 illustrations and a map. Octavo.
33 pages. Cloth, $3.50 net.
Cliff Castles and Cave Dwellings
of Europe
By S. BARING-GOULD, M.A.
With 10 full-page illustrations. Octavo. 319
pages. Cloth, $3.50 net.
Seventeen Years Among the Sea Dyaks of Borneo
By EDWIN H. GOMES, M.A.
A record of Intimate Association with the Natives of the Bornean Jungles.
With 40 illustrations and a map. Svo. 343 pages. Cloth, $3.50 net.
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By SIR ANDREW H. L. ERASER. K.C.S.I.
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188
THE DIAL
[March IS,
Just Published:
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IN THE HEART OF AFRICA
By ADOLPHUS FREDERICK "The Foremost Sportsman in the Kaiser's Dominions."
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G. H. B. WARD
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The New Fiction:
JOHN FOSTER FRASER
Australia: The Making
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WOMAN'S WAR, $1.50 THE SLANDERERS, $1.50 SEVEN STREAMS, Net, $1.20 LOVE AMONG THE RUINS, $1.50.
Percy Brebner's
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fiction. Frontispiece in colors. Net, $1.20 (postage, 12 cents).
Publishers
CASSELL & COMPANY
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1911.] THE DIAL, 189
CROWELL'S NEW BOOKS
Literature
The Evolution of Literature By A. s. MACKENZIE
An account of the development of literature, from its beginnings with the chants, war-
dances, boat-songs, etc., of primitive man, down through the ancient Greek, Egyptian, and
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State University of Kentucky. Ten illustrations. Svo, cloth, net $2.50.
First Folio Shakespeare, Two New Volumes
Henry IV. Parts 1 and 2 Edited by CHARLOTTE PORTER
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best edition of Shakespeare for the serious student now available."
Photogravure frontispieces. Cloth, gilt top, each, 75 cents. Leather, Si.oo.
New Thought
The Miracle of Right Thought By ORISON SWETT MARDEN
" Replete with suggestion and encouragement for young men."
JOHN D. ROCKEFELLER, Jr.
" No man who endeavors to live as this book suggests can but be a better man, more use-
ful in his home and in his community." Boston Evening Transcript.
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Be Good to Yourself By ORISON SWETT MARDEN
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THOMAS Y. CROWELL & COMPANY NEW YORK
190 THE DIAL. [March 16,
Little, Brown, & Company's Spring Fiction
THE BROAD HIGHWAY By Jeffery Farnol
Sixth printing of a powerful romance " written with freshness and vigor, reminding one of Borrows, with plot and
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FORGED IN STRONG FIRES By John Ironside
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Little, Brown, & Company Publishers Boston
1911-] THE DIAL, 191
HIS PRIVATE LIFE BY HIS PRIVATE SECRETARY
CECIL RHODES
By PHILIP JOURDAN. 16 Illustrations. Cloth. 8vo. $2.50 net. Postage 20 cents.
" I wa* mott closely associated with him for eight years prior to hit death and he placed implicit confidence in
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whether marked ' strictly confidential ' or not." From the Introduction.
THE SILENCES OF THE MOON
By HENRY LAW WEBB. Cloth. 12mo. $1.50 net. Postage 15 cents.
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RECOLLECTIONS OF A SOCIETY CLAIRVOYANT
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THE FATE OF HENRY OF NAVARRE
By JOHN 8LOUNDELLE BURTON.
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SEYMOUR HICKS Twenty-four Years of an Actor's Life
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THE ROMANCE OF PRINCESS AMELIA
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LADY MARY COKE THE COUNTESS OF STRATHMORE ELIZABETH LADY HOLLAND
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MARY WOLLSTONECRAFT: A Study In Economics and Romance
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LABRADOR: Its Discovery, Exploration, and Development
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Frontispiece Photo by the author. Numerous other illustrations and maps. Cloth. 8vo. $6.00 net. Postage 30 cents.
JOHN LANE COMPMW* NEW YORK
192 THE DIAL. [March 16,
Spring Announcement 1911
DANA ESTES & COMPANY
PUBLISHERS BOSTON
Frank Brangwyn and His Work
By WALTER SHAW-SPARROW. With 20 Illustrations in Color, 16 in Collotype, and Cover
Design by the Artist. Crown 4to, $3.50 net.
Every phase of Frank Brangwyn's art is dealt with in this splendidly produced book: Oil Pictures,
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whole is beautifully illustrated in colors, with a diagram of the comparative sizes of Dogs and smaller
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For Her Namesake
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Talleyrand the Man
From the French of BERNARD DE LACOMBE. 8vo, Cloth, $3.50 net.
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Encouraged by the great success of this beautiful series we will issue at once the following NEW
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1911.]
THE DIAI,
193
Messrs. Duf field & Company Announce
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194
THE DIAL
[March 16,
Keeping Up
with Lizzie
Irving Bacheller
" The trouble," says the Honorable Socrates Potter,
who tells the story, "began when Samuel Henshaw,
grocer, started to make a queen of his daughter
Lizzie." The pace set by her corrupted the simpli-
city of the little Connecticut town, and the new houses,
"with towers on them," the automobiles, university
tuition, and foreign tours jeopardized the financial
stability of the community. The story is a shrewd
commentary on American life, and its humor and
humanity make it the best of Mr.
Bacheller's shorter books.
Illustrated. I2mo,
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net.
The Unknown
Justus Miles Forman
Suppose you had something of a very great and un-
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heart and you wanted to tell other people about it
what would you say ? That is somewhat the situa-
tion one finds one's self in in trying to talk about
" The Unknown Lady." It does n't make any differ-
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is Paris or a country town the story itself is there,
palpitating warm with life, vigorous with feeling,
appealing with gracious manner and
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With frontispiece.
Post 8^0, Cloth,
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The
Married Miss Worth
Louise Closser Hale
The comedy of an all-night rehearsal, the pathos of the never-ending one-night stands, the domestic side of
life behind the scenes all are here in this remarkable novel by the author of " The Actress." The real no
the fiction stage life is seen through the sympathetic eyes of a successful actress who can tell what she sees.
It is the heart story of stage folk. A husband and wife both temperamental actors go in separate companies
on his refusal to take an inferior part in a company with her. With frontispiece. Post S'uo, Cloth, $1 .20 net.
The Skipper and
the Skipped Holman Day
Full of humor, with the tang of the brine along
Cap'n Sproul's native Maine coast. Cap'n Sproul,
the author's famous character, has new humorous
adventures that turn the town topsy-turvy. Pitted
against the local tyrant, Colonel Gideon Ward, the
Cap'n is often in desperate straits. " A lot of medi-
tation and a little prayer will do wonders in this
world, especially when you're mad enough," is
Cap'n Sproul's philosophy.
Illustrated. Post 8<vo, Cloth, $1.50.
The
Lever
William Dana Orcutt
Philadelphia likes " The Lever " ;
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And Boston, too :
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Fortunata
Marjorie Patterson
Fortunata what a name for this won-
derful new girl this Italian Becky
Sharp! A new sort of heroine, indeed.
She attains her object, long schemed
for, by marrying a man of wealth, but
finds it difficult to play the partot the
simple, unsophisticated woman he at
first believes her. This will be the
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There is a wealth of characters like a
Hogarth drawing. With frontispiece.
Post 8-vo, Cloth, $1.30 net.
Mary Gary
Kate Langley Bosher
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ceived into all the house-
holds of America, a story
that, in time, will be as
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Glamourie
William Samuel Johnson
This romance of the soul of Paris is
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Dwight, a reserved New Englander.
The Irishman shows Dwight the
picture of his cousin, Golden Burke,
confessing his love for her. At the
last he explains to Dwight and
Golden the gospel of love "accord-
ing to St. Michael."
Post 8vo, Cloth, $1.20 net.
1911.] THE DIAL 195
The Baker & Taylor Co/s Books
THE NEW NATIONALISM ^ By Theodore Roosevelt
Mr. Roosevelt's declaration and defence of his political creed.
12mo, 268 pages. $1.50 net ; postage, 12 cents.
THE TENNESSEE SHAD By Owen Johnson
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THE CANON IN RESIDENCE By Victor L. Whitechurch
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GILE AD BALM A 8erte| of detective 8tories mlted by a ^^ romance By Bernard Capes
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DAN McLEAN'S ADVENTURES By Frederick Walworth Brown
Stirring exploits on the Mississippi among river pirates. An American " Treasure Island."
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THE BLUE GOOSE CHASE By Herbert K. Job
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MALORY'S KING ARTHUR AND HIS KNIGHTS By Henry B. Lathrop
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SEEING EUROPE BY AUTOMOBILE By Lee Meriwether
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Entered as Second-Class Matter October 8, 1892, at the Post Office at
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No. 694.
MARCH 16, 1911.
Vol. L.
CONTEXTS.
FRIEDRICH SPIELHAGEN 199
WANTED: A HANDBOOK OF CRITICISM.
Charles Leonard Moore 201
CASUAL COMMENT 203
A national library for Canada. How our copyright
laws impress an outsider. The advent of " Marie-
Claire." A record of recrimination. A librarian,
poet, and humorist. The morbid sensitiveness of
some novel-readers. The limited edition. Two
new Academicians. The " Orchard House " at Con-
cord. Count Apponyi and Kossuth. The human-
ities in France. The Carlyle house at Ecclef echan.
COMMUNICATIONS 205
A Word for Acrobatic Art. Irving K. Pond.
Words and their Ways. Charles Welsh.
NEW LIGHT ON BROWNING'S PERSONALITY.
Anna Benneson McMahan 206
PROBLEMS OF RACE ADJUSTMENT. Kelly Miller 209
A FRENCHMAN'S STUDY OF THE FRENCH
REVOLUTION. Fred Morrow Fling .... 212
DIVERTING DISSERTATIONS ON DICKENS.
Percy F. Bicknell 214
A NEW STUDY OF CHANCELLORSVILLE.
James M. Garnett 216
BRIEFS ON NEW BOOKS 217
Personal traits of Cecil Rhodes. A survey of pre-
Renaissance literature. More of Emerson's Jour-
nals. Bookbinding for libraries. A sound piece
of historical scholarship. Notes from a novelist's
sketch-book. Christianity and ethics. Freebooters
of the West Indies. An Italian soldier of the 16th
century.
BRIEFER MENTION . . 220
NOTES
222
ANNOUNCEMENTS OF SPRING BOOKS .... 223
A classified list of books to be issued by American
publishers during the Spring and Summer of 1911.
LIST OF NEW BOOKS . ..... .235
FRIEDRICH SPIELHA GEN.
There^was a period which may be roughly
designated as that of the seventies when the
American public was engaged in a series of
interesting discoveries in foreign literary parts.
This spirit of enterprise had been sporadically
manifested long before 1870, and did not by
any means subside with the close of the decade,
but it was perhaps most evident during the time
in question. It was a phenomenon coincident
with the disappearance of many of the great
English-speaking writers (especially novelists)
who had shaped our ideals during the genera-
tion just preceding, and with a decline in the
powers of those still remaining to us. It seemed
to be the instinctive expression of the feeling
that we had sucked our own orange nearly dry,
and that we needed new sources of refreshment.
Considerably earlier than the seventies, of
course, the curious New England mind had
occasionally fared abroad, and returned with
treasure-trove from Germany, or France, or
Italy. It may have been " Hesperus," or
" Consuelo," or "I Promessi Sposi " there
was nothing very systematic in the quest ; but
whatever it was, transcendentalists and farmers
and school-teachers pounced upon it, and ex-
tracted from it some sort of nutriment. Ideas
were much astir in those New England days, and
a new supply was welcome from any quarter.
It was well before the seventies that we had
discovered George Sand and Dumas and Hugo
("Les Miserables" is indissolubly associated,
not by a wretched jest alone, with our memories
of the Civil War), but it was not until the
middle eighties that Balzac became more than
a name to English readers. The idyllic side of
Bjbrnson and the impeccable artistry of Tour-
guenieff became our cherished possessions in the
seventies, but it was not until the following
decade that we found our way to Ibsen, and
learned that Tolstoy had written such books as
" Anna Karenina " and " War and Peace."
Meanwhile, many of our most interesting dis-
coveries were being made in the field of German
fiction. We had hardly known that there were
such things as German novels, aside from Goethe
and Jean Paul, and now we found out that there
were a great many of them, and some exceed-
ingly good. Particularly, we made the acquaint-
ance of Auerbach and Freytag and Spielhagen
200
THE DIAL
[March 16,
and Heyse, and were plunged deep into the dis-
cussion of " Auf die Hohe " and " Soil und
Haben" and " Problematische Naturen " and
" Kinder der Welt." They were books that
stirred the stagnant waters and opened new
avenues to the imagination. They were books,
moreover, that embodied in their several ways
definite idealisms, and thus supplied an element
that seemed to be singularly lacking in our
rather opportunist fiction in English.
Were these books as good as we once thought
them, when they made their appeal to the gen-
erous impulses of youth, and seemed to bear just
the message for which the spirit craved ? Prob-
ably not, since few people think them worth
reading nowadays, and the water that then
flowed under the bridges has long since been
merged with the sea. But with some men of
middle age here and there they remain as
ineffaceable memories, just now powerfully
evoked from the slumbering past by the news
of Spielhagen's death on the twenty-fourth of
February, at the exact age of eighty-two. We
are inclined to hold him, despite certain obvious
limitations, as good a novelist as Germany has
ever nurtured. This does not mean that he is
of the rank of Scott and Hugo, or of Thackeray
and Balzac, for it has not been given to the
German genius to produce such men, but it
does mean that he will have a high and lasting
place among those who made prose fiction the
distinctive literary form of the nineteenth
century. He was possessed of creative power,
intellectual grasp, and aesthetic intuition in
remarkable degree, and the fine balance of his
faculties, as displayed in the works written be-
tween 1860 and 1880, offers an object worthy
of our sincere admiration. If our modern
generation has lost the power to be moved by
those works of Spielhagen's middle period, it
is by so much the poorer, and the loss is hardly
to be offset by gains in other directions.
Friedrich Spielhagen's fourscore years span-
ned the period between Goethe's age and our
own. He was born February 24, 1829, at
Magdeburg, in the heart of Saxony, but his
impressionable boyhood time was largely spent
on the Pomeranian coast, and this Baltic land-
scape is often pictured in his novels. After
leaving the university, he became a teacher, but
soon drifted into journalism. After some years
in Leipzig and Hannover, he removed to Berlin
in the early sixties, and thereafter made the
capital city his home. He was not quite thirty
when he published " Klara Vere " and " Auf
der Dime " the novelettes which began the
long series of his works of fiction. His first
great novel, " Problematische Naturen," ap-
peared in 1861, and " Durch Nacht zum
Licht," its sequel, in the following year. Be-
fore the sixties were over, he had placed to his
account three other novels of the first magni-
tude, " Die von Hohenstein," " Hammer und
Amboss," and "In Reih und Glied." It is by
this group of works that he became known to
English readers in the seventies, although we
do not recall that an English translation of the
last-named novel ever saw the light. They gave
us unforgettable pictures of the life of Young
Germany its moods and its struggling aspira-
tions during the years when it was still under
the spell of Goethe, and was seeking to apply
his wisdom to the rapidly changing conditions
of modern life. This was the time of revolu-
tion, focussed in the great year of Forty-eight,
and it found in Spielhagen one of its chief
spiritual interpreters. His sympathies were with
the people, and the arrogance of the aristocracy
was depicted with bitter severity in " Die von
Hohenstein." The hero of " Problematische
Naturen " and its sequel was a youth of the
people who nevertheless dared to be a man, and
his figure became endeared to all romantic
hearts. The hero of "In Reih und Glied" is
thought to have had the young Lassalle for a
prototype. The message of "Hammer und
Amboss," on the other hand, was social rather
than political ; here was a powerful preachment
of the gospel of work alone efficacious in
healing the diseased mind, alone helpful in the
struggle for genuine freedom. " Nur die Arbeit
kann uns frei machen." How the words rang
in the ears of the generation that heard them,
how wholesome and authentic was the message
they conveyed !
It will be seen from what has just been said
(if there be any who need to have it indicated)
that Spielhagen was no mere dabbler in words,
no writer who stood aloof in aesthetic indiffer-
ence from the spec